郑云瀚个展 | 在家，出家

展览日期：2022/06/18 — 2022/07/31开幕时间：2022/06/18（周六）15:00-18:00出品：千高原艺术空间学术主持：李振华
艺术家：郑云瀚作品媒介：绘画、影像展览地点：四川省成都市高新区盛邦街，铁像寺水街南广场，千高原艺术空间电话：+ 86 - (0) 28 8512 6358邮箱：[e-mail]

“围在城里的人想逃出去，城外的人想冲进来。人生的愿望大多如此。”——钱钟书《围城》

这是一个关于人在逆境中的展览，起因是2020年武汉疫情封城，郑云瀚在中国传统节日的准备中，被滞留在家。情绪异常低落、无助。等待解封的心情，和身体一样慵懒，又期盼着奇迹发生。微信的问候和电话，都逐渐在日常生活的需要中，淡漠了。

我无意中拨通了他的电话，他没说太多，但当他提到在武汉，我知道那些在微信朋友圈传递的负能量和影像，切实地发生在我的朋友身上，也才开始意识到，人的情绪可以如此低沉。

又过了几天，我劝他开始创作，别浪费了时间，他只模糊的应承了。

又过了几天，郑云瀚说他有了一些拍摄影像的想法。

我说你去做，不要告诉我。

直到我收到他发来的影像。

“坚持不是为了追求结果，因为生活，本该如此”——郑云瀚 2020.03.27

“在武汉上空飞翔”——郑云瀚 2020.03.31

“一花一世界，一夜一枯荣”——郑云瀚 2020.04.08

“窗外的自由”——郑云瀚 2020.04.08

过了一阵子，武汉解封了。郑云瀚发来几幅画作，《防盗门》、《老铁锅》、《梅林午餐肉》、《钢琴》，在画布上，有着具体的空间痕迹，用水泥创作的，一些恒久被封禁在空间中的——日常物件，处于同一个绘画限定的，平面空间和尺度中。

▲郑云瀚，钢琴，丙烯、帆布、水泥、木板、丙烯酸液、清漆、固化剂，128×160cm，2020-2021

Zheng Yunhan, Piano, Acrylic, canvas, cement, wooden board, acrylic acid, varnish, hardener, 128×160cm, 2020-2021

2020年8月间，他再次发来创作过程中的绘画作品图，是他记忆复苏的时刻，那些陪伴他封禁的物件和空间，开始有了情感上的联系。绘画是相对平面化的，这和他长期使用三维软件，与建筑内部空间打交道有关。绘画中的立体和透视关系，被郑云瀚用一种工具化的、图示化的方式替代。明暗面的表达，被他用刮水泥的方式处理。画面中的物件逐渐还原其尺度，更多日常物件：床、椅子、暖壶、大衣柜……郑云瀚在探索绘画和日常的关系，记忆和感受的关系，媒介和认知的关系，最终回到个体承载的空间，空间中的一切，都成为艺术家观察的对象。

长久的相处，是相对的凝视。

▲郑云瀚，大衣柜，丙烯、帆布、水泥、木板、丙烯酸液、清漆、固化剂，200×120cm，2020-2021

Zheng Yunhan, Wardrobe, Acrylic, canvas, cement, wooden board, acrylic acid, varnish, hardener, 200×120cm, 2020-2021

两年的时间，一晃就过去了。这两年来，我关心的是机器取代人，是未来经济上的断裂，是人如何再次相聚和相处。但最重要的，应该还是记忆，在互联网信息时代，信息丰饶的世界中，一切也可能没有存在过。首先是时间上经常的混为一谈，去年的事可能发生在前年。其次是事件快速替换着群体的注意力，这一个月发生的，可能覆盖所有发生过的事件。在疫情的第三年，回望郑云瀚的创作，也才有了某种客体化的平静和安宁，作品综合物质、时间和事件的张力，有光晕，这大抵来自经历时间的永恒感。希望能与我们共有的时光和时代同在。

《在家/出家》是一个再普通不过的，每天都会发生的动作，在某些特殊时期，也需要经历一些时刻，被延长为无助和焦灼的情绪，进而发展出不可能中的可能。

在家未必是修行，出家未必了尘缘。（文：李振华）

▲郑云瀚，客厅窗外，丙烯、帆布、水泥、木板、丙烯酸液、清漆、固化剂，165×290cm，2020-2021

Zheng Yunhan, Outside the living room window, Acrylic, canvas, cement, wooden board, acrylic acid, varnish, hardener, 165×290cm, 2020-2021

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At home, away from home

Duration: June 18, 2022 - July 31, 2022

Opening: June 18, 2022 (Saturday) 15:00-18:00

Organizer: A Thousand Plateaus Art Space

Academic Chair: Li Zhenhua

Artist: Zheng Yunhan

Media: Painting, Video

Venue: A Thousand Plateaus Art Space, South Square, Tiexiang Temple Riverfront, Shengbang Street, High-tech Development Zone, Chengdu, China

Tel: + 86 - (0) 28 8512 6358

E-mail: [e-mail]

“Those who are outside want to get in, and those who are inside want to get out. The wishes of life are mostly like this.” (by Qian Zhongshu, Fortress Besieged)

This is an exhibition about people in adversity, which can be traced back in 2020, when Wuhan was locked down due to Covid-19, as Zheng Yunhan was stranded at home in the middle of his preparation for Chinese traditional festivals, with abnormal depression and helplessness. The mood of waiting for the lockdown to be lifted is as lazy as the body, and looks forward to a miracle. Wechat and phone greetings calls have gradually become indifferent to the needs of daily life.

▲郑云瀚，芝华士，丙烯、帆布、水泥、木板、丙烯酸液、清漆、固化剂，27×40cm，2020-2021

Zheng Yunhan, Chivas, Acrylic, canvas, cement, wooden board, acrylic acid, varnish, hardener, 27×40cm, 2020-2021

I accidentally dialed his number, but he didn't talk much. But when he mentioned Wuhan, I felt that the negative energy and images transmitted in the Wechat Moments actually happened to my friend, and I began to realize that how depressed people can be.

A few days later, I advised him to start working to not waste time, he only agreed vaguely.

A few more days later, Zheng Yunhan said that he had some ideas for filming.

I told him to just do it and do not tell me.

Until I received his photography works.

“Persistence is not to pursue results, because that’s the way life should be” - Zheng Yunhan 2020.03.27

“Floating through the sky of Wuhan” - Zheng Yunhan 2020.03.31

“A world in a flower, a rise and fall in a night” - Zheng Yunhan 2020.04.08

“Freedom outside the window” - Zheng Yunhan 2020.04.08

▲郑云瀚，走廊对开门，丙烯、帆布、水泥、木板、丙烯酸液、清漆、固化剂，200×120cm，2020-2021

Zheng Yunhan, French doors to the hallway, Acrylic, canvas, cement, wooden board, acrylic acid, varnish, hardener, 200×120cm, 2020-2021

After a while, Wuhan lifted its lockdown. Zheng Yunhan sent several paintings, “Burglar Proof Door”, “Old Iron Pot”, “Maling Canned Pork Luncheon Meat” and “Piano”. These works are on the canvas with specific spatial traces. These daily objects are created with cement and permanently sealed in space, are in the same plane space and scale defined by the same painting dimension.

In August, 2020, he sent again some new painting works in process, which captured the moment when his memory was revived. The objects and spaces that accompanied him during lockdown became emotionally connected with him. These paintings are relatively flat, which is related to his long-term usage of three-dimensional software to deal with the internal space of the building. The stereoscopic and perspective relationship in painting is replaced by an instrumental and pictorial treatment approach by Zheng Yunhan. The expression of the light and shade is handled by scraping cement. The objects in the frame gradually restore their status, and there comes more daily objects: bed, chairs, thermos bottle, and wardrobe... Zheng Yunhan is exploring the relationship between painting and daily life, between memory and feeling, and between media and cognition, and finally returns to the space carried by individuals. Everything in the space has become the object of observation by the artist.

The result of long term coexistence is gazing of each other.

▲郑云瀚，梳妆台，丙烯、帆布、水泥、木板、丙烯酸液、清漆、固化剂，185×100.5cm，2020-2021

Zheng Yunhan, Dressing Table, Acrylic, canvas, cement, wooden board, acrylic acid, varnish, hardener, 185×100.5cm, 2020-2021

Two years just passed in a flash. Over the past two years, I have been concerned about the replacement of human beings by machines, the possible economic fracture in the future, and when people can get back together and come along again. But the most important thing, perhaps is to remember. In the times of Internet and information, as the world is so rich of information, everything may not exist. Firstly, people can often confused with the time. Last year's events may actually happened the year before last. Secondly, events flash to replace the crowds’ attention. What happens in this month may cover all the past hits that ever happened. In the third year of the epidemic, looking back at Zheng Yunhan's creation, there was also some objectified peace and tranquility. His works integrated the tension of material, time and events, and there was a halo, which probably came from the sense of eternity through time. Hope to be with our shared memories and times.

At home / Away from home is a very common action that happens every day. In some special periods, and after some moments, it is prolonged into a helpless and anxious mood, and then develops the possibility of the impossible.

At home may not make a monastic life, and away from home may never cut the connections to your root. (Text: Li Zhenhua)

根据疫情防控工作需要，为避免人员聚集引发交叉感染，即日起，入馆请出示健康码并配合工作人员进行体温检测。

For pandemic prevention purposes and to avoid any cross-infection caused by the gathering of crowds, please provide your health QR code and cooperate with the staff for temperature testing on your visit.

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关于艺术家

郑云瀚Zheng Yunhan

郑云瀚，1978年出生于黑龙江。艺术家，设计师。作品曾展出于杨画廊、俄罗斯第三届乌拉尔当代艺术工业双年展、德国慕尼黑UNPAINTED媒体艺术博览会，第十六届Liste巴塞尔艺术博览会、北京韩之演当代空间、英国塞恩斯伯里视觉艺术中心、第三届南京三年展、北京阿拉里奥画廊、美国明尼苏达州沃克艺术中心、俄罗斯莫斯科摄影双年展、东京国际交流基金中心等。

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千高原同期展览

展览日期 | 2022/04/23 — 2022/06/30艺术家 | 林羽龙作品媒介 | 绘画

展览地点 | 四川省成都市高新区盛邦街，铁像寺水街南广场，千高原艺术空间

千高原艺术空间 | A Thousand Plateaus Art Space

千高原艺术空间2007年创立于中国成都，是致力于展示并推进中国当代艺术的专业性画廊，设有艺术作品展示厅，影像资料收藏和放映室。主要研究、展示和推动与中国当代艺术文化相关的优秀作品和实验性主体项目，积极开展国内、国际的合作项目。
千高原艺术空间主要展示和推出成长中的有突出才能和价值的艺术家的作品和项目，并发现和推动新的有创造力的艺术家，迄今主要代理和合作的老中青三代艺术家超过20位。通过展览、博览会、学术讨论活动、出版等方式，致力于构架艺术家和社会、机构、收藏者之间的沟通渠道，提供包括艺术作品销售、量身定做的艺术项目、收藏品咨询管理、艺术教育项目以及展览策划。除了在超过1000平方米的画廊空间的展览项目，千高原艺术空间亦积极参加国际国内的重要艺术博览会，包括香港巴塞尔艺术展 (Art Basel HK)、香港国际艺术展(ART HK)、艺术登陆新加坡(Art Stage Singapore)、今日亚洲 | 巴黎亚洲艺术博览会 (Asia Now | Paris Asian Art Fair)、上海廿一当代艺术博览会(ART021)、上海西岸艺术与设计博览会（West Bund Art & Design）、艺览北京 JING ART、艺术成都 Art Chengdu、上海艺术影像展(Photo Shanghai)、西班牙路普艺术节（Festival LOOP）、Paris Internationale 、LISTE in Basel等等。A Thousand Plateaus Art Space was founded in 2007 in Chengdu, China. It is a professional gallery committing to presenting and promoting China’s contemporary art. Equipped with exhibition halls for artworks and collections and a screening room for videos and discussions, it focuses on researching, presenting and promoting outstanding works and experimental projects of China’s contemporary art and culture by carrying out domestic and international projects.A Thousand Plateaus Art Space devotes itself to presenting works by emerging artists who have outstanding talent and merit, and to discovering and promoting new creative artists. To date, it has represented and cooperated with over 20 artists of all ages. Using exhibitions, art fairs, academic discussions, publications and so forth, it is dedicated to establishing the communication channels between artists and the society, institutions and collectors. The gallery also organizes artwork sales, tailored art projects, collection management consultings, art education projects and curatings.

In addition to the exhibitions and events in the over 1,000 square meters gallery space, A Thousand Plateaus Art Space also takes an active part in important international art fairs including Art Basel in HK, Art Hong Kong, Art Stage Singapore, Asia Now | Paris Asian Art Fair, ART021, West Bund Art & Design, JING ART, Art Chengdu, Photo Shanghai, Festival LOOP and Paris Internationale, LISTE in Basel etc.. 

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千高原艺术空间 A THOUSAND PLATEAUS ART SPACE开放时间：周二至周日（周一闭馆），11:00-18:30地址：中国. 四川省成都市高新区盛邦街，铁像寺水街南广场电话： [phone]邮箱：[e-mail]网址：www.1000plateaus.org微信：千高原艺术空间

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