亚洲展讯｜亚洲艺术中心参展香港巴塞尔艺术展｜亚洲视野 3D23｜一窥画室：钟泗滨抽象与具象之间
2019 Art Basel Hong Kong | 香港巴塞尔艺术展
展位 | Booth: 亚洲视野 Insights 3D23
一窥画室：钟泗滨抽象与具象之间
In The Studio:
Cheong Soo Pieng Between Abstraction and Figuration
时间 Date:
贵宾预展 Private View
3/27（三 Wed）14:00 - 20:00
3/28（四 Thu）13:00 - 17:00
开幕之夜 Vernissage
3/28（四 Thu）17:00 - 21:00
公众开放 Public Days
3/29（五 Fri）13:00 - 20:00（12:00-13:00 vip only）
3/30（六 Sat）13:00 - 20:00（12:00-13:00 vip only）
3/31（日 Sun）11:00 - 18:00
地点 Venue:
香港会议展览中心
Hong Kong Convention & Exhibition Center
香港湾仔港湾道1号
1 Harbour Road, Wan Chai, Hong Kong
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亚洲艺术中心将于香港巴塞尔艺术展呈现“一窥画室：钟泗滨抽象与具象之间”。
钟泗滨，1917年出生于厦门，曾于上海新华艺专修读，1945年，他离开中国，先至香港与澳门，于1946年落脚新加坡。身为“南洋画派”的巨擘，他是20世纪亚洲区最重要的华人艺术家之一，此次展览重现钟泗滨70年代艺术家工作室场景，是亚洲艺术中心对历史的想像与诠释，呼应钟泗滨在他的艺术生涯中不断的尝试与创新。本展的十多件作品包含了绘画、雕塑、浮雕，意在展现他1970年代不同风格和媒介之间其游刃有余的多元表现，重现艺术家生平创作最巅峰的黄金年代；另搜罗钟泗滨的文献档案，盼透过史料勾勒出创作者的故事与魅力。
沉思 Deep Thought 96×80×19cm
综合媒材、浮雕、木板 Mixed Media Relief on Board
1967
动能 Motion 61×76×2cm
木板综合媒材 Mixed Media on Board 1971
璀璨 Radiance 84×61cm
木板综合媒材 Mixed Media on Board 1971
钟泗滨所属的南洋画派，其理念乃是“弘扬南洋书画艺术，促进中西文化融合”；检视亚洲艺术中心的经营轴线可以发现，艺术创作所标举的东西融合应该是一个似曾相识的主张。那么，近年亚洲艺术中心多次举办台湾画会1960黄金时代相关展览，透过五月画会与东方画会指出台湾现代艺术的滥觞与发展；若扩大视野将这众多艺术家涵盖在“海外华人”的阵容观察因二战而离开中国、旅居海外的艺术家在各自落脚安家的处所如何持续创作并展现地域特色，则可发现中国1930年代现代艺术的精神实则因这许多艺文人士的迁徙而到边陲地域开枝散叶。
午 Noon 96.5×51×2cm
木板综合媒材 Mixed Media on Board 1970-1971
三羊开泰 Malay Woman with Three Goats 97x51cm
综合媒材、木板、艺术家原框、黃麻板
Mixed Media on Board,
Accompanied by Orginial Frame, Jute Board
1972
自然 Nature 148×101.5cm
布面综合媒材 Mixed Media on Canvas 1965
建构 Construction 68.5×107×7cm
布面综合媒材 Mixed Media on Canvas 1966
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关于艺术家
钟泗滨（1917-1983），出生于福建厦门，1935年毕业于厦门美术专科学校，后至上海新华美术专科学校进修。1946年移居新加坡，曾任教于南洋美术专科学校以及新加坡华侨中学。创作生涯40余年，身为二十世纪重要的海外华人艺术家，他不安于既定风格，以创作风格多元、绘画技巧高超及新颖的创作媒材，使他享誉华人艺术圈，同时也对新加坡现代艺术的成熟发展带来深远影响。
重要个展：“钟泗滨二十年作品展”（马来西亚国家美术馆，吉隆坡，1967）、“钟泗滨回顾展”（国立新加坡美术馆，新加坡，1983）、"Cheong Soo Pieng: Bridging Worlds"（仅供英文标题）（新加坡艺术博物馆，新加坡，2010）、“钟泗滨百岁冥诞台湾回顾展”（亚洲艺术中心，台北，2017）。
重要群展：“四位先驱艺术家的巴厘之行”（新加坡艺术协会，新加坡，1953）、 “马来西亚艺术展”（马来西亚国家美术馆，吉隆坡，1965）。
Asia Art Center presents In The Studio: Cheong Soo Pieng Between Abstraction and Figuration – an imaginary re-creation of the 1970s art studio of Cheong Soo Pieng, one of Asia's most significant 20th-century artists.
蓝色构图 Blue Composition 101x81cm
布面综合媒材 Mixed Media on Canvas 1974
The artist's 1970s oeuvre illustrates a modern artist at the prime of his career, ceaselessly experimenting and traversing an impressive breadth of styles and mediums with ease. Working closely with the artist's estate to showcase over a dozen of his sculptures, relief paintings and mixed media works, the booth will present intimate and illuminating connections between artworks, archive and the artistic legacy of Cheong Soo Pieng.
构图 Composition 119×91.5cm
布面综合媒材 Mixed Media on Canvas 1977
无题 Untitled 19x36cm
陶器、釉彩 Glazed Ceramic Late 1960s to Early 1970s
无题 Untitled 42x21x16cm
陶器 Glazed Terracotta Late 1960s to Early 1970s
Cheong Soo Pieng was born in 1917 in Xiamen, Fujian, China and passed away in 1983 in Singapore. The first wave of avant-garde artistic movements flourished in the 1930s, in cosmopolitan port cities in China like Shanghai. Cheong Soo Pieng was born of this generation, having studied at Xinhua Academy of Fine Art in Shanghai from 1936 to 1938. He left China in 1945, and came to Singapore in 1946. Alongside other émigré Chinese artists in Singapore, he was a proponent of a localised modern art movement termed Nanyang Style. Throughout his life, he worked across varied mediums and styles. In addition to numerous solo and group exhibitions internationally during his lifetime, retrospective exhibitions of Cheong Soo Pieng were held at the National Museum Art Gallery, Singapore (1983), Singapore Art Museum, Singapore (2010) and Asia Art Center, Taipei (2017).
无题 Untitled 95×70cm
炭笔画布 Charcoal on Canvas 1971
內在印象 Internal Impression 31x22x13cm
陶器、釉彩 Fired Earthenware with Glaze Late 1960s to Early 1970s
马来女子 Malay Lady 48x16.5x12.5cm
陶器、釉彩、艺术家原创底座
Fired Earthenware with Glaze, on Original Base
1970s
The Nanyang Style pioneered by Cheong Soo Pieng sought to “converge the cultures of East and West”, an echoing ideal that Asia Art Center has undertaken to rediscover artistic creativity with groundbreaking cultural impacts. In recent years, our successive exhibitions on the iconic Fifth Moon Group and East Art Association have provided enticing glimpses into the development of modern art in Taiwan since the 1960s. Meanwhile, our scope of “Émigré Chinese” expanded further to encompass artists who were exiled or drifted away into distant memories, building an artist network that eventually traces back to the avant-garde artistic movements of the 1930s in China. Since then, the diaspora of Chinese artists has found homes in foreign grounds, and with the intake of exotic experiences, their new-found practices have propelled the vision of Chinese modern art into uncharted territories.
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About Artist
Cheong Soo Pieng (1917-1983) was born in Xiamen, Fujian, China. In 1935, he graduated from Xiamen Academy of Fine Arts. In 1936, he moved to Shanghai to study at Xinhua Academy of Fine Art. In 1946, he moved to Singapore and taught art at Nanyang Academy of Fine Arts and Chinese High School. As one of the most significant overseas Chinese artists active in the 20th century, Cheong Soo Pieng was a ceaseless innovator, never settling for an established style. He is famous for a wide-ranging repertoire of art styles and series, various mediums and invented a wide array of unique methods and expressions. It reflects his ability to reconfigure aspects of reality and present entirely new visual dimensions. Through his innovations in style and subject matter, Cheong Soo Pieng demonstrated a creativity that proved far more advanced than most of his contemporaries.
Selected Solo Exhibitions: "Twenty Years of His Art" (National Art Gallery, Kuala Lumpur, 1967), "Cheong Soo Pieng Retrospective Exhibition" (National Museum Art Gallery, Singapore, 1983), "Cheong Soo Pieng: Bridging Worlds" (Singapore Art Museum, Singapore, 2010), "Cheong Soo Pieng: A Centenary Celebration in Taiwan" (Asia Art Center, Taipei, 2017).
Selected Group Exhibitions: "Four Artists to Bali" (Singapore Art Society, Singapore, 1953), "Malaysian Art Exhibition" (National Art Gallery, Kuala Lumpur, 1965).
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