亚洲展讯 | 不确定的修饰 - 杭春晖个展
Indefinite Rhetoric - Hang Chunhui Solo Exhibition
展览时间/Duration: 2019.7.20 (Sat）- 2019.9.15 (Sun)
开幕式/Opening: 2019.7.20 (Sat) 3:00pm
展览地点/Venue: 亚洲艺术中心（北京）
Asia Art Center (Beijing)
北京市朝阳区酒仙桥路2号大山子798艺术区（周一休馆）
Dashanzi 798 Art District, No.2, Jiuxianqiao Rd., Chaoyang District, Beijing
不确定的修饰 - 杭春晖个展
亚洲艺术中心荣幸地宣布将于2019年7月20日举办“不确定的修饰 - 杭春晖个展”。从2015年“绘事物语”，到2017年“不分明”；从2018年“齐物”，再到2019年“不确定的修饰”，艺术家杭春晖不断地在探讨、履新自我的绘画主题。在他的创作历程中，每个阶段都带有对传统的实验与革新的意指，他的创作态度时刻保持着重塑与深化。东方式的视觉观念，成为他作品的创作立场——矛盾观看方式、模糊“形”与“物”的界线、“物质”与“空间”的相互关系，以及讨论雕塑的物质属性与纸本绘画结合的可能性。此次展览将展出包括：“被形式遮蔽的信息”、“无界”、“透明色”、“确定与不确定的再现”四个系列作品，呈现艺术家最新创作总计二十余件。
确定与不确定的再现 2019-1
In-Definite Reproduction 2019-1
204x154cm 综合材料 Mixed Media 2019
将“不确定的修饰”作为展览名称，源于最新作品“确定与不确定的再现”，这是2018年“无界”系列作品的拓展，一方面延续了杭春晖一直以来的绘画主题——物与形式的边界讨论；而另一方面也涉及到“再现”的双重解读（玻璃反射的物理再现与绘画视幻觉的形式再现）。这种矛盾的混合，不仅仅提供了观看方式的模糊，也产生了关于“再现”的不同文本解释。“修饰”是一种文学语汇，意指通过润色，使文本更加生动。在艺术家看来，绘画与现实的距离恰恰是一种形式上的修饰，在真实与幻觉之间，构建一个感性的视觉区域。诚如艺术家杭春晖所言：“到底是现实模拟了绘画，还是绘画模拟了现实？……”
展览将持续至2019年9月15日。
无界-No.3
Boundless-No.3
102x82cm 综合材料 Mixed Media 2018
·
关于艺术家
杭春晖，1976年生于安徽，2005年毕业于中央美术学院，获硕士学位；2011年毕业于中国艺术研究院，获博士学位。现生活及工作于北京。
重要个展：“不确定的修饰 - 杭春晖个展”（亚洲艺术中心，北京，2019）、“齐物 - 杭春晖个展”（亚洲艺术中心，台北，2018）、“不分明 - 杭春晖2017”（亚洲艺术中心，北京，2017）、“绘事物语 - 日常”（大象艺术空间馆，台中，2016）、“绘事物语 - 杭春晖2015个展”（新绎空间，北京，2015）、“杭春晖个人作品展”（Hazlitt's画廊，纽约，2015）。
重要群展：“春生夏长 - 中国当代水墨艺术邀请展”（壹美美术馆，北京，2019）、“‘水墨新进’展（第一回）”（武汉美术馆，武汉，2019）、“中国新水墨作品展 1978-2018”（北京民生现代美术馆，北京，2018）、“隐蔽的物”（亚洲艺术中心，北京，2018）、“第四届苏州·金鸡湖双年展‘自 - 沧浪亭’当代艺术邀请展”（金鸡湖美术馆，苏州，2018)、“中国当代水墨·柒舍精粹展”（南海亚洲艺术空间，悉尼，2017）、“工·在当代 - 2016·第十届中国工笔画作品展”（中国美术馆，北京，2016）、“第三届当代水墨空间: 变相 - 水墨的维度”（广东美术馆，广州，2016）、“绘事后素 - 中国当代艺术展”（英国皇家美术学院美术馆，肯辛顿，2016）、“世间 - 中国当代艺术展”（阿德莱德艺术节中心，阿德莱德，2016）、“新工笔：中国当代水墨展”（大都会州立大学视觉艺术中心，丹佛，2015）、“第五届J.C雅各布森肖像艺术展”（腓特烈堡国家历史博物馆，哥本哈根，2015）、“水墨SHUIMO，世纪变革与艺术新路”（民生现代美术馆，北京，2015）、“工笔新语 - 2014新工笔画邀请展”（江苏省美术馆，南京，2014）、“新水活墨 - 现代水墨展”（香港海事博物馆，香港，2014）、“艺术家的理想 - 柒舍雅集水墨群展”（今日美术馆，北京，2014）、“格物致知 - 中国工笔画当代表述2013”（中国美术馆，北京，2013）、“三矾九染 - 新工笔艺术提名展”（上海美术馆，上海，2012）。
获奖： “第十一届中国艺术权力榜年度艺术成长奖，2018”、“第五届J.C雅各布森肖像奖国际评审奖，2015”、“时代美术馆年度艺术家奖，2015”、“第二届全国工笔重彩小幅作品展丹青奖，2009”。
Indefinite Rhetoric
- Hang Chunhui Solo Exhibition
Asia Art Center is pleased to announce the opening of “Indefinite Rhetoric - Hang Chunhui Solo Exhibition” on July 20, 2019. From “Material and Style” of 2015 to “Ambiguity” of 2017；from “Intertexuality” of 2018 to “Indefinite Rhetoric” of 2019, what Hang Chunhui has been continuously working on was exploring and renovating his artistic concept. Every single step in his art practice can present the experimental and innovative attempt to the tradition in painting at some point and the attitude to art that he always keeps is open to be redefined and become more profound. Eastern visual experience signifies his own artistic view, including the contradictory way of viewing, obscuring the boundary between “form” and “object”, interaction between “material object” and “space” and the possibility of combining the objecthood in sculpture and paintings on paper as well. There will be four series of works displaying on this exhibition, which are Message Obscured by Form, Boundless, Transparent Color and In-Definite Reproduction, over 20 pieces of the artist’s latest works in total.
确定与不确定的再现 2019-2
In-Definite Reproduction 2019-2
183.5x144cm 综合材料 Mixed Media 2019
The exhibition titled “Indefinite Rhetoric” comes from Hang Chunhui’s most recent work In-Definite Reproduction; which is a continuation of the 2018 series Boundless. It broadens the issue always standing centrally in Hang Chunhui’s painting - discussions of boundary of both object and form; it also touches on dual interpretations on the notion of “reproduction” (the physical reproduction of light reflecting off glass and the formal reproduction of painting illusion). This paradoxical combination not only obscures ways of viewing but also provides a different textual explanation of the word “reproduction”. “Rhetoric” is a literary term that elaborates text by refinement. The difference between painting and reality happens to be a rhetoric of form - it is a sensual construct of visual context between reality and illusion. Just as Hang’s view: this is a question whether reality simulates painting or painting simulates reality.
The exhibition will be on view till September 15th, 2019.
肌理研究 2019-2
Texture Analysis 2019-2
62x62cm 纸本绘画 Painting on Paper 2019
·
About the Artist
Hang Chunhui was born in Anhui province in 1976. He graduated from Central Academy of Fine Arts in Beijing with a Master’s degree in 2005, Ph.D. in Contemporary Ink and Water Figure Painting at Chinese National Academy of Arts in 2011. He is currently working and living in Beijing.
Selected Solo Exhibitions: "Indefinite Rhetoric - Hang Chunhui Solo Exhibition" (Asia Art Center, Beijing, 2019), "Intertextuality - Hang Chunhui Solo Exhibition" (Asia Art Center, Taipei, 2018), "Ambiguity - Hang Chunhui 2017" (Asia Art Center, Beijing, 2017), "Material and Style - Daily Life" (Da Xiang Art Space, Taichung, 2016), "Material and Style - Hang Chunhui 2015" (Ovation Art Space, Beijing, 2015), "Hang Chunhui Solo Exhibition" (Hazlitt’s Gallery, New York, 2015)
Selected Group Exhibitions: "Spring Sprouting & Summer Booming - China Contemporary Ink Art Invitational Exhibition" (One Art Museum, Beijing, 2019), "New Trend of Chinese Ink Painting Creation (the First Exhibition)" (Wuhan Art Museum, Wuhan, 2019), "New Ink Art in China 1978-2018" （Beijing Minsheng Art Museum, Beijing, 2018), "The Hidden Matter" (Asia Art Center, Beijing, 2018), "Suzhou Jinji Lake Biennale - From the Canglang Pavilion" (Suzhou Jinji Lake Art Museum, Suzhou, 2018), "Chinese Contemporary Ink · Masterpieces of Qishe Ya - Ji" (541 Art Space, Sydney, 2017), "Hue Art in the Contemporary Era - The 10th National Exhibition of Chinese Hue Art Paintings 2016" (National Art Museum of China, Beijing, 2016), "The Third Exhibition of Contemporary Ink Works: Disguised Form - Ink Paintings’ Dimension" (Guangdong Museum of Art, Guangzhou, 2016), "In Ink - Contemporary Chinese Ink Art" (Royal College of Art Gallery, Kensington, 2016)， "Stories of the Life: Contemporary Chinese Art Exhibition" (Adelaide Festival Centre, Adelaide, 2016), "A New Fine Line: Contemporary Ink Painting From China" (Center for Visual Art of Metropolitan State University of Denver, Denver, 2015), "The 5th Brewer J.C. Jacobsen's Portrait Award Exhibition" (Frederiksborg Slot, Copenhagen, 2015), "Shuimo - Meet Revolution, The New Silk Road" (Beijing Minsheng Art Museum, Beijing, 2015), "A New Account of Meticulous Paintings - 2014 New Meticulous Painting Invitational Exhibition" (Jiangsu Art Museum, Nanjing, 2014), "Devotion To Ink - Contemporary Ink Show" (Hong Kong Maritime Museum, Hong Kong, 2014), "Artist's Ideals - Qishe Arts Ink Painting Exhibition" (Today Art Museum, Beijing, 2014), "Philosophical Interpretations of Painting - The Exhibition of Contemporary Chinese Gongbi Painting" (National Art Museum of China, Beijing, 2013), "Multi - layered: 2012 Contemporary Traditional Chinese Elaborate - Style Painting Nomination Exhibition" (Shanghai Art Museum, Shanghai, 2012).
Awards："The 11th Art Power 100 · Annual Growth Period of Art, 2018", "The 5th Brewer J.C. Jacobsen’s Portrait Award International Assessment Award, 2015", "Times Art Museum Annual Artist Award, 2015", "The Second National Exhibition of Collaborate - Style Gorgeous - Color Paintings Painters Award，2009".
-艺术家重要个展回顾-
齐物 - 杭春晖个展 Intertextuality-Hang Chunhui Solo Exhibition
台北 2018
不分明 - 杭春晖个展 Ambiguity-Hang Chunhui Solo Exhibition
北京 2017