亚洲展讯 | “好牌” - 陈淑霞作品展
展名 / Title: “好牌” - 陈淑霞作品展
Winning Cards - Artworks by Chen Shuxia
主办 / Organizer: 亚洲艺术中心 Asia Art Center
展览时间 / Duration: 2020.8.15 (Sat) - 10.11(Sun)
开幕式 / Opening: 2020.8.22 (Sat) 3:00pm
展览地点 / Venue: 亚洲艺术中心（北京）
Asia Art Center (Beijing)
北京市朝阳区酒仙桥路2号大山子798艺术区（周一休馆）
Dashanzi 798 Art District, No.2, Jiuxianqiao Rd., Chaoyang District, Beijing
亚洲艺术中心荣幸地宣布将于2020年8月15日至10月11日举办“好牌”- 陈淑霞作品展，于8月22日下午三点开幕。本次展览展现了陈淑霞不同时期的创作状态，以此勾勒出艺术家的心历路径。从九十年代的“原色”出发，到“虚实两境”、再到“山水间”，及至近期的“此在”、“边际”几个重要的创作阶段，陈淑霞通过不断变换视觉表达方式，进而建构起独特的个体叙事，在审视社会的同时也在审视自我。此次展览是继2019年艺术长沙美仑美术馆“边·际”陈淑霞作品展之后的又一次重要个展，展览共计展出五十二件作品，其中包括“好牌”系列在内的十一件最新创作，由远及近地呈现出陈淑霞艺术创作中的系统脉络。
陈淑霞1963年生于浙江温州，七十年代末入中央美术学院学习，她是在中央美术学院系统中成长起来的艺术家。如果追溯陈淑霞艺术创作的视觉原点，从令其成名的作品《粉红色的花》开始，即呈现了她的创作路径。在陈淑霞的作品中，没有宏大的场景，少有纷繁复杂的事物，她的关注点多是生活中细微之处的衍变和延展，朴素而简单。看似平铺直叙却传达出了“景”、“物”的灵魂，倔强独立又真真切切。陈淑霞的视觉图像凝聚的是一种贴近自然的表达方式，有着自成一体的内在的灵性与哲学。实而虚，虚而实的用笔，布局上的空灵和极简的绘画风格，让陈淑霞的作品具有鲜明的传统美学中空灵的艺术特征，正所谓“空故纳万境”。在这样的意境中呈现的是超越时间与空间的艺术张力，所凝聚的是纯粹的灵魂，让她与观者一起游历在她所营造的幻境之中。
宗白华先生在《美学散步》中提道：“美感的养成在于能空，对物象造成距离，使自己不沾不滞，物象得以孤立绝缘，自成境界。”观陈淑霞的作品不会让你专注在表达对象的计较，只是感受到空灵写意、气韵充盈、虚实相生。对于生活的熟视无睹转化为异样的陌生，实现着对真实的感悟与超越。陈淑霞在艺术表现上，常常选择游离的方式，既是当下，又仿佛远在天边，亦真亦幻，徜徉在虚实之间。正是这种不粘不滞的距离感，凸现了作品本身的神秘与质感，使得陈淑霞的作品成熟独立为与众不同的个人品格。
From left to right:
Purple and Gorgeous, Dark Blue, Sinopia, A Beam of Light
布面油画 Oil on Canvas
48x48cm 2015
▲ 花季
Blossom Season
布面油画 Oil on Canvas
73x204cm 2020
▲ 三绿
Three Greens
布面油画 Oil on Canvas
80x110cm 2014
展览主题“好牌”所寓含的是陈淑霞在视觉图景背后丰富的内心轨迹，和对自身要求甚至好恶的舍取。她执着地认为，握在手上的就是“好牌”，从循蹈规则到随心所欲，陈淑霞所在意更多的是个人情怀的宣泄，看似随性却匠心独具，既而将“物我”的再现演绎到了“无极”的境界。“看山是山，看水是水”——最终又回到“看山还是山，看水还是水”的历程，形成了她特有的视觉逻辑与探索路线。这个过程看似是一个不断完善至臻、至纯、至简的过程，实则是以个人目光滤化世界的残酷过程。而着意在画外的则是能够承载和负重的年代感以及时间的沧桑。正是因为时间的沉积，陈淑霞的作品才在诠释对生命与内心本真理解的同时，实现了自我的蜕变与升华。
▲ 灿
Brightness
布面油画 Oil on Canvas
73x204cm 2020
Asia Art Center is honored to announce that the new exhibition entitled "Winning Cards – Artworks of Chen Shuxia" will be held from August 15 to October 11, 2020, with an opening reception at 3:00 pm on August 22. As a retrospective presentation of artist Chen Shuxia's artistic creation in recent years, it systematically displays her different creative states in different periods, outlining her spiritual journey by moment. Starting from "primary colors" in the 1990s, to "virtual and real", to "within a landscape", and to the recent representative stages of "being-there" and "the edge", Chen Shuxia constantly changed methods of visual expression. Her subject matter constructs a unique individual narrative, which examines the self while examining the society through identity. After the past exhibition entitled "The Edge" held in Meilun Art Museum, Changsha in 2019, this approaching solo exhibition incisively and vividly presents in a systematic context with 52 works, including 11 latest art creations from "Winning Cards" series.
Chen Shuxia, born in Wenzhou, Zhejiang Province in 1963, developed and nourished her artistic creations at the Central Academy of Fine Arts since the late 1970s. If tracing back to the visual origin of Chen Shuxia, the work "Pink Flower" laid a foundation of her creative path. Without grandiose scenes, numerous or complicated objects in artworks, she focuses mostly on the subtleties of life, plain and simple, seemingly flat and straightforward, which nevertheless convey the "scene" and "object" with a soul that is stubborn and independent. Visual images by Chen Shuxia condense a way of expression close to nature, with a self-contained inner spirituality and philosophy. Real yet imaginary brushstrokes, ethereal layout and minimalist painting style facilitate her artworks a distinctive ethereality from traditional aesthetics, which is the so-called "The void has boundless potential". In this regard, artistic tension that transcends time and space is presented, meanwhile a pure soul is condensed in artworks, inspiring endless reverie of audiences.
▲ 香枝
Incense Sticks
布面油画 Oil on Canvas
112x262cm 2014
▲ 袭人
Aroma Strikes
布面油画 Oil on Canvas
70x202cm 2019
As Zong Baihua mentioned in Strolling
in Aesthetics, "The cultivation of beauty lies in being void to create a
distance to the image, isolated and insulated as a realm of its own." Whether
it is still life, landscape or figure painting, you can feel the beauty of her
artistic conception from ethereal freehand brushworks, full of vigor, and the
coexistence of virtuality and reality. Ignoring ordinary life and familiar
sceneries acquired a sense of alienation after unremitting interpretations and
refinements by Chen Shuxia, which is undoubtedly a kind of perception and
transcendence of reality. In terms of artistic expression, Chen Shuxia uses a
way of disassociation, so that visual images seem both present and distant, as
illusions are wandering between virtuality and reality. The sense of alienation
highlights the mystery and texture of artwork itself, which make Chen
Shuxia's work mature and distinctive.
▲ 笔洗
The Brush Washer
布面油画 Oil on Canvas
32x61cm 2019
▲ 碎片 No.4
Fragment No.4
纸上油画 Oil on Paper
33x33cm 2019
This exhibition entitled "Winning Cards" embodies Chen Shuxia's innermost myriad of thoughts behind visual scenes, as well as her psychological trade-off between likes and dislikes. She persistently believes that her holding in hands are "winning cards". From following the rules to subverting into her free-wheeling expressions, Chen Shuxia renders subjective sensation incisively and vividly, thus ingenious arrangements of each work are straightforward yet confident. From her fascination with gorgeous colors to an eternal pursuit of single color and simple atmosphere in artworks, her interpretation and expression of Eastern culture has become sophisticated. From still-life to figures, to landscapes, until a pure, quiet, refined image with simple color gamut, Chen Shuxia's creation has experienced a naive sight of "See mountain is mountain, see water is water", which subsequently shaped her unique visual logic and artistic exploration route, with an ultimate retrieval of an innocence towards the basic nature. It seems as a process of constant perfection, purity, and simplicity, also a cruel process of filtering the world with a focus on the sense of age and the vicissitudes of time. To some extent, artworks of Chen Shuxia achieved the transformation and sublimation of the self while interpreting her understanding regarding life and inner heart.
陈淑霞，1963年生于浙江温州。1983年毕业于中央美术学院附中；1987年毕业于中央美术学院，现任中央美术学院艺术管理与教育学院美术教育学系主任、教授、博士生导师。
重要个展：“好牌—陈淑霞作品展”（亚洲艺术中心，北京，中国，2020）；“忘形—陈淑霞作品展”（大都美术馆，北京，中国，2015）；“此在—陈淑霞作品展”（香港大学美术博物馆，香港，中国，2015）；“我行—陈淑霞作品展”（年代美术馆，温州，中国，2015）；“陈淑霞的心境与画境”（西门子艺术空间，北京，中国，2010）；“虚实两境—陈淑霞作品展”（中国美术馆，北京，中国，2006）；“虚实两境—陈淑霞作品展”（上海美术馆，上海，中国，2006）；“陈淑霞作品展”（表画廊，首尔，韩国，2004）；“陈淑霞作品展”（圣菱画廊，上海，中国，2003）；“陈淑霞作品展”（清华大学美术学院，北京，中国，2002）；“陈淑霞作品展”，中央美术学院画廊，北京，中国，1995）
重要群展：“水墨进行时：2000-2019“（广东美术馆，广东，中国，2020）；”无问东西—第二届当代中国艺术展”（克利夫兰州立大学美术馆，克利夫兰，美国，2019）；“库里蒂巴国际当代艺术双年展”（库里蒂巴奥斯卡·尼迈耶博物馆，库里蒂巴，巴西，2019）；“浸·漫—刘庆和、陈淑霞双个展”（索卡艺术中心，台北，2019）；“陈淑霞、刘庆和作品展”（广州三域·汇艺术空间，广东，中国，2019）；“周而复始—综合材料绘画学术邀请展”（中央美术学院，北京，中国，2019）；“边·际—陈淑霞”“废园—尹秀珍”双个展（美仑美术馆，长沙，中国，2019）；“中国图景”展（佛罗伦萨贝利尼博物馆，佛罗伦萨，意大利，2018）；“天的另一半—中国女艺术家作品展”（德国驻华大使馆，北京，中国，2018）；“新绘画—当代中国绘画展”（大都会艺术博物馆，纽约，美国，2018）; “丝绸故事—2018时装艺术国际展”（故宫，北京，中国，2018）：“视·界—2018中国当代女性艺术研究展”（炎黄艺术馆，北京，中国，2018）；“寻脉造山—中国当代艺术大展”（宝龙美术馆，上海，中国，2017）；“文脉传薪—2017中国写意油画学派名家研究展”（关山月美术馆，深圳，中国，2017）；“造化—中国当代艺术展”（墨尔本204艺术空间，墨尔本，澳大利亚，2016 ）；“历史的温度—中央美术学院与中国具象油画展“（宁波美术馆，宁波，中国，2016）；“感知中国—中国当代油画展”（大都美术馆，北京，中国，2014）；“视像—中央美术学院造型艺术展”（中央美术学院美术馆，北京，中国，2013）；“第五届中国北京国际美术双年展”（中国美术馆，北京，中国，2012）；“开放与共融—中国当代艺术展”（匈牙利国家美术馆，布达佩斯，匈牙利，2012）；素年锦时—当代女画家艺术展”（元典美术馆，北京，中国，2011）；“研究与超越—第二届中国小幅油画展”（中国美术馆，北京，中国，2010）；“韩国釜山国际双年展”（釜山，韩国，2010）；“左手右手：当代艺术中的伴侣”（上海当代艺术馆，上海，中国，2009）；“拓展与融合—中国现代油画研究展”（中国美术馆，北京，中国，2008）；“第三届中国北京国际美术双年展”（中国美术馆，北京，中国，2007）；“丹山碧水—中德当代艺术家作品巡回展”（吕贝克美术馆，德国，2007）；“文脉当代—中国版本”（今日美术馆，北京，中国，2007）；“中国三人展”（风画廊，大阪，日本，2007）；“虚虚实实—亚洲当代艺术的再发现”（Heyri艺术基金会文化空间，首尔，韩国，2006）；“自然与人—第二届当代中国山水画·油画风景展”（中国美术馆，北京，中国，2005）；“大河上下—新时期中国油画回顾展”（中国美术馆，北京，中国，2005）；“优秀艺术家提名展”（今日美术馆，北京，中国，2004）；“首尔国际艺术博览会—中国主题展”（首尔当代艺术馆，韩国，2003）；“第三届中国油画展”（中央美术学院美术馆，北京，中国，2003）；“中国新具象油画表现展”（刘海粟美术馆，上海，中国，2003）；“今日中国美术大展”（中华世纪坛，北京，中国，2003）；“女性视觉—中国女艺术家作品展”（悉尼，澳大利亚，2002）；“新世纪国际妇女艺术展”（中国美术馆，北京，中国，2001）；“二十世纪中国油画展”（中国美术馆，北京，中国，2000）；“中国当代油画名家百人小幅画展”（中国美术馆，北京，中国，1999）；“第九届全国美展”（中国美术馆、中国美术馆，中国，1999）；“世纪 · 女性艺术展”（上海美术馆、中国美术馆，中国，1998）；“中国当代画家联展”（刘海粟美术馆，上海，中国，1998）；“中国艺术大展 · 当代油画艺术展”（刘海粟美术馆，上海，中国，1997）；“走向新世纪—中国青年油画展”（中国美术馆、中国美术馆，中国，1997）；“首届中国油画学会展”（中国美术馆、中国美术馆，中国，1996）；“陈淑霞、刘庆和双个展”（深圳美术馆，中国，1995）；“第三届中国油画年展”（中国美术馆，中国，1995）；“当代中国油画展”（香港大学美术博物馆，中国，1994）；“新生代艺术展”（中国国家博物馆，中国，1991）；“’91中国油画年展”（中国国家博物馆，中国，1991）；“第一届女画家的世界展”（中央美术学院美术馆，北京，中国，1990）；“阿尔勒国际艺术节”（阿尔勒，法国，1988）
公共收藏：
中国美术馆，北京上海美术馆，上海深圳美术馆，深圳深圳何香凝美术馆，深圳中央美术学院美术馆，北京香港大学美术博物馆，香港中国油画博物馆，北京
北京大都美术馆，北京天津泰达美术馆，天津北京国际艺苑美术馆，北京北京会议中心，北京； 美仑美术馆，长沙
Chen Shuxia was born in Wenzhou in 1963, Zhejiang Province. In 1983, she graduated from Fine Arts School and Affiliated to Central Academy of Fine Arts and graduated from Central Academy of Fine Arts in 1987. Chen Shuxia currently works as a doctoral advisor, professor and director of Department of Fine Arts Education, School of Arts Administration and Education at Central Academy of Fine Arts.
Significant Solo Exhibitions: "Winning Cards - Artworks by Chen Shuxia" (Asia Art Center, Beijing, China, 2020); "Forget the Form - Works by Chen Shuxia" (Dadu Museum of Art, Beijing, China, 2015); "Being There - Works by Chen Shuxia" (The University Museum and Art Gallery of The University of Hong Kong, Hong Kong, China, 2015); "On the Road - Works by Chen Shuxia" (Epoch Art Museum, Wenzhou, China, 2015); "The Frame of Mind and Painting Conception by Chen Shuxia" (Siemens 798 Art Zone, Beijing, China, 2010); "Virtual and Real-Chen Shuxia Solo Exhibition" (The National Art Museum of China, Beijing, China, 2006); "Virtual and Real - Chen Shuxia Solo Exhibition" (Shanghai Art Museum, Shanghai, China, 2006); "Chen Shuxia Solo Exhibition" (PYO Gallery, Seoul, Republic of Korea, 2004); "Chen Shuxia Solo Exhibition" (Shengling Art Gallery, Shanghai, China, 2003); "Chen Shuxia Solo Exhibition" (Academy of Arts and Design, Tsinghua University, Beijing, China, 2002); "Chen Shuxia Solo Exhibition" (CAFA Art Gallery, Beijing, China, 1995)
Significant Group Exhibitions: "Ink
Painting on Going: 2000 - 2019" (Guangdong Museum of Art, Guangdong, China,
2020); "Embracing the Orient and Occident - 2nd Chinese Contemporary Art
Exhibition" (Cleveland State University Art Gallery, Cleveland, U.S,
2019); "Curitiba International Biennial of Contemporary Art" (The
Oscar Niemeyer Museum, Curitiba, Brazil, 2019); "IMMERSE · OVERFLOW-Liu Qinghe
and Chen Shuxia Duo Exhibition" (Soka Art, Taipei, 2019); "Works by Chen
Shuxia and Liu Qinghe" (Guangzhou Trealm Art Space, Guangzhou, China); "Recurrence
- Comprehensive Material Painting Acade micInvitational Exhibition"
(Central
Academy of Fine Arts, Beijing, China, 2019); "Border ·
Margin - Chen Shuxia" and "Deserted Land - Yin Xiuzhen" (Meilun
Art Museum, Changsha, China, 2019) ; "China View" (Art Museum
Bellini, Florence, Italy, 2018); "The Other Half of the Sky - Works by
Chinese Female Artists" (The German Embassy in Beijing, Beijing, China,
2018); "New Painting - Chinese Contemporary Painting Exhibition" (The
Metropolitan Museum of Art, New York, U.S, 2018); "Silk Story - 2018
International Fashion Art Exhibition" (The Palace Museum, Beijing, China,
2018); "The Vision - 2018 Research Exhibition of Contemporary Women’s Art
in China" (Yan Huang Art Museum, Beijing, China, 2018); "Tracing the
Past and Shaping the Future - Chinese Contemporary Art Exhibition" (Powerlong
Art Museum, Shanghai, China, 2017); "Inheritance in Context - 2017
Research Exhibition on Chinese Artists of Impressionistic Oil Painting
School" (GuanShanyue Art Museum, Shenzhen, China, 2017); "Zao Hua -
Chinese Contemporary Art Exhibition" (204 Art Space, Melbourne, Australia,
2016); "The Temperature of History - CAFA and Chinese Representational Oil
Paintings" (Ningbo Museum of Art, Ningbo, China, 2016); "Experience
China-Chinese Contemporary Oil Painting Exhibition" (Dadu Museum of
Art, Beijing, China, 2014); "Views and Images-Central Academy of Fine Arts Visual Arts
Exhibition" (CAFA Art Museum, Beijing, China, 2013); "5th China Beijing
International Art Biennale" (The National Art Museum of China, Beijing, China, 2012);
“Opening and Merging - Exhibition of Chinese Contemporary Art" (Hungarian National
Gallery, Budapest, Hungary, 2012); "Glory Time-Contemporary
Female Artists Exhibition" (Yuan Art
Museum, Beijing, China, 2011); "Research and Exceed-2nd Exhibition
of Chinese Small-size Oil Painting" (The
National Art Museum of China,Beijing, China, 2010); "Busan Biennale" (Busan City Hall,
Republic of Korea, 2010); "Left Hand and Right Hand-Couples in Contemporary Art" (MOCA
Shanghai, China, 2009); "Pioneer and Harmony-Chinese Modern Oil Painting Study
Exhibition" (The National Art Museum of China, Beijing, China, 2008); "3rd China
Beijing International Art Biennale" (The National Art Museum of
China, Beijing, China, 2007); "Red Hills and Blue Water - Tour Exhibition of Works by
Contemporary Sino-German Artists" (Lubeck Art Gallery, Germany, 2007); "Contemporary
Cultural Venation in China" (Today Art Museum, Beijing, China, 2007); "Falsehood
and Truth-An Rediscovery of Asian Contemporary Art" (Heyri Art Village, Seoul,
Republic of Korea, 2006); "Nature and Human - 2nd Contemporary Chinese Oil
Painting·Landscape Painting Exhibition" (The National Art Museum of
China, Beijing, China, 2005); "History of the River - A Retrospective of Chinese Oil
Painting of the New Era" (The National Art Museum of China, Beijing, China, 2005); "Exceptional
Artists Nomination Exhibition" (Today Art Museum, Beijing, China, 2004); "Seoul International
Art Fair-China Pavilion" (Museum of Contemporary Art, Seoul, Republic of Korea, 2003); "3rd Chinese Oil Painting Exhibition" (CAFA Art Museum, Beijing, China, 2003); "New
Chinese Figurative Oil Painting Exhibition" (Liu Haisu Art Museum,
Shanghai, China, 2003); "Today China Art Exhibition" (The China Millennium
Monument, Beijing, China, 2003); "Female Vision - Exhibition of Chinese Women
Artists" (Sydney, Australia, 2002); "New Century International Women Artists
Exhibition" (The National Art Museum of China, Beijing, China, 2001); "20th Century
Chinese Oil Painting Exhibition" (The National Art Museum of China, Beijing, China, 2000); "100 Chinese Contemporary Small-size Oil Painting Artists Exhibition" (The
National Art Museum of China, Beijing, China, 1999); "The 9th National Artworks
Exhibition" (Shanghai Art Museum;The National Art Museum
of China, China, 1999); "Century · An Exhibition of Women Artists" (The National
Art Museum of China, Beijing, China, 1998); "Joint Exhibition of China
Contemporary Artists" (Liu Haisu Art Museum, Shanghai, China, 1998); "China Art
Exhibition · Contemporary Oil Painting Exhibition" (Liu Haisu Art Museum,
Shanghai, China, 1997); "Towards the New Century-Chinese Youth Oil Painting
Exhibition" (The National Art Museum of China, Beijing, China, 1997); "The First
Exhibition of China Oil Painting Society" (The National Art Museum of China, Beijing, China, 1996); "Chen Jun, Liu Qinghe and Chen Shuxia held duo solo exhibitions" (Shenzhen Art
Museum, Shenzhen, China, 1995); "3rd Chinese Oil Painting Exhibition" (The National
Art Museum of China, Beijing, China, 1995); "Contemporary Chinese Oil Painting
Exhibition" (The University Museum and Art Gallery of The University of Hong
Kong, Hong Kong, China, 1994); "New Generation's Art Exhibition" (National Museum
of China, Beijing, China, 1991); "91 Chinese Oil Painting Exhibition" (National
Museum of China, Beijing, China, 1991); "1st International Women Artists Exhibition" (CAFA
Art Museum, Beijing, China, 1990); "Arles International Arts Festival" (Arles,
France, 1988)
Public Collections:The National Art Museum of China, BeijingShanghai Art Museum, ShanghaiShenzhen Art Museum, ShenzhenHe Xiangning Art Museum, ShenzhenCAFA Art Museum, Beijing
The University Museum and Art Gallery of The University of Hong Kong, Hong KongChinese Oil Painting Museum, Beijing
Dadu Museum of Art, BeijingTeda Art Museum, TianjinBeijing International Yiyuan Art Museum, BeijingBeijing Conference Center, Beijing
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松美术馆（北京） 《2020 - 松美术馆邀请展》
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