茫茫戈壁上，建设者的歌声在风雪中回响——《美术里的中国》带您回到当年青藏公路上大雪纷飞的日子
Deep in the Tsaidam Basin, in spite of the howling gale and blizzard, the camel bells are clearly audible. The snow is falling thick and fast, but the team forges ahead in this rugged northwestern landscape. The moment is elegantly captured in the poignant painting – "Snowy and Windy Foreworld." The creator, Chinese artist Huang Zhou, chanced upon this breathtaking view during his visit to Qinghai Province – a date with destiny that led him to redefine the country's fine art history.
"Fine Arts in China," a documentary series by China Media Group, uses 3D animation effects to restore the wonderful moments shown in the painting, making viewers feel they can almost experience for themselves the icy wind, heavy snow, tinkling camel bells, as well as the heroic spirit of those young builders in the cold winter of the Tsaidam Basin nearly seven decades ago.
图：黄胄作品《洪荒风雪》
At the end of 1954, construction was drawing to a close on the Qinghai-Tibet Highway, the longest road built at such a high altitude anywhere in the world. Artist Huang Zhou showed up at the construction site and, despite the freezing cold, trudged around the snowfield. Suddenly, the sound of camel bells piercing through the wind stripped away any sense of desolation. Shortly afterwards, he realized it was a caravan of camels driven by a group of geological explorers, and reveled in the melody played by the high-spirited team.
These undaunted figures that chose to defy the almost primeval wilderness fired up Huang's imagination. He applied varying shades of ink to render his impressions of the snowy scene. A lowered point of view gave the camels a monumental heft; the figures and landscape soon materialized with remarkable spiritual essence. Completed in 1955, the painting combined the sounds, the visuals, and the power of the elements with a sense of both realism and impressionism. It was also Huang's tribute to the young pioneers who helped develop the nation.
As a well-established painter, Huang Zhou was adept at combining Western sketching skills with traditional Chinese painting techniques to capture the natural sense of movement of both people and animals. His figure paintings vividly depicted scenes of everyday life of Chinese ethnic groups and ordinary people, revealing the harmonious relationship between humans and nature. His works greatly enriched the subject matter of Chinese fine art.
During his lifetime, the artist produced some 40,000 sketches, many of which captured the quintessential heart and nature of their subjects. There are jubilant dancers, donkey riders, and farmers gathering in the harvest. All of these ordinary people are shown to be exulting with passion, vigor and energy on the canvass.
In 1964, Chairman Mao Zedong explained the strengths of China's fine art masters to some of his foreign guests. He described Huang Zhou as an accomplished young painter, fostered by the nation, who excelled at depicting the common folk and their daily lives.