香格纳北京 | 蒋鹏奕个展《预见》将于5月18日开幕
预见 No.5 Foresight No.5 | 蒋鹏奕 JIANG Pengyi | 2017-2018 | 收藏级喷墨打印，裱于纯铝板，钢化亚克力 Archival Inkjet Print, Mounted on Aluminium Panel, Toughened Acrylic | 150x120x5.5 cm | Edition of 3
蒋鹏奕：预见
Jiang Pengyi: Foresight
开幕 | Opening
2019/05/18 (Sat.), 16:00
展期 | Duration
2019/05/18 – 07/06（周二 – 周日 Tue.-Sun. 11:00-18:00）
地点 | Location
香格纳北京，朝阳区机场辅路草场地261号，北京, 中国 100015
ShanghART Beijing, 261 Caochangdi, Airport Side Road, Chaoyang District, Beijing, China 100015
香格纳北京荣幸地宣布，将于2019年5月18日推出蒋鹏奕个展《预见》。这是艺术家在香格纳北京的首次个展（在香格纳画廊的第四次个展），也是自2009年在UCCA“由……策划”双个展之后，蒋鹏奕首次回到北京呈现全新力作。
ShanghART Beijing is delighted to present 'Foresight', a solo exhibition by Jiang Pengyi, marking the artist's inaugural show at the Beijing space and his fourth presentation with the gallery. It will also be the first display of Jiang’s recent works in Beijing since the 2009 "Curated by…" exhibition at UCCA.
预见 No.22 Foresight No.22 | 蒋鹏奕 JIANG Pengyi | 2017 | 宝丽来，8x10英寸，即显胶片，独版 Polaroid, 8x10 inches, Instant Film, Unique | Image 32.5x21.4 cm | Edition
此次展出的新作《预见》是蒋鹏奕自2014年起，反复实验、推敲、破坏和重置后呈现的全新作品。在材料、创作方法和表达方式上，艺术家对摄影进行了反复思考和探索，“去介质化”成为他在这段时期里重要的实验方向。蒋鹏奕尝试去掉相机、镜头、拍摄手法等外部法则，以及作为艺术家或拍摄（制作）主体的主观控制，只保留底片、对象（物体）、时间和极其有限且不确定的人为介入。作品《幽暗之爱》（2013）、《亲密》（2014）、《在某时》（2015-2016）等系列皆开始于此。
Foresight is a new series of works that Jiang has produced through repeated experiments, elaboration, destruction and replacement since 2014. During the time the artist has persistently questioned and explored materials, methods and expressions in photography, with the significant concept "demeditation" driving his art. Trying to get rid of external limitations including cameras, lenses and shooting techniques, as well as subjective identity as an artist or photographer (producer), he retains only negatives, objects, time, and extremely limited, uncertain human intervention. That is also how the series such as Dark Addiction (2013), Intimacy (2014) and In Some Time (2015-2016) were created.
预见 No.1 Foresight No.1 | 蒋鹏奕 JIANG Pengyi | 2017-2018 | 收藏级喷墨打印，裱于纯铝板，钢化亚克力 Archival Inkjet Print, Mounted on Aluminium Panel, Toughened Acrylic | 150x187x5.5 cm | Edition of 3
在传统胶片摄影的概念中，不可控性一直是如影随形、令人着迷的特性：不到冲印完成的最后一刻，结果无人可知。艺术家尝试提炼并放大这些特质，将瓜果蔬菜等有机物体静置于底片之上，回到幽暗之中，没有一丝光线，静待物体的自由变化。在时间的流逝中，形象缓慢幽暗地兀自生长，色彩和构图全然无法被控制，艺术家只能静待预见的结果。此外，摄影的绘画性也是艺术家近年的另一个思考方向：在这组作品中，“绘画”过程完全无法预见，他试图开展非目的性的沟通，以此寻找进入新世界的入口。
In traditional film photography, uncontrollability has always been a noticeable and fascinating feature: the final image remains a mystery till the end of printing. In order to refine and magnify this quality, the artist placed organic matter like fruits and vegetables on negatives, waiting for their changes in complete darkness. As time went by, the pictures were developed slowly, quietly into colours and compositions that Jiang never expected before. Besides, the painting style of photography has been another exploration done by the artist in recent years. In this body of works, the process of "painting" is unpredictable - he sets up natural dialogues so as to find the entrance into a new world.
预见 No.21 Foresight No.21 | 蒋鹏奕 JIANG Pengyi | 2017 | 宝丽来，8x10英寸，即显胶片，独版 Polaroid, 8x10 inches, Instant Film, Unique | Image 32.5x21.4 cm | Edition
在蒋鹏奕的作品中，如何将生命和情感投射于感光材料之上，并加大材料的表现承受力，如何进行不合常规的无尽实验，并不断怀疑贬损已知的经验，一直是他最重要的创作初衷及探索手段。无论是将光芒微弱、但却绽放出生命与情爱的萤火虫直接刻印在底片上的《幽暗之爱》，还是通过让荧光纸亲密接触底片，试图呈现个体之间相互影响的《亲密》，或是对感光胶片进行暴力处理的《绽放》（2018），再到试图预见但却“无法预见”的此次新作，时间作用的痕迹和对摄影法则的僭越随处可见。蒋鹏奕的作品与其说是摄影，不如说是一场等待，即等待一个意料之外的图像诞生，而非捕捉、复制或创造。在他的创作实践中，图像并非完全退让于个人主观之后，而是不可预见的给予。对于艺术家来说，则是一种谦卑和自如的实践。
Jiang Pengyi's work continues to address how to project life and emotions onto films, improve the acceptability of materials, conduct unconventional experiments, and constantly suspect individual experience. From Dark Addiction that uses the technique of direct impression to reflect fireflies' path of life and love, to Intimacy showing the interaction between fluorescent paper and photographic negative, and from Blooming (2018), in which light sensitive films were processed in a violent way, to the new series Foresight - an unsuccessful attempt to foresee, all of them reveal the traces of time and push the boundaries of photography. Jiang is looking forward to the birth of a surprising image, instead of simply capturing, replicating or creating. However, his practice is not all about subjectivity, but a kind of grace that can’t be foreseen, which the artist considers as humble and free.
预见 No.17 Foresight No.17 | 蒋鹏奕 JIANG Pengyi | 2017-2018 | 收藏级喷墨打印，裱于纯铝板，钢化亚克力 Archival Inkjet Print, Mounted on Aluminium Panel, Toughened Acrylic | 185x150x5.5 cm | Edition of 3
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关于艺术家
蒋鹏奕1977 年生于湖南省沅江市，毕业于中国美术学院，现工作生活于北京。所获的奖项包括2011 年意大利维罗纳博览（ArtVerona2011）的Aletti 摄影奖、2010 年法兴银行中国艺术奖评委会大奖及2009 年首届三影堂摄影奖所颁的美国特尼基金会奖。2012年更获邀参与赫尔辛基摄影双年展，及被提名Prix Pictet世界环保摄影奖。其作品被国际私人与公共机构收藏，包括瑞士尤伦斯基金会、法国卢瓦河当代艺术基金会、美国特尼基金会、美国亚洲当代艺术收藏基金、意大利及德国裕信银行艺术收藏、意大利Aletti 银行基金会和中央美院美术馆。
Born in Yuanjiang, Hunan Province in 1977 and graduating from the China Academy of Art, Jiang Pengyi currently lives and works in Beijing. He was awarded the Aletti ArtVerona Prize for Photography in 2011, the Jury Grand Prize from the Société Générale Chinese Art Awards in 2010 and the Tierney Fellowship Award from the First Annual Three Shadows Photography Award in 2009. The artist was also invited to participate in the Helsinki Photography Biennial 2012 and was nominated for the Prix Pictet 2012. Jiang’s work has been collected by a variety of private and public institutions worldwide, including Guy & Myriam Ullens Foundation Collection in Switzerland, the French Regional Contemporary Art Fund of the Loire Region (Frac des Pays de la Loire) in France, the Tierney Family Foundation and ArtNow Contemporary Art Collections in USA, the UniCredit Art Collections in Italy and Germany, the Bank Aletti Foundation (Fondazione Banca Aletti) in Italy, and CAFA Art Museum.
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