香格纳上海Bldg.8 | 梁玥影像放映项目《Mind Rehearsal》
展期 | Duration
香格纳画廊将于2019年9月7日至10月7日于西岸8号楼呈现梁玥影像放映项目《Mind Rehearsal》，放映她创作于2016年至2019年间共计十二部影像作品。
ShanghARTGallery is pleased to present Liang Yue's screening "Mind Rehearsal" in Building No.8 at West Bund from September 7 to October 7, 2019, showcasing twelve video works Liang Yue produced from 2016 to 2019.
这一次的放映是散乱和感性的，没有做什么特定的计划，用作品《Mind Rehearsal》作为整场放映的主题，是想表达这些时不时、偶尔、或踌躇徘徊或欣喜或平静空无的情绪，如同生活本身，细密得由很多个散落的时刻聚集在一起成为了时间。
This screening is a fragmented and emotional project, without any specific plan. Using "Mind Rehearsal" as the theme, the project intends to display these occasional moods of hesitation, joy, peace or nothingness. Time is made up of scatteredmoments, so is life.
——梁玥 Liang yue
近两年，梁玥将兴趣和关注度放在声画间微妙敏感的配合上，通过镜头写作、收集那些悄无声息却撩拨情绪的物质。因此这次采用一个单纯的环境，让观众走进来，坐下来，随手翻阅，像读散文一样……同时也是艺术家的一个观察角度的趣味游移。这次放映之后，梁玥有意向人和社会有关的方向继续探寻。
Over the recent two years, Liang Yue has been focusing on the delicate integration of sound and image through writing and collecting silent, sensitive materials with her lens. Therefore, she invites the viewers to enter into a simple environment to sit down, and watch the videos like reading prose. It's also a delightful shift of the artist's viewing angle. After this screening project, Liang Yue will continue her exploration on issues of human and society.
梁玥，1979生于上海，2001年毕业于上海大学美术学院，现生活、工作于加拿大。
Liang Yue was born in Shanghai in 1979. She graduated from the Shanghai Art Academy in 2001. Currently she lives and works in Canada.
梁玥的作品无论是摄影还是录像，自始至终以“日常”作为支点，不断以她极为敏锐的艺术天赋顺势取材，发现、发掘和捕捉被忽视的人类日常行为，并将这种对城市日常的关注扩展延伸到对自然恒常之景的凝视。在她将近十五年以来大量的作品中，可以看到一条清晰贯穿她艺术实践之气：对无意义之美的探求。尤其在梁玥的录像作品中，她不断简化并舍弃拍摄和剪辑技巧，挑战观者的习惯性“艺术欣赏”，挑战他们的视网膜和耳膜，挑战他们的耐心和理性，进而质疑艺术所谓的“意义和价值”，以此将无意义视为她创作的最终意义。
In Liang Yue's works of photography and video, the "daily" is always taken as the focus. She uses easy-to-get materials with her acute artistic talents, keeps seeking, exploring and capturing daily routines, and extending from concerns for urban life to gazing into the eternal scenery in the nature. A clear clue of her artistic practice could be witnessed in her massive amount of works during the past fifteen years that explore the beauty of insignificance. It is especially obvious in her videos that she keeps simplifying and abandoning the techniques of shooting and editing, challenging the viewers' habit of appreciation, as well as their retina and eardrum, patience and rationality while further questioning the so-called significance and value of art as she treats the meaninglessness as the ultimate significance of her creation.