香格纳上海 | 11月8日杨福东个展《无限的山峰》开幕

杨福东：无限的山峰

Yang Fudong: Endless Peaks

开幕 | Opening: 
2020/11/08， 16:00–21:00 

展期 | Duration

2020/11/08-2021/01/24

周二 – 周日 Tue.-Sun. 11:00-18:00

地点 | Location

香格纳上海，上海市徐汇区龙腾大道2555号10号楼

ShanghART Shanghai, West Bund, Bldg.10, 2555 Longteng Avenue, Xuhui District, Shanghai, China

*海报设计：赖虹宇工作室 Poster design by Lynn Lai Studio

香格纳画廊荣幸宣布杨福东个展《无限的山峰》将于11月8日在西岸空间开幕。艺术家将以“绘画式电影”作为主要的表现方式，结合摄影及影像装置等多种媒介，试图重新建立一种观看的叙事结构。展览将持续至2021年1月24日。

ShanghART Gallery is pleased to announce that Yang Fudong’s solo exhibition “Endless Peaks” will open on 8th November at the gallery’s Westbund space. “Huihua dianying” or “Painting as a film”, a concept that Yang Fudong has been developing for years, evolves in this exhibition as the main way to investigate the spiritual landscape of people. Works on display span painting, photography to video installation, and intend to reconstruct the narrative structure of viewing. The exhibition will run through 24 January 2021.

杨福东 YANG Fudong | 无限的山峰 Endless Peaks | 2020 | 摄影 Photography

“无限的山峰”，意为在山中眺望远方绵延不绝的云海与彼岸的情景。作为展览的主题，艺术家从古代绘画题材中撷取不同历史背景之下的人物与叙事，凭借多种媒介的表现特质以再创作的方式重新阐释古典作品中蕴含的当代精神性。绘画作为一种观看的历史，通过个体认知痕迹与创作之间的共同性，表现出绘画式电影中潜移默化的“意”与“像”之间的关联。本次展出作品与两层建筑主体有机结合，在空间内塑造出不同层次的观看维度。

The title of the exhibition, Endless Peaks describes the continuous mountain ranges lying in an endless sea of clouds appearing when looking into the far distance from the top of a mountain. Developing from the concept, the artist draws figures and stories from traditional paintings in different dynasties as the source of his works. The textures exuding from materials allow the artist to re-portray contemporary spirituality with his re-creation implied in the ancient classics. Painting as the accumulative history of observation presents the influential correlations of “Huihua dianying” （or “Painting as a film”） between the “sensory” and “imagery” through the commonality of individual cognitive traces and distinctive creation. Exhibited works closely collaborate with the gallery’s two-storey characteristic architecture, which creates layered viewing dimensions for audience to interact with works and immerse themselves in the space. 

杨福东 YANG Fudong | 无限的山峰 Endless Peaks | 2020 | 绘画摄影录像装置 Painting, photography and video installation

杨福东的作品以极具个人风格的东方古典意蕴与先锋移动影像观念闻名。在近年来的创作中，他的作品面向影像创作本身的定义、观看的边界、媒介与叙事的关系等方面进行实践与挑战。以中国美学思想的重要范畴“意会”为一脉核心，艺术家从历史文化的剖面深化和再创造，持续探讨人类精神生活的本质。

Yang Fudong’s works are known for his signature temperament and avant-garde perceptions of moving images. In recent years, his works endeavour to practice and challenge multi-boundaries and limits of creation including the definition of film itself, the critical point between viewing and the viewed, relationships between medium and narrative etc. Inspired by “sense”, the crucial range of Chinese aesthetic thinking as the core trajectory, the artist unearths and recreates from the fragments of history and culture to continually query the essence of human’s spiritual life.

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关于艺术家 

About the artist

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杨福东，1971年生于北京，毕业于中国美术学院油画系，中国最有影响力的当代艺术家之一。其作品在全球多家美术馆以及重要艺术机构参展，苏州博物馆（2019），纽约古根海姆博物馆（2017）；巴黎路易威登基金会，（2016）；纽约大都会艺术博物馆（2013）；利物浦泰特美术馆（2007）；伦敦泰特现代美术馆（2004）；巴黎蓬皮杜艺术中心（2003）等。他也参展了第12届里昂双年展（2013）；第11届沙迦双年展（2013）；第十七届悉尼双年展（2010）；第52届威尼斯国际艺术双年展（2007）；第五届亚太当代艺术三年展（2006）；利物浦双年展（2004）；第50届威尼斯国际艺术双年展（2003）；第11届卡塞尔文献展（2002）；第四届上海双年展（2002）；第7届伊斯坦布尔双年展（2001）等。

同时，在国际著名的艺术机构和画廊举办个展有杨福东个展包括“无限的山峰”，香格纳画廊，上海（2020）；“明日早朝”，龙美术馆（西岸馆），上海（2018）；“愚公移山”，2016，上海摄影艺术中心，上海（2016）；“南辕北辙：杨福东作品展”，余德耀美术馆，上海（2015）；“我感受到的光”，SALT 户外影像装置，桑霍尔恩岛，挪威（2014）；“杨福东：陌生天堂”，苏黎世美术馆，瑞士（2013）；“断章取义”，杨福东作品展，OCT 当代艺术中心，上海（2012）；“八月的二分之一”，杨福东个展，PARASOL UNIT 当代艺术中心，伦敦，英国（2011）；“杨福东：竹林七贤和其它故事”，国家当代艺术博物馆，雅典，希腊（2010）；“离信之雾”，杨福东个展，证大现代艺术馆，上海（2009）；“杨福东：将军的微笑”，原美术馆，东京，日本（2008）；“别担心，明天会更好”，维也纳美术馆，比沃利城堡当代美术馆，都灵，意大利（2005）；“五部电影”，文艺复兴协会，芝加哥，美国（2004）等。

Yang Fudong was born in Beijing in 1971, and now lives and works in Shanghai. He graduated from the Department of Oil Painting, China Academy of Art in Hangzhou. He is among the most successful and influential Chinese artists today. Yang Fudong has participated in prestigious international art exhibitions including Su Zhou Museum (2019); Solomon R. Guggenheim Museum (2017); Foundation Louis Vuitton, Paris, France (2016); The Metropolitan Museum of Art (2013); Tate Liverpool (2007); Tate Modern (2004); Centre Pompidou (2003). His works also included in La Biennale de Lyon (2013); Sharjah Biennial 11 (2013); 17th Biennale of Sydney (2010); 52nd International Art Exhibition Venice Biennale (2007); The 5th AsiaPacific Triennial (2006); FACT Liverpool Biennial (2004); 50th International Art Exhibition Venice Biennale (2003); Documenta 11 (2002); 4th Shanghai Biennale (2002); 7th International Istanbul Biennial (2001) etc.

His solo exhibitions widely held at the most acclaimed institutions and galleries, including Dawn Breaking, Long Museum (West Bund), Shanghai (2018); Moving Mountains, Shanghai Center of Photography, Shanghai (2016); Twin Tracks: Yang Fudong Solo Exhibition, Yuz Museum, Shanghai (2015); The Light That I Feel, SALT outdoor video installation, Sandhornoya, Norway (2014); Yang Fudong: Estranged Paradise, Works 1993-2013, The Kunsthalle Zurich, Switzerland (2013); Quote Out of Context, Solo Exhibition of Yang Fudong, OCT Contemporary Art Terminal, Shanghai (2012); One Half of August, Yang Fudong Solo Exhibition, Parasol Unit Foundation for Contemporary Art, London, U.K. (2011); Yang Fudong: Seven Intellectuals in a Bamboo Forest and Other Stories, National Museum of Contemporary Art, Athens, Greece (2010); Dawn Mist, Separation Faith, Yang Fudong's Solo Exhibition, Zendai Museum of Modern Art, Shanghai (2009); Yang Fudong: the General's Smile, Hara Museum, Tokyo, Japan (2008); Yang Fudong: Don't worry, it will be better..., Kunsthalle, Wien, Austria (2005) ; Yang Fudong, Castello di Rivoli Museo d'arte contemporanea, Torino, Italy (2005); Five Films, The Renaissance Society, Chicago, U.S.A (2004) etc.