香格纳上海 | 孙逊个展《千江有水千江月》3月12日开幕

孙逊：千江有水千江月

Sun Xun: An Infinite Journey

开幕 | Opening

2022/3/12, 16:00（周六 Sat.）

展期 | Duration

2022/3/12 – 4/26

周二—周日 Tue.-Sun. 11:00-18:00

地点 | Location

香格纳上海，上海市徐汇区龙腾大道2555号10号楼

ShanghART Shanghai, West Bund, Bldg.10, 2555 Longteng Avenue, Xuhui District, Shanghai, China

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香格纳上海荣幸呈现孙逊个展《千江有水千江月》，展览将于2022年3月12日开幕，展期持续至4月26日。本次展览为孙逊在香格纳上海西岸空间的首次个展，也是继2019年长篇叙事动画影像《魔法星图》在香格纳M50空间发布后，阶段性创作成果的呈现。展览内容以《魔法星图》的开篇部分——螺刹为核心，呈现该部分动画影像和以木刻为主的大尺幅作品以及动画原稿，艺术家也将在展厅二层空间进行现场创作。

魔法星图—魔术师来到螺刹 Magic of Atlas- The Magician Comes to Luochaguo_木刻画 Colored woodblock relief_244(H)x976cm_局部 Detail

展览取题“千江有水千江月”，源自于孙逊对自身创作的概括，即他的作品作为现实之物的意象，并不在于单一媒介，而不同的媒介恰能促成艺术表达在不同层面的启示与碰撞。本次个展除动画影像部分外，作品均以木刻为主，对应了故事主人公“小之”游历的第一个虚构国家——螺刹：一个没有历史，没有记忆并禁止飞行的地方。木刻以其独有的刚硬、粗粝的视觉效果承载了螺刹国的特质，恰如其分地构建出动画的内在宇宙。螺刹部分是整部动画中有强烈叙事性的片段，占近三分之一的篇幅，观众可以在动画影像与静帧木刻之间，领略其流动叙事背后宏大而精密的世界观。

孙逊独特的工作方式使传统手工技法与现代数字技术相结合，极具中国传统特色的形式和内容跃然呈现于动画之中。孙逊的创作是数字时代语境下，东方文化现代性的体现。

电影“魔法星图”场景设定—螺刹炮台内部 "Magic of Atlas" Scene Design - Inside the Battery of Luocha_木刻画 Colored woodblock relief_92(H)x183cm_局部 Detail

ShanghART Shanghai is delighted to present Sun Xun's solo exhibition "Sun Xun: An Infinite Journey". The exhibition will launch on March 12 and run through April 26, 2022. This exhibition is Sun Xun's first solo exhibition at ShanghART Shanghai, which is also the presentation of staged creative achievements after the release of the feature-length narrative animation Magic of Atlas in ShanghART M50 in 2019. The exhibition is centered on the opening part of Magic of Atlas - Luocha, including the animation, large-scale woodcut works and original animation drawings. Moreover, the artist will perform live painting on 2F of the exhibition hall. 

电影“魔法星图”场景设定—螺刹谶湖 "Magic of Atlas" Scene Design - Prophetic Lake of Luocha_木刻画 Colored woodblock relief_92(H)x366cm_局部 Detail

The title of the exhibition "An Infinite Journey" not only indicates the protagonist’s journey, but also metaphors the artist's creation concept. Stems from Sun Xun's generalization of his creation, his works as the imagery of the reality does not lie in a single medium, while different media can promote the enlightenment and collision of artistic expression at different levels. Except for the animation, the works of the exhibition are mainly woodcuts, which correspond to the first country that the protagonist "Xiaozhi" travels - Luocha: a nation with no history, no memory and deny flight. With its unique rigid and rough visual effects, the woodcut bears the feature of Luocha, and appropriately constructs the inner universe of the animation. The Luocha part is a clip with a strong narrative, which occupies nearly one-third of the origin animation. Audiences can appreciate the grand and sophisticated worldview behind the animation's flowing narrative while enjoying the animation and the woodcut stills.

电影“魔法星图”场景设定—雪中狐狸 "Magic of Atlas" Scene Design - Fox in Snow_木刻画 Colored woodblock relief_92(H)x183cm

电影“魔法星图”—螺刹 动画原稿

“Magic of Atlas” - Luocha_Animation Original draft

Sun Xun's unique manner of working combines traditional manual techniques with modern digital technology, so the form and content with distinct Chinese traditional characteristics are vividly presented in the animation. Sun Xun's creations reflect the modernity of oriental culture in the context of digital era.

图片致谢孙逊 Courtesy of the Artist

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关于艺术家 

About the artist

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孙逊，1980年出生于中国辽宁省阜新。2005年毕业于中国美术学院版画系。次年，成立π格动画工作室。现生活并工作于北京。孙逊的作品通常为手绘而成的动画影片。因此除动画影片本身外，同时可以看到与其动画相关的手稿或运用其他媒介制作一些作品。饱含隐喻的画面细节、暗黑张力的手绘风格、梦幻跳跃的情节设计是孙逊颇具个人特色的视觉语言。近年来，孙逊以新媒体艺术为原点，在更为广阔的视觉艺术领域做出了诸多尝试：探索在报纸、书籍、木刻版画、水墨、色粉等不同创作媒介中的叙事效果，探讨如何展现非线性的时间与空间观念，并结合自身对于社会与社会学理论的理解，探究现实与幻想的表现形式。
孙逊作为艺术家，他的作品被众多艺术机构收藏，包括白兔中国当代艺术收藏、所罗门·R·古根海姆美术馆、大都会美术馆等。他于2018年获得亚洲协会未来艺术奖；2014年获得第八届AAC艺术中国·青年艺术家大奖；2010年获得CCAA中国当代艺术奖“最佳年轻艺术家”。近期主要个展包括：孙逊：通向大地的又一道闪电，温哥华美术馆，温哥华，加拿大（2021）；孙逊：偷时间的人，约翰和梅布尔·林林艺术博物馆，佛罗里达，美国（2019）；孙逊，当代艺术博物馆,澳大利亚(2018)。近期主要群展包括：夏威夷三年展，皇家夏威夷中心，美国（2022）；亚洲协会三年展，我们并非独自做梦，亚洲协会博物馆，纽约，美国（2020）；第13届哈瓦那双年展，国家艺术中心，哈瓦那，古巴（2019）；古根海姆“何鸿毅家族基金会中国当代艺术计划”，故事新编，所罗门·R·古根海姆美术馆，纽约，美国（2016）。
在广泛参与艺术展览同时，孙逊先后在香港国际电影节，安纳西国际动画电影节，荷兰动画电影节等国际电影节进行专场影片放映，并于2010和2011年分别入围威尼斯国际电影节与柏林国际电影节。
Sun Xun was born in 1980 in Fuxin in Liaoning province, China. He graduated in 2005 from the Print-making Department of the China Academy of Art. In 2006 he established π Animation Studio. He currently lives and works in Beijing. The works of Sun Xun are mainly drawing and/or animation. Sun Xun also exhibits his individual cell drawings and other mixed media works, oftentimes alongside his videos. Sun Xun’s personal visual language consists of metaphoric imagery, dark and intense hand drawing, and dreamy narrative. In recent years, Sun Xun uses New Media Art as a point of origin to explore more possibilities within the expansive realm of visual art: he explores narrative methods using diverse mediums such as newspaper, book, woodcut print, Chinese ink, pigment powder, probe into non-linear expressions of time and space, and inquire into both realistic and fantastical representations based on his own understanding of society and sociological theories. 
As an artist, Sun Xun’s works were collected by many art institutions, including White Rabbit Contemporary Chinese Art Collection, Solomon R. Guggenheim Museum, Metropolitan Art Museum, etc. Sun Xun was awarded Asia Arts Game Changer Awards in 2018, the 8th AAC Art China · Young Artist Awards in 2014, and the Chinese Contemporary Art Awards (CCAA Best Young Artist) in 2010. His recent major solo exhibitions include: Sun Xun: Mythological Time, Vancouver Art Gallery, Vancouver, Canada (2021); Sun Xun: Time Spy, The John and Mable Ringling Museum of Art, Florida, U.S.A (2019); Sun Xun, Museum of Contemporary Art, Australia (2018). His recent major group exhibitions include: Hawai'i Triennial 2022, Royal Hawaiian Center, U.S.A (2022); Asia Society Triennial, We Do Not Dream Alone, Asia Society Museum, New York, U.S.A (2020); 13th Havana Biennial, National Art Center, Havana, Cuba, (2019); The Robert H. N. Ho Family Foundation Chinese Art Initiative at the Guggenheim, Tales of Our Time, Solomon R. Guggenheim Museum, New York, U.S.A (2016).
While participating in art exhibitions extensively, Sun Xun has performed special screenings at Hong Kong International Film Festival, Annecy International Animation Film Festival, Holland Animation Film Festival, etc. He was also nominated for Venice International Film Festival and Berlin International Film Festival respectively in 2010 and 2011.

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