RTSM｜The Eighteen Scenes ：朱哲琴 & Martina MORGER

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#RTSM | 2020线上展览 34

#艺术家 38

#展览 40

The Eighteen Scenes | 十八个现场

Reflecting the Sharing Moment | Section Four

2020艺讯网线上展览

历时数月的筹划与准备，2020艺讯网英文版线上展览项目“Reflecting the Sharing Moment”（缩写为RTSM）自2020年9月上线第一板块“免·疫”，随后呈现第二板块“撕裂·修复”、第三板块“孤岛”及第四板块“十八个现场”。项目共邀请了来自全世界多个国家的共计61位/组艺术家，分享他们面对疫情及疫情之下的社会境遇的思考与创作。

Through several months of planning and preparation, the online exhibition project "Reflecting the Sharing Moment" (abbr. RTSM) of CAFA ART INFO has launched its first section "More Than The Immune Problem" in September 2020, followed by the second section "Tearing & Regenerating", the third section "The Island" and the last section "The Eighteen Scenes". The exhibition invited a total of 61 artists/groups from diverse countries around the world to present and share their thoughts and creations in the face of the pandemic and the social situation under the catastrophe.

庚子年的最后一周，RTSM以朱哲琴老师和Martina MORGER的作品收官。“这一世，我们是观者，也是造境者。没有人只是单纯的‘接收者’，每个人都是作品的一部分，其感知驱使能量运动转化并创作改变着现实。”如朱哲琴老师所言，尽管2020年人类社会所遭遇、面对与经历的变数、挑战和机遇难以悉数总结，但我们热切地期待艺术与思想能够在种种困苦、犹疑与辗转的境遇中持续注入力量、希望与慰藉。

In the last week of the Gengzi Year, RTSM has finally come to its last chapter with creations from Dadawa and Martina MORGER. As Dadawa once addressed, "In this world, we are observers as well as creators of boundaries. No one is a pure 'receiver'; each person is a part of the piece, the operation of one's awareness and internal energy transformation participates in as well as creates the scene." Although it is difficult to summarize all the variables, challenges and opportunities encountered, confronted and experienced by human society in 2020, we eagerly hope that art and thoughts can continue to bring strength, hope and comfort amidst all kinds of hardship, hesitation, and dilemma.

辞旧迎新之际，艺讯网团队祝愿即将到来的牛年万象更新，我们也将在新的一年中，继续传递与分享艺术的思想与力量。祝新的一年充满欢愉、勇气、爱与和平，而我们一直“共在此时”。

On the occasion of ringing in the Chinese New Year, the team of CAFA ART INFO wishes the upcoming Year of the Ox will bring something wonderful and new, and we will continue to pass on and share the ideas and power of art in the new year. May the coming Chinese New Year bring the world joy, courage, love and peace, and we have been always standing together to experience and reflect on the sharing moment!

👇 点击链接回顾往期：

RTSM｜2020线上展览合集

Dadawa｜朱哲琴

"Mind and matter are not opposites. They are two dimensions of energy."

Dadawa is one of the most important Chinese singers, crossover sound artists, independent producers, and has served as a UNDP Goodwill Ambassador. Founder of KANJIAN Creation, she also recently established SOUND LAB at Shanghai’s Tongji University, Institute of Architecture and Design where she is an adjunct professor.

Over the past 20 years, Dadawa, with music as her point of departure, has embarked on her journey into crossover artistic exploration, an advance guard pioneer of contemporary Chinese music, in recent years her works have entered the fields of Sound as well as visual art, design, performance and contemporary art.

Dadawa’s representative music and sound art works：“Sister Drum”(1995), “Moon Rise”(2010), “Sense of Hearing” (2014), “Fuchun Mountain Soundscape" (2016). “Sound Script after Book from the Sky”2018 for Xu Bing UCCA Solo exhibition, “Bell Shelter” for Setouchi Triennial Japan in 2019.

Scan the QR Code to View Dadawa's Page

扫描二维码进入展览艺术家主页

“Sense of Hearing” I

Dadawa sound work No 1.2014, Today Museum, Beijing

Property: multi-media sound installation

Vocal improvise Lighting reflection

“Sense of Hearing” II

Dadawa sound work No 1.2014, Today Museum, Beijing

Property: multi-media sound installation

Vocal improvise Lighting reflection

“Sense of Hearing” III

Dadawa sound work No 1.2014, Today Museum, Beijing

Property: multi-media sound installation

Vocal improvise Lighting reflection

Mind and matter are not opposites

They are two dimensions of energy

They interact and mutually transform

Matter serves as a medium for mind

In the process of mind transforming to matter

Its energy released by the other

Dispersal of energy stimulates further mental activity

Thus unfolds the ecology between mind and matter Mind and matter are not opposites

They are two dimensions of energy

They interact and mutually transform

Matter serves as a medium for mind

In the process of mind transforming to matter

Its energy released by the other

Dispersal of energy stimulates further mental activity

Thus unfolds the ecology between mind and matter

“Sense of Hearing” 2014 Today Museum, Beijing

“Sense of Hearing” Space: 1000sq meter

Visitor live vocal improvise

“Sense of Hearing” is Dadawa’s first sound art piece. This large-scale interactive sound installation is a multimedia fusion of hearing, seeing, optics, improvisation, performance art and field sampling.

It is a participatory work requiring ears and listening. In this piece, Dadawa realizes the transformation of roles between actors and the audience. In this debut work she creates an accessible framework of sound for the visitor.

Each person entering this sonic environment is not only the seer and the listener but also the creator. Discovering water and light as media, realizing visibility through the energy of sound waves, the artist uses the exhibition space to create for the audience and herself an energetic work of internal perception, which pays attention to both the spiritual and material, a meditative space where the abstract and representational interact and transform with each other.

Improvisation with Sound 1(8×4.5m)

Improvisation with Sound 2(8×4.5m)

Improvisation with Sound 3(8×4.5m)

Improvisation with Sound 4(8×4.5m)

Martina MORGER

"Lèche-Vitrines"

Martina Morger is a performance artist who also works with multimedia. She reflects on femininity as a device and claims space as a political body. Through her work, one discovers an engagement with the limitations of individual freedom in regard to technologies. Her main practice is inspired by cyberfeminism and care, and her work is primarily concerned with women’s placement within society, but also queerness in regards to cybernetical hybridisation. Exploring female and queer voices—or lack thereof—domesticity, repetitive action and hidden labour she works primarily with performance and enjoys investigating the borders to other media. Her embodiment of different personas speaks to fluidity and its possible societal implications.

Scan the QR Code to View Martina MORGER‘s Page

扫描二维码进入展览艺术家主页

Lèche-Vitrines was a performance in the public space of Paris during the confinement period as a consequence of the COVID-19 pandemic. According to the French phrase for ‘window shopping’, which literally translates to ‘window licking’, Martina strolls around the streets of Marais, one of the most fashionable districts, inspects the products on display and licks the separating glass. With the objects of desire coming both from daily life as well as luxury products, Lèche-Vitrine depicts an absurd pursuit for individualism inside a capitalised environment.

Image and Text Courtesy of the Artists.

Edited by Sue and Emily/CAFA ART INFO

About the Exhibition

关于展览

The Eighteen Scenes

Reflecting the Sharing Moment | Section Four

2020艺讯网线上展览 | 第四回

Launch Date: 2020.12.30

Participating Artists

(in alphabetical order of surnames):

CHEN Hui, Hannah COOKE, Dadawa, Michael EADE, FEI Jun, Erik JEOR, JIANG Jie, MA Lu, Martina MORGER, Buket SAVCI, Jakub SIMCIK, Elvire SOYEZ, WU Didi, YAO Lu, YUAN Wu, ZHAN Wang, ZHI Min, ZHOU Li

Curator: Emily ZHOU

Visual Design: Yizhi ZHANG

Organizer: CAFA ART INFO

Scan the QR Code to View the Exhibition

or Click "Read More" at the end of this page to Enter the Exhibition Page

扫描二维码或点击“阅读原文”进入展厅

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RTSM｜The Eighteen Scenes ：朱哲琴 & Martina MORGER

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