安德烈·小松 André Komatsu参展民生美术馆中巴当代艺术展“对流” TROPOSPHERE
北京民生美术馆将于本周六推出“中巴当代艺术展——对流”，常青画廊代理艺术家安德烈·小松（André Komatsu）作为受邀巴西艺术家之一参展，这也是艺术家作品在中国的初次亮相。同时，画廊很荣幸宣布将于12月14日推出其在画廊北京空间的首次个展项目。敬请期待！
“展览主题“对流”来自“对流层”（Troposphere）。对流层是大气层中最基础、最重要、最活跃的部分，也是与人类生活最为密切的部分。对流层已不仅是对地球大气生态圈的象征，更是对文化交流的诉求，尤其是在中国与巴西这样的有着诸多交流潜力与共同话题的国家之间。在“对流层”展览中，邀请了21位代表性的巴西当代艺术家参加，他们的年龄分布在多个阶段，创作也涉及各种媒介类型，他们艺术的主题和巴西的历史与当下密切关联。通过他们的作品，我们能够直观地体验到巴西的社会、文化与人民的很多方面。另一方面，这些艺术家和作品也能够构成一部简要的巴西当代艺术史，从中我们可以看到巴西当代艺术的各种风格、流派，尤其是近几十年来巴西艺术家在热带主义运动的带动下开始了对本土经验的探寻与整理，进而展开了对自身文化身份主体性的构建。与此同时，展览也邀请21位有代表性的中国当代艺术家，在两国艺术家的作品之间构建一种直观的联系，在材料使用、图像风格、工作方法、问题意识、社会表征、历史叙述等不同的层面上连接他们的作品，以呈现出两国艺术家在深处的共性，激发互相的共同体意识。而在这个“求同”的背景下，两国当代艺术之间也更能够呈现出有意义的差异，以促使我们更确切地回应今天全球化主题下的多中心议题。”
中国艺术家
蔡磊 Cai Lei
傅中望 Fu Zhongwang
胡晓媛 Hu Xiaoyuan
黄永砅 Huang Yongping
蒋志 Jiang Zhi
李松松 Li Songsong
梁铨 Liang Quan
林天苗Lin Tianmiao
刘韡 Liu Wei
骆丹 Luo Dan
马秋莎 Ma Qiusha
欧阳春 Ouyang Chun
尚一心 Shang Yixin
石青 Shi Qing
宋冬 Song Dong
隋建国 Sui Jianguo
王光乐 Wang Guangle
王宁德 Wang Ningde
杨茂源 Yang Maoyuan
杨振中 Yang Zhenzhong
余友涵 Yu Youhan
巴西艺术家
约纳塔斯·德·安德拉德 Jonathas de Andrade
罗德里戈·安德拉德 Rodrigo Andrade
巴朗 Barrão
卡利托·卡瓦略萨 Carlito Carvalhosa
莱达·卡通达 Leda Catunda
圣克莱尔·切明 Saint Clair Cemin
马科斯·查韦斯 Marcos Chaves
菲利普·科恩 Felipe Cohen
安东尼奥·迪亚斯 Antonio Dias
伊朗·圣埃斯皮里图 Iran do Espirito Santo
安德烈·小松 André Komatsu
维克·穆尼斯 Vik Muniz
恩里克·奥利维拉 Henrique Oliveira
亚伯拉罕·帕拉特尼克 Abraham Palatnik
安娜·普拉塔 Ana Prata
卡伊奥·莱塞维茨 Caio Reisewitz
米格尔·里奥布朗库 Miguel Rio Branco
阿丰索·托斯特 Afonso Tostes
通加 Tunga
阿德里安娜·瓦雷让 Adriana Varejão
路易斯·泽尔比尼 Luiz Zerbini
"The title “troposphere” refers to the lowest part of the earth’s atmosphere in which the majority of the earth's active weather forms. In this regard, the troposphere is something that all men share, and the “world” we talk about often refers to the “world” within the troposphere. Troposphere is no longer merely a term in the ecological sense, it also represents an appeal for cultural exchanges, especially among countries like China and Brazil which share a lot in common and have a solid foundation for mutual understanding. Troposphere features 21 contemporary artists from Brazil. Their ages vary. So do the media they deal with. What they share in common is that their art addresses the history and/or the present of Brazil. Through their work, we will have more insights into the society, culture and people of Brazil. On the other hand, the participating artists together with the works constitute, in a way, a brief history of Brazilian contemporary art, casting light on the different styles and genres characterizing Brazilian contemporary art. It helps us to have a better understanding of the practice of Brazilian artists during the past few decades under the influence of Tropicalismo, their exploration and enquiry into local experience as well as their pondering and reflection upon the cultural identity of their own. The exhibition also features 21 contemporary artists from China, trying to build an intuitive connection between art from the two countries in terms of the use of materials, visual styles, approaches, problem awareness, social representation and historical narrative. Through the presentation of what artists from the two countries share, the exhibition intends to further stimulate the awareness of mutual community. With an attempt to “seek common ground”, the different features and tendencies between contemporary art from the two countries would be interpreted in a more profound way so that we may be able to address the issue of multicenter in today’s globalized context more properly and confidently. "
关于艺术家 & 参展作品
ABOUT ARTIST & EXHIBITED WORK
安德烈·小松（Andre Komatsu）1978年出生于圣保罗，现生活和工作于此。小松将他的创作描述为对沿路行走和穿越城市空间所产生之感官的一系列映射。那些相交并构建了小松艺术世界的物体与材料，在其表象之外实为对于社会抵抗的邀请。从零碎之物、碎石、废弃物开始，艺术家对重构进行实践，以探寻存在的新模式。同时，他对结构间各部分的关系，生存的机遇以及随着时间推移不可避免的转化进行阐述。艺术家对于碎片、废弃零件及现成物的惯有引用，表达了其对颠覆物质的传统注解的渴求，从广义上讲，即对于日常生活元素意义的重建。其创作以再生为主题，尤其关注城市空间的物理重建作为对“…持续变化中的人类、自然与建筑”的隐喻。
André Komatsu was born in São Paulo in 1978, where he still lives and works today. Komatsu describes his work as the reflex of a series of perceptions he has while going along roads and through urban spaces. The objects and materials that converge to form Komatsu’s artistic universe are, aside from appearances, invitations to social resistance. Starting from fragments, rubble, abandoned objects, the artist carries out a reconstruction in search of new models of existence. The artist also dwells on the relationship between the parts of a structure, on its chances of surviving and on its inevitable transformation over time. The recurrent use by the artist of fragments, scrap pieces, found materials, and their reuse, expresses a desire to subvert the values conventionally attributed to materials, and, in a broad sense, to the elements of everyday life. Komatsu deals with themes of regeneration, focussing particularly on the physical redevelopment of urban space as a wider metaphor for “… man, nature or architecture in a continuous process of change”.
他的早期作品及行为艺术趋向对这些关注点进行文学性的阐述，并将“建构与解构的物质”转换为绘画与拼贴组装的创作形式。 然而， 其现下的创作无论从空间性还是概念性上来说，都变得更为复杂。
His earliest works and performances tend towards a fairly literal interpretation of these interests by, for example, re-purposing the “… materials of construction and deconstruction” into platforms for drawing, painting, and assemblage. His current production, however, is more complex both spatially and conceptually.
▲ 自动装置, 2017年, 玻璃，镜面，钢架，钢丝网，水泥板，夹丝玻璃, 尺寸可变 Automatos, 2017, Glass, Mirror, Steel, Steel Net, Cement board, Wire glass. Variable dimensions.
他曾参加诸多重要群展：2015年，第56届威尼斯双年展巴西馆，威尼斯，意大利；2014年，“超场域”，布朗克斯博物馆，纽约；2013年，“盲区”，克兰纳特艺术博物馆，伊利诺斯州厄巴纳，美国。2012年，“Sex-tanisquatsi——宜居的混乱”，X蒙特雷双年展，马尔科当代艺术博物馆, 蒙特雷，墨西哥；圣胡安和加勒比光图三年展， 圣胡安，波多黎各；2011年，第八届南方共同市场双年展， 波尔图阿雷格里港，巴西。“逍遥学派：拉丁美洲巡游绘画——画室”，MIMA，共和国银行艺术博物馆，伦敦，英国。“El Ranchito”，帕洛阿托，西班牙马德里；2010年，“建构的目的”，MUSAC，莱昂，西班牙。2010年他举办了两次个展：“真实计划”，巴西圣保罗红画廊；“确切 ／ 定期”，法国巴黎娜塔莉·赛尔罗斯画廊。
He has participated in several important group exhibitions: In 2015, 56th Esposizione Internazionale d'Arte, Brazilian Pavilion, Venice, Italy. In 2014, “Beyond the Supersquare”, Bronx Museum, New York, US. In 2013, “Blind Field”, Krannert art museum, Urbana, Illinois, US. In 2012, “Sex-tanisquatsi – Desorden habitable”, X Monterrey Biennial, MARCO Museum of contemporary art, Monterrey, Mexico; Triennale Poli / gráfica de San Juan y El Caribe, San Juan, Puerto Rico. In 2011, 8th Mercosul Biennial, Porto Alegre-RS, Brazil; “The Peripatetic School: Itinerant drawing from Latin America – Drawing Room”, MIMA, Museo De Arte Del Banco De La Republica, London, UK; “El Ranchito”, Matadero, Madrid, Spain. In 2010, “Para ser construídos”, MUSAC, Leon, Spain. In 2010, he had two solos shows: “Acaso por intenção”, Vermelho gallery, São Paulo, SP, Brazil and “Concreto / Periódico”, Natalie Seroussi gallery, Paris, France.
▲ 自动装置（局部）, 2017年, 玻璃，镜面，钢架，钢丝网，水泥板，夹丝玻璃, 尺寸可变 Automatos (detail), 2017, Glass, Mirror, Steel, Steel Net, Cement board, Wire glass. Variable dimensions.
▼ 点击“阅读原文”进入常青画廊最新官方网站，关注更多最新资讯！
Visit our new website to read more news!