杜梦堂荣幸在巴黎空间DUMONTEIL Contemporary呈现群展 "PANEL Pink", 这是继"PANEL Blue"后「PANEL」系列的第二次展览，每期以单一色彩为策展主题。此次展览汇集了16位关注不同领域、不同创作媒介的艺术家，展现他们多样的思维方式、艺术方法和技巧。
DUMONTEIL is pleased to present "PANEL Pink" at DUMONTEIL Contemporary Paris, the second edition of the "PANEL" exhibition series which devotes to a single color as the theme each time. This Pink edition features artworks from 16 artists interested in varied fields and media, bringing together their diverse ideas, techniques, and artistic approaches.
PANEL Rose installation view at DUMONTEIL Contemporary, ParisPhoto : Diane Arques / ADAGP, Paris, 2023
Abed Al KADIRI
It's not Black or White | 这不是非黑即白
2021Charcoal on canvas 布面炭粉215 x 350 cm
Abed Al Kadiri (b.1984)通过分析当代的暴力、文化遗产、移民和归属感等问题来研究社会中「自由」被剥夺的情况。他一直特别关注伊拉克历史遗迹的破坏，通过他不同阶段的绘画和素描，关注地中海欺骗性的平静背后的巨大的人类悲剧。Abed Al Kadiri (b.1984) examines the deprivation of freedom in society by analyzing contemporary issues of violence, cultural heritage, migration, and belonging. He has been particularly looking into the destruction of Iraq’s historic monuments, the vast human tragedy behind the deceptive calm of the Mediterranean Sea through different phases of his paintings and drawings.
Tamaris BORRELLY | 塔玛丽·伯瑞利
Watercolors on Kozo paper 楮纸上水彩150 x 210 cm
塔玛丽·伯瑞利的作品围绕由生命构成的世界展开，展现着它的蜕变、它的脆弱性和持久性。景观和梦境是伯瑞利作品的核心。她通过对万物融合的探索，质疑现有的物种体系和生物关联性。正如科学家对普世真理的追寻，伯瑞利则寻求创造一个能够通往别样世界的空间。Tamaris Borrelly’s work revolves around the living world, its metamorphoses, its fragility, and its durability. Landscape and dreaming are at the center of Borrelly’s work. She questions the relationships between species and the biological links through her search for the fusion of matter. Like the scientist seeking to contribute to universal knowledge, she seeks to create a space opening onto another world.
Camille COTTIER
Camille COTTIER
Camille Cottier（1990年生于巴黎）于2013年毕业于昂热艺术学院，目前在巴黎生活和工作。她近期的图像实践从具象转向更为抽象的形式，通过绘画重新定义自己，以一种介于人像与形变之间的表现。无论是单件作品还是多件并置，她的作品充满了忧郁，是畸形的，同时也是细腻的。仔细端详，这些人物同时也是每幅画作不断演变的重心支撑。Camille Cottier (b.1990, Paris) graduated from the Beaux-Arts d’Angers in 2013. She lives and works in Paris. Her recent practice moves from figuration to a more abstract form, redefining herself through painting in a representation that is both human and de-formed. Full of melancholy, together or alone, her works are monstrous and delicate at the same time. With a closed glance, these characters remain the reassuring support of each evolving painting.
雨果·德维切尔 (b.1988)
Hugo DEVERCHÈRE | 雨果·德维切尔La Isla de las Siete Ciudades - Excavation #03Pigment print on hahnemühle photo rag ultra smooth paper, oak frame
Hugo DEVERCHÈRE | 雨果·德维切尔
七城之岛 - 人造物 #02
La Isla de las Siete Ciudades - Atefact #02
Pigment print on hahnemühle photo rag ultra smooth paper, white aluminum frame
雨果·德维切尔致力于探讨科学、技术以及它们的新型表现形式如何重塑我们的视野、知识、观念，乃至对周围环境的感知。《七城之岛》 (la Isla de las Siete Ciudades) 是艺术家在Casa de Velazquez学院(法兰西学院位于西班牙马德里的高等学院）艺术家驻留项目中完成的最新系列 ，探索了伊比利亚生物群落：“来自于我们自己的陌生世界，它们既不真实也不虚假，德维切尔的风景告诉我们的正是这样的故事。”
Hugo Deverchère explores how science, technology, and their new modes of representation shape our eyes, our knowledge, our consciousness, and the perception of our close and distant environment.“La Isla de las Siete Ciudades” explores the Iberian biotopes that might have been at the origin of the story of the mythical Seven Cities of Gold, ghost islands whose precise location varies considerably across centuries. “Strange worlds are drawn from our own, they are neither real nor fake, and Deverchere's landscapes tell us these stories. ”Marie de VILLEPIN
114 x 146 cm with frame 含框
Marie de Villepin 1986年出生于华盛顿特区，在美国和印度长大。2005年，她在纽约定居，后来到了洛杉矶，在那里她发展了各种音乐项目，然后完全投入到绘画中。她的作品与她的时代产生了深刻的共鸣，在具象和抽象之间不断转换。Marie de Villepin (b.1986, Washington DC) grew up in the United States and India. In 2005 she settled in New York and later in Los Angeles, where she developed various music projects before devoting herself entirely to painting. Her work deeply resonating with her time, oscillates between figuration and abstraction.
Tess DUMON
苔丝·杜蒙 (b.1990)
The Days Run Away Like Wild Horses Over the Hills
消失的田野
苔丝·杜蒙的作品涵盖了包括绘画，雕塑，动画和装置在内的多种媒介。她的创作与其个人经历息息相关，作品中频频出现的神秘少年，意旨她患有自闭症的弟弟。艺术家擅于捕捉无常无定的尘世中那些欣喜美好的时刻，而有意拉长的手的比例，则是天使翅膀的隐喻。Tess Dumon’s work evolves on different mediums that include drawing, sculpture, animation, and installations. Her practice is related to her personal experience and childhood memories. The recurring mysterious young man refers to her autistic brother. The artist often captures moments of peace and grace in the vicissitudes of life. The disproportionate size of the boy's hands is a metaphor for the wings of an angel.
Charles HASCOËT
查尔斯·哈斯科埃特 (b.1985)
Charles HASCOËT | 查尔斯·哈斯科埃特Pink Psyco-octopus | 粉色迷幻章鱼
查尔斯·哈斯科埃特擅长用直觉式的绘画分享其生活日常，思想和情感。艺术家将自己的个人经历化为充满趣味的谜题，使观众置身于真实与想象不断碰撞的思维状态之中。在以章鱼为主角的画作中，这种神奇生物的绝佳变形能力与画面律动的色彩相辅相成。Charles Hascoët shares his daily life, thoughts, and emotions through his intuitive paintings. The artist weaves his personal experiences into intriguing puzzles that guide the viewers on a journey between the tangible and the imaginary. In the paintings portraying the octopuses, the mimicry and camouflage ability of this magical creature are matched by the rhythmic colours of the picture.
Izumi KATO
加藤泉 (b.1969)
令人不安的儿童面孔、带有健全四肢的胚胎、被锁在具有不精确形式的身体中的祖先之灵——加藤泉召唤的生物既迷人又神秘。
加藤泉1969年出生于日本岛根县，1992年毕业于武藏野大学油画系。他现在在东京生活和工作。自2000年以来，加藤通过他在日本和世界各地的展览，一直吸引着人们的注意。2007年，他被邀请参加由罗伯特-斯托尔策划的第52届威尼斯双年展的国际展览。Children with disturbing faces, embryos with fully developed limbs, ancestor spirits locked up in bodies with imprecise forms—the creatures summoned by Izumi Kato are as fascinating as they are enigmatic. Born in 1969 in Shimane, Japan, Izumi Kato graduated from the Oil Painting Department of Musashino University in 1992. He now lives and works in Tokyo. Since the 2000s, Kato has been attracting attention through his exhibitions in Japan and around the world. In 2007, he was invited to the 52nd international exhibition of the Venice Biennale, curated by Robert Storr.Yanis KHANNOUSSI
雅尼·卡努西 (b.1996)
Yanis KHANNOUSSI | 雅尼·汗努西 (b.1996)
Untitled | 无题
Paint and varnish on resin
Yanis KHANNOUSSI | 雅尼·汗努西 (b.1996)
Moon Rock | 月之岩
Paint and varnish on resin
Yanis KHANNOUSSI | 雅尼·汗努西 (b.1996)
Aphrodisia | 阿佛洛狄忒
Paint and varnish on resin
雅尼·卡努西对工业图像的技术和材料有着浓厚的兴趣，逐渐发展出在模制树脂上以手势和色彩为主导的绘画技巧，把自己从画布上的二维图像创作中释放出来。随后，艺术家将气枪融入到他的实践中，使最终创作接近工业制造的精工标准，将艺术家的“笔触”和其他自身的”印记”彻底消解。同时，通过强调对形式和色彩的沉浸体验，艺术家试图为难以物化的抽象概念创造类比，如地平线、光的折射等。Having an asserted interest in the techniques and materials used in industrial iconography, Yanis Khannoussi gradually developed his painting techniques predominated by gestures and colors on molded resin, liberating himself from the two-dimensional pictorial creations on canvas. Later the artist has integrated the pneumatic gun into his practice, which imitates the finishing criteria of the bodywork of industry, and de-materializes the gestures and any other “imprint” of the artist. Through accentuating the contemplative experience of form and color, the artist attempts to create analogies for abstract concepts hard to materialize, such as the horizon, the refraction of light, etc.
Hubert LE GALL
Hubert LE GALL | 休伯特·勒加尔 (b. 1961)Table "Frissons" | "Frissons"茶几
Patinated bronze, signed and numbered出生于1961年的休伯特·勒加尔(Hubert Le Gall)是一位法国设计师与雕塑家，他所创作的家具兼具功能性与诗意的特征。结合他俏皮怪诞的灵感，以及多变的材质（木材、玻璃、陶瓷、树脂等，青铜是艺术家偏爱的材料），形状、光线、色彩在艺术家的手中幻化出了充满想象力的作品。Born in 1961, Hubert Le Gall is a French designer and sculptor who creates poetic and functional furniture. He plays on shapes, light and colours by combining unusual ideas and working with various materials such as wood, glass, resin or ceramics. Bronze remains his favourite material.
Léonard MARTIN
La Danse, grande | 舞蹈，大场景
Mixed media on canvas 布面综合材料Léonard Martin的作品涉及艺术和文学的主要主题，以各种技术、图像语言和空间为表现手法。他在Fresnoy - 法国当代国立艺术中心和巴黎美院的职业生涯中培养了对演绎艺术史和民间传说的喜爱，并在罗马Villa Medici的驻留项目期间得到进一步发展。
他的作品曾参展里昂双年展、光州双年展（韩国）、丰特弗洛修道院展出，曾获得包括ADAGP的数字艺术影像奖、Dauphine奖和Emerige启示奖。
Leonard Martin's work deals with major themes of art and literature and makes use of various techniques, various languages of image, and representation in space. His taste for orchestrating the history of art and popular folklore developed during his career at Fresnoy – Studio National and at the Beaux-Arts de Paris, and furthered during his residency at the Villa Medici in Rome.
His work is exhibited in particular at the Biennale de Lyon, at the Biennale de Gwangju (Korea), at the Abbaye de Fontevraud, awarded several prizes such as that of the ADAGP for digital art and video, the Dauphine prize and the Emerige Revelations Prize.
Matisse MESNIL
Fiori | 花
Matisse Mesnil (1989出生于意大利Castiglion Fiorentino) 在巴黎生活和工作。他的作品采取了研究的形式：首先依附于对阿尔伯特绘画范式的质疑，将其作为通向世界的窗口，Matisse Mesnil力求超越作品，关注框架。通过关注从作品中脱颖而出的东西，Matisse Mesnil因此不断实验和探索其热衷使用的金属材料和相关技术。在手工艺和工业之间，提出了协调姿态、时间性、工具的假设。
Matisse Mesnil (b.1989, Castiglion Fiorentino, Italy) lives and works in Paris. His work takes the form of research: first attached to a questioning of the Albertian paradigm of painting, which describes the latter as a window on the world, Matisse Mesnil undertook to go beyond the work to focus on the framework. By focusing on what stands out from the work, Matisse Mesnil has therefore embarked on a phase of technical and methodological experimentation specific to his new favorite material, metal. Between craftsmanship and industry, this one supposes an adjustment of the gesture, the temporality, and the tools.
Eric PILLOT
Eric PILLOT | 埃里克·裴欧 (b.1968)
Blue Flamingo | 蓝色火烈鸟
Eric PILLOT | 埃里克·裴欧 (b.1968)
Parois 7973 | 隔墙 7973
埃里克·裴欧（Eric PILLOT，出生于1968年）以独特的摄影视角，研究人与自然以及周围环境的关系。他作为工程师的教育背景为其创作增添了一份独特的数理美感。他坚持以“纯粹摄影”的方式，在展现主体本来面貌的同时，创造出另一个充满诗意的图像世界。裴欧广为人知的摄影系列包括：2010年至今的《此处 IN SITU》，2012年至今的《地平线 HORIZONS》，2015年的《此处-美国 IN SITU USA》，以及2016年至今的《隔墙 PAROIS》。Born in 1968, Eric PILLOT is devoted to studying the relationship between humans, our surroundings, and nature through his unique perspective of photography. Pillot's engineer background adds a unique sense of mathematical and scientific aesthetics to his works. He prefers to use "straight photography" to show the subject as it looks, but at the same time to bring you elsewhere, poetic and pictorial. Pillot's well-recognized series include IN SITU (since 2010), HORIZONS (since 2012), IN SITU USA (since 2010), and PAROIS (since 2016).
Ayako ROKKAKU
六角 彩子 (b.1982)
六角彩子（1982年生于日本千叶）生活在柏林、波尔图和阿姆斯特丹之间。六角以一种直观的、表演性的行为来创作她的画作，她用双手涂抹丙烯酸颜料，将她身体的运动转移到画布上。艺术家的视觉语言在无形的抽象形式和具象的元素之间摇摆不定。这显然是受到卡哇伊文化风格的启发，就像孩子生动的想象力一样丰富和无限。
Ayako Rokkaku (b.1982, Chiba, Japan) lives between Berlin, Porto, and Amsterdam. Rokkaku creates her paintings in an intuitive, performative act in which she applies the acrylic paint with her bare hands, transferring the movement of her body onto the canvas. The artist’s visual language oscillates between intangible abstract formations and figurative elements. It is clearly inspired by the style of kawaii culture and as rich and limitless as a child’s vivid imagination.
Ugo SCHILDGE
Ugo SCHILDGE | 雨果·席德
Tree with Pink Background | 树（粉色背景）
2023
Plaster, concrete, pigment and wood
石膏，混凝土，色粉，木材
177 x 127 cm
雨果·席德独特的创作手法以天然色粉、木材、石膏和混凝土等为主要材料，模糊了绘画和雕塑、画布和媒介、控制和自由之前的界限，同时赋予了作品无与伦比的质感和流动性。他使用的混凝土、石膏和木材等工业建筑材料是人类为谋求城市发展不断侵占、毁坏自然的“帮凶”，但在席德的创作中，它们被用来创造森林、繁花与群鸟，以及大自然中各种脆弱、短暂的生命。Using natural pastels, wood, plaster, and concrete as his primary materials, Ugo Schildge's unique approach blurs the boundaries between painting and sculpture, canvas and medium, control and freedom, while giving the works an unparalleled texture and fluidity. Schildge contrasts the raw materials of construction sites — concrete, plaster, and wood — with generally delicate, fragile, ephemeral, or incandescent subjects. This same concrete, the accomplice of modern urbanism that hinders nature, is used to create a flower, a bird, or a tree. WENG Jijun
WENG Jijun | 翁纪军
Constellation 2019-4 | 集聚 2019-4
2019
Chinese lacquer on wood panel, ramie fabric
大漆，木板，苎麻
122 x 92 x 7 cm
翁纪军以大漆为媒介，从大漆自身特性和传统漆艺中汲取灵感，以见微知著的方式将不同维度的世界相互连结。近年来，翁纪军开始更多地关注人对未知世界探索的渴求，用作品折射出科学棱镜之外宏观与微观世界之间的联系。对漆艺的精通则让他能够将所谓的传统“图案”、“纹样”转化为对生命起源的探寻和宇宙形态的描绘。
Drawing inspiration from lacquer, its characteristics, and its tradition, Weng Jijun provides an alternative for us to re-examine our connection with the world in a way that bridges its different dimensions.
In recent years, Weng Jijun has begun to focus more on the human desire to explore the unknown, using his works to reflect the connections between the macro and micro worlds beyond the prism of science. His mastery of lacquer art has enabled him to transform the traditional 'patterns' and 'motifs' into a search for the origins of life and a depiction of cosmic forms.
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