【OCAT上海馆 | 作品介绍】饭村隆彦，《电视对电视》，1983；《这就是拍摄了这些的摄影机》，1980
当前展览“重新聚焦媒介：东亚录像艺术的兴起” 共计展出25件作品。“作品介绍”系列将在展期内，以导览路线为序依次为大家推送每一件作品的介绍。展览首次汇集来自日本、韩国和中国，开创了录像艺术实验之先河的重量级艺术家，旨在重新审视艺术家在东亚录像艺术兴起之时对于这一媒介的处理方式，并以期为跨国性当代艺术媒介的录像艺术在全球范围内的历史梳理做出贡献。
星标为《这就是拍摄了这些的摄影机》（1980）和《电视对电视》（1983）在本次展览现场所处位置
The stars refer to the location of This is A Camera Which Shoots This (1980) and TV for TV (1983) in this exhibition
饭村隆彦
b.1937
No.18
这就是拍摄了这些的摄影机
This is A Camera Which Shoots This
1980
闭路电视录像装置（2 台完全一致的摄像机、2 台完全一致的阴极射线管显示器、2台完全一致的三脚架）；乙烯基刻字
实时画面（彩色，无声）
CCTV video installation (2 identical video cameras, 2 identical CRT monitors, 2 identical tripods); vinyl lettering
Live feed transmission (color, silent)
作品由艺术家和 Microscope 画廊（纽约，美国）提供
Courtesy of the artist and Microscope Gallery (New York, USA)
饭村隆彦的代表作《这就是拍摄了这些的摄影机》（This is A Camera Which Shoots This，1980）是一件录像装置作品，由两台摄像机和两个监视屏对立呈现，中间墙上附有作品标题中的语句。在这件最初于1980年在东京美国中心（Tokyo’s American Centre）展出的作品中，饭村隆彦通过改变摄像机的信号传输方向，使每个摄像机看起来都在拍摄自己，创造了一个打乱了逻辑的循环，以强调录像的即时回放性，从而将录像和被录像置于同一时间语境中。除此之外，《这就是拍摄了这些的摄影机》还借由录像之媒介，将日本和西方文化在符号学上的差异进一步引申和扩展，这是饭村隆彦自上世纪70年代以来一直探索的主题。
饭村隆彦，《这就是拍摄了这些的摄影机》，1980，闭路电视录像装置。“重新聚焦媒介：东亚录像艺术的兴起”展览现场，2020-2021，OCAT上海馆
Takahiko Iimura, This is A Camera Which Shoots This, 1980, CCTV video installation. Installation view of Refocusing on the Medium: The Rise of East Asia Video Art, 2020-2021, OCAT Shanghai
Iimura’s iconic This is A Camera Which Shoots This (1980) is a video installation consisting of two video cameras and two monitors arranged in pairs opposite each other with the title sentence centered on the wall between them. In this work first exhibited in 1980 at Tokyo’s American Center, Iimura creates a vicious logic cycle by redirecting the signals of the cameras so that each appears to be recording itself, emphasizing the instant playback possibilities of video that allow one to be simultaneously recording, recorded, and to watch the recording as it happens. Additionally, This is A Camera Which Shoots This continues and expands upon explorations of the semiotic differences between Japanese and Western cultures through the medium of video that Iimura began in the 1970s.
饭村隆彦
b.1937
No.19
电视对电视
TV for TV
1983
共用天线电视录像装置（2 台完全相同、对立呈现的阴极射线管显示器）
实时画面（彩色，有声）
CATV video installation (2 identical CRT monitors face to face)
Live feed transmission (color, sound)
作品由艺术家和 Microscope 画廊（纽约，美国）提供
Courtesy of the artist and Microscope Gallery (New York, USA)
饭村隆彦的电视装置《电视对电视》（TV for TV，1983）最初在大阪展出，后来在1994年古根海姆博物馆的研究性展览“1945年以后的日本艺术:向天空呐喊”（Japanese Art After 1945: Scream Against the Sky）中呈现。作品由两台完全相同且未调谐的电视监视器组成，两台机器面对面放置，并作为对方唯一观众，进行无尽的相互播放。这件作品最初的设计是在每台电视屏上播放来自不同的地方电视台上的内容；作品将监视屏雕塑转化为亲密的交流者，尽管所播放内容是单向的。由于两台监视屏紧紧地“面贴面”，因此这件录像雕塑也暗示了一种原始的万物有灵的观念，以及一种电子化的亲密感和隐晦的抽象交流。
饭村隆彦，《电视对电视》，1983，共用天线电视录像装置。“重新聚焦媒介：东亚录像艺术的兴起”展览现场，2020-2021，OCAT上海馆
Takahiko Iimura, TV for TV, 1983, CATV video installation. Installation view of Refocusing on the Medium: The Rise of East Asia Video Art, 2020-2021, OCAT Shanghai
Iimura’s monitor installation TV for TV (1983), originally presented in Osaka and later exhibited in the 1994 Guggenheim Museum survey show Japanese Art After 1945: Scream Against the Sky consists of two identical and untuned TV monitors facing each other with their broadcasts, playing infinitely for an audience solely of each other. The art work, originally designed to broadcast a different local television station on each monitor, animates the sculptural monitors as close relational communicators, albeit in a one-way stream of broadcast content. Because the monitors are tightly pushed up ‘facing’ against each other the video sculpture implies an embodied elemental animism, an electronic intimacy, and implied abstract communication.
图片版权 ©OCAT上海馆
Image copyright ©OCAT Shanghai
艺术家简介
About the Artist
图片致谢Microscope画廊
Image courtesy of Microscope Gallery
©2018 Microscope Gallery
饭村隆彦1937年出生于日本东京，是一位先锋艺术家，其跨越50多年的创作生涯，涉及到电影、录像、装置、行为和数字技术领域等诸多领域的创作。饭村隆彦自1960年开始从事电影方面的工作，并在蓬勃发展的日本实验和独立电影界发挥了重要作用。1966年，他获得哈佛大学提供的奖学金，并移居美国，很快便投身到60年代中期纽约实验电影和艺术的群体中。他早期的录像作品被收录在纽约现代艺术博物馆和PS1馆（1975）、法国巴黎蓬皮杜艺术中心（1977）的展览中，以行为表演为基础的作品及互动装置曾在1979年惠特尼美国艺术博物馆的双人个展“新录像”（与久保田成子一起）中展出。
Born in Tokyo, Japan in 1937, Takahiko Iimura is a pioneering artist known for his work with film, video, installation, performance, and digital technologies spanning more than 50 years. Iimura first began working with film in 1960 and was instrumental in the burgeoning Japanese experimental and independent film scene. Iimura moved to the US on a Fellowship from Harvard University in 1966 and soon immersed himself in the mid-60s New York experimental film and art community. Early videos were included in exhibitions at the Museum of Modern Art of New York and PS1 (1975), and Centre Georges Pompidou in Paris, France (1977), while other performance based works and interactive installations were featured in the 1979 two-person exhibition New Video (with Shigeko Kubota) at the Whitney Museum of American Art, New York.
当前展览
重新聚焦媒介：东亚录像艺术的兴起
展期：2020年12月27日-2021年3月21日
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