艺·凯旋｜「尘光——方力钧个展」于2023年3月4日起在澳门艺术博物馆展出

「方力钧个展：尘光」海报, 图片致谢澳门艺术博物馆‍‍

Poster of Fang Lijun: The Light of Dust, Courtesy of Macao Museum of Art

尘光——方力钧个展

Fang Lijun: The Light of Dust (A Luz Poeirenta)‍‍

地点 VENUE

澳门艺术博物馆

澳门新口岸洗星海大马路

Macao Museum of Art‍

Av. Xian Xing Hai, Macao

展期  DURATION

2023.03.04-06.11

策展人  CURATOR‍

罗怡 Luo Yi

方力钧 Fang Lijun，2003.2.1

木刻版画 Woodcut print｜400×852 cm｜2003

方力钧， 中国 「后89新艺术潮流」先锋。自1990年代初，方力钧以其标志性的「光头」形象，开创了中国当代艺术的「泼皮文化」与「玩世现实主义」（栗宪庭，1991）。方力钧自创作以来，一直以「像野狗一样生活」自醒自寓。「人&像」作为其创作的核心题材，解构性地编织了时代面孔与大众脸谱之间的交流与交融，超验性地传达出时代与生命的痛感与通感。

方力钧 Fang Lijun，瓷板画系列 Porcelain panel paintings

瓷 Porcelain｜54×38 cm × 65｜2022

本次展览以「人&像」这一研究方力钧既经典又全新的视角为主脉络，围绕「内观——自画像」、「对照——朋友们」、「尘光——众生相」三个主结构单元，尽力呈现方力钧的创造历程， 尤其是近十年来，他在诸多媒介领域甚至NFT虚拟空间的新实验、新动向 。从主单元结构出发，「通道」、「图像」、「出版」三个部分，为澳门方力钧首展呈现以时间线索展开 的「人&像」侧影。本展览邀请每一位观众，通过方力钧的「人& 像」，触摸当代国人的脉轮，感受到自己心灵深处的声音。

方力钧 Fang Lijun，2015-2016春  2015-2016 Spring

纸本水墨 Ink on paper｜71.5×71.5 cm｜2016

A pioneer of China’s “Post-1989 New Art Movement”, Fang Lijun’s iconic ‘bald-headed’ figures have pioneered the “Rascal Culture” and “Cynical Realism” (Li Xianting, 1991) in Chinese contemporary art since the early 1990s. Since the beginning of his artistic career, Fang Lijun has constantly been identifying himself with “living like a wild dog”. As one of the key motifs of his art, Fang Lijun’s “Human & Figures” works deconstruct the interplay and mixture between the typical portraits and stereotypical faces of an era, capture the shared pains and feelings of the present time and life in a transcendental manner.

方力钧 Fang Lijun，2021

纸本水墨 Ink on paper｜364×580 cm｜2021

Using “Human & Figures” as a narrative clue, this exhibition aims to provide a classic yet fresh perspective on Fang Lijun. We have chosen to present three main sections: “Introspection: Self-Portraits”, “Mutual Reflections: Friends”, and “The Light of Dust: Human”, which strive to showcase the creative journey that the artist has taken, with a particular focus on his new experiments with a variety of media that range from traditional Chinese painting, oil painting, print, and sculpture to the virtual space of NFT during the last decade. Besides these sections, the curatorial team also attempt to elaborate on the theme of “Human & Figures” in this first solo exhibition of Fang Lijun in Macao with a temporal clue through three additional displays of “Passage”, “Video”, and “Publications”. All viewers, both online and offline, are invited to take a glimpse, through Fang Lijun’s works, into the zeitgeist of contemporary China and lend a listening ear to our own internal voices.

方力钧 Fang Lijun，2018

纸本水墨 Ink on paper｜72×72 cm｜2018

方力钧 Fang Lijun，2022春  2022 Spring‍

布面油画 Oil on canvas｜60×50 cm｜2022‍‍‍‍‍

方力钧 Fang Lijun，2020疫  2020 Epidemic

纸本水墨 Ink on paper｜45.5×46 cm｜2020

方力钧 Fang Lijun，1998.8.20

布面丙烯 Acrylic on canvas｜250×360 cm｜1998

方力钧 Fang Lijun，1990

纸本水墨 Ink on paper｜99×1022 cm｜1990‍‍

方力钧 Fang Lijun，自画像  Self Portrait‍‍‍‍‍‍‍‍‍

纸本素描 Pencil on paper｜27.4×19.7 cm｜1979‍‍

方力钧（b.1963， 中国），1963年出生于河北邯郸，1989年毕业于中央美术学院版画系，同年7月1日入住圆明园，并逐渐形成圆明园画家村。1993年创建宋庄工作室并逐渐形成宋庄画家村。2014年创建“中国当代艺术档案库”。

方力钧曾在德国路德维希美术馆、德国国家美术馆、阿姆斯特丹城市美术馆、日本国际交流基金会、瑞士阿丽亚娜陶瓷博物馆、意大利都灵市立现代美术馆、台北市立美术馆、香港艺术中心、上海美术馆、湖南省博物馆、北京民生现代美术馆等美术馆和画廊举办过51次个展。参加威尼斯双年展、圣保罗双年展、光州双年展、上海双年展等众多群展。作品被纽约现代美术馆（MOMA）、蓬皮杜国家艺术中心、路德维希美术馆、旧金山现代美术馆、西雅图艺术博物馆、荷兰STEDELIJK博物馆、澳大利亚新南威尔士美术馆、澳大利亚昆士兰美术馆、福冈亚洲美术馆、东京都现代美术馆、日本广岛现代美术馆、中国美术馆、上海美术馆、广东美术馆、何香凝美术馆、湖南省博物馆、中央美院美术馆等众多公共机构收藏。

出版个人画册、图书《方力钧：编年记事》《方力钧：批评文集》《方力钧：作品图库》《方力钧：云端的悬崖》《方力钧：禁区》《方力钧版画》《像野狗一样生存》等44本。并被中央美术学院、四川美术学院、景德镇陶瓷大学、西安美术学院等23所国内大学聘为客座教授。1993年，作品《系列二之二》登上《纽约时报周刊》封面。

Fang Lijun (b.1963, China) was born in 1963, Handan, Hebei. He graduated from the Printmaking Department of China Central Academy of Fine Arts in 1993. on July 1st of the same year, Fang Lijun moved to Yunamingyuan, the Old Summer Palace, and later the Yunamingyuan Artists' Village was gradually formed. In 1993, Fang Lijun established his studio in Songzhuang. The Songzhuang Artists' Village has steadily developed for the last two decades. In 2014, Fang Lijun established the Archive of Chinese Contemporary Art.

Fang Lijun has held 51 solo exhibitions in major art institutions and galleries, including Ludwig Museum Koblenz, Staatliche Kunsthalle, Stedelijk Museum Amsterdam, the Japan Foundation, Ariana Museum in Geneva, Museum of Modern and Contemporary Art in Turin, Taipei Fine Arts Museum, Hong Kong Arts Centre, Shanghai Art Museum, Shanghai Art Museum, Hunan Museum, Beijing Minsheng Art Museum. His participation includes the Venice Biennale, Sǎo Paulo Biennial, Kwangju Art Biennial, and Shanghai Biennial. His works are collected by The Museum of Modern Art (USA), Seattle Art Museum(USA), San Francisco Museum of Modern Art (USA), Centre de G. Pompidou (France), Ludwig Forum für Internationale Kunst (Germany), Stedelijk Museum Amsterdam(Holland), The National Gallery of Australia (Australia), Fukuoka Asian Art Museum (Japan), Museum of Contemporary Art Tokyo(Japan), Hiroshima City Museum of Contemporary Art(Japan), National Art Museum of China(China), Shanghai Art Museum (China), Guangdong Art Museum (China), He Xiangning Art Museum (China), Hunan Museum（China）, CAFA Art Museum(China). He is one of the Chinese contemporary artists with the most extensive collection by major art institutions worldwide.

He has published 44 personal albums and related publications, including Fang Lijun: Chronicles, Fang Lijun: Criticism, Fang Lijun: Works of Art,FANG LIJUN, Fang Lijun：The Precipice Over the Clouds, Fang Lijun: Espaces Interdits Forbidden Areas, Fang Lijun：Woodcuts, Live Like A Wild Dog, Etc. Fang Lijun has been invited as a visiting professor and graduate supervisor in 23 universities, including Central Academy of Fine Arts, Sichuan Academy of Fine Arts, Jingdezhen Ceramic University, Xi 'an Academy of Fine Arts, etc. In 1993, his painting "Series 2, No. 2" appeared on the cover of the New York Times Magazine.