薄山
Folding Mountain
艺术家：黄靖杰
Artist: Huang Jingjie
策展人：林书传
Curator: Lin Shuchuan
2022.11.27-2022.12.31
开幕时间：11月27日 [周日] 15:00 Opening: Sunday 27 November, 15:00
地址：江苏省南京市建邺区兴隆大街50号5栋101Address:101,Building 5,No.50,Xinglong RoadJianye District,Nanjing,Jiangsu
山气 Mountain Fog
绢本设色 Color on silk，40×40cm，2022
对于纸或者纸性的表达是黄靖杰作品中重要的观看与思考线索。从一开始对书籍外观的感性处理到将纸张剥离出书籍进行理性的解构。艺术家早期布面丙烯的创作一直试图将画面从“纸”的形象转移至“折”的动作。并尝试在“折”的动作之下寻找一种色彩与结构的最舒适关系。这是黄靖杰系列作品中的第一次转变：从图像到动作。这个阶段纸亦为纸。
The expression of paper or paper nature is an important clue for viewing and thinking in Huang Jingjie's works. Fromdealing with the appearance of the book emotionally at the beginning to the rational deconstruction of seperating the paper out of the book. The artist's early creations of acrylic on canvas have been trying to transfer the picture from the image of ‘paper’ to the action of ‘folding’. And trying to find the most comfortable relationship between color and structure under the action of ‘folding’. This is the first transition in Huang Jingjie's series of works: from image to action. At this stage, paper is still paper.
绢本设色 Color on silk，130×90cm，2021
在接下的创作与思考的过程中，艺术家开始抛弃习惯的材料，尝试进行绢本彩墨的创作。其思考与表达的创作逻辑延续了下来，在“折”的过程中，边缘线被进行了虚化的处理，从对折中的明确，到虚化下的模棱两可。这其中看到了艺术家犹豫的那部分，而这种犹豫正是值得我们玩味的。东西方两种绘画材料在转化的过程中，与图像和技法有关的也许是最简单的。真正要克服的是一种“粘稠”的东西，我们可以想象为一种物理上的从油性到水性的媒介密度的变化，同样也是一种与语言无关的美学差异。这一过程中的黄靖杰试图打破材料的边界，试着在柔软的材料上表达柔软，不再对折的纸，被撕破，被粘贴，形成了一种冷静且破碎的个人风景。这是黄靖杰的第二次转变：从媒介到语言。这一阶段纸亦为界。
In the following process of creation and thinking, the artist began to abandon thefamilar materials and try to create color on silk. The creative logic of his thinking and expression has continued. In the process of ‘folding’, the edge lines have been blurred. From the clarity in the fold to the ambiguity in the blur, we can see the artist's hesitation, and this hesitation is worth pondering. In the process of transformation between the Eastern and Western painting materials, the one related to images and techniques may be the simplest. What is really needed to be overcome is a ‘stickiness’ that we can imagine as a physical change in medium density from oily to watery, and it is also an aesthetic difference that has nothing to do with language. During this process, Huang Jingjie tried to break the boundaries of materials, and tried to express softness on soft materials. Paper that was no longer folded in half was torn and pasted, forming a calm and broken personal landscape. This is Huang Jingjie's second transformation: from medium to language. Paper is also the boundary at this stage.
雨3 Rain3
绢本设色 Color on silk，100×70cm，2022
“薄山”是本次展览的标题，也是对艺术家近期创作的归纳。艺术家开始以纸造景，并从不断结构与解构的西方图像逻辑中“解脱”而出，从理性的色彩构成中回到了感性的内心色彩。此时的画面被笼罩着一层不真实的光，而这道光自然分割了山与水，夜与昼。此时的纸已经不再成为画面中的独立物象，它似乎成了一种与分割物有关的象征。“薄”化的处理，消解掉了山的既定意义，山已不在画面中，仅仅是艺术家在创作转角处的一次选择，或是破除习惯与舒适后一次小憩下的仰头。这是黄靖杰的第三次转变：纸亦为山。‘Folding Mountain’ is the title of this exhibition, and it is also a summary of the artist's recent creations. The artist began to use paper to make landscapes, and ‘freed’ from the logic of Western images that were constantly structured and deconstructed, and returned to emotional inner colors from rational color composition. At this time, the picture is shrouded in a layer of unreal light, and this light naturally divides mountains and water, night and day. At the mean time, the paper is no longer an independent object in the painting, it seems to be a symbol related to the divided objects. The‘thinning’ treatment eliminates the established meaning of the mountain, and the mountain is no longer in the picture. It is just a choice made by the artist at the corner of the creation, or a head-up after breaking from habit and comfort. This is Huang Jingjie's third transformation: paper is also a mountain.
前言 / 林书传
Preface / Lin Shuchuan
绢本设色 Color on silk，140×70cm，2022
1988年出生于浙江宁波，2011年毕业于中国美术学院。现生活和工作于中国杭州。2015 《穿过你的世界，我的角度》，MAO Space，上海。《中国当代水墨年鉴六周年邀请展》，南艺美术馆，南京；《出江南| 80后水墨的重塑与再造》，泊空间，杭州；《“调息”x RIVERSIDE》，RIVERSIDE空间，杭州；《自由体：freestyle青年艺术家联展》，珠海宝龙艺术中心，珠海；《一米之内——抽象绘画艺术群展》，BLANKgallery，上海。《中国表现》青年当代艺术提名展，华泰顶层艺术社区，上海。《出梅II——当代杭州2020》，金彩画廊，杭州；《形色-以抽象作为“修辞”三人作品展》，三尚当代艺术馆，杭州；《特别质感——杭州、重庆两地青年艺术家交流展》，四川美术学院，重庆。《Open Books——艺术家与他们的中国册页》，拉利特卡拉艺术学院，斋普尔，印度。《Open Books——艺术家与他们的中国册页》，国家图书馆，渥太华，加拿大；
1986年出生于湖南，策展人，纪录片制片人，南京艺术学院美术馆副馆长。
2012年开始以展览、文献、纪录片方式关注亚洲年轻艺术家的生活与创作状态。2017年发起研究策展本体问题的“策展研究计划”，2018年发起“24小时美术馆“公共艺术项目。并于北京、上海、南京、杭州、长沙、伦敦、巴黎等地策划多个艺术家个人项目与艺术群展。