乐园——黄安澜个展 | 三影堂厦门展讯

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主办：三影堂厦门摄影艺术中心

开幕：2019年5月4日，下午三点

艺术家对谈：16：00

策展人：钟林春

展期：2019年5月4日—6月5日

地点：三影堂厦门摄影艺术中心

厦门市集美区杏林湾营运中心，2号楼301

（三楼大平台进入）

Organizer:  Three Shadows Xiamen Photography Art Centre

Opening: 15:00, May 4th, 2019

Artist Talks：16：00

Curator: ZHONG Linchun

Duration: May 4th, 2019 - July 5th, 2019  

(9:30-17:30 Closed on Mondays)

Location: Three Shadows Xiamen Photography Art Centre 

(No. 301, Building 2, Xinglinwan Business Center, Jimei District, Xiamen)

黄安澜个展：乐园

  Solo Exhibition of HUANG Anlan

Paradise

文 / 钟林春

据说，在这个时代，人衡量另一个人时，常以其所拥有之物而论。虽然，亦有许多人，更在意身内之物的丰与滋养。但毫无疑问地，这是一个物质至上的时代。

安澜，是一个试以艺术来省思这一切的人。她说，从年少时，就想要用一个温和的方式来介入这个世界。她选择的方式，是摄影。但她的创作，却不只有按下快门，还有现成图像、行为表演、档案项目种种，乃至有时戏称自己是一个键盘摄影师。为的，却始终是希望将自己的观察和思考，更恰切地传递出去。

May，2018系列

如此，摄影更多是她的研究与传播方式。为更好地理解所见的世界，她在自己体验如何被物所困之后，更大量地阅读，尤其是法兰克福学派的学说。而后，又逐渐地，跳出各家文论的框，期愿如一个真正的研究者那般，更直接地进入社会。

她的目光，愈来投注在当下，寻找某些仅存在于这个时代的事情。对她，“当下与过去最大的不同是科技的发展”。她在自己的作品里，探讨大数据和推荐算法，探讨网络虚拟社会与资本主义社会下，个体的存在与脆弱，种种。她体会着周遭人的行与受，以作品的方式，让人们去感知、思考这个世界的更多可能性。

May，2018系列

她在作品里，挥霍着她的想象力，仿佛自己跟自己玩耍。她的天性中，又且有一种幽默在。但看着这些作品，其生猛直接之处，每让人拍手赞叹，哈哈大笑。会心之间，她已悄然地，将自己的省思，传给了观者。世界起伏，她但用自己的作品，造出一个乐园，邀人共入。至若观者如何想，她却无求。

忽忆及安迪·沃霍尔，在其过世前一周的日记里，曾如是写：“做琐碎的事，很短的一天过去了，没有什么发生，我上街购物，回家电话聊天，如此，真是很短的一天。”

May，2018系列

Preface

Solo Exhibition of HUANG Anlan

Paradise 

It is said that, one is usually measured in terms of possessions in this age. Although some places more importance on the spiritual enrichment and nourishment, undoubtedly, this is an increasingly materialistic age.

Anlan tries to introspect on all this through art. Since adolescence, she has been attempting to engage with this world in a gentle way . Trained as a photographer, she goes far beyond releasing the shutter. Sometimes she even jokingly called herself “a keyboard photographer”, because ready-made, performance, archival projects and other forms of art are all included in her art practices. All these efforts only aim at expressing her observations and reflections in a more appropriated way.

Consequently, for her, photography works more or less as a way of exploration and communication. Once stranded by the material, she began reading more, in especial theories of the Frankfort School. This enabled her to better comprehend the world she had seen. Inch by inch, she broke away from the original pattern of multifarious literary theories, and engaged into the society more directly like a genuine researcher.

Her focus gets more and more concentrated on the current, seeking for phenomena that only exist in this era. She said that the major difference between the past to the present is the technological development. Thus,  in her work, she discusses big data and recommendation algorithms, the individual existence and vulnerability within the context of cyber world and late capitalism. She experiences the actions and emotions from the people around her, and presents her experience in the way of her work to let people to perceive and consider the possibility of this world.

She fills her work with imagination, just like playing on her own and releasing her humorous nature. Looking at her works, audience may exclaim and laugh for that straightforwardness, as she has quietly delivered her thoughts to them. She constructs a paradise within this turbulent world. As for the attitude from the audience, she has no demand.

All of a sudden, I recollected what Andy Warhol had written in the diary just a week before his death: A really short day. Nothing much happened. I went shopping, did errands, came home, talked on the phone… Yeah, that’s all. Really. It was a short day.

艺术家简介

黄安澜1996年生于广州，2018年毕业于香港城市大学创意媒体学院。2019年毕业于香港大学比较文学学院、后前往美国帕森斯艺术设计学院就读艺术创作硕士。为了更好地探究社会，她经历了摄影、新媒体艺术、文化研究的领域变换，最后选定视觉艺术作为主要媒介。

她致力于探索科技与晚期资本主义之间的微妙联系，及其带给个体的脆弱。她使用现成图像、影像进行拼贴创作，同时运用文献资料来描绘经济生活中的深层矛盾。

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三影堂厦门：

开放时间：每日9:30至17:30，免费开放，周一休息 (布展期间闭馆)

地址：福建省厦门市集美区杏林湾商务营运中心二号楼三楼（从三楼大平台进入）

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