【展讯】党佳慧个展——亲密关系 | 无界展览

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党佳慧个展——亲密关系

主办：三影堂厦门摄影艺术中心

艺术家：党佳慧

策展人：肖瑞昀

展期：2020年9月5日 - 10月8日

开幕时间：2020年9月5日  15:30

地点：厦门市集美区杏林湾商务营运中心2号裙楼301

（从连接1号楼、2号楼之间的大平台进入）

前言

文/肖瑞昀

初看党佳慧的作品，恍如看到万花筒中的景象：她撷取出关系中的情感碎片，在缤纷的色彩背后，是她以思辨的反光镜，所折射出独特的视觉表达。

这次展览可以看作是艺术家创造的一个私密空间。女性常常被认为是感性的，身为创作者，党佳慧却保持着她的理性、直觉和逻辑，用视觉语言捕捉霎那间的情绪波动，将复杂的、流动的关系状态用另外一种方式呈现出来。

亲密关系 Kinship 

党佳慧选择将“最为强烈的感受提取出来，找到与图像语言的连接点。” 1《I was wondering》（《没有办法啦》）系列中，无论是即将融解的冰块，还是交叉的线条，都成为了隐喻，进入到了作品之中——沉重的回忆化解成水和空气、关系的线条捆绑着难以承受之重……这些情感关系的物理反应，描述着身为女性，所经历的那些暧昧与挣扎。

如果前面这组作品看作是党佳慧对关系思考的只言片语，那么另外一组关于家庭关系的作品，则以一定的篇幅探讨家庭关系的本质。《Kinship》（《亲密关系》）从一组纪实照片出发，到一个完整的行为项目，这组作品将家庭的日常关系去熟悉化，并且加入了将其他人的家庭受访记录，编码整理成了原生家庭的“绝密文件”。

人们在不同关系中的主体性在哪里？作品《Close Your Eye&See something》（《观·自·在》）更进一步处理与自身的关系。闭上眼睛所见并自由创作的画面，与客观的肖像结合，体现了多重的观看角度。

没有办法啦 I Was Wondering 

亲密关系往往关注个人与他者的连结，党佳慧却反过来，从外在关系的不同维度向内看，省思这些关系加诸于女性自身的影响，同时探讨自身如何参与到关系之中。无论是家庭、友谊、爱情，还是个体，这些单元构成了人们对社会文化秩序的认知。在整个展览中，一方面，党佳慧的作品还原、甚至解构了关系的多样和复杂性；另一方面，她透过主观的、内省的角度，跳脱个人情绪或碎片化的表达，以隐喻的视觉语汇，去重新结构抽象的关系。

注：1 党佳慧个展——艺术家专访

关于艺术家

党佳慧，1998年出生。

从个人感受和情绪延展，探索摄影的不同的可能性，用图像语言表达对问题的探究和思考。为拍摄一场幻梦努力，从作品中寻找自己。

Preface

Text/ Ruiyun Xiao

At my first glance at Dang Jiahui's work, it was as if looking at the inside of a kaleidoscope: she extracts emotional fragments out of the relationships, and behind those splendid colors there is a speculative mirror that reflects a unique visual expression.

This exhibition can be seen as a private space created by the artist. Women are often regarded as emotional beings, Dang, however, maintains her rationality, intuition, and logical thinking as a creator. With the use of visual languages, she captures those emotional fluctuations in an instant, and presents their complex and fluid states using a different method.

I Was Wondering - 2

Dang extracted "the most intense feelings and found the connecting point between feelings and the visual language."¹ In the series of I Was Wondering, no matter what it is, the melting ice or the crossed lines, they all become metaphors and enters into her work—heavy memories dissolve into water and air, and the lines of relationships tie up the unbearable weight..…. The physical reactions to these emotional relationships describe the ambiguity and struggle experienced by women.

If the previous series of work is considered as Dang's fragmented thoughts on relationships, then another series of her work regarding family relations truly explores the nature of family relations to a further extent. Kinship, starts from a set of documentary photos to a complete project concerning behaviors. This series of work defamiliarizes the daily relationship of a family. By adding records of other family interviews, it sorts out a "top secret document" of the family of origin.

没有办法啦I Was Wondering

Where is the subjectivity of everyone in various relationships? In her work Close Your Eye & See Something, when going deeper into one’s own self, the image one creates according to free will and the image one sees when having the eyes closed combine with the objective portrait of oneself end up reflecting multiple angles of introspection.

Intimate relationships focus on the connection between the individual and the other, Dang, however, looks inward from the different dimensions of external relationships. She reflects on the influence of these relationships on women themselves, and at the same time inquires into how to participate in various relationships. No matter what it is, family, friendship, love, or individuality, these units constitute our cognition of the cultural order in a society. Throughout the exhibition, on the one hand, Dang’s work restores and even deconstructs the diversity and complexity of relationships; on the other hand, she breaks away from personal emotions or fragmented expressions through a subjective and introspective perspective. With the use of metaphorical and visual vocabularies, she restructures abstract relationships.

Note: 1  A Solo Exhibition of Dang Jiahui—Interview with Artist

没有办法啦 I Was Wondering

Artist Bio

Dang Jiahui was born in 1998. She explores different possibilities of photography through the extension of personal feelings and emotions. She expresses her explorations and thoughts concerning various problems with the use of image language. She makes efforts to capture fantasies and finds herself in her own work.

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