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【展讯】王怡然个展——山河之下|厦门

三影堂厦门 三影堂摄影艺术中心 2022-04-27

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王怡然个展——山河之下


策展人:滕青云


主办:三影堂厦门摄影艺术中心

展期:2021年8月7日 - 9月5日

开幕:2021年8月7日  15:00


地点:厦门市集美区杏林湾商务营运中心2号裙楼301

(从连接1号楼、2号楼之间的大平台进入)



前言

文/王怡然


这系列的作品呈现的是一瞬间的不存在,又或许是不存在的一瞬间。看似无序的痕迹,跨越了地域和时间的界限。无论文化、社会的基准如何,世间万物的运行,都要看山河大地所能给予的生命许诺。循环往复,周而复始,生生不息。

“一切唯心造”,最真实的现实并非眼见之物,而是眼见之物与内心反应之间的关系。希望大家在观看中能得到自己的“所见”,或是片刻安宁。


山河之下 No1
Below 50 Hertz No1


文/滕青云


沉重的低音感,是王怡然作品给人最直接的感受。


从2018年开始,王怡然独自穿行于山西、陕西、内蒙、浙江,不同的山林里,慎重地拍下眼前所见:若有微光的岩洞,沉寂洞开的寺门,黑白山河间的波光,静默对称的厂房,喷涌向上的微尘……这些似无叙事逻辑的画面,分开是宏大而又精微的人类痕迹与自然景观,连在一起,呈现出从中古文明到工业时代人与自然的互动留痕。如有音律,低音不绝。


王怡然的这组作品,在科技与社会高速发展、人类群居城镇远离自然的今天,退回到山河之间,追溯人与自然的互动,希望重拾山河赋予的能量,在这些痕迹中,联结过去与当下,找到应对未来的底气。


展览将在幽暗的空间,用14件作品,呈现山河之下不为人类所撼动,却巍然涌动的历史低音。


关于艺术家



王怡然,毕业于美国帕森斯艺术学院摄影专业,是一位活跃于北京上海和纽约的视觉创意工作者。目前于纽约大学攻读硕士学位,从事视觉文化和新媒体研究。


她的作品让她以静观者的视角审视和探究文化,时间,历史对于社会的影响。通过研究文化背景下的差异与统一,从而探讨和认知人与自然的关系。


山河之下 No2
Below 50 Hertz No2


Yiran Rachel Wang Solo Exhibition —— Below 50 Hertz


Curator:Teng Qingyun


Organizer: Three Shadows Xiamen Photography Art Centre

Duration:  Aug 7, 2021– Sept 5, 2021

Opening:Aug 7, 2021 15:00


Venue: No. 301, Building 2, Xinglinwan Business Center, Jimei District, Xiamen

(Enter from the large platform connecting Building 1 and Building 2)


Preface

 Text/Yiran Rachel Wang


This series of works presents a moment of non-existence, or perhaps the non-existence of a moment. The seemingly chaotic traces traverse the boundaries of space and time. Regardless of the cultural and social benchmarks, the world runs on the promise of life that the mountains, rivers and earth have to offer. This cycle in nature goes on and on, and it never ends.


山河之下 No3
Below 50 Hertz No3


"Everything is made according to the desire of the heart", the most authentic reality is not what we see, but the relationship between what we see and our innate reactions to it. I hope you can truly perceive whatever captures your eyes or just simply enjoy a moment of peace while visiting this series.


山河之下 No4
Below 50 Hertz No4


 Text/Teng Qinyun


A heavy sense of bass is the first impression that Wang Yiran's works deliver. 


Since 2018, Wang Yiran has been solo traveling among various mountains and forests in Shanxi, Shaanxi, Inner Mongolia, and Zhejiang, carefully photographing what she sees in front of her: caves with shimmering light, temple doors that are silent and welcoming, waves of light between poetic mountains and rivers, quiet and symmetrical factories, and dust gushing upwards...... These images, which seem to have no narrative logic, are grand and subtle human traces and natural landscapes when they stand by themselves, and when they weave together, the traces of human-nature interaction from the Middle Ages to the industrial age are presented in front of us. Like a rhythm, the bass goes on and on.


山河之下 No5
Below 50 Hertz No5


This series of works by Wang Yiran, created at a time when technology and society are developing at a rapid pace and human beings are living in cities and towns far away from nature, retreat to the mountains and rivers, tracing the interaction between man and nature, hoping to revive the vitality bestowed by nature, reconnecting the past and the present within those traces, and finally getting ready for the advent of future.


In this exhibition, 14 pieces of work are placed in a dark space to present the bass of history looming under the mountains and rivers untouched by human deeds.



 

Artist Biography


Yiran Rachel Wang  graduated from Parsons School of Design with a BFA in Photography, engaged in visual creative work in Beijing, Shanghai and New York. She is currently pursuing a master's degree at New York University with a focus on Visual Culture study and New Media technology.

As a photographer whose approach moves fluidly between documentary and fashion, her work often deals with reconstructing memories and memorializing objects. Exploring the complicated relationship between humanity and nature in the context of historical and cultural background, Rachel’s work aims to scrutinize and observe people’s role in nature in a poetic, yet provocative way.

山河之下 No6
Below 50 Hertz No6


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