【展讯】起始于远观，不止于近观——三影堂+3画廊十周年特展｜北京
More Than Meets the Eye: 10 Years of Three Shadows +3 Gallery
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2022年正值三影堂+3画廊创立十周年，+3画廊主办展览——“起始于远观，不止于近观”，以“远”与“近”这组二元对立意象作为起点，追溯并回顾画廊十年来的成长发展历程。展览特别邀请过去十年中我们致力于推介的29位/组海内外重要摄影艺术家，汇聚呈现他们的生涯代表作及未经发表的全新作品，于7月16日至9月18日向广大藏家和公众呈现。
本次展览旨在从摄影本体的拍摄角度出发，以创作过程中的“远”和“近”作为意象，探讨艺术家多元观看角度、创作方式、与拍摄客体的关系等议题。对摄影而言，相机所记录的客观真实场景，大多会通过不同的观看视角，产生直观震撼和陌生疏离的体验。
Liang Xiu, Burning Sorrow
2016
40 x 26.6 cm
收藏级艺术微喷
Archival inkjet print
摄影这一媒介的发展，归功于人们在技术层面上实现革新——以镜头捕捉光线从而留下影像记录。因此，人们或许会默认摄影记录的是客观中立的真实场景。然而，当我们真正阅读一张照片时，却也产生过与自身认知现实所相悖的一种陌生化体验。究其原因——相机是无意识的，人的观看和接收却是有选择的。从不同的角度观看，人的大脑会根据知识和记忆对眼前之景进行“修正”，而相机所捕捉和呈现的未“修正”画面，因与人脑海中的所认知的场景有所出入，最终得以形成一种非功利性的审美感。
Araki Nobuyoshi, Erotos #07
1993
61 x 50.8 cm
铂金印相
Platinum and palladium print
秋麦《鹤势》
Michael Cherney, Twilight Cranes
2006-2007
24 x 215 cm
手卷局部, 摄影墨本, 美浓楮纸
Partial handscroll, photography, ink on Mino Kozo paper
展览中呈现的荒木经惟《Erotos》系列，通过微距拍摄的花朵内部，将花蕊的构造放大直至占据整个画面，产生了独特的力量感，甚至可被认为一种情色感。另一方面，美国摄影艺术家秋麦则在创作中将一张全景照片切割后放入册页中，此举借鉴了中国古代绘画中的散点透视原理，同时满足了从局部和全貌观看的双重视角。当局部被放大，照片像素的颗粒感便产生了与中国画相似的笔触和质感。远眺的视角和水墨的笔触，让秋麦的作品产生一种与传统中国水墨画类似的写意的真实。
RongRong&inri, Jifei Kyoto 1-1-2
2015-2021
200 x 250 cm
UV打印, 艺术微喷, 金箔, 铝板, 亚克力 (金色底面)
UV inkjet print on gold leaf aluminum plate (gold base)
艺术家荣荣&映里和叶锦添，都试图通过作品表达基于事物从“远”到“近”的观测，从而刺穿事物的外部表象而进入精神内核。著名艺术史家巫鸿曾评论荣荣&映里的新作《即非京都》系列：“‘即非’为佛家语，意为‘不一不异’——万物既非相同亦非不同。黑白或色彩，枯槁和欢乐——这些不同的影像反映了艺术家对摄影‘真谛’的最新诉求。”叶锦添以科学的视角观览世间维度，在他看来，人的精神也似乎由DNA编码，因而每个人的思维拥有天然特质。“从古至今人类走过无尽岁月，那究竟人类精神世界从何而来？”叶锦添通过《精神DNA摄影作品》探讨永恒的精神内核。
Timmy Yip, Spiritual DNA Photography
2019
200 x 133 cm
收藏级艺术微喷
Archival pigment print
需要澄清的是，展览选取“远”与“近”这组二元对立的意象，并非刻意加剧两者间的距离。在社会文明进程中，日常所及之物均被命名，当人们看到的是一个拥有既定表象的世界，便逐渐失去了与生俱来的自然感知。我们企望通过对“远”与“近”的反复研究，超越两者的二元对立关系，从而启发观者突破视阈的局限，抵达物质表象背后的内在世界——宇宙中那些超越表象而无所局限，可被感知却又忽略的细小事物——终将通过镜头的捕捉得以寻找和发现。
Koo Bohnchang, Mask GN 02
2002
112 x 89 cm
收藏级艺术微喷
Archival pigment print
More Than Meets the Eye:
10 Years of Three Shadows +3 Gallery
起始于远观, 不止于近观——三影堂+3画廊十周年特展
Organiser
Three Shadows +3 Gallery
Duration
2022.07.16-09.18 (Closed on Mon & Tue)
Address
155A Caochangdi, Chaoyang District, Beijing
Cai Dongdong, Cai Meng, Chen Ronghui, Michael Cherney, Chu Chu, Duan Yueheng, Feng Yan, Hisaji Hara, Eikoh Hosoe, Huang Rui, Ken Kitano, Koo Bohnchang, Li Jun, Liang Xiu, LiuKe & HuangHuang, Lu Yanpeng, Luo Bonian, Anäis Martane, Mo Yi, Daido Moriyama, Araki Nobuyoshi, Ren Hang, RongRong & inri, Shao Wenhuan, Jin Shien, Wang Wusheng, Timmy Yip, Zhang Jin, Zhang Kechun
*10th Anniversary Bonus: Free admission for a guest accompanied by a ticketed visitor or Three Shadows Member
Speaking of camera angles in Photography, "far" and "near" seem to be a set of binary opposite imagery that are unavoidable in the process of artistic creation. The real and objective scenes recorded by the camera, due to different viewing angles, may lead to experiences of visual shock or alienated feeling. This is due to the camera is unconscious, while the audience reception is selective: viewing the scene from respective angles, the human brain will "edit" the scene in front of the eyes according to prior knowledge and memory. As such, the "unedited" picture produced by the camera, when differentiated from the scene recognised in the human mind, will eventually forms a non-utilitarian sense of aesthetics.
Zhang Kechun, A Persimmon Tree No.1
2022
110 x 77 cm
收藏级艺术微喷
Archival inkjet print
The 10th anniversary is an occasion for Three Shadows +3 Gallery to review its growth and development over the last decade since its inception. Taking "far" and "near" as the starting point, this exhibition features 29 artists/groups, including prominent contemporary artists in the history of Chinese photography, emerging artists over the past few years, as well as renowned photographers from Japan, South Korea, Europe, and the United States. An array of their classic works and latest pieces are to be showcased in this special exhibition.
Chen Ronghui, Meyer Lemons - Still Life
2020
64 x 80 cm
收藏级艺术微喷
Archival inkjet print
It is worth mentioning that our choice of the binary opposite imagery of "far" and "near" is not intended to emphasise the distance between the two. On the contrary, we hope to transcend the opposite relationship between them through constant research, so as to inspire the viewer to exceed the visual threshold and reach the inner world behind the material appearance; the perceivable yet trivial things in the universe will eventually be discovered through the "eyes" of the camera lens.
Three Shadows +3 Gallery
创立于2012年，三影堂+3画廊是三影堂摄影艺术中心旗下运营的艺术空间。+3画廊致力于连接中国摄影的过去、现在和未来，并以摄影为媒介促进海内外艺术文化交流发展。
+3画廊以推介中国最具代表性和成长性的摄影艺术家及其作品为首要目标，同时有计划地展示国外重要摄影艺术家的优秀作品。+3画廊以国际化的商业运营模式和专业化的贴心服务，持续作为摄影艺术家和收藏家互通的优质平台。
Founded in 2012, +3 Gallery is an independent art space under the flag of Three Shadows. The Gallery aims to act as a channel for Chinese photography - its past, present and future, while fostering the development of this medium in China and abroad.
Since its inception, +3 Gallery has been committed to promoting China’s most representative homegrown artists and showcasing important works by renowned international photographers. +3 Gallery has established itself as a leading platform over the past decade, working closely with both photographic artists and art collectors with professional services provided.
关于作品信息，请联系我们：
Tel. +86 10 64322663
Email. info@plus3gallery.com
Web. www.plus3gallery.com
Insta. @plus3gallery
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