【展讯】“青年艺术家陪跑计划”王婧懿个展「一切于一点」｜北京
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海报设计：蔡明铭
三影堂摄影艺术中心“青年艺术家陪跑计划”联合多位国内外资深艺术家、策展人、学者，为在艺术道路上遇到瓶颈或希望迈上职业艺术家道路且有潜力的青年创作者们，给予全年系统性的启发和帮助。王婧懿作为2021首届“青年艺术家陪跑计划”入围者之一，在专家导师董冰峰和沈宸的创作交流和指导下，不断对作品进行实验和推敲，最终展览通过两个系列《变形记》和《退回到赤裸》呈现。此次个展 “一切于一点” 将于2023年3月5日至3月26日在三影堂摄影艺术中心3.0space展出。
「一切于一点」
- 展览时间 -
2023.3.5-3.26
（逢周一、周二闭馆）
- 开幕导览 -
2023.3.5 （15:00）
- 艺术家 -
王婧懿
- 学术指导-
董冰峰、沈宸
- 策展人-
马若骢
- 主办 -
三影堂教育计划
- 地址 -
三影堂摄影艺术中心
（北京市朝阳区草场地155A）
· 艺术家自述 ·
我的初期创作集中在为摄影和影像作品的布景和关键帧绘制背景、各种动物和人类形象。后逐渐转向运用油画和水彩等媒介来呈现图像的色彩和流动性，但前期胶片摄影的创作经验仍为我在绘画中构图和颜色的选择提供了很多灵感。并且基于在影像中静态与动态图像的研究兴趣，在第二个系列作品《退回到赤裸》中，我延续了为视频作品绘制分镜的思路，通过线性的创作方式探索生物形态随时间流逝的变化过程。
文/王婧懿
“... 可以确定整个宇宙物质在开始向太空扩展之前曾经集中于一点。当然，一切都集中在那一个点上...
‘要不还能在哪里?’ 那时还无人知晓，太空存在着...”
系列作品《变形记》之一，零年, 40x80cm, 布面油画, 2022
From series Metamorphsis，Zero Year, 40x80cm, Oil on Canvas, 2022
展览“一切于一点” 探索和描绘生命被创造初始，从混沌到有序变化中的定格瞬间。展出的系列作品《变形记》从广阔的视角出发，展现宇宙在最初状态下可能存在过的非人类、兽态或人兽混合的生物，并将它们的形态定格在悬浮于无重力空间的那一刻。第二个系列作品《退回到赤裸》将子宫作为宇宙的隐喻，探索婴儿被羊水包围时的神秘状态，以及母与子曾经共生又分离的关系。
From series Metamorphsis，The Brain Crawling out to the Cliff, Gouache on Paper, 28x38cm, 2022
对作品形象的想象受启发于奥维德的神话故事 “变形记”，书中讲述人由于某种原因被变成动物、植物、星星或者石头等。通过描绘非人类的怪兽，而非人类主体，本次展览作品希望引起人们对自己观察视角的限制，以及对其他形式意识的可能性的关注。并且引发观众对生命诞生、创造的本质和宇宙最原初状态的想象和思考。
系列作品《退回到赤裸》之一，No.1, 水彩纸本, 28x38cm, 2022,
From series Deep into the Undress, No.1, Watercolor on Paper, 28x38cm, 2022
王婧懿, 现生活工作于北京。2018年毕业于美国巴徳学院电影与多媒体专业。2019-2020年就读于伦敦斯莱德美术学院纯艺专业。创作围绕摄影、影像和绘画展开，探讨时间、记忆、静态与动态图像之间的关系。近期绘画作品探索宇宙由混沌至有序状态下，非人类/兽态生物的生存状态。并引入子宫作为宇宙的隐喻，从不同视角探讨生命诞生过程和母-子-子宫三者关系。在近期创作中，主要以动画关键帧绘制为基础，并以制作分镜思路绘画。未来将继续通过油画和动画方式呈现对研究主题的思考。摄影与影像作品曾在伦敦，墨西哥Fisura实验电影节，北京（VCD影促会）及宁波半山画廊等地展出。负责剪辑的纪录片 “狮子、谎言和爱情”，于2022年在伦敦放映。
马若骢，北京独⽴艺术家。⽣于⼴东，成长于北京，于纽约视觉艺术学院School of Visual Arts取得插画本科学位，后前往皇家艺术学院Royal College of Art取得雕塑硕⼠学位。作品在性与性别的⼤主题下以个⼈童年经历和东亚社会背景切⼊，讨论固化的权⼒结构之下暗藏的暴⼒、忧郁和⼥性⽓质。以“⾁⾝”和“对视”作着眼点，将动物或静物夸张化、⼈格化。⽤朦胧且⼤胆的笔触描绘攻击和被攻击者的权⼒关系，以及情⾊暗涌。动物性的“凝视”构建起作品与观众，艺术家和观众的接触。
现为谢子龙影像艺术馆学术总监，中国美院跨媒体艺术学院研究员。2005至今曾先后担任广东美术馆与尤伦斯当代艺术中心策展人、伊比利亚当代艺术中心副馆长、栗宪庭电影基金艺术总监和北京OCAT研究中心学术总监。同时他也担任多个艺术机构、艺术理论丛书和影展的学术委员、主编与国际评委。董冰峰曾获“CCAA中国当代艺术评论奖”（2013）、“《YISHU》典藏国际版中国当代艺术评论奖”（2015）和亚洲 艺术文献库“何鸿毅家族基金中华研究驻留奖”（2017）。董冰峰的研究领域包 括影像艺术、独立电影、中国当代艺术史、展览史与当代批评理论。
策展人，工作生活于北京，现任职于空白空间。曾担任三影堂摄影艺术中心策展人，集美·阿尔勒国际摄影季提名人，马格南基金会Abigail Cohen奖学金提名人，卡塞尔摄影书节年度摄影书奖提名人，瑞士Vontebel艺术基金奖项提名人等。其先后在北京大学，香港中文大学，美国匡溪艺术学院学习并获得国际政治法学学士，新媒体理学硕士及摄影纯艺术硕士学位。策展的项目包括“论方法 - 康迪达·赫弗个展”（2015），“中国摄影：二十世纪以来”（2015），“身形剧本”（2016），“卡塞尔摄影书节＆ÉditionsBessard北京特别展”（2016），“卡塔姿娜·科兹拉个展”（2016），“庞然无声”（2017），“陈象：蜕变——瓦莱丽·蓓琳摄影展”，“中国当代摄影40年（1976-2017）”（2017），“幻痛诊所”（2017），“十方：三影堂摄影奖十周年特展”（2018），“漫游者之歌”（2019），“练习曲”（2020），“感召”（2021）等。2019年凭借策展项目“末路斜阳：‘声名狼藉者’及其不可解的存在方式”获选上海当代艺术博物馆“青策计划”。
「 ALL AT ONE POINT 」
- Duration -
2023.3.5-3.26
(Closed on Mondays and Tuesdays)
- Opening -
2023.3.5（15:00）
- Artists -
Wang Jingyi
- Mentor -
Dong Bingfeng 、 Shen Chen
- Curator -
Ruocong Ma
- Organizer -
Three Shadows Photography Art Centre Education Program
- Location -
Three Shadows Photography Art Centre 3.0 space
(155A, Caochangdi, Chaoyang District, Beijing)
· Preface ·
“…, we can establish the moment when all the universe’s matter was concentrated in a single point, before it began to expand in space.
… ‘where else could we have been? Nobody knew then that there could be space’…”
———“All at One Point” from “The Complete Cosmicomics” Italo Calvino
系列作品《变形记》之一，变成脚步轻柔的幽灵, 80x100cm, 布面油画, 2022
From series Metamorphsis，Becoming the Ghost with Tender Pace, 80x100cm, Oil on Canvas, 2022
The exhibition "All at One Point" explores and depicts the frozen moments of life being created from chaos to order. The first series of works "Metamorphosis" starts from a broad perspective, showing non-human, animalistic, or human-beast hybrid creatures that might have inhabited in the pre-creation world, and freezes their forms at the moment of suspension in zero gravity. The second series of works "Deep into the Undress” uses the uterus as a metaphor for the universe, exploring the mysterious state of the fetus surrounded by amniotic fluid and the symbiotic yet separable relationship between mother and child.
The imagery in the exhibition was inspired by Ovid's mythological story "Metamorphoses," which depicts human-beings transforming into animals, plants, stars, or stones for various reasons. By portraying non-human monsters rather than human subjects, the works in the exhibition hope to draw attention to the limits of our own perspectives and the possibility of other forms of consciousness. And also stimulate viewers to imagine and contemplate the nature of life's birth, creation, and the universe's most primitive state.
系列作品《退回到赤裸》之一，No.8, 水彩纸本, 28x38cm, 2022,
From series Deep into the Undress, No.8, Watercolor on Paper, 28x38cm, 2022
Wang Jingyi is an artist currently living and working in Beijing. She graduated from the Film and Electronic Arts, Bard College, NY in 2018, and then pursued further studies in Fine Art at the Slade School of Fine Art, UCL in London from 2019 to 2020.
Her practice revolves around photography, film, and painting, exploring the relationships between time, memory, and still and moving images. Her recent painting works explore the survival status of non-human/beast beings in the universe, as it progresses from chaos to order. She then uses the uterus as a metaphor for the universe, and examines the process of life birth and the relationship between mother-child-uterus from different perspectives. In her recent work process, she mainly uses animation keyframes and storyboarding to create her works, which will be presented in the future through oil painting and animation.
Her photography and film works have been exhibited in London, the Fisura Experimental Film Festival in Mexico, the VCD in Beijing, and the Banshan Gallery in Ningbo. She also edited the documentary film "Lions, Lies, and Love", which was screened in London in 2022.
Ruocong Ma is an independent artist from Beijing, born in Guangdong and raised in Beijing. She obtained a Bachelor's degree in Illustration from the School of Visual Arts in New York and later received a Master's degree in Sculpture from the Royal College of Art.
Her work revolves around the broad theme of sex and gender, using personal childhood experiences and the socio-cultural context of East Asia to delve into the violence, melancholy, and feminine qualities hidden within rigid power structures. With a focus on "flesh" and "gaze," she exaggerates and personifies animals or objects, using hazy yet bold strokes to depict power dynamics, emotional turmoil, and conflicts between the attacker and the attacked. The animalistic "gaze" creates a connection between the artwork and the audience, allowing the artist to engage with viewers in a dialogue.
He is a curator living in Beijing and currently working at White Space. Previously, he was curator at the Three Shadows Photography Art Centre and nominator for several awards, including the Jimei x Arles International Photo Festival, the Abigail Cohen Fellowship by Magnum Foundation, and the Vontobel sponsorship prize. He holds an MFA in photography from Cranbrook Academy of Art, Michigan; an M.S. in New Media from The Chinese University of Hong Kong, Hong Kong; and a B.A. in International Politics from Peking University, Beijing.
【3.0 space】是三影堂摄影艺术中心于2021年初成立的独立艺术空间，同时也是专属于青年艺术创作者、策展人、研究者们思想碰撞的实验发生场。旨在为了更好的激发中国当代摄影的新生力量，及将摄影艺术语言的魅力传递给更广泛的人群而搭建的平台。这里有一个空间，请发挥想象。
【三影堂教育计划】是三影堂摄影艺术中心主要部门之一，担负着学术研究、知识传播和人才培养的功能。凭借三影堂丰富的艺术资源和国际化的展览平台，我们将致力于打造中国当代艺术摄影先锋人才的成长基地。
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