Arthur Casas | 刻画纯正的巴西印象

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人是建筑的核心。房屋，建筑物和环境不仅容纳我们的身体，而且还隐藏着我们的思想，梦想，记忆和欲望。建筑和设计塑造了人类在世界上的生活体验，强化了我们的生活观念并直接影响着我们的生活。

the individual is the center of architecture. houses, buildings and environments not only shelter our bodies and our actions, but they also harbor our minds, our dreams, our memories and our desires. architecture and design give shape to the human experience of being in the world, strengthening our notion of being and directly influencing our lives.

设计不应遵循时尚，潮流，或戏剧性。相反，他们必须充满生活气息，存在各种互动的可能性，随着时间的流逝，它们可以改变人的生活。

the environments we design and build should not follow fads, trends, styles or seek only the dramatic and spectacular gesture. on the contrary, they must be living, welcoming, empathic, flexible, full of different possibilities of interaction that can, over time, transform the lives of the individuals who occupy them.

01. Kosushi Restaurant

圣保罗是世界上最大的日本移民社区之一，因此，这个国家的美食已经完全融入了城市生活。kosushi是一家有着25年历史的日本餐厅，在17年前进行了设计。这次，kosushi再次找到了我们，希望对外立面和室内空间进行更新和现代化的改造。减少桌子的数量，并将空间重新规划。

são paulo is home to one of the largest communities of japanese immigrants and descendants in the world, and as a result, the country’s cuisine has been completely integrated into the life of the city. a restaurant with a 25-year history and an original design created by the studio 17 years ago, kosushi sought us out once again, this time looking to update and modernize its main unit. the idea was to give the restaurant a new facade, modify the rear outdoor space, reduce the number of tables, and allocate more space to the bar.

设计的第一步，工作室保留原有的一些设计元素，不追随时代的潮流和趋势，。

the first step was to recognize those architectural elements of the original design which remained engaging and had resisted the fads and trends of the period – and which should thus be maintained.

餐厅坐落在一条安静的街道上，设置了一个巨大的落地窗，创造通透性，也为用餐区留出的足够的空间。

the facade of the restaurant, situated on a calm street with little traffic, was given a huge picture window, creating greater permeability between the space and the street. 

等候区的接待台使用粗糙花岗岩制成，长达数米，保留了原材料的所有不完美。

in the area previously set aside for the main dining room, a sweeping counter in rustic granite, with all the imperfections characteristic of the raw material, now runs for 9 meters throughout the waiting area. 

餐厅后部的花园露台设置了雅座，墙面覆盖白色混凝土，硬木长椅和圆桌烘托优雅的用餐氛围。悬挂的绿植抵消了混凝土带来的硬朗视觉体验。

the rear garden now includes a seating space, clad in white concrete, with two waterfalls, hardwood benches, and other pieces of furniture that complete the ambience. the landscaping complements the decoration with hanging and suspended vases.

设计采用中性色调。艺术，灯光和家具为建筑带来了色彩。带有说水磨石餐桌，球形藤制吊灯以及日式金属书架都经过特别的设计，放置在休息区。是一道独特的风景线。

the tables with silestone tops and white-concrete legs, the ample spherical wicker pendants, and the metallic bookcase decorated with japanese ceramics were all specially designed as part of the renovation and have been placed in the seating area. the design features a neutral palette. the art, lighting, and the surfaces of the furniture bring flashes of color to the architecture.

平面布置图

立面图

接待台手稿图

02. AC NY Apartment

03. Brownstone House

Brownstone是19世纪一种流行的建筑材料。也是纽约的一种建筑风格。石头独特的红棕色来自岩石中溶解的氧化铁，常用于纽约联排别墅外墙。该项目对Brooklyn Brownstone街区的一处住宅进行翻新，同时，在尊重建筑历史特征的前提下，为这个六层住宅项目实现现代化的设计方案。

Brownstone is an architectural style present in new york. these buildings are known by being row and vertical houses with brownstone facades, placed in long and narrow grounds. the project consists on the refurbishment of one of these residences, and, at the same time, seeks to respect the historical character of this architecture and offers a practical, contemporary and technological solution for the sectorization of an extensive program distributed over its six floors.

设计完美定义了这个六层建筑的空间规划，以最大限度地利用建筑立面的自然光。一楼设计了厨房、办公区和供家庭烧烤的后院。

These six levels ended up defining the rooms distribution, always well integrated to make the most out of the restricted entrance of natural lighting – guaranteed only through both facades. on the first floor, there is the kitchen, the office and a backyard with bbq area.

厨房使用黑色操作台面和橱柜，与传统印象的浅色调不同，白色的吊柜给厨房空间也给带来了明亮的视觉体验。

The kitchen, with its black counter and cabinets, differs from the traditional studio’s light shades. to complement the dark atmosphere, white panels and woodwork brought lightness to the environment.

二层会客区设置了小吧台，餐厅和客厅。由于无法改造具有历史价值的建筑正立面，因此在建筑后部将二层楼板拆除部分，连接一层和二层空间，设置了落地窗，使立面与内部空间更加统一。

The second floor is dedicated to social areas – such as the bar, dinner room and living room for the visits. as it was impossible to modify the historical frontal facade, this floor slab was retracted in the back facade in order to offer more space and a new and wide window, connecting first and second floor.

室内采用中性色调，与深色外立面形成对比。橡木地板带来了柔软视觉感受，而暖色调的织物和泥土色调的家具微妙地将中东色彩引进空间。

The decor has neutral shades contrasting to the dark facade. the oak flooring of the upper levels brings softness, while limestone in warm shades and fabrics and furniture in earthy tones make a subtle reference to the middle east natural colors. 

卧室，健身房，视听室，户外休息室均位于建筑三、四、五层。为夫妇和两个孩子提供一个私密的家庭空间。

To guarantee an intimate space to the family a couple with 2 kids -, the bedrooms, gym, tv room, outdoor fireplace lounge were placed in the 3 upper floors.

业主欣赏极简主义，干净的线条和简约的软装饰品是他们理想住宅的必要元素。许多家具由阿瑟·卡萨斯设计，刻画真正的巴西印象。

the owner’s homeland. the clients asked for a closed carpentry, with clean lines and few decorative objects, valuing a minimalist aspect.  the interest in brazilian identity is noticed by a selection of several furniture – many of them designed by arthur casas – and works of art.

住宅的亮点是位于地下的室内游泳池。天窗保证了自然采光，为地下室带来了生动感，也将空间划分为存储区和设备房。为了补充照明，内置的线性灯光增强了空间的几何感，这一设计在整个住宅中都得到了体现。

the project’s highlight is the indoor pool, placed in the underground floor. the natural lighting, guaranteed by a skylight, offers a dramaticity to this ambience, which also divides the space with a warehouse and technical areas. to complement the lighting, lighting coves and linear built-in lights enhances the geometric design of the wooden bench, a strategy replicated throughout the residence.

1F Plan

2F Plan

3F Plan

4F Plan

5F Plan

-1F Plan

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 Arthur Casas Studio 

公司介绍

Arthur Casas

自1999年以来，由设计师，建筑师和城市专家组成的Arthur Casas Studio团队在圣保罗和纽约工作，并已在东京，巴黎，里约热内卢，纽约和圣保罗等全球多个城市遍布作品，这些作品在国际上得到认可，并出版了多期刊物。

Since 1999, the team of designers, architects and urbanists works from são paulo and ny, and has built in several cities worldwide such as tokyo, paris, rio de janeiro, ny and são paulo, creating a vocabulary that is recognized and published internationally.

创作过程假设，在建筑中，整体总是大于其各个部分的总和。设计不断的渗透，控制和影响每个细节就是整体质量。因此，我们的注意力从建筑到家具，从最小的摆件到所使用的材料选择，涉及各个角度。对环境的感知不仅发生在我们的眼睛上，而且还发生在我们所有的感官，身体和情感上。

our creative process assumes that in architecture the whole is always greater than the sum of its parts. it is the quality of the whole that permeates, controls and affects every detail of our design. therefore, our attention is directed to all scales, from architecture to furniture, from the smallest of the objects to the choice of all the materials used. the perception of the environments happens totally, not only with our eyes, but with all our senses, our bodies and our emotions.

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