首发 | ASL设计 · 空间的诗性
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ASL Design
外立面
效果
一层切割掉入口的楼板，获得了10米的挑高空间，将其作为展厅。
The first floor cuts away the floor slab of the entrance to gain a 10-meter elevated space, which is used as an exhibition hall.
将旋转楼梯镜像一个类似的造型，形成一种类似DNA螺旋的造型，获得一种盘旋感，同时因为形体联通了本身分离的一层二层，所以强化了整体的视觉张力。
We mirrored the 15-meter spiral staircase in a similar shape, forming a shape similar to the DNA spiral, to achieve a sense of hovering, and visual tension.
| 一层艺术展厅
信息技术的发展推动了整个时代的快速发展，商业的模式也随之发生变化。
The development of information technology has promoted the rapid development of the whole era, and the business model has also changed accordingly.
艺术(Art)是借助一些手段或媒介，塑造形象、营造氛围，来反映现实、寄托情感的一种文化。艺术，是用形象来反映现实但比现实有典型性的社会意识形态。好的艺术往往具有美学价值或者哲学价值，但不一定具有大众层面的娱乐性。与科学相比，艺术离不开情感的表达。所以在设计的时候我们会更多的去思考，人在这个空间中需要获得怎样的感受，就是空间的诗性。
Art is a kind of culture in which images and atmospheres are shaped to reflect reality and express emotions with the help of some means or media. Art is a social ideology that uses images to reflect reality but is more typical than reality. Good art often has aesthetic or philosophical value, but it is not necessarily entertaining on a mass level. Compared with science, art is inseparable from the expression of emotion. Therefore, when designing, we will think more about the spirit that people need to feel in this space, which is the poetic nature of the space.
经过团队思考我们想到了一些关键词比如：感到宁静、感到愉悦、感到被柔和的包裹、感到柔软安全的、感到舒适的、感到舒适的自然光线等等。所以整个设计其实是在满足基础的物质需求后，再多加上这些感受的需求所得到的结果。解决精神需求的方式是和解决理性物质方式不太一样，过程中可能只能依靠主观感觉来判断，又很难找到具体的依据，是个非常有趣的过程。
After team thinking we came up with some key words like - feel calm, feel happy, feel envelopedsoft, feel safe, feel comfortable, feel comfortable natural light. And so on. So the whole design is actually the result of meeting the basic material needs and adding these spiritual needs. The way to solve the spiritual needs is different from the way to solve the rational material needs. The process may only be a feeling, but it is difficult to find specific basis. It is a very interesting process.
清晨阳光同过水面反射到墙上产生戏剧性的变化
“空”在当代没法简单的理解成“无用”相反一层的“空”作为一个展示空间，在这个艺术被大量消费的时代很好的迎合了市场的需求。这是一个“无用”才是“有用”时代。
The "empty" of the first floor can not be simply understood as "useless" now. On the contrary, the empty of the first floor, as a display space, well meets the demand of the market in this era when art is consumed in large quantities. This is an age when "useless" is "useful"
| 二层俯瞰楼梯
乌克兰艺术家 Nazar Bilyk 以青铜和玻璃所创作的6呎高雕像「Rain」。雕像仰著头凝望著著天空，就好像是思索、寻找未解之谜的答案，而雨滴则是某种对话的象徵，把雕像与各种生命形式的连结起来，像是雕像本身的疏鬆、多孔的结构，就好像是乾燥的土地，能够吸收水分。但从另一个角度来看，Bilyk 将雨滴的尺寸放大到这麽大，放在雕像上，又好像是大自然中昆虫与露珠的关係，而人类就是自然中的一份子。如果更深一层来看，雨珠在脸上随时可能掉下来的恐怖平衡关係，又好像暗喻著人类与环境共存、互动的困难与问题。
Ukrainian artist nazar bilyk's six-foot-tall statue, "rain," created in bronze and glass. The statue looked up at the sky, as if it were thinking and looking for answers to unsolved mysteries, while the raindrops were some kind of dialogue, which connected the statue to various forms of life, like the loose, porous structure of the statue itself, like a dry land that absorbs water. But on the other hand, bilyk magnifies the size of raindrops to such a large size, and puts them on a statue, as if the relationship between insects and dew in nature, and humans are part of nature. If you look at a deeper level, the horrible balance of rain droplets falling on the face at any time seems to reflect the difficulties and problems of human coexistence and interaction with the environment.
正因为从不同角度剖析，都能找到、看到不同的意境，因此 Bilyk 希望能够引领前来欣赏的观众，一同寻找雨滴背后的意义，就好像这尊和大家盯著同一颗雨珠、不断自我反思的雕像。
不断自我反思的雕像
旋转楼梯对雕塑形成的遮挡，随着人的移动会逐渐看到完整的雕塑。
With the shelter formed by the rotating staircase on the sculpture, people will gradually see the complete sculpture as they move.
| 通向二层的楼梯
二层定义为接待和洽谈的场所，我们设计了一种视觉上更为柔和的隔断，灵感取自飘舞的白纱，并且用它划分出不同的区域。
The second floor is defined as a place for reception and negotiation. We designed a visually softer partition, inspired by fluttering white gauze, and used it to divide the different areas.
| 二层服务吧台与洽谈区的整体隔断
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