首发 | 遇见美学设计 · 而然
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| 建筑外观，exterior view
情
景
走
廊
正如赫伯特·A·西蒙所言：所谓设计，就是能够找到一种改善现状的途径。我们在选择新的工作场所的同时，尝试通过设计，寻找志同道合的朋友，相互学习相互进步。如此，充满设计感的新兴产业园，成为我们办公的绝佳目的地。
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Raner is located in Jiangsu Changzhou Blue Science and Technology Creative Industrial Park. Blue park used to be Changzhou Leather Machinery General Factory. As a cultural relic of various periods in the city, the old building records the vicissitudes of a city and the accumulation of urban history and the condensation of culture. In recent years, on the basis of retaining the old buildings, the whole park integrates modern elements to create a blue science and technology cultural creative empty questioning platform that is re-creative, reused and rich in humanistic background.
作品诠释了解构主义建筑形式，将原先的房屋次序打乱，打破装饰的繁琐，使建筑全貌对人体感官视角产生冲击力，展现出设计师别具一格的创新与审美能力。
The work interprets and understands the deconstructivism architectural form, disrupts the original house order, breaks the tedious decoration, makes the whole architectural landscape have an impact on the sensory perspective of the human body, and shows the designer's unique innovation and aesthetic ability.
| 引入植物，Introduce plants
| 下沉式休息区，sunken rest area
会客区以围合的建筑空间感，在入户处设置水吧台打造舒适会客区域，为整体空间格局打下基调。内部空间采用微水泥工艺，达到顶面、墙地面一体化效果，层级高低错落形成视觉差异诠释了对于内部空间个性建筑设计效果的表达，低饱和度色系将整体留白，叠合自然光影，极简而富有质感，给设计提供了新的思路和表现形式。
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Enclosed architectural space in the reception area, the water bar is set at the entrance to create a comfortable reception area, which lays the fundamental tone for the overall spatial pattern. The interior space adopts micro-cement technology to achieve the integrated effect of the top surface, wall and ground. The level scattered at random forms a visual difference that interprets the expression of the individual architectural design effect of the interior space . Low saturation color system will leave the whole white, overlapping natural light and shadow, forming a minimalist and rich texture, to provide a new way of thinking and expression for the design.
整个空间让人与自然、场所相互映衬，室内外的你我融合，让光、雨水、风露、空气无需外力借助，彼此视觉渗透，气韵生动。不着粉饰，不加雕琢，单凭自然，让自然变得自然而然。
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The whole space sets off people ,nature and place, the integration of you and me inside and outside, allows light, rain, wind and dew, and air to penetrate each other without the help of external force, and the charm is vivid. Without whitewashing, without sculpting, just relying on nature, let nature become natural.
| 洽谈室，negotiation room
滑动查看设计工作区
不同属性的空间相互串联、彼此流动
Spaces with different attributes are connected in series and flowing with each other
| 室内细节，interior detailed view
著名建筑师F.L赖特说过“建筑，是用结构来表达思想的科学性的艺术”。把空间的流动性融合到建筑之中，摒弃建筑主结构传统固定的重量感，追求流动性，各具独立空间又彼此交融，功能的划分并不是传统的流线组织，在空间秩序的约束下进行，流线与空间不再呈现出传统的连续性，而是“碎片”状的非连续性。
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The famous architect F.L Wright said that‘Architecture is a kind of social art form.’ The space of liquidity into architecture, abandon the construction of the main structure of the traditional fixed weight feeling, the pursuit of liquidity, each independent space and blend with each other, the division of functions and is not a traditional streamline organization, is under the constraint of space order, streamline and space no longer presents the traditional continuity, but the discontinuity of the "debris".
非连续性不代表内部空间杂乱无章，它是形如流水一般鲜活的，古代文人总以曲水流觞饮酒赋诗，建筑创作过程就像掬取水流中的思想之水。隔而不离的空间中上下错位感呈现的是一种理性，将空间转换，打破传统双向楼梯结构相互贯通、组合互补。
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Discontinuity does not mean that the internal space is chaotic and disorderly. It is alive in the form of flowing water. Ancient scholars always drink wine and compose poems by flowing wine bottles with curved water. The sense of dislocation in the separated and inseparable space presents a kind of rationality, which transforms the space and breaks the traditional two-way stair structure to connect with each other and complement each other.
| 内部全景，Internal panoramic
入口处使用玻璃移门，透过玻璃面视野能随着空间向外拉伸，玻璃面巧妙的将建筑空间的表现张力多样化，支撑了结构的完整性，它将一种整个空间中传统固有的思想解放，顺着素静的墙壁跟随光影的变化可以欣赏到柔和朦胧的光感，将建筑空间的形态、色彩、结构、灯光的设计巧妙的融合，身处于空间内身心也趋于了平静，体现建筑独有的魅力和井然有序的美感。
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Use glass door removal at the entrance，through the glass, can view with space stretching outwards, the performance of the glass structure of the building space tension diversification, supporting the integrity of the structure, it will be a whole space in the traditional inherent thought liberation, along the element static follow the change of light and shadow can enjoy to the wall of the soft hazy light, the building space form, color, structure, lighting design clever confluence, In the space, the body and mind tend to be calm, reflecting the unique charm and orderly beauty of the building.
室内多使用线条，线条是建筑美学的物质载体，化简为繁，用生硬的线条打造柔和的空间，这样布局的线条代替了语言表达，轮廓线使人产生视觉上的联系，或笔直，或曲折，表达柔和静谧的思想情感，同一空间中为了追求变化，不同位置运用灯光的冷与暖、明与暗的色彩变化使空间呈出不一样的火花。
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Use more lines indoors，lines, the material carrier of architectural aesthetics, are simplified into complex, and rigid lines are used to create soft Spaces. Such layout lines replace language expression. Contoured lines create visual connections, straight or tortuous, to express soft and quiet thoughts and emotions. The color changes of cold and warm, bright and dark lighting in different positions make the space show different sparks.
项目名称 | 而然
Project Name | Raner
项目地址 | 中国江苏常州
Location | Changzhou,Jiangsu,China
设计单位 | 上海遇见美学设计事务所
Design Company | Shanghai Meet Aesthetic Design
主案设计师 | 贾玲利
Chief Designer | Lily Allen
辅助设计师 | 贾姗姗 林波 李云
Assistant Designer | Jucy, BOBO,Vicky
项目面积 | 420㎡
Area | 420 suqare meters
项目造价 | 100万人民币
Cost | One million yuan.
设计起止日期 | 2020.10.06——2021.11.06
Design Cycle | October Sixth,2020 to November Sixth,2021
完工时间 | 2021.07.06
Completion time | July Sixth,2021
主要材料 | 微水泥，木作 ，金属 ，铁件
Main Materials | Micro,Woodwork,Metal,Iron parts
项目摄影 | ingallery(丛林)
Photographer | ingallery
主案设计 / 贾玲利
主案设计贾玲利，中国杰出青年室内设计师，敢于突破创新、尝试新手法，设计的居室风格各异，各不雷同，各自精彩。设计手法大气、简炼，同时注重细节的精致，对空间有很强的把握能力。从业十年来荣获“设计星江苏十强”、“艾特全球优秀奖”、“红棉至尊奖”等设计奖项，同时也是上海遇见美学设计主理人。
遇见美学设计成立于2020年，致力于时尚、定制化私宅空间，商业空间的创意策划，酒店、建筑概念提案领域设计，从建筑景观到室内的设计全维度，完成空间一气呵成的统一及延续性。面向全球不同的地域提供独特且富有前瞻性的设计服务，目前作品已囊括诸多设计奖项。未来，将在设计的路上不断地探索前行。
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