DINZ德网 | Hauvette & Madani · 营造电影时代的光芒

Villa Guggenbühl位于一条小型私人街道，由Jean Lurçat、Marcel Gromaire 和Arnold Huggler 等艺术家的工作室组成，建筑大部分由已故建筑师André Lurçat在1900年代初期设计。因此，当这样一个改造项目找到了位于巴黎的室内设计公司Hauvette & Madani，它的背景像一把双刃剑。Villa Seurat isn’t a villa at all. Rather, it’s a small private street of studio-houses of yesteryear artists like Jean Lurçat, Marcel Gromaire and Arnold Huggler, designed in large part, by late architect André Lurçat in the early 1900s. So when the (re)design brief for one such home found its way to Samantha Hauvette and Lucas Madani of Paris-based interior design firm Hauvette & Madani, it was a bit of a double-edged sword. 

“这是一座1926年的建筑，曾经属于瑞士画家Walter Guggenbühl，后来被分割成两套公寓，每套100平方米。该项目包括翻新其中一个公寓，分布在二、三和四楼，”设计师夫妇的第一个想法是，“我们如何重振它的精神？”“It was a 1926 construction that once belonged to Swiss painter Walter Guggenbühl and which had since been divided into two apartments, 100-square-metres apiece. The project consisted of renovating one of the apartments, spread across the second, third and fourth floors,” say the pair, whose first thought was, “How do we revive its spirit?”

Snoopy table lamp，Achille Castiglioni

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1967年，Castiglioni虽然50多岁了，但他仍然童心不改，用Snoopy的形象设计了一款这款“Snoopy Table Lamp”台灯。大理石灯座配一个浅黑色漆面铝制反光罩，并用一个厚厚的玻璃圆盘作支撑。此外，当初设计师在大理石底座安装了开关和电子调光器来调节光的亮度。透露着一股萌萌的美感。

家是一个充满活力的、会呼吸的奇珍宝箱。客厅里摆放着Mario Bellini设计的Camaléonda沙发，Maison Leleu地毯，以及Pierre Chareau黑色风扇边桌Willy Rizzo不锈钢茶几。Harry Bertoia的扶手椅、HAOS和Charlotte Perriand的壁灯、Achille Castiglion的Snoopy台灯以及Hauvette & Madani定制设计的SERGE边桌。

The home is a living, breathing cabinet of curiosities. The living room, for example, features a Camaléonda sofa by Mario Bellini, a carpet by Maison Leleu, and side and coffee tables by Pierre Chareau and Willy Rizzo respectively. Not to mention an armchair by Harry Bertoia, wall lights by HAOS and Charlotte Perriand, a Snoopy table lamp by Achille Castiglioni, and a SERGE side table custom-designed by Hauvette & Madani. 

Camaléonda Sofa，Mario Bellini

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Camaleonda的“三明治”结构易于拆卸，全部由可回收材料制成。座椅、靠背和扶手底座由木质面板制成。沙发通过橡木制的球形支脚置于地上：将经典风格与可持续性完美结合，其原材料是从一种特殊的“木杆（Briccole）”的生产中回收而来，这种木杆用于在威尼斯的泻湖中向船只显示可通航流域。

黑色风扇边桌，Pierre Chareau(滑动查看更多→)
黑色风扇边桌来自大师Pierre Chareau，扇叶可以随主人手工拨动，精致有趣， 黑漆钢材质更增添了雕塑感和无与伦比的美感。



银色茶几，Willy Rizzo(滑动查看更多→)
银色茶几出自设计师Willy Rizzo，于1970 年代在意大利制造，全身由拉丝钢制成，内嵌一个可伸缩的不锈钢冰桶。


Diamond Chair，Harry Bertoia(滑动查看更多→)
20世纪杰出雕塑家、家具及珠宝设计师Harry Bertoia设计的Diamond钻石椅诞生于1952年，是Harry Bertoia延伸其珠宝设计概念，融合金属打造出的一件兼顾实用与艺术的作品，精致的外观下却不失椅子功能上的舒适及耐用性。钻石椅由一根根钢管熔接、折弯成流动的造型，正如Harry Bertoia自己所说“这些椅子，宛如空气构成的雕塑，空间穿透其中……” 历经半个多世纪而畅销不衰，堪称永不过时的绝妙设计

为了重现其风采，设计师夫妇Samantha和Lucas选用了一个既经典又现代的配色方案：以Pierre Frey天然纤维壁纸为背景，搭配Wever & Ducre壁灯；餐厅和厨房使用橡木；引入的许些青铜色，以营造无声电影时代的光芒。

In a bid to update its patina, Samantha and Lucas put together a palette that was equal parts classic and contemporary: Wever & Ducre wall lamps were backdropped by Pierre Frey natural fibre wallpaper in the stairwell; the dining room and kitchen were entirely outfitted with stained oak; and bronze accents were brought in for a silent-movie-era shine. 

Serge Mouille(滑动查看更多→)

这是Serge Mouille设计的第一款灯，也叫鸭嘴灯或张牙舞爪吊灯，是一款集设计美感和功能性于一身的灯具。所有灯罩、手臂都能根据需求转动角度，实现光线的反射、直射。既可以作为直接照明，也可以提供环境照明，这在50年代甚至现在都是一个先进理念。

与此同时，餐厅的造型非常时髦，配有70年代的Serge Mouille吊灯和一张老式餐桌。The dining room (located on the mezzanine), meanwhile, cuts an impossibly modish figure, with Serge Mouille chandelier and a vintage table. 

主卧充满了巴黎风情——浪漫且飘逸。“主卧位于顶层，配备的露台可以俯瞰远处茂密的公园。通过引入柔软的面料、Pierre Frey的天然纤维壁纸以及带象牙色亚麻窗帘的公主床来呼应其轻快的设计。”

The bedrooms are the sort of boudoirs you imagine when you think of Paris—romantic, floaty and brimful of golden light. “The master bedroom is located on the top floor and opens out onto a terrace overlooking the Parc Montsouris. We tried to echo its breezy spirit by introducing soft fabrics, a natural fibre wallpaper by Pierre Frey, and a canopy-style bed with ivory linen curtains,” share the designers. The bedside tables were procured from Frama, while the wall lights are vintage Max Sauze. 

其他卧室同样可以感受公寓慵懒的气息，只在地板和色调的有许些差异。“Margaux的壁灯由Paavo Tynell设计，为房间增添了金属质感，” Samantha和Lucas从Kartell采购了家具品牌The Socialite Family的床头柜。

As you make your way to the other bedrooms, the hushed air of the master faithfully follows along, breathing itself, bit by bit, into the Margaux and Antoine suites. The latter two are almost mirror images of each other, save for the difference in floors and colour tones (the Margaux is on the second floor and the Antoine on the first). “The Margaux’s wall lights, which were designed by Paavo Tynell, add a nice metallic touch to the otherwise matte room,” said Samantha and Lucas, who sourced the bedside table from Kartell. “For the Antoine, we clinched the headboard and bedside table from The Site Family.” 

室内设计 | HAUVETTE & MADANI

建筑设计丨Andre Lurcat

项目地址 | 法国，巴黎

项目类型 | 改造

完成年份 | 2022

项目面积 | 250㎡

Samantha Hauvette and Lucas Madani
自2010年以来，HAUVETTE & MADANI工作室在法国一直致力于本土和国际化的高端项目。两位创立者对于空间的方法论是相互补充的，其业务领域囊括从空间到家具的全套设计。他们提取现代主义设计的精髓，创造了一系列精致优雅的设计作品。

Since 2010, Samantha Hauvette and Lucas Madani have been working on high-end projects in France and abroad.  Complementary in their timeless approach to space, they have been working together since their first encounter on the benches of Camondo Design School.   From the conception of space to furniture design, they sign elegant and refined interiors, tinged with the patina of modernism of which they have made their signature.

The HAUVETTE & MADANIAapartment House


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