新氧艺O2art | 黄冰洁个展「梦与野兽」作品及展览现场报道
黄冰洁：捕获最真实的幻象
文 / Akunna
费里尼说:“梦是唯一的现实。”在那个时间被打乱的空间里，本体更像是蛰伏的野兽刚刚被释放出来，不受控制的身体中潜藏着无限的能量，准备经历一场充满未知的旅行。梦是超现实的语言，或许超现实是比现实更为真实的存在，只有自由且无意识的状态才能摆脱一切束缚，以最真实角度反映客观事物的真面目。梦醒时分，在那些支离破碎的记忆中，残存的奇异冲突和狂野气息总能留给我们一种奇异而独特的魅力。
新氧艺O2art画廊的展览——“梦与野兽”是艺术家黄冰洁的首次个展。展览以黄冰洁的梦境为出发点，展厅用绘本开页状的五色区域划分了整个展场的节奏，米灰色象征着稳定与平静; 灰蓝色是困顿且压抑；靛蓝色饱含了历练与蜕变;橙黄是跳跃又不羁的;粉红色则是美丽与欲望的象征，整理编汇出了艺术家与自己⻓达3年的一场对话。不难看出，黄冰洁在近两年创作的作品中，伴随着时间的积淀，每一笔的笔触都愈发坚定，模糊的梦境在黄冰洁笔下逐渐变得清晰与真实, 那些被精巧勾勒的物体细部和景观经过想象的加工，变成梦境中光怪陆离的景象。一个个“反常”的特征交织在一起，既具体又模糊，达到了一种虚实相交的境界，使整个作品具有超越时间和空间的永恒感，而那正是其作品最擅长营造的，来自那个隐匿的微观世界中的浪漫气氛。“晨（以玫瑰之名）”与“暮（以玫瑰之名）”是石黑一雄创作的长篇小说《别让我走》的延伸。画面的主体是由紧紧相拥的恋人幻化而成的玫瑰，纵向交错的独特笔触展现了强烈的科幻色彩，处理巧妙的景深构图敏感又细腻地描绘着在艺术家的奇思遐想中克隆人爱情故事的结局，那是她在直觉式的引导下，用独特的艺术语言来表现心灵的即兴感应。
黄冰洁对物的思考也展现了她鲜明的个人风格，静物写生是她开始在如梦似幻的氛围中创造属于自己的独特虚构世界的根基。在作品“蛋和桃”中，画面中桌布如充满奇异色彩的山峦一般，而那些充斥着胚胎样貌的“静物”则是对“精神世界起源的、非传奇式的初步概览”。她日复一日地描绘着这些充满拟人物体的景观，在她的奇幻世界中，每一个人体，有机物和野兽，甚至是无生命体，都被赋予了一种自由的能量，使我们觉得这些熟悉的物体跳脱出了我们日常的生活框架，比我们平日所见的更为真实。
在弗洛伊德的人格结构理论中，人格由本我、自我和超我构成。梦可以有效的转移潜意识中的情感，在黄冰洁那一件件带有自画像的作品中，我们可以感受到她在自己幻象世界中的真实性，那是不需要取悦和说服的自由，可以不受任何特定艺术风格或技巧的束缚，任凭自己被本能和想象牵引，探索无意识的思维过程。或许，对她来说，对梦与想象的捕捉更像是一种创作游戏，保留最原始冲动的同时，在游戏中不断探索和猎寻自我内心的本真。
黄冰洁 Huang Bingjie
排练 Rehearsal
布面油画 Oil on canvas
100x80cm 2021
Federico Fellini said: "Dreams are the only reality." In the space where time is disrupted, the ontology is like a dormant beast that is just released, has unlimited energy in its uncontrollable body, is about to have a journey full of unknowns. A dream is a surrealistic language. Perhaps surrealism is truer than reality. Only in a free and unconscious state, we can get rid of all constraints and reflect the true colors of objective things from the most real perspective. When we wake up, in those fragmented memories, the remaining strange conflicts and wild atmosphere can always leave us a strange and unique charm.
"Dream and Beast", the exhibition at O2art Gallery, is the first solo exhibition of artist Huang Bingjie. The exhibition starts from the dream of Huang Bingjie. The exhibition hall is divided into areas with five colors in the form of open pages of a picture book. Beige grey stands for stable and quiet; dusty blue is sleepy and depressing; indigo blue is full of experiences and transformations; orange is leaping and uninhibited; and pink is a symbol of beauty and desire. A three-year dialogue between the artist and himself is summarized. It is not hard to see that in the works created by Huang Bingjie in the last two years with the accumulation of time each brushstroke has become firmer and firmer. Under Huang Bingjie's brush, the vague dreams gradually become clear and real. The details and landscapes whose outline is carefully drawn are processed by imagination and become fantastic scenes in the dream. The "abnormal" features are interwoven. They are both specific and vague and reach a state in which the virtual and the real intersect. The whole work has a sense of eternity beyond time and space. That is the romantic atmosphere from the hidden micro world that he is best at creating in his works. "Morning ((In the name of roses))" and "Twilight ((In the name of roses))" are extensions of Kazuo Ishiguro's novel Never Let Me Go. The main body of the picture is the roses changing from lovers embracing each other. The longitudinally staggered unique brush strokes show a strong sci-fi atmosphere. The depth of field and composition of the picture dealt with in a clever way describe the end of the love story of clone men in the artist's imagination sensitively and delicately. Under the guidance of intuition, she expressed the impromptu induction of the soul with unique art language.
Her reflection on objects also shows her distinct personal style. The still life sketching is the foundation for her to create her own unique fictional world in a dreamlike atmosphere. In her work "Egg and Peach", the tablecloth in the picture is like mountains with strange colors. The "still objects" like embryos are the "non-legendary preliminary overview of the origins of the spiritual world". She painted these landscapes full of things like humans day after day. In her fantasy world, every human body, organic matter, beast, and even inert matter is endowed with free energy, so that we think that these familiar objects jump out of our daily life framework and are more real than what we can see usually.
In Freud's theory of personality structure, personality consists of id, ego, and superego. A dream can effectively transfer emotions in sub-consciousness. In a self-portrait work of Huang Bingjie, we can feel her truth in her own illusion world. That is the freedom of no need to please and persuade. It can be not subject to any specific style or skill and is led by instinct and imagination. It is the process of exploring unconscious thinking. Perhaps, for her, the capture of dreams and imagination is like a creative game, in which she keeps the original impulse and constantly explores and hunts for her inner truth.
「展览现场 Exhibition Site」
新氧艺O2art展览现场
这是黄冰洁的第一个个展。
二十多岁，是做梦的年纪。这些画，是她的希冀与寄托，是她的梦。
她的梦是年青的野兽，敏捷，专注，有不屈服的能量。
——果核
This is Huang Bingjie's first solo exhibition.
In her twenties, this is the age of dreaming. These paintings are her hopes and sustenance, and her dream.
Her dream is the young beast, agile, focused, with unyielding energy.
——Guo He
每次看到冰洁的新画，我都会认真地看她怎么处理造型，颜色，表现方法，常常能感觉到一种锐气，一种能量。这次展览里面几个人物肖像我很喜欢，有清新感（新的感受）。潜力无限。
——段建宇
Every time I see the Huang Bingjie's new paintings, I will seriously look at her handling of modeling, color and expression methods. I can often feel a kind of dashing spirit and energy. I like several portraits in this exhibition, which gives me a fresh feeling (new feeling). She has unlimited potential.
——Duan Jianyu
冰洁画女孩的生活和成长，却没有闺阁自恋自怜的情绪。
她的声音非常娇弱，又像小孩子的一样极有穿透力。
冰洁的人和画，就像色彩明艳的彩绘搪瓷盘：满怀着确切的希望之光，准备承载所有活过的痕迹。
——梁远苇
Huang Bingjie painting the girl's life and growth, but there is no boudoir self-pity mood.
Her voice is delicate, but as penetrating as a young child.
Huang Bingjie and his paintings are like brightly colored enamel plates: full of the light of hope, ready to carry all the traces of life.
——Liang Yuanwei
「部分参展作品图 Selected Works」
黄冰洁 Huang Bingjie
水果与水果人 Fruit and fruit man
布面油画 Oil on canvas
100x80cm 2021
黄冰洁 Huang Bingjie
拥抱 Hug
布面油画 Oil on canvas
100x80cm 2021
黄冰洁 Huang Bingjie
在格子沙发上 On the plaid sofa
布面油画 Oil on canvas
100x80cm 2021
黄冰洁 Huang Bingjie
水果之家 Fruit House
布面油画 Oil on canvas
100x80cm 2021
黄冰洁 Huang Bingjie
伊甸园 Eden
布面油画 Oil on canvas
100x80cm 2021
黄冰洁 Huang Bingjie
夏娃 Eva
布面油画 Oil on canvas
20x30cm 2021
黄冰洁 Huang Bingjie
第一颗晨露落下的时候,#Kiki When the first morning dew fails,#kiki
布面油画 Oil on canvas
30x40cm 2021
黄冰洁 Huang Bingjie
第一颗晨露落下的时候 When the first morning dew fails
布面油画 Oil on canvas
100x80cm 2021
黄冰洁 Huang Bingjie
暮（以玫瑰之名） Twilight (In the name of roses)
布面油画 Oil on canvas
100x80cm 2021
黄冰洁 Huang Bingjie
晨（以玫瑰之名） Morning (In the name of roses)
布面油画 Oil on canvas
100x80cm 2021
黄冰洁 Huang Bingjie
引力场（一） Gravitational field No.1
布面油画 Oil on canvas
100x80cm 2021
黄冰洁 Huang Bingjie
牛油果的老去 Avocado aging
布面油画 Oil on canvas
50x60cm 2021
黄冰洁 Huang Bingjie
黑猫与牛油果 Black cat and avocado
布面油画 Oil on canvas
50x60cm 2021
黄冰洁 Huang Bingjie
蛋与桃 Egg and peach
纸板上油画 Oil on cardboard
59.2x42cm 2021
「展览报道索引 Exhibition Report Index」
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hi 艺术：小心，别惊扰了她的梦 新氧艺O2art带来黄冰洁个展
🔗http://www.hiart.cn/news/detail/296kpuu.html#10006-weixin-1-52626-6b3bffd01fdde4900130bc5a2751b6d1
雅昌艺术网：现场 | 新氧艺O2art黄冰洁个展“梦与野兽” 梦境里多重交织的“自我”
🔗https://m-news.artron.net/news/20210918/n1929427.html
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黄冰洁个展 <梦与野兽>
2021.9.17-2021.10.17