其他

绘画|Joe Reihsen

2018-03-26 sanshui 三水Art






Joe Reihsen

1979年出生

美国艺术家















2018-2017



Your Beefy Muscles Are Hot!

Acrylic on birch panel with wood frame

60 × 47 in

152.4 × 119.4 cm




g2789, 2018

Acrylic on canvas over panel, brass frame

60 × 48 in

152.4 × 121.9 cm




g2799, 2018

Acrylic on canvas over panel, brass frame

60 × 48 in

152.4 × 121.9 cm





g2793, 2018

Acrylic on canvas over panel, brass frame

60 × 48 in

152.4 × 121.9 cm




g2796, 2018

Acrylic on canvas over panel, brass frame

60 × 48 in

152.4 × 121.9 cm




g2797, 2018

Acrylic on canvas over panel, brass frame

60 × 48 in

152.4 × 121.9 cm




g2792, 2018

Acrylic on canvas

126 × 288 in

320 × 731.5 cm




g2798, 2018

Acrylic on canvas over panel, brass frame

60 × 48 in

152.4 × 121.9 cm




g2785, 2018

Acrylic on canvas, brass frame

138 × 144 in

350.5 × 365.8 cm




g2790, 2018

Acrylic on canvas over panel, brass frame

60 × 48 in

152.4 × 121.9 cm




Death from a distance, 2017

Acrylic on canvas over panel, brass frame

60 × 47 in

152.4 × 119.4 cm




caesar is advancing, 2017

Acrylic on canvas over panel, brass frame

60 × 47 in

152.4 × 119.4 cm




Tip of the spear, 2017

Acrylic on canvas over panel, brass frame

60 × 47 in

152.4 × 119.4 cm




Ghost 1100, 2017

Acrylic on Panel in Brass Frame

60 × 47 in

152.4 × 119.4 cm




Ghost 1, 2017

Acrylic on panel with brass frame

55 × 43 in

139.7 × 109.2 cm






























其他作品









































































Joe Reihsen uses varying thicknesses of paint to create textured, abstract works that are simultaneously ethereal and dense. His primarily pastel palette and rough geometric compositions lend his paintings a near-mystical quality, while the tactile masses of paint applied as top layers possess an undeniable materiality. With flat underlayers that often appear to have been produced through the scraping away of paint, the works' tension lies in their contrast of surfaces: smooth is juxtaposed with rough, addition with subtraction. With titles like I Should've Gotten Your Number After the Orgy (2013) and Busty Bombshell In Pasadena (2013), Reihsen's paintings are also whimsical, alluding to narratives and ideas outside the picture frame.

American, b. 1979, Blaine, Minnesota, based in Los Angeles, California

EXHIBITION HIGHLIGHTS

2018 The Hole, New York, Joe Reihsen "Structural Color"

2017 10 Hanover, London, Interiors TS

2017 10 Hanover, London, Current stock

2017 C O U N T Y, Palm Beach, Wave

2017 The Hole, New York, Post Analog Painting II

2017 PRAZ-DELAVALLADE, Los Angeles, I LOVE LA

2017 The Hole, New York, The Hole at Art Los Angeles Contemporary

2016 The Hole, New York, Joe Reihsen "About Face"

2015 The Hole, New York, Post Analog Painting

2014 Anat Ebgi, Los Angeles, Aftermarket Interior, Factory Paint





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