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新展 | 南山社 & Fake project :空白帧

照夜白 南山社 2024-05-24



  空白帧 |  Black frame 


任钊  王超  王临潼

Ren Zhao ,Wang Chao ,Wang Lintong




策展人:杨西

Curator: Yang Xi


开幕 | Opening    

南山社   2021/9/26   18:00 

Fake Project   2021/9/26   15:00


展期 | Duration

2021/9/26-2021/11/28

周二 – 周日 Tue.-Sun. 13:00-17:30


地点 | Location

南山社     西安市解放路77号裕朗国际大厦南

Fake Project     西安市翠华路107号



:观展请提前在公众号留言预约



南山社很荣幸地宣布,南山社携手Fake Project,将于2021年9月26日一同呈现艺术家任钊、王超、王临潼的三人群展。展览以“空白帧”为关键词,通过两个不同的展示空间,创造出多重的观看视角,以此对三位艺术家绘画创作中的特性进行阅读和讨论。


开幕当晚七点将邀请艺术家陶辉进行“你好!尽头”录像作品专场放映讲座,由南山社艺术总监戴卓群主持。



《碎碎念》 任钊 纸本水墨 146×365cm 2020

In Pieces , Ren Zhao   Chinese ink on rice paper 146×365cm   2020



在任钊的创作中,他善于透过水墨材质的本体,采纳一系列指向内在与外在的多重元素,利用看似古老的视觉语言重塑对现实图景中的结构想象,让水墨本身具有的材料意志反复对周遭的内容进行释放和改造。洗搓的墨迹、简单的水印、金属元素的介入以及小型实物的拼贴,建立起一套丰沛的视觉语言,如同图像被水渍划过,成为一种流逝的时间废墟。与任钊不同,艺术家王超的作品试图在重新编辑传统水墨中的“程式”和“算法”,以一种再嵌入的知识生产方式将传统的底层逻辑进行基因改造,在“思想算法”和“技艺算法”之间生成一个属于其自我结构的空间。在这个空间中,他充分地让身体和动作成为纠缠和撕咬的对象,最终形成独树一帜的图像现场。王临潼的近作以“制图”的方式展开,将几种不同的白色捏合在其画布中,这种刻意营造出的视觉效果将观者既定的观看距离打破,在白色与白色的对抗中去寻找记忆里潜在的图像残留,像是电影里闪过的关键空白帧,用“留白”的概念投射出强烈而又具体的象征性。



《水墨2015 NO.6》 王超 140×70cm 纸本水墨 2015年

2015 NO.6 , Wang Chao  140×70cm Chinese ink on rice paper 2015



We are honored to announce that Fake Project, together with Nanshan Foundation, will present the three-crowd exhibition of artists Ren Zhao, Wang Chao and Wang Lintong together on September 26,2021.The exhibition takes "black frame" as the key word, and creates multiple viewing perspectives through two different viewing Spaces, so as to read and discuss the characteristics in the painting creation of the three artists.

In Ren Zhao's creation, he is good at adopting a series of multiple elements pointing to the internal and external through the ontology of ink painting material, and using the seemingly ancient visual language to reshape the structural imagination of the real picture, so that the material will of ink painting itself can repeatedly release and transform the surrounding content.Washing ink, simple watermark, metal element intervention and the collage of small objects, establish a set of abundant visual language, like the image is crossed by water stains, become a kind of passing time ruins.Different from Ren Zhao, the works of the artist Wang Chao try to re-edit the "formula" and "algorithm" in the traditional ink painting, genetically transform the traditional underlying logic with a reembedded knowledge production mode, and generate a space belonging to its self-structure between the "thought algorithm" and the "skill algorithm".In this space, he fully makes the body and action the object of entanglement and biting, eventually forming a unique image scene.Wang Lintong's close in the way of "drawing", several different white pinch in its canvas, this deliberately create a visual effect will break the established viewing distance, in the white and white confrontation to look for the potential image residue in memory, like the key blank frames, with the concept of "blank" projection of a strong and concrete symbolic.


《防守》王临潼 180x140cm  布面油画

Guard , Wang Lintong 180x140cm canvas oil painting





关于艺术家



任钊   1989年生于山西。2013年毕业于西安美术学院国画系,获硕士学位。现居住工作于西安。


王超   生于1986年。2013年毕业于西安美术学院,获硕士学位。现工作生活于西安。


王临潼   1984年出生于陕西靖边。2006年本科毕业于西安美院教育系综合绘画,2011年硕士毕业于西安美术学院油画系。现居西安。



Ren Zhao was born in Shanxi in 1989. He graduated from the Chinese painting department of XAFA with an MA in 2013. He live and works in Xi’an.


Wang Chao was born in 1986. Graduated from Xi’an Academy of Fine Arts in 2013 and received a master’s degree,working and living in Xi'An,China.


Wang Lintong was born in JingBian in 1984. Graduated from Xi’an Academy of Fine Arts in 2011 and received a master’s degree,working and living in Xi'An,China.




                                                 








南山社,由收藏家魏兴业、策展人戴卓群发起设立的实验性艺术机构,旨在探索和践行中国当下及未来艺术的本土性价值与立场,发现与鼓励年轻艺术家的实验探索,同时深度参与公众教育和推广,逐步展开在当代艺术领域的观察与研究,重视中国当代艺术与国际间的交流,在尝试更为积极和自主的话语建构的同时,亦将不遗余力地和相关艺术机构及个人展开多元实践。


南山社位于中国西安,空间建筑由青年建筑师、后海大鲨鱼乐队曹璞设计。整体功能规划,三楼南山社艺术项目空间,二楼照夜白艺术影院,一楼M+咖啡。




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