展 期：2020年8月9日-23日Date: 2020/8/9-8/23展 厅：5、6、8、9号Venue: Gallery NO.5/6/8/9 主办：广东美术馆Organizer: Guangdong Museum of Art策展人：吴洪亮Curator: Wu Hongliang艺术总监：王绍强Artistic Director:Wang Shaoqiang展览统筹：邵珊 胡锐韬Exhibition Supervisor: Shao Shan, Hu Ruitao展览负责：刘苑婷Exhibition Manager:Liu Yuanting展览组织：卢璐Exhibition Assistant: Lu Lu展览协调：严伍先Exhibition Coordination：Yan Wuxian展览陈列：袁喜明 熊莺 苏利民 苏锦昌Exhibition Installation: Yuan Ximing, Xiong Ying, Su Limin, Su Jinchang新闻推广：涂晓庞 曾睿洁 Media Promotion: Tu Xiaopang, Zeng Ruijie藏品管理：梁洁 黄亚群Collection Management: Liang Jie, Huang Yaqun公共教育：刘端玲 叶小青Education Program：Liu Duanling，Ye Xiaoqing视觉设计：Ten Buttons 李漾Visual Design：TEN BUTTONS, Li Yang “本之末”并非是对本与末问题的概念性解读，而是关注艺术家在两者之间游走与脱缰前行的内在逻辑。杭春晖作为21世纪中国新一代艺术家群体里的一个非典型人物，其创作的发展轨迹颇有意味。他常被划入某些圈子，又仿佛身在其外，这正是其艺术的特殊性。水墨、雕塑、设计、美术学作为他创作的底色，使其成为一个思维缜密而又大胆践行的艺术家。从他早期工笔作品到最近的材料实验与社会学探求，彼此看似隔阂，其实却有着一条脉络清晰的内在线索。因此，本次展览不是作品的时间性罗列，而是以考古学的方法，以举证的手段来呈现一位艺术家创作的个人途径，引导观众走入艺术家思考模式的一次空间尝试。作品跨越杭春晖近15年的创作，甚至还有艺术家根据场地以及广东的在地感受，专为本次展览创作的作品。 创作实践与展览架构的结合，使艺术形式的本质与表现方式的外化，以及活跃的精微之末与冷静的视角之间，催化出值得玩味的博弈与多维的感受。 In Chinese, the “ben and mo” question refers to therelationship between the different parts of a plant, namely, its root and itsfoliage, a metaphorical saying of the fundamental-incidental relation. “TheIncidental of the Fundamental” is not a conceptual interpretation of therelationship between the two; instead, it focuses on the artist’s internallogic in wandering around or breaking away from the philosophy.As an atypical figure among the new generation of artists in the 21st century, Hang Chunhui has an intriguing career throughout his artexploration. Due to his artistic uniqueness, he is often included in certainschools but not completely recognized as a representative of them. Basing ontraditional Chinese water-and-ink painting, sculptures, design and fine artsstudies, Hang becomes a meticulous and audacious innovator during his artproduction process. From his earlier traditional Chinese fine paintings to hisrecent experiments on the use of materialsas well as the sociological pursuits, we can feel the existence of a clue - adistinct and intrinsic clue that sustains all his works, which ostensibly showtremendous differences from each of them though. Therefore, we are not going tomake this exhibition a display of Hang’s works in chronological order. Instead, we aim to demonstrate the artist’s personalapproach to art production by exhibiting his art works with an archaeologicalmethod. In this way, we attempt to guide the audience into the artist’sthinking mode while appreciating his art pieces around the exhibition hall. In this exhibition, we have displayed Hang’s creations in the past 15years, together with Hang’s works specially made for this show upon the inspiration generated by the exhibition hall and the province.Combining the practice of production with the layout of this exhibition,Hang has externalized the “fundamental” and presentation of arts while illustrating the dynamic “incidental”of arts from a static “God’s perspective”, the third person narrative. As a result, people can sense the originality ofthis exhibition from multi-dimensions. 部分作品欣赏杭春晖 《造型与时间 2020-3》 56.5×66cm 综合材料 2020年 杭春晖 《彩虹2020-1》 纸本设色 83cm×157cm 2020年 杭春晖《确定与不确定的再现2019-5》 综合材料 100×80cm 2019年 杭春晖 《空间叙事——向贾德致敬》 301cm×106.5cm 综合材料 2019年 杭春晖 《黑珍珠-No.18 Black》 70cm×50cm 纸本浮雕 2018年 审定 / 涂晓庞编辑 / 刘丹妮欢迎关注广东美术馆多媒体平台： 官网：http://www.gdmoa.org/ 微博：http://weibo.com/gdmoa 微信：igdmoa（广东美术馆） instagram：guangdongmuseumofart