戛纳海报 ｜那些石阶、那些电影，直至大海将我们吞没

Déjà la nuit contemplait les étoiles 

Et notre première joie se métamorphose vite en pleurs 

Et jusqu'à ce que la mer se fut refermée sur nous

当夜已凝视着星辰

我们初现欢愉转瞬幻化为泪水

直至大海将我们吞没

——但丁《神曲·地狱篇·第二十六章》

1963年，在让·吕克·戈达尔的电影《蔑视》中，米歇尔·皮寇利（保罗）对弗里茨·朗念出了这段但丁《神曲》地狱篇中的诗。于是我们就有第69届戛纳电影节的海报。今天，距离2016年戛纳电影节开幕还有50天。

戛纳电影节海报官方新闻（原来发原创有最低字数要求……）：

The official poster for the 69th Festival de Cannes, taking place from 11 to 22 May and presided over by Australian director George Miller, was designed using stills from Jean-Luc Godard's film Contempt.   

It's all there. The steps, the sea, the horizon: a man's ascent towards his dream, in a warm Mediterranean light that turns to gold. As an image it is reminiscent of a timeless quote used at the beginning of Contempt: "Cinema replaces our gaze with a world in harmony with our desires”.  

And so it is Michel Piccoli who in 2016, from the roof of the famous villa designed by the writer Curzio Malaparte, will open the red carpet for the 69th Festival de Cannes. It's a symbolic choice, since this film about the making of a film - regarded by many as one of the finest ever made in CinemaScope (the Piccoli/Bardot pairing along with Fritz Lang, Raoul Coutard's cinematography, Georges Delerue's music, and so on and so forth) - had such a considerable impact on the history of film and cinephilia.   

On the eve of its 70th anniversary, by choosing to represent itself under the symbol of this simultaneously palimpsest and unambiguous film, the Festival is reiterating its founding commitment: to pay tribute to the history of film, and to welcome new ways of creating and seeing. The steps represent a kind of ascension towards the infinite horizon of a cinema screen.  This 69th Festival de Cannes poster has been designed by Hervé Chigioni and his graphic designer Gilles Frappier. The 2016 visual identity has been created by Philippe Savoir (Filifox).ter for the 69th Festival de Cannes, taking place from 11 to 22 May and presided over by Australian director George Miller, was designed using stills from Jean-Luc Godard's film Contempt.   It's all there. The steps, the sea, the horizon: a man's ascent towards his dream, in a warm Mediterranean light that turns to gold. As an image it is reminiscent of a timeless quote used at the beginning of Contempt: "Cinema replaces our gaze with a world in harmony with our desires”.  And so it is Michel Piccoli who in 2016, from the roof of the famous villa designed by the writer Curzio Malaparte, will open the red carpet for the 69th Festival de Cannes. It's a symbolic choice, since this film about the making of a film - regarded by many as one of the finest ever made in CinemaScope (the Piccoli/Bardot pairing along with Fritz Lang, Raoul Coutard's cinematography, Georges Delerue's music, and so on and so forth) - had such a considerable impact on the history of film and cinephilia.   On the eve of its 70th anniversary, by choosing to represent itself under the symbol of this simultaneously palimpsest and unambiguous film, the Festival is reiterating its founding commitment: to pay tribute to the history of film, and to welcome new ways of creating and seeing. The steps represent a kind of ascension towards the infinite horizon of a cinema screen.  This 69th Festival de Cannes poster has been designed by Hervé Chigioni and his graphic designer Gilles Frappier. The 2016 visual identity has been created by Philippe Savoir (Filifox).

－ FIN －

编辑/peter cat

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