M的房间|王轶琼：“一口烟”是每个人的作品
M'room
https://v.qq.com/txp/iframe/player.html?vid=m0382bfb7bx&width=500&height=375&auto=0
一口烟/王轶琼（特别鸣谢：凯文ISHOWIN导演）
一口烟
D.Krilito
王轶琼＂一口烟＂作品始于2004年，是面对世界烟民的一件和行为观念有关的作品，最简单的条件，每一位吸烟者有可能的话，把一口本可以吸入肺中的一口烟吐到纸上，或其它可以吸附的材料上面，如餐巾纸上。
＂一口烟＂打破了痕迹学的概念，打破了杜尚、克莱茵、安迪•沃霍起于概念又止于概念的美学哲学理念，让作品完全走出已有的藩篱，和看起来不相干的人发生美学关系，真正实现博伊斯假想的＂人人都是艺术家＂的现实，当然不会真正有人会认为在纸上漫不经心经心的吐一口烟就是艺术家了，因为是不是艺术家对他们不太重要，重要的是他们吐完一口烟以后他们发自内心的感受，因为他毕竟参与了一个艺术家的作品，而且每个人的感受是那样的不同，那些看似＂痕迹＂的东西不会重复，也不可能重复，这类似＂爆炸＂，但它是发自＂心灵的爆炸＂，无需炸药，由此美学意义开始迅速转化为社会意义，作品也从艺术家的内心往外扩散，扩大，不再纠结伤痕，纠结社会对你的挑衅，纠结以往的美术史经验。好的艺术作品必须是创造和超越美术史的。＂一口烟＂是每一个人的作品。
A Breathof Smoke
Initiatedin 2004, “A Breath of Smoke” by Wang Yiqiong, is a piece of work facing globalsmokers, and a work related to performance concept. A most basic conditionrequires each smoker, as possibly as he/she can, to spit one breath of smokesupposedly breathed into the lung onto paper, or onto oth er absorptivematerial like napkin, for example. “A Breath of Smoke”, so to speak, breakswith concept of trace study. It also breaks with aesthetic phil osophyrepresented by Duchamp, Klein and Any Warhol whose ideas begin with concept andalso end with concept. This work of Wang Yiqiong allows itself to completelyget out of existent fences and relates itself aesthetically to personsseemingly unrelated. In this sense, this Breath work has turned Joseph Beuys’ssupposition “Everybody is an artist” into reality. Of course, no one reallythinks that the person who casually spits one smoke onto pap er is equal to anartist, because whether he/she is an artist matters little to them---whatmatters is how he/she feels inwardly after that breath of sm because, afterall, he/she gets engaged with an artist’s work. Besides, eac h person feelsdifferently from another. Those visible “traces” will not be r epeated, notcould they be repeated. Such similar “explosion”, in another s ense, springsfrom “psychical explosion”, exploded without physical explos ive. From this, anaesthetic meaning has been swiftly shifted into a social m eaning. Meanwhile,the work itself extends from inner dimension to outwa rd one, and expands, too…until entanglements in wounds,entanglements i n what society provokes you, andentanglements in previous art history ex perience, so on and so forth., arebeing unknotted... A good art work must create and transcend art history. “ABreath of Smoke” is everybody’s work. (Written by D. Krilito)
一个即兴的艺术项目计划，在“M的房间”新年派对上得到第一位艺术家支持，即是王轶琼，他当晚实施了作品《一口烟》。这件作品的随机性、当下性、即时性，以及观念逻辑，在我看来都是非常有趣的。
作品其实呈现了两次，后一次有朋友的参与。如果不是因为项目本身给予每位艺术家作品占用墙面的时间限制，这一单件作品可在墙面无限循环，并可能由无数人参与。这是一个开始，这件作品也可以是每个人的作品。
米诺Mino 2017－02－11
王轶琼“一口烟”作品的其他场景呈现
王轶琼《一口烟》－1，（餐巾纸）100x100cm
王轶琼《一口烟》－2，（餐巾纸）100x100cm
王轶琼《一口烟》－6，（一平方米吸烟室）100x100x300cm
王轶琼《一口烟》－7，（一平方米吸烟室）
王轶琼《一口烟》－4，（维纳斯）
王轶琼《一口烟》－5，（维纳斯）150x150cm
王轶琼《一口烟》－8，观众一口烟现场互动