袁玮：今晚，请讲一个爱情故事给我听
M'room
poster design_套套卢 LU TAO
poster photo_方闲海 FANG XIANHAI
https://v.qq.com/txp/iframe/player.html?vid=v1339yp6tk3&width=500&height=375&auto=0▲空间装置《无与伦比的爱人》
Installation art in space <Other half is unmatched>
Painting,<Today,tell me a love story> Online art peoject
作为占星师，我与大量的客户进行了关于“爱”的沟通。其中爱情故事让人着迷。于是我做了这样一个在线艺术项目，那段时间的午夜，我用“情感关系占星咨询”来兑换爱情故事听，有时什么也不需要我换，只需要我有耐心听下去，也有些时候我喝着酒，故事听完也就喝醉了。
As an astrologer, I communicated with a large number of clients about"love". The love story is fascinating. So I made such an online art project, at the time of the midnight, I exchange emotional relationship astrology for love story,sometimes,i don’t need to exchange anything,the only is hould do is listening to them, and sometimes when the story is over,i’m drunk.
▲摄影《相爱的人相互默哀吧》
Photography,<People who love each other,Condolences each other>
这组摄影作品标题来自我的一首诗《殉情传闻》。走在街上，路过那些情侣，爱情正在发生，爱情也正在结束的路上。我扮演了一种介入，目击相爱的人相爱，那始终都是一场葬礼，我等待他们为彼此默哀。
The title of this group is from my poem "martyrdom hearsay ." Walking down the street, passing those couples, love is happening, love is ending. I played anintervention, witnessing loving couples fall in love and it was always afuneral, and I waited for them to mourn for each other.
Print,<Your other half is running toward you>
同一个故事，两种结局。可能是线性发展，也可能两种结局并存，大多数时候是两种结局并存。在爱情这种特别的相处关系中，饱满的热情，与忘我的等待疼痛和死，并存。
The same story, two endings. It could be linear, it could be both, and most of the timeit would be two. In this particular relationship of love , full of enthusiasm,and waiting for pain and death selflessly ,and they are concomitant.
Poetry,Selected from poetry <Oneness in two>
占星学中所有的水象星座、阴性行星都在描述这种情感连结的需要，然后依靠火星获得交欢的动能。情诗们，值得被整体结集，去探讨用以佐证人类的诸多问题。
All Watersigns and Negative planets in astrology describe the need for this emotional connection, and then rely on Mars to gain the kinetic energy of the mating.Love poems, worthy of being collected,toexplore the many problems that are used to support human beings.
Installation art in space <Other half is unmatched>
日常生活中，伴侣各自的生活习惯在卫生间里集中融合。童年时父母的牙刷就放置在同一个漱口杯中，80年代家家户户的漱口杯都一模一样。我希望在这里找到呼吸，可以使一个空间不断涨满、收缩，如同肺叶。
In dailylife, the partner's life habit is concentrated in the bathroom. In mychildhood, parents' toothbrushes were placed in the same mouthwash, and in the1980s, the mouth washes were identical. I hope to find breathing here, to make aspace full and shrink like the lungs.
▲开幕现场行为《请你到床上来给我讲一个爱情故事吧》
Performing art at the opening <Please come to bad and tell me a love story>
延续了线上听爱情故事的项目，把“听”的行为移植到卧室进行。空间内闪烁的蓝光，与睡眠时的呼吸节奏吻合，枕边的声音装置来自爱人一夜完整的睡眠声音，呓语、喘息和鼾声。蓝光的节奏重塑空间的边界，来访者平躺，跟随空间整体的变幻节奏，开始讲述，除了故事以外的信息都被隔离在卧室外。
展览现场共我接待参与者5人，故事越讲越多，我只做出“听”的动作，这间密室成为与爱情发生地完全隔绝的现场，是对现实的一处逃脱之所。听的过程中，我反复流眼泪，每个人的爱情故事都能在我自己的经历中找到对应，或这样的房间设置，使我成为一个个爱情主角的扮演者，共情与讲述者的经历中。回想起以前有过的在黄昏时猛然睡醒，房间内蓝色充电器闪烁的光一呼一吸，整个房间形成一处空空的空洞，膨胀收缩，躺在谷底，一直下沉，无比绝望。
Continue the online love story project, and transplant the "listen" to the bedroom. The glow of blue light in space matches the rhythm of breathing duringsleep, and the sound device on the pillow comes from a loved one's full nightsleep, delirium, wheezing and snoring.
The rhythm of blue light reshapes the boundary of the space, the visitor lies flat, following the changing rhythm of the whole space, beginning to tell, except the story, the information isisolated in the bed room. Participants I served five people together exhibitionsite, to speak more and more, I only made the action of "hear" andcomplete alienation from the chamber of secretive place where the love scene,it is a shelter to from reality. In the process of listening to,
I shed tears again and again, each person's love story can be found in my own experience, orsuch room setting, make me love leading role played one by one, empathy and the experience of the narrator. Recall ever had suddenly wake up at dusk, in the room a light blue charger's breath, forming a whole room empty, empty expansion shrinkage, lying at the bottom, has been sinking, very desperate.
▲人偶《爱人你别褪色》
Doll<Please don't fade my other half>
我的邻居弥霎（捷克）与永道（美国）婚后暂居杭州，一年后女儿盖娅出生。弥霎说每当永道出差，她就要穿上永道的衣服，闻到他的味道。三年后他们搬回捷克生活，现在我就住在他们的房子里，临走时，他们留下很多东西，尤其衣物充满他们的味道，两个人住在一起渐渐融合的与他人完全不同的就是味道。已经一年了，衣物洗晒过仍旧是他们特有的味道。两只人偶混合了弥霎和永道的衣物，并可以闻到他们的味道。
My neighbor, Misha and YongDao , lived in Hangzhou after they got married,and the daughter Gaia was born a year later. Misha said that whenever YongDao was on abusiness trip, she would wear the clothes of YongDao and smell him. Three yearslater they moved back to the Czech republic of life, and now I live in theirhouse, when he left, they left a lot of things, especially clothes full oftheir smell , two people live together merged with others is an entirely different smell . It's been a year, and it still has their smell. The two dolls were mixed with the clothes of YongDao and Misha and I could smell them.
Video< People who love each other,Condolences each other_West Lake>
在西湖边汇集情侣的密度极高，当他们“穿过装裱一新的乏味人间（诗《我爱一对对情侣》）”，我呆在对面窥视并记录，多么普通的爱情引发的动作。一个人和另外一个人迎面走来，或坐在一起，我在分辨即便他们没有互动，他们是不是一对？我又是依靠什么来做出判断的呢？我录下了一些样本，并把它们连在一起。
At theWest Lake, where couples are so dense, when they "walk through a new, drab world（Poetry <I love couples>"）", I peep across the street and record what a normal love actionis. One person and another person come up head-on, or sit together, and I'mtrying to tell if they're not interacting, are they a couple? What do I rely onto make my judgment? I recorded some samples and connected them together.
Voice＋poetry，Selected frompoetry <Oneness in two>
战争片中的空袭剪辑拼接，混杂竭力盖过战争的诗歌朗读，作为《爱人展览》的整体背景声音，我选择了低保真的录制方式，使这段朗读粗暴的在展览空间中循环出现，使人烦躁、紧张。
The airraid clips in the war film were pieced together, mixed up over the war poetry reading, and as the overall background sound of the Love Show, I chose thelow-fidelity recording method, which made it appear rudely in the exhibitionspace. Make a person irritable, nervous.
▲装置+绘画《拾荒者一个一个埋着头，忘掉同路人》
Painting ＋installation<Ever scavenger hunts his head,forgetcompanions on the road>
这组装置来自我的一首诗《留言便签》，作为《爱人展览》的结尾。在走廊尽头，跑步机上串挂的蓝光静止不动。一场无休止的独自行走，低着头仔细走着脚下模糊的循环。爱一个人并等待失去爱，或孤独的人没有终点只有未来。
This setof devices comes from my poem <Notes>, as the end of the <Oneness in two>. At the endof the corridor, the blue light hung from the tread mill was still. An endless walk alone, head down carefully walk at the foot of the fuzzy cycle. Someone who loves someone and waits to lose love, or who is lonely, has no destination but the future.
袁玮，1985年生于北京，现居杭州。诗人、艺术家。曾为艺术类刊物策划人，媒体从业，视觉设计策划，占星师
艺术展览
2017年 群展 《“诗的”巡展2017》。广州、长沙
2017年 个人项目 《一大群袁玮——女人不长翅膀》，Mstudio。北京
2017年 群展 《一室旖旎，或虚假的日常狂欢》“M的房间”艺术项目，798马亚诺空间
2017年 群展 《物是人为》，广东美术馆 。广州
诗集出版
2018年 出版诗集 《一大群袁玮》（黑哨诗歌出版计划）
2016年 出版诗集 《占星笔记——2015年水星逆行》（黑哨诗歌出版计划）
2015年 出版诗集 《爱人展览》（橡皮出版）
2010年 出版诗集 《吐纳》，并发布诗歌舞台作品《没有｜原委》。北京
YUANWEI ，Was born in Beijing in 1985.Lives in hangzhou.The poet, The artists,Has worked as an art publication planner, media practitioner, visual designplanning, and astrologer.
Art exhibition
2017 group exhibition<"poetry" tour 2017>.Guangzhou, Changsha
2017 individual project <a huge of YuanWei race——women have no wings>, Mstudio. Beijing
2017 group exhibition <Room of a beautiful room, or a false dailycarnival>, "M’Room" art project, Mayano Space. Beijing 798
2017 group exhibition <Content is artificial>, Guangdong art museum.Guangzhou
Book of poems
In 2018, published <A huge of YuanWei race> (BlackWhistlePoem Publication)
In 2016,published <Anthology notes——Mercury retrograde in2015> (BlackWhistlePoem Publication)
In 2015,published <Oneness in two> (Rubber Publication)
In 2010, published <Breathing>, andpublished poetry on stage< Nothing | YUANWEI>. Beijing
支持艺术项目“M的房间”
薛雷：从时间轴和空间维度进行即兴创作的作品，来看人工智能时代的基础思维
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