展览 Exhibition｜张业鸿个展：天空签名 Sky-Writing
展览回顾
Exhibition Review
张业鸿
1993年出生于广东广州，2015年毕业于中国美术学院，现隐居于粤港澳大湾区，是一位艺术家、策展人和艺术品牌“联合杂货”的创办者。
他擅长运用项目式的叙事方法连结起某个特定的主题，常常以网络或现实中的拾得图像/名词为起点，在不同的事物间建立起超距的关联。通过挪用、戏仿、反讽等手段，继而对日常经验和传统审美经验中的自动化进行反思和拆解，揭露埋藏在诗意表象背后的感知断层和意识形态。
他曾获得2019年现代汽车文化中心第三届“Hyundai Blue Prize年度艺术大奖”，入围2017年上海当代艺术博物馆PSA青年策展人奖，并担任第五届泼先生奖联合策划人。个展和个人项目包括：天空签名，拟像空间，北京（2021）；Me memes，无际空间，深圳（2021）；第二自然，SHU GALLERY，深圳（2021）；西湖没有普利欧，三尚当代艺术馆，杭州（2020）；日落笔记，要空间，上海（2019）；金色 绿色 春风沉醉，希帕画廊，北京（2018）；世界尽头协会，样当代艺术空间，厦门（2018）;杉本博司的噩梦，五五画廊，上海（2017）；何处无竹柏，十方艺术中心，重庆（2015）; 创造一个花园，共同体艺术空间，杭州（2014）。策划和联合策划展览包括：狼、猞猁和蚁群的游戏社会，现代汽车文化中心，北京（2020）；Playbar 游戏吧，象山艺术公社，杭州（2019）；皮埃尔·梅纳尔学院，E空间，上海（2017）；虚拟中的精神游戏，江虹艺术馆，杭州（2017）；重写百科全书，三尚当代艺术馆，杭州（2016）；隐喻：一种图像性的修辞，西湖当代美术馆，杭州（2015）。
同时，他也以写作和运营艺术平台，寻找展览之外的行动方式。散文和艺术评论见于《飞地》、《Soft》、《艺术当代》等期刊和独立出版物以及线上平台，他主理的“联合杂货”关注艺术在日常行动中的跨越性潜能，并尝试联合不同的力量，在文化叙事中发掘创意的可能性，致力通过分享、策划、出版、售卖，形成一个别样的生态和通道。
Zhang Yehong was born in Guangzhou, Guangdong in 1993. He graduated from the China Academy of Art in 2015 and now lives in seclusion in the Guangdong-Hong Kong-Macao Greater Bay Area. He is an artist, curator and founder of the art brand "United Grocery".
He specialises in using project-based narrative methods to connect a particular theme, often using found images/nouns from the internet or reality as a starting point to establish a hyper-distance connection between different things. By means of appropriation, parody and irony, he then reflects on and dismantles the automatons of everyday experience and traditional aesthetic experience, exposing the perceptual fault lines and ideologies buried behind poetic appearances.
He has won the third "Hyundai Blue Prize of the Year Art Award" of the Hyundai Motorstudio Beijing in 2019, was shortlisted for the Emerging Curators Project of Power Station of Art in 2017, and served as the co-curator of the fifth Pulsasir Prize. His currently solo exhibitions and personal projects include: Sky-writing, Simulated Space, Beijing（2021）; Me memes, LANIAKEA, Shenzhen (2021); Second Nature, SHU GALLERY, Shenzhen (2021); West Lake without Perlo, Sanshang Contemporary Art Museum, Hangzhou (2020); Sunset Notes, YELL Space, Shanghai (2019); Golden green charm in spring, Cipa Gallery, Beijing (2018); The Worlds End Association, Modea Contemporary Art Space, Xiamen (2018); The Nightmare of Hiroshi Sugimoto, 55 Gallery, Shanghai (2017); Where There Is No Bamboo and Cypress, Ten Art Centre, Chongqing (2015); Create a Garden, Community Art Space, Hangzhou (2014). Curated and co-curated exhibitions include: Play Society：Wolf, Lynx and Ants, Hyundai Motorstudio, Beijing (2020); Playbar Game Bar, Xiangshan Art Commune, Hangzhou (2019); Pierre Menard Institute, E Space, Shanghai (2017); Spiritual Games in the Virtual, Jiang Hong Art Museum, Hangzhou (2017); Rewriting the Encyclopedia, Sanshang Contemporary Art Museum, Hangzhou (2016); Metaphor: A Rhetoric of Pictoriality, West Lake Contemporary Art Museum, Hangzhou (2015).
He also writes and runs art platforms to find ways to act beyond exhibitions. His essays and art reviews have appeared in journals and independent publications such as Enclave, Soft and Art Contemporary, as well as online platforms. Through sharing, curating, publishing and selling, it aims to form a different kind of ecology and channel.