柔顺固体
Solides Souples
艺术家：
林枞 Lin Cong
能尖日 Nhozagri
石川真奎 Masaki Ishikawa
汤却兮 Uchercie
吴凌昊 Wu Linghao
张业鸿 Zhang Yehong
尊贵藏家预览/Vip Preview:
2022.11.10 14:00-20:00
2022.11.11 13:00-20:00
公众日展期/Public Days:
2022.11.12 - 11.13 11:00-18:00
地点/Address:
上海展览中心, 上海市静安区延安中路1000号
Shanghai Exhibition Centre No.1000, Yananzhong Road,Jingan District,Shanghai.
作品推荐
Recommended Works
林枞 | Lin Cong
电子肖像 | Electronic portrait
100×80cm
木板油彩 | Panel painting
2022
能尖日 | Nhozagri
1/6打 | 1/6 Hit
110×130cm
布面丙烯，树脂 | Acrylic on canvas, Resin
2022
石川真奎 | Masaki Ishikawa
无可否认的可及性 5 | Undeniably accessible 5
120×80cm
麻布丙烯 | Acrylic paint on linen
2022
汤却兮 | Uchercie
虚拟植物 05 | Fictional plants 05
41×30cm
布面油画 | Oil on canvas
2022
吴凌昊 | Wu Linghao
无题 | Untitled
150×150cm
布面油画 | Oil on canvas
2022
张业鸿 | Zhang Yehong
气球鸭 | Balloon duck
50×50cm
布面丙烯 | Acrylic on canvas
2022
艺术家介绍
Artists Introduction
林枞
Lin Cong
林枞，1984年出生于福建，2006年毕业于福建师范大学美术学院油画专业，现工作生活于上海。
林枞的艺术实践关乎如何理性地在艺术史无形的律令中自由孵化意外。他的绘画材料游离于布面、反光材质、树脂或其他随机之物上，用一种松散的停滞混淆着视觉层面的完整主观性。艺术家操纵静态的画面以展现变化及过程；通过健忘来回忆起时间的绵延。脆弱的连贯性和符号学方面的幼稚不断被凸显，表现为内生性的，去类型化的“现在影像”。
Born in Fujian in 1984. Graduated from the Oil Painting Department of Fujian Normal University Academy of Fine Arts in 2006, currently lives and works in Shanghai.Lin Cong's art practice is concerned with methodologies of rationally incubating the unexpected within the intangible laws of art history. His painting materials fluctuate from canvas, reflective material, resin, or other random objects, confusing the complete subjectivity of the visual plane with a loose stasis. The artist manipulates static snapshots, demonstrating transformation and processes, recalling the duration of time through amnesia. Fragile coherence and semiotic naivety are constantly highlighted, resulting in an into-generative, de-typological 'image of the present.'
能尖日
Nhozagri
能尖日，2010年本科毕业于中国美术学院版画系第四工作室；2015年硕士毕业于中央美术学院版画系第六工作室。期待搭建一种宇宙主义式的自洽生命体系统，能尖日对各种非常规叙事形态都展开过精神维度的研究。她会持续预测最终的美梦，直到最后一焦耳宇宙热量耗尽。作品涉及架上绘画，雕塑，动画，独立出版等，思路诡异可爱/无拘无束。
Nhozagri received her Bachelor's degree from Studio 4 of the Printmaking Department of China Academy of Art in 2010 and her Master's degree from Studio 6 of the Printmaking Department of Central Academy of Fine Arts in 2015.Attempting to construct a cosmological system of self-contained lifeforms, Nhozagri has developed research on the spiritual dimension of various unconventional narrative models. She will continue to forecast the final sweet dream until the very last joule of cosmic heat is exhausted.The works involve easel painting, sculpture, animation, independent publishing, etc., eccentric, cute, and unrestricted.
石川真奎
Masaki Ishikawa
石川真奎是一位视觉艺术家，1995年出生于日本东京。他于2019年毕业于东京武蔵野美術大学油画系，获学士学位，并于2021年毕业于英国格拉斯哥美术学院纯艺术系，获硕士学位。目前工作与生活在格拉斯哥。
石川的创作来源于对人文景观的去颜貌化阅读。他通过日常性的微观配置将空间与历史乔装打扮，进入私人物品之列。他在作品图像织造的坚硬边缘呈现出的工业性底层之上平等地并置了浪漫，结构以及虚无。看似严格的紧密框架实则被柔软裹挟，使光滑的图像僭越了天真的拓扑学，游离至绵延的异质性编码集群。
艺术家在绿色的空地上搜寻着被遮蔽之物。其中，眼球的转动服务于擒拿图形的动态，而现实体系的历史性则成为了永恒消逝的状态。叙事则永久性地让步到层与节段身后，一切都将成为纪念性的实体。石川实践的逻辑类似于抽象机器：他打捞起被遗忘的信息，将其附着于画面表层机理。城市中文化符号的残渣被艺术家挤压并形成强度，最终生成某种虚构，亦或是在怀想中才成真的现实。
Masaki Ishikawa is a visual artist born in Tokyo, Japan, in 1995. He graduated with a BA Degree in Oil Painting from Musashino Art University, Tokyo, in 2019 and a MA Degree in Fine Art from Glasgow School of Art, UK, in 2021. Currently working and living in Glasgow.
Ishikawa's work is derived from a "dévisagéified "reading of the cultural landscape. He masquerades space and history into private objects through micro configurations of the everyday. He juxtaposes romanticism, hierarchy, and nothingness equally over the industrial stratum rendered by his rigid edges. The seemingly strict and confining framework is embedded in such softness that the sleek images transgress the topology of naivety and stray into extended clusters of heterogeneous codes.
The artist traces the obscured objects on the green field. Whereby the rotation of the eyeballs serves the dynamics of the tackled figure, and the historicity of the reality system becomes a state of perpetual evanescence. The narrative then permanently yields behind strata and segments, where everything becomes monumental. The logic of Ishikawa's practice is parallel to that of an abstract machine: he retrieves the neglected messages and affixes them to the surface texture of paintings. The residues of cultural symbols within the city are squeezed by the artist and built into certain intensity, eventually generating a kind of fiction, or a reality that only becomes real in nostalgia.
汤却兮
Uchercie
汤却兮，毕业于伦敦大学金匠学院，获得当代艺术硕士学位。作品曾在萨奇画廊、阿尔勒摄影节、巴塞尔艺术展和伦敦萨默塞特宫等展出。汤却兮的实践包括但不限于诗歌、视频、绘画、装置、纪录片及社会干预。祂研究可转译的语言和语境作为跨媒体信息中介的实验性，并通过媒介之间的相互吸收与反殖民叙事来增强其作品中的强度与活力。基于这种将反作用认知为纲领的方法论，艺术家构建或释放了某种荒诞的加速主义神话，最终从感知现象学的角度对后资本主义欲望中的未来愿景和后人类进步的困境进行了切割；探讨广泛的无生命物体、技术、灵性、精神麻醉剂以及“道”。
Uchercie graduated with a MFA degree in Fine Art from the Goldsmiths, University of London. Her artworks have been exhibited in Arles photo festival, Art Basel, Somerset house, Saatchi gallery, etc.Uchercie's practice includes but not limited to such as poetry, video, painting, installation, social intervention. They investigate the artificiality of translatable language and contexts as mediators of transmedia messages and enhances the intensity and vitality in her works through the mutual absorption and anti-colonial narratives across the media. Based on this methodology of perceiving counteraction as agenda, the artist constructs or unleashes a dystopian accelerationist mythology. She queers the dilemmas of future visions and post-human progress in the context of post-capitalist desires from a phenomenological perspective of sensation regarding a wide range of inanimate objects, the Tech, spirit, psychotropic narcotics, and the 'Tao.'
吴凌昊
Wu Linghao
吴凌昊，2020年本科毕业于天津美术学院油画系第二工作室。艺术家以「配置」的方式展开工作，研究图像、语言符号的同时融合屏幕视觉，将“界面经验”应用于绘画，以操作代替创造。通过对图像碎裂化的探索，他试图在消解原有的绘画主体的基础上建立新的认知系统，并发展出一套基于图像演绎的「自我情感」。近期创作更多的关注图像转译层面的内部感性经验。在重新被唤起的现代主义结构框架中，艺术家将形象与神秘主义链接，在自我指涉的变体中探索异质化、权力、意识形态之间的关系。在“定义即权力”的法令中，艺术家的行为如“咒语”般将异化的情绪融合进图像并创造出怪奇邪恶的形象与浪漫的屏幕主义景观。
Graduated with a Bachelor's degree from the Second Studio of the Oil Painting Department of Tianjin Academy of Fine Arts in 2020.The artist develops his work in an "assemblage" approach, studying images and linguistic symbols while integrating monitor visuals, applying the "interface experience" into painting, and substituting creation with operation. By exploring the fragmentation of images, the artist attempts to establish a new cognitive system based on the dissolution of the original painting subject, thus developing a set of 'self-emotions' derived from the interpretation of images.Recent works have focused more on the internal sentimental experience at the level of image translation. Within the framework of a re-evoked modernist structure, the artist links the image to mysticism, exploring the relationship between heterogeneity, power, and ideology within a variation of self-reference. In the decree of 'definition as power,' the artist's practice fuses alienated emotions into the image like a 'mantra,' constructing grotesque and uncanny images and romanticized screenist spectacles.
张业鸿
Zhang Yehong
张业鸿，1993年出生于广东广州，2015年毕业于中国美术学院，现隐居于粤港澳大湾区，是一位艺术家、策展人和艺术品牌“联合杂货”的创办者。他擅长运用项目式的叙事方法连结起某个特定的主题，常常以网络或现实中的拾得图像/名词为起点，在不同的事物间建立起超距的关联。通过挪用、戏仿、反讽等手段，继而对日常经验和传统审美经验中的自动化进行反思和拆解，揭露埋藏在诗意表象背后的感知断层和意识形态。他曾获得2019年现代汽车文化中心第三届“Hyundai Blue Prize年度艺术大奖”，入围2017年上海当代艺术博物馆PSA青年策展人奖，并担任第五届泼先生奖联合策划人。同时，他也以写作和运营艺术平台，寻找展览之外的行动方式。散文和艺术评论见于《飞地》、《Soft》、《艺术当代》等期刊和独立出版物以及线上平台，他主理的“联合杂货”关注艺术在日常行动中的跨越性潜能，并尝试联合不同的力量，在文化叙事中发掘创意的可能性，致力通过分享、策划、出版、售卖，形成一个别样的生态和通道。Zhang Yehong was born in Guangzhou, Guangdong in 1993. He graduated from the China Academy of Art in 2015 and now lives in seclusion in the Guangdong-Hong Kong-Macao Greater Bay Area. He is an artist, curator and founder of the art brand "United Grocery".He specialises in using project-based narrative methods to connect a particular theme, often using found images/nouns from the internet or reality as a starting point to establish a hyper-distance connection between different things. By means of appropriation, parody and irony, he then reflects on and dismantles the automatons of everyday experience and traditional aesthetic experience, exposing the perceptual fault lines and ideologies buried behind poetic appearances. He has won the third "Hyundai Blue Prize of the Year Art Award" of the Hyundai Motorstudio Beijing in 2019, was shortlisted for the Emerging Curators Project of Power Station of Art in 2017, and served as the co-curator of the fifth Pulsasir Prize. He also writes and runs art platforms to find ways to act beyond exhibitions. His essays and art reviews have appeared in journals and independent publications such as Enclave, Soft and Art Contemporary, as well as online platforms. Through sharing, curating, publishing and selling, it aims to form a different kind of ecology and channel.