开幕 | Shanghai ARTZ Gallery Launch
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Shanghai ARTZ Gallery Launch
为什么要专注在这个市场：由于罗马尼亚艺术在欧洲和美国受到极高的欣赏和收藏，但是在中国鲜为人知，因此ARTZ渴望成为这里罗马尼亚艺术的最重要推动者之一。ARTZ Gallery是中国和罗马尼亚之间文化交流的积极推动者，旨在成为两国艺术产业发展的重要因素。
画廊的收藏包括高水准的国际艺术家，每位艺术家都采用独特的现代艺术方法，因为他们的目标是促进年轻和成熟的当代艺术家，无论你是哪个国籍的。
在ARTZ画廊开幕之际参展的有6位艺术家：来自罗马尼亚的Irina Banari，Zooming Dynasty和Sergiu Roman，来自法国的Peggy Le Poulen，来自美国的Mary A. Johnson，来自澳大利亚的Joy Chiang。
In the context of Shanghai’s flourishing with contemporary art galleries and museums, ARTZ’s launch represents a premiere for the local art scene: ARTZ is the first online platform which leads off to present Romania’s contemporary art to China, as it is well known that the two countries share 70 years ofpolitical, economical and cultural relationships. ARTZ’s mission is to develop a program of exhibiting a selection of works signed by famous Romanian artists, with museum-level curatorship, artist talks, and cross-cultural projects in Mainland China.
Why this niche: because Romanian art is extremely well appreciated and collected in Europe and USA, but less known in China, therefore ARTZ aspires to be one of the most important promoters of Romanian art here. ARTZ Gallery is an active promoter of the cultural interchange between China and Romania, aiming to be an important factor in the development of the art industry of both countries.
The gallery’s collection also includes a high-standard selection of international artists, each with a uniquely modern approach to art, as their goal is to promote both young and established contemporary artists regardless of nationality.
The exhibition displayed on the occasion of the ARTZ Gallery launch features 6 artists: Irina Banari, Zooming Dynasty and Sergiu Roman from Romania, Peggy LePoulen from France, Mary A. Johnson from USA, Joy Chiang from Australia.
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展览信息
参展艺术家
Irina Banari
Zooming Dynasty
Sergiu Roman
Peggy Le Poulen
Mary A. Johnson
Joy Chiang
策展人
Diana Roman
开幕
2020/1/14（周二）5.30pm
闭幕派对
2020/1/18（周六）5.30pm
公众观展时段
2020/1/15-2020/1/19
每天10am-7pm
移动的头脑博物馆
上海市黄浦区半淞园路388号
越界.世博园B4-1
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艺术家简介
Irina Banari
伊琳娜·巴纳里（Irina Banari）在她的艺术中探索了将物理转化为形而上学经验的日常实践机制。引用汉娜·阿伦特（Hannah Arendt）和马克斯·舍勒（Max Scheler）的“同性恋者法伯”（Homo Faber）概念（描述人类通过工具控制环境的能力），伊琳娜·巴纳里（Irina Banari）在上海创作的第一批亚洲画作中选择了此称号。因此，她构想了一个混合计划，内容是人类天生就有动力制造事物，发明和创造或破坏性的东西，如果这些“工具”具有卑鄙的品质。在质疑“知识工具”，“动力工具”和人类作为工具时，这位艺术家根据自己的经验和最近的恐惧阐述了一种视觉反应。
Irina Banari, born in Edinet (Republic of Moldova) in 1986, graduated the National University of Arts Bucharest with a BA in Fine arts decorative and design(2006-2009) and MA in Strategies of creation and industrial design (2009-2011). Living and working in Shanghai since 2011, her artistic activity was awarded in 2015 with the Asian International special Prize, offered by Zhoupu Museum in Shanghai. Irina Banari’s art was exhibited in Romania, France, USA, South Korea and China.
In her art, Irina Banari explores the mechanics of everyday practice turning physical into metaphysical experience. By quoting Hannah Arendt and Max Scheler’s concept of “Homo Faber” - describing man's ability to control the environment by means of tools, Irina Banari chose this title for her first Asian series of paintings made in Shanghai. Therefore, she conceived a hybrid project about the innatedrive of humans to fabricate things, to invent and be creative, or destructive, if the “tools” bare malefic qualities. Questioning the "knowledge tools”, the "power tools” and humans as tools, the artist elaborated a visual response based on her own experience and most recent fears.
Irina Banari, Occham razor, 2015, Acrylic on Canvas, 120cm
Irina Banari, Keep calm, acrylic on canvas, 80 cm
Irina Banari， Homo faber, acrylic, graphite,
pencil on Canvas. 2015, 80 cm
Sergiu Roman
塞尔吉·罗曼（Sergiu Roman）于1977年出生于罗马尼亚的亚西。他从13岁开始创作油画，但后来他被哲学思想所吸引。他于2003年获得哲学和逻辑学士学位。2011年，他移居中国上海，恢复了他的艺术活动。
塞尔吉·罗曼（Sergiu Roman）开始参加在北京，上海，广州等中国主要城市的个人和团体艺术展览。他给全世界的艺术收藏家留下了深刻的印象，并在来自中国，意大利，德国和罗马尼亚的艺术杂志上受到关注。
在他的最新绘画系列（称为“ Mise en scene”）中，世界，人类生活以及整个人类历史是主角是我们的亲身经历和戏剧，人类的脆弱和痛苦，熵和意义的丧失–不可能克服我们的消极冲动和自私的限制。艺术家使观看者使用许多不同的技术，重叠不同的意义区域来见证世界的创造，万物的序幕，这象征性地试图将现实的所有层面融合在一起：微观和宏观宇宙，心理世界和物质世界，人类历史和个人命运，我们的罪行和痛苦。塞尔吉·罗曼（Sergiu Roman）的艺术通过构图的力量，强烈的色彩对观赏者产生了直接影响，其中强烈的色彩对比在强调其绘画的结构元素方面起着重要作用。
Sergiu Roman was born in Iasi, Romania, in 1977. He started making oil paintings at the age of 13, but later he became attracted by philosophical ideas. In 2003 he received the Bachelor Degree in Philosophy and Logic. In 2011 he moved to Shanghai, China, where he resumed his artistic activity.
Sergiu Roman started to participate in art exhibitions, both personal and group shows, in China’s major cities, like Beijing, Shanghai, Guangzhou. He impressed the art collectors all over the world, and was featured in art magazines from China, Italy, Germany and Romania.
In his most recent series of paintings (called“Mise en scene”), the world, the human life, and the whole history of mankind, are the stage where the protagonists are ourpersonal experiences and dramas, the human fragility and suffering, the entropy and the loss of meaning – the impossibility of overcoming our negative impulsesand selfish limits. The artist makes the viewer witness the creation of the world, the pre-order of all things, using many different techniques, overlapping different areas of meaning, as symbolically intending to bring together all the layers of reality: the micro and macro cosmos, the psychological world and the physical world, the history of humankind and the individual destiny, our crimes and our suffering. Sergiu Roman’s art has animmediate impact on the viewer through the force of compositions, through the strong chromatic in which the quality contrasts play a major role inemphasizing the structural elements of his paintings.
Sergiu Roman, Sphinx III, mixed media on panel, 60x76cm, 2019
Sergiu Roman, Sphinx II, mixed media on panel, 60x76 cm
Sergiu Roman, Mise en scene, Ides of March,
oil and charcoal on canvas, 120x120cm
Sergiu Roman, Mise en scene, Alice in Lalaland,
oil and charcoal on canvas, 120x120cm
Zooming Dynasty
出于敏锐的眼光，从平凡的世界中汲取非凡，并以坚定不移的动力不断探索，目前居住在上海的“朝代王朝”视觉项目背后的这位难以捉摸的罗马尼亚摄影师一直在寻找下一个令人叹为观止的城市风光或合适的风景。捕捉故事的短暂瞬间值得一讲的角度。
在多方面的背景下，让人想起了不断变化的风景，位置和主题，这位特定的艺术家追求的范围对于坚持不懈的观众而言显而易见：这是无尽的追求，不是寻找完美的位置，也不是最无懈可击的构图，以及至少所有最终摄影产品中的所有，但宁愿不断追逐可能将人的情感传达给观看者的短暂时刻，类似于通过图像再现和传递声音或气味的徒劳努力，而且仅比实现它。
这位匿名人士笼罩在身，竭尽全力避免引起公众的注意，他允许他的作品为他代言，并以纯语音表达无法比拟的方式讲述自己的旅程。虽然一张图像值得一千个单词，但《变焦王朝》的摄影却在讲故事。
With a keen eye for extracting the extraordinary from the mundane and with an unquenchable drive to keep discovering, the elusive Romanian photographer behind the “Zooming Dynasty” visual project currently residing in Shanghai, is constantly on the prowl for the next breathtaking cityscape or the right angle to capturea fleeting moment of a story worth telling.
Against a multifaceted background reminiscent of a wide palette of ever changing scenery, locations and subjects, the scope of this particular artist's pursuit becomes evident to the persistent spectator: it is an endless quest in search of not the perfect location, nor the most impeccable composition, and least of all of the ultimate photographic product, but rather constantly chasing ephemeral moments that might convey human emotion to the viewer, a kin to the futile endeavor of reproducing and delivering sound or scent by means of animage, and only slightly more attainable than it.
Shrouded in anonymity and going to lengths to avoid public attention, the artist allows his work to speak for him and tell the story of his journey in ways that cannot be matched by mere articulated speech. While an image is said to be worth athousand words, “Zooming Dynasty”’s photography speaks tomes.
Zooming Dynasty, Angels, digital photo
Zooming Dynasty, Composition, digital image
Zooming Dynasty, Lights and shadows, digital photo
Zooming Dynasty, Shades, digital photo
Zooming Dynasty, The towers, digital photo
Zooming Dynasty, Shanghai sky, digital photo
Peggy Le Poulen
peggy Le于1998年毕业于法国图尔科恩“美术学院”，并获得视觉艺术学士学位（法国里尔大学，2000年）和纺织品设计师（法国CAI Tourcoing，2002年）。Poulen在法国担任地毯产品的纺织品设计师。在担任设计师的过程中，她通过陶瓷和雕塑发现了她的动力和对艺术创作的热情，并在确定的空间中安装/放置了她的作品。
她于2006年到达上海，从事绘画工作，并通过添加更多不同的媒体尝试了多种技术和材料。她的风格不拘一格，风格多样，多年来发展变化。
观众的视线被自发性，丰富性以及绘画中呈现的色彩丰富所吸引，这使人倍感愉悦，幸福和活力。她继续被不同材料的效果所吸引，编织了各种线和绣花针。所有这些混合媒体都会影响她的创作。她对陶瓷，雕塑和纺织技术的热情无疑影响了她的作品，并将在以后的创作中继续发展。
After having graduated the “Beaux Arts” School of Tourcoing (France) in 1998, and getting a BA in Visual Arts (University of Lille, France – 2000) and another onein Textile Designer (CAI Tourcoing, France - 2002), Peggy Le Poulen worked in France as a Textile Designer for Carpet Product. Working as a designer, she discovered her impetus and her passion for artistic creation through ceramics and sculpture, and the installation /location of her works in defined spaces.
Arrived in Shanghai in 2006, she went into painting and experimented with a wide range of techniques and materials by adding more diverse media. Her style iseclectic and varied, and has evolved and changed over the years.
The viewer’s sight is exacerbated, hooked by spontaneity, profusion, the richness of the colours present in her painting, which give a feeling of joy, well being and energy. She continues to be fascinated by the effect of different materials, weaving various threads and embroidery stitches. All these mixed media influence and have an impact on her creation. Her passion for ceramics, sculpture and textile techniques have definitely influenced her work, which she will continue to develop in future creations.
Peggy Le Poulen, Superimposed Elements,
acrylic on canvas, 100x100cm
Peggy Le Poulen, Superimposed Elements,
acrylic on canvas, 100x100cm
Peggy Le Poulen, Central Embroidery,
acrylic on canvas, embroidery, 30x39,5cm
Peggy Le Poulen, Central Embroidery,
acrylic on canvas, embroidery, 30x39,5cm
Peggy Le Poulen Central Embroidery,
acrylic on canvas, embroidery, 30x39,5cm
Mary A. Johnson
纽约州立大学布法罗分校硕士：2013
文学士，[美术：绘画] 高登学院：2008
过去五年来北京工作和生活的美国艺术家玛丽·约翰逊（Mary A. Johnson）开始了画家的艺术生涯（2013年在纽约布法罗市纽约市立大学的MFA工作），但她对摄影的热情和对汽车的热爱研究天然色素之间的化学反应，激发了她创作纸上作品和极致美感的摄影拼贴画的灵感。她的作品填补了排斥和诱人之间的鸿沟。形象和经验。她已经在美国和中国展示了她的作品。她的作品被收藏在许多私人收藏中。最近，她应邀参加了在北京农业展览中心举行的ArtNova的“ 100”展览，并成为了中国云南省被联合国教科文组织列为世界遗产的丽江雪山艺术家驻地的一部分。她是中央美术学院（CAFA）的全职讲师，现在在北德克萨斯大学任教。
这位艺术家拍摄了腐烂的材料的照片，将这些图像编辑并分解成巴洛克风格的构图，并构想出产生新叙事的新环境。这位艺术家的数字拼贴画代表了她与代表性世界进行“协商”并与抽象的超现实世界进行“玩耍”的方式。正如艺术家在其演讲中所说的那样，这些丰富的构图是“紧张的地方”，其戏剧性的光环在于形式与无形，纹理与透明，平滑与粗糙，饱和与空隙，衰落与增长（如死亡与生命）之间的对比。
MFA,SUNY University at Buffalo: 2013
BA,[Fine Art: Painting] Gordon College: 2008
Mary A. Johnson, an American artist who had lived and worked in Beijing for the past five years, started her artistic career as a painter (MFA at SUNY University, Buffalo, New York in 2013), but her passion for photography and her drive to study chemical reactions between natural pigments inspired her in creating works on paper and photographic collages of extreme beauty. Her work engages the gaps between the repulsive and the seductive; the image and experience. She has shown her work in the United States and China. Her work is in numerous private collections. Recently, she was invited to participate in Art Nova's"100" Exhibition at the Agricultural Exhibition Center in Beijing and to be a part of the Snow Mountain Artist Residency in Lijiang, the UNESCO World Heritage site in China's Yunnan Province. She was a full time Lecturer at the China Central Academy of Fine Arts (CAFA), now teaching at the University of North Texas.
Taking photographs of decaying materials, editing and decomposing these images into Baroque like compositions, the artist conceives new contexts that generate new narratives. The artist’s digital collages represent her means to “negotiate” with the representational world and to “play” with the abstract, surreal world. These rich compositions are “places of tension” as the artist states in her presentation, whose dramatic aura resides in the contrast between form and shapelessness, texture and transparency, smoothness and roughness, saturationand void, between decay and growth as death and life.
Mary A Johnson, Velvet Metalmouth, collage
Mary A Johnson StaurozoanasticCavity, collage
Mary A Johnson Fungal Fortune Sauce, collage
Mary A Johnson Black arrangement, collage
Joy Chiang
Joy Chiang是一位生活和工作在澳大利亚墨尔本的艺术家，她在绘画当代抽象艺术。她致力于创造一种通过色彩语言捕捉情感和美丽的作品。她在墨尔本大学就读的城市规划和发展领域，但她一直热爱艺术和设计。
乔伊（Joy）将她的混合媒体艺术描述为好奇心与中年早期危机的开始相交的生理表现。融合来自自然的灵感，并增加城市混乱的爆炸性变化。这产生了美丽的情感片段。她的最新作品受到孕产和对家人的热爱的启发。
Joy Chiang将她的艺术定义为自发但有意的。每件作品都是一系列的层，直到最终的图像已经建立起来，以将尺寸与图像一起呈现到表面上，以通过绘画来叙述观众。乔伊（Joy）的绘画以大胆的笔触，丰富多彩的图案和生动的动作绘画，给人一种朴素的假象，但仍然充满激情。对有机运动和综合胆识很感兴趣，“喜悦”总是传达出一种自由和喜悦的感觉。
她的画有一种镇定的感觉，但在潮流遇见潮流的地方也很混乱。有机的动作与受她中国传统启发的自信书法笔触融为一体。这种结合带来了强烈的方向感和在世界上的地位。
Joy Chiang is an artist living and working in Melbourne, Australia painting contemporary abstract art. She strives to create work that captures emotions and beauty through the language of colour. Her background is in urban planning and development where she studied at the University of Melbourne, but she has always loved everything art and design.
Joy describes her mix media art as the physical manifestation of her curiosity intersecting with the start of an early mid-life crisis; blending inspiration from nature and adding explosions of city chaos. This results in beautiful emotive pieces. Her latest work has been inspired by motherhood and the love for her family.
Joy Chiang defines her art as spontaneous but intentional. Each work is a series of layers until the final image has built up to bring dimension to the surface along with imagery to narrate the viewer through the painting. Joy’s paintings, with their bold brush strokes, colorful patterns, and exuberantly painted movements, give the false impression of simplicity, yet remains passionately complex. Interested in organic movements and synthetic boldness, Joy always conveys a sense of freedom and of joy.
Her paintings have a sense of calm but also chaos where the tide meets the stream. The organic movements are blended with the confident calligraphy strokes inspired by her Chinese heritage. The combination comes together with a strongsense of direction and place in the world.
Joy Chiang - Dream in hearts,
mixed media on paper - 65x91cm
Joy Chiang -For the summer
- mixed media on paper - 54x79
Joy Chiang- Take flight
- Acrylic and ink on canvas - 120x76
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MUSE&m由独立建筑师/策展人Lulu成立于2016年初，立志于用设计和艺术为空间赋能。经过3年多的设计/展览实践，与近千名设计师、艺术家进行过合作。旗下移动的头脑博物馆不是一个人的空间理想，而是一群人的“联合创作空间”实验。我们与越界·世博园合作，作为独立的艺术发声，为我们社群的艺术家、设计师、策展人、文艺爱好者提供交流和展示的平台。
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1F B4-1, NO.388 Bansongyuan Road， Huangpu District, SH ( Main entrance on Huayuangang Road, close to Bansongyuan Road)
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