研究NOTE | Sarah Lucas 莎拉·卢卡斯：重寻描述性别的形容词

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策展人研究笔记

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莎拉·卢卡斯Sarah Lucas

艺术家 | About the Artist

莎拉·卢卡斯（Sarah Lucas, b.1962, London）在当代艺术过去的三十多年来，已然成为了英国最重要的当代艺术家之一。她的作品媒介涉及「延展自身表现力的」雕塑和「多重基调感的」摄影，作品本身也往往带有一种「玩世不恭的幽默感」。卢卡斯经常运用日常生活中的“现成品”，例如家具、食物、小报、丝袜、马桶和香烟等材料作为素材，塑造出「片段式的肉体观感」；「身体」亦是卢卡斯常用的主题。

莎拉·卢卡斯毕业于伦敦金匠学院，因同学达明安·赫斯特在1988年策划《冷冻 | Freeze》展而成为英国YBA（Young British Artists, 1990年代初在伦敦崛起的“青年艺术家团体”，用不羁、任性、挑衅、甚至略带粗俗的艺术形式挑战传统、教条的社会法则）的一员，在非常年轻时就拥有了国际知名度。1992年，在City Racing画廊她的首个个展《Penis Nailed to a Board》上，结识翠西·艾敏并成为闺蜜。1993年，他们两个一起共享工作室，并合开了一间实验派对性质的艺术空间“The Shop”。

过去十年间，她的展览和驻留项目包括2011年在奥地利克雷姆斯美术馆的“卢卡斯 博斯 明胶”（LUCAS BOSCH GELATIN）；2012年在墨西哥城迭戈·里维拉-阿纳瓦克之家美术馆的“NUDS”（后收录于百科全书般的著作TITTIPUISSIDAD中）；2012年在利兹亨利·摩尔学院的“普通事物”（Ordinary Things）。2012至2013年开始在“情境”空间——伦敦赛迪（Sadie Coles）画廊内一个专用于展出卢卡斯作品的空间——连续举办了八场展览。2013年，她在伦敦白教堂美术馆举办了一场大型回顾展，而后至2014年先后在维也纳分离派美术馆和格拉斯哥电车空间举办创作研究展。2015年，她代表英国参加威尼斯双年展，举办展览“叫爸爸”（I SCREAMDADDIO）；2016年在伦敦约翰·索恩爵士博物馆，2017年在英国赫尔的亨伯街美术馆先后举办展览“权在女手”（POWER IN WOMAN）。

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艺术家简历 | CV

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Sarah Lucas

1962       Born in London, England 1982-83 Working Men's College, London, England1983-84 London College of Printing, London, England1984-87 Goldsmiths College, London, England Solo Exhibitions2020HONEY PIE, Sadie Coles HQ, Kingly Street, London, EnglandHONEY PIE, Gladstone 64, Gladstone Gallery, New York NY, USA 2019Red Brick Art Museum, Beijing, ChinaSupersensible, Works 1991-2012, Jason Haam, Seoul, South KoreaAu Naturel, Hammer Museum, Los Angeles CA, USA (touring) 2018Au Naturel, New Museum, New York NY, USA (touring)Dame Zero, kurimanzutto, Mexico City, MexicoFamilias Felices, Salón Silicón, Mexico City, Mexico 2017Good Muse, Legion of Honor, Fine Arts Museums of San Francisco, San Francisco CA, USAFunQroc, CFA Contemporary Fine Arts, Berlin, GermanyPOWER IN WOMAN, Humber Street Gallery, Hull, England 2016INNAMEMORABILIAMUMBUM, Fondazione Nicola Trussardi off-site: Albergo Diurno Venezia, Milan, Italy, curated by Massimiliano Gioni and Vincenzo de BellisFather Time, Sadie Coles HQ, Davies Street, London, EnglandPOWER IN WOMAN, Sir John Soane’s Museum, London, England 2015I SCREAM DADDIO,The British Pavilion, 56th International Art Exhibition, Venice Biennale, Venice, Italy (cat.)Whitworth Art Gallery, Manchester, England 2014Florian and Kevin, Aspen Art Museum, Aspen CO, USAFried Egg, DRAF David Roberts Art Foundation, London, England (performance)with Julian Simmons, CFA Contemporary Fine Arts, Berlin, GermanyFurniture, Sadie Coles HQ off-site: Salone Internazionale del Mobile di Milano, Milan, ItalyNUD NOB, Gladstone Gallery, New York NY, USATramway, Glasgow, Scotland 2013NOB + Gelatin, Secession, Vienna, AustriaSITUATION Absolute Beach Man Rubble, Whitechapel Gallery, London, England (cat.)Sarah Lucas Furniture, CFA Contemporary Fine Arts, Berlin, GermanySITUATION ROMANS, Sadie Coles HQ, New Burlington Place, London, England 2012SITUATION CLASSIC PERVERY, Sadie Coles HQ, New Burlington Place, EnglandSITUATION FRANZ WEST, Sadie Coles HQ, New Burlington Place, EnglandHome Alone Gallery, New York NY, USAwith Rohan Wealleans, SITUATION WHITE HOLE, Sadie Coles HQ, New Burlington Place, London, EnglandOrdinary Things, Henry Moore Institute, Leeds, England (cat.)SITUATION ROSE BUSH, Sadie Coles HQ, New Burlington Place, EnglandNUDS, Kurimanzutto off-site: Anahuacalli de Diego Rivera, Mexico City, Mexico (cat.)SITUATION MAKE LOVE, Sadie Coles HQ, New Burlington Place, London, EnglandSITUATION MISS JUMBO SAVALOY,Sadie Coles HQ, New Burlington Place, London, England 2011Lucas Bosch Gelatin, Kunsthalle Krems, Krems, Austria (cat.)NUZ Spirit of Ewe, Two Rooms, Auckland, New Zealand; Dunedin Public Art Gallery, Dunedin, New Zealand 2010Penetralia,Gladstone Gallery, Brussels, BelgiumNuds Cycladic, Museum of Cycladic Art, Athens, GreecePerceval, Snape Maltings, Suffolk, England 2009NUDS, Sadie Coles HQ off-site: 13 Dover Street, London, England 2008Goss-Michael Foundation, Dallas TX, USAPenetralia, Sadie Coles HQ, South Audley Street, London, EnglandPerceval, Waddesdon Manor, Buckinghamshire, EnglandPerceval, Doris C Freedman Plaza, Central Park, New York NY, USA 2006Sarah Lucas, Matthew Barney & Richard Prince, Sadie Coles HQ / Gladstone Gallery booth, Fiac!, Grand Palais, Paris, FranceTate Liverpool, Liverpool, EnglandVanitas, Der Hallen, Frans Hals Museum, Haarlem, The Netherlands 2005Sadie Coles HQ booth, Art Basel Miami Beach, Miami FL, USAGOD IS DAD, Barbara Gladstone Gallery, New York NY, USA (cat.)Kunsthalle Zurich, Zurich, Switzerland; Kunstverein Hamburg, Hamburg, Germany; Tate Liverpool, Liverpool, England (cat.) 2004with Angus Fairhurst and Damien Hirst, In-A-Gadda-Da-Vidda, Tate Britain, London, England (cat.) 2003with Colin Lowe and Roddy Thomson, Temple of Bacchus, Milton Keynes Gallery, Milton Keynes, England (cat.) 2002room installation, Tate Modern, London, EnglandCharlie George, CFA Contemporary Fine Arts, Berlin, Germany 2001CAKE, Counter Editions, London, England 2000The Fag Show, SadieColes HQ, Heddon Street, London, EnglandBeyond the Pleasure Principle, Freud Museum, London, EnglandSelf Portraits and More Sex, Tecla Sala, Barcelona, Spain (cat.)Self Portraits 1990-98, Tomio Koyama Gallery, Tokyo, JapanSadie Coles HQ booth, The Armory Show, New York NY, USA 1999Beautiness, CFA Contemporary Fine Arts, Berlin, GermanySadie Coles HQ booth, Art Cologne, Cologne, Germany 1998with Angus Fairhurst, Odd-bod Photography, Sadie Coles HQ, London England; Kölnischer Kunstverein, Cologne, GermanyThe Old In Out, Barbara Gladstone Gallery, New York NY, USA 1997The Law, Sadie Coles HQ off-site: St Johns Lofts, London, EnglandBunny Gets Snookered, SadieColes HQ, Heddon Street, London, EnglandCar Park, Ludwig Museum, Cologne, Germany (cat.) 1996Museum Boymans-van Beuningen, Rotterdam, The Netherlands (cat.)Portikus, Frankfurt-am-Main, GermanyIs Suicide Genetic?, CFA Contemporary Fine Arts, Berlin, Germany1995       Supersensible, Barbara Gladstone Gallery, New York NY, USA 1994Got a Salmon On (Prawn), Anthony d'Offay Gallery, London, EnglandWhere's My Moss, White Cube, London, England 1993with Tracey Emin, The Shop, 103 Bethnal Green Road, London, Englandwith Tracey Emin, From Army to Armani, Galerie Analix, Geneva, Switzerland 1992Penis Nailed to a Board, City Racing, London, EnglandThe Whole Joke, 8 Kingly Street, London, England Group Exhibitions2020The American Scene, National Museum of Ceramics, Sevres, FranceNew Images of Man, Blum & Poe, Los Angeles (CA), USA 2019Feast for the Eyes: The Story of Food in Photography, The Photographers Gallery, LondonArt & Porn, Kunsthal Charlottenborg, Copenhagen (touring)Gossamer, Carl Freedman Gallery, Margate, EnglandReason Gives No Answers: Selected Works from the Collection, Newport Street Gallery, LondonMaskulinitäten (On masculinity), Kunstverein, Bonn, Kölnischer Kunstverein, Cologne and Kunstverein für die Rheinlande und Westfalen, Dusseldorf, GermanyNew Order, Sprüth Magers, LondonCriminal Ornamentation: Yinka Shonibare MBE curates the Art Council Collection, Southampton Art Gallery, Southampton, England, UK (touring)Dry Land, Gladstone Gallery, Gladstone 64, New YorkAlan Kane: 4 Bed Detached Home of Metal, The New Art Gallery Walsall, Walsall, EnglandCollective Exhibition for a Single Body – The Private Score – Vienna 2019, Kontakt Collection, ViennaPerception by Collaborative Collections, Macedonian Museum of Contemporary Art, Thessaloniki, Greek Macedonia, Greece (touring)Delirious, Lustwarande – Platform for Contemporary Sculpture, Tilburg, The NetherlandsUntitled, Art Basel, Basel, SwitzerlandArt & Porn, ARoS Aarhus Kunstmuseum, Aarhus, Denmark (touring)Straying from the line, Schinkel Pavillon, BerlinCriminal Ornamentation: Yinka Shonibare MBE curates the Art Council Collection, Longside Gallery, Arts Council Collection, Wakefield, England, UK (touring)Perception by Collaborative Collections, Museum of Modern Art of Republika Srpska, Banja Luka, Bosnia and Herzegovina (touring)People, Jeffrey Deitch, Los Angeles (CA), USAWomen in Photography: A History of British Trailblazers, The Lightbox, Woking, England, UKCriminal Ornamentation: Yinka Shonibare MBE curates the Art Council Collection, Royal Albert Memorial Museum, Exeter, England, UK (touring)Perception by Collaborative Collections, Kosova National Art Gallery, Pristina (touring) 2018A Woman Looking at Men Looking at Women, Muzeum Susch, Susch, SwitzerlandTHE MATRIX, Spazio Maiocchi, Milan, ItalyAdam McEwen Selects:Exhibition and Sale to Benefit the Foundation for Contemporary Arts, Gladstone Gallery, New York (NY)The Quick and the Dead: Hambling - Horsley - Lucas - Simmons – Teller, Jerwood Gallery, Hastings, England, UKPerception by Collaborative Collections, Gallery of Matica srpska, Novi Sad, Serbia (touring until 2019)Egon Schiele. Die Jubiläumsschau (The Jubilee Show) – RELOADED, Leopold Museum, ViennaKNOCK KNOCK. Humour in Contemporary Art, South London Gallery, LondonCriminal Ornamentation: Yinka Shonibare MBE curates the Art Council Collection, Attenborough Arts Centre, University of Leicester, Leicester, England, UK (touring until 2019)In My Shoes, Attenborough Arts Centre, University of Leicester, Leicester, England, UKSculpture in the City 2018, Cullum Street, LondonPerception by Collaborative Collections, Narodni muzej Crne Gore, Cetinje, Montenegro (touring)Par amour du jeu, Magasins généraux, ParisA TIME CAPSULE: Works Made by Women for Parkett, 1984 – 2017, Parkett Exhibition Space, Zurich, SwitzerlandNudes, Sadie Coles HQ, LondonISelf Collection: Bumped Bodies, Whitechapel Gallery, LondonFive Plus Five: Sculptures from China and Great Britain in Hainan, Haiku the Sun and Moon Plaza, Hainan, ChinaIn My Shoes, Longside Gallery, Yorkshire Sculpture Park, Yorkshire, England, UKWalking on the Fade Out Lines, Rockbund Art Museum, ShanghaiLike Life: Sculpture, Color, and the Body (1300–Now), The Met Breuer, New York (NY) 2017God Save the Queen: Damien Hirst & Sarah Lucas, Edward Ressle, New York (NY)Coming Out: Sexuality, Gender and Identity, Walker Art Gallery, Liverpool, UKSocial Photography V, Carriage Trade, New York (NY)Pélamide, Gladstone Gallery, BrusselsTouchpiece, Hannah Hoffman Gallery, Los Angeles (CA), USAThe Body Laid Bare: Masterpieces From The Tate, Auckland Art Gallery Toi o Tamaki, Auckland, New ZealandArk, Chester Cathedral, Chester, UKDreamers Awake, White Cube, LondonEuroVisions: Contemporary Art from the Goldberg Collection, NAS gallery, Sydney, Australia (travelling to Heide Museum of Modern Art, Bulleen, Victoria, Australia, 2018)Acting Out, Adam Art Gallery, Wellington, New ZealandRoom, Mead Gallery, Warwick Arts Centre, Coventry, UKMidtown, Lever House, New York (NY)If on Trondheim's Night a Traveler..., Trondheim Kunstmuseum, NorwayTHE INNER SKIN, Marta Herford, Herford, GermanyDisobedient Bodies: J.W. Anderson at the Hepworth Wakefield, The Hepworth Wakefield, UKVersus Rodin: Bodies across Space and Time, Art Gallery of South Australia, Adelaide, AustraliaNo Place Like Home, Israel Museum, JerusalemRoom, Sadie Coles HQ, London 2016Flesh, York Art Gallery, York, UKLe Retour Des Ténèbres, Musée Rath, Geneva, SwitzerlandNew Past: Contemporary Art from Britain, Art Gallery of Uzbekistan, TashkentNude: Art from the Tate Collection, Art Gallery of New South Wales, SydneyFacing the World: Self Portraits from Rembrandt to Ai Wei Wei, The Scottish National Portrait Gallery, EdinburghThe Public Body, Artspace, Sydney, AustraliaOn Empathy, Bridget Donahue, New York (NY)Invisible Adversaries: The Marieluise Hessel Collection, Center for Curatorial Studies, Hessel Museum of Art, Bard College, Annandale-on-Hudson (NY), USAThe Female Gaze, Part Two: Women Look at Men, Cheim & Read, New York, USASculpture In The City, LondonSummer Exhibition, Royal Academy of Arts, LondonDaydreaming with Stanley Kubrick, Somerset House, LondonAutoportraits: from Rembrandt To The Selfie, Musée des Beaux-Arts de Lyon, Lyon, FranceDouble Act: Art and Comedy, Bluecoat, Liverpool, UKME, Schirn Kunsthalle Frankfurt, Frankfurt, Germany THE PAGAD, Massimo De Carlo, Milan, ItalyPerforming for the Camera, Tate Modern, London 2015NIRVANA – wundersame Formen der Lust, Winterthur, SwitzerlandThe Funnies, MOT International, BrusselsNO MAN’S LAND: Women Artists from the Rubell Family Collection, Rubell Family Collection/Contemporary Arts Foundation, Miami (FL), USASculpture on the Move 1946–2016, Kunstmuseum Basel and Museum für Gegenwartskunst, Basel, SwitzerlandFlirting with Strangers, 21er Haus, ViennaAvatar und Atavismus: Outside der Avantgarde, Kunsthalle Düsseldorf, Düsseldorf, GermanyGoing Public: International Art Collectors in Sheffield, Museum Sheffield, Sheffield, UKColección Jumex, In Girum Imus Nocte et Consumimur Igni, Museo Jumex, Mexico CityThe Great Mother, Fondazione Nicola Trussardi, Milan, Italy (curated by Massimiliano Gioni)Beyond Limits: The Landscape of British Sculpture 1950 – 2015, Chatsworth House, Derbyshire, UKArts & Foods. Rituals since 1851, Triennale in Milan, Milan, ItalyShifting Subjects, Abbey Walk Gallery, North East Lincolnshire, UKGoing Public: International Art Collectors in Sheffield, Sheffield Cathedral, Sheffield, UK (from the Sandretto Re Rebaudengo Collection)THEM, Schinkel Pavillon, BerlinTERRAPOLIS, NEON and the Whitechapel Gallery, French School at Athens, Athens (curated by Iwona Blazwick)Love For Three Oranges, Gladstone Gallery, BrusselsZabludowicz Collection: 20 Years, Zabludowicz Collection, LondonSelf: Image and Identity, Turner Contemporary, Margate, UKPrivate Utopia: Contemporary Works from the British Council Collection, Dunedin Public Art Gallery, Dunedin, New ZealandThe Noing Uv It, curated by Martin Clark and Steven Claydon, Bergen Kunsthall, Bergen, NorwayLa Peregrina, curated by Jenny Saville, Rubens and His Legacy,Royal Academy of Arts, LondonSense (Un)Certainty: A Private Collection, Kunsthaus Zurich, Zurich, SwitzerlandSleepless – The bed in history and contemporary art, 21er Haus, ÖsterreichischeGalerie Belvedere, Vienna (curated by Mario Codognato) 2014UNE HISTOIRE (art archi design, des années 80 à nos jours) / A HISTORY (art architecture design, from the 80s to now), Mnam Centre Pompidou, ParisCrucible 2, Gloucester Cathedral (curated by Gallery Pangolin), Chalford, United KingdomShit and Die – One Torino, organized by Maurizio Cattelan, Myriam Ben Salah and Marta Papini, Palazzo Cavour, Turin, ItalyDisturbing Innocence, curated by Eric Fischl, FLAG Art Foundation, New York (NY)The Bad Shepherd: The Brueghel Dynasty in Conversation with Contemporary Art, Christie’s Mayfair, LondonA Very Short History of Contemporary Sculpture, curated by Francesco Bonami, Phillips, LondonNirvana, mudac, Lausanne, SwitzerlandPrivate Utopia: Contemporary Works from the British Council Collection, Tokyo Station Gallery, Tokyo; Itami City Museum of Art / The Museum of Arts & Crafts, Itami, Japan; The Museum of Art, Kochi, Japan; Okayama Prefectural Museum of Art, Okayama, JapanLa Gioia, Maison Particulière, BrusselsDanjuma Collection: One Man’s Trash (is Another Man’s Treasure), 33 Fitzroy Square, LondonCorpus, Zacheta National Gallery of Art, WarsawLe musée d’une nuit (script for leaving traces), curated by Vincent Honoré, Fondation Hippocrène, ParisBenglis 73 / 74, Neon Parc, Melbourne, AustraliaWhitworth Art Gallery, Manchester, UKToday’s Specials, Pace London, LondonUrs Fischer curated show, Sadie Coles HQ, LondonStanze/Rooms: Works from the Sandretto Re Rebaudengo Collection, Me Collectors Room Berlin, Olbricht Foundation, BerlinBody & Void: Echoes of Moore in Contemporary Art, The Henry Moore Foundation, Perry Green, Hertfordshire, UKThe Anne and Wolfgang Titze Collection, Winter Palace and 21er Haus, ViennaPrivate Utopia: Contemporary Works from the British Council Collection, Tokyo Station Gallery, Tokyo; Itami City Museum of Art, Itami, Japan and Kochi Museum of Art, Kochi, JapanFront Row, CFA, Berlin 20131:1 Sets for Erwin Olaf & Bekleidung, Het Nieuwe Instituut, Rotterdam, The Netherlandsdo it, Socrates Sculpture Park, New York (NY) (curated by Hans Ulrich Obrist, touring exhibition through to December 2018)Regarding Warhol: Sixty Artists, Fifty Years, Metropolitan Museum of Art, New York (NY) (cat.)BRITISH BRITISH POLISH POLISH: Art from Europe's Edges in the Long '90s and Today, Centre of Contemporary Art Ujazdowski Zamek, Warsaw (cat.)Lightness of Being, The Public Art Fund at City Hall Park, New York (NY)Somos Libres, curated by Neville Wakefield, MATE, LimaMad, Bad and Sad: Women and the Mind Doctors, Freud Museum, LondonArt, Club Culture, Fashion, ICA off-Site, Old Selfridges Hotel, LondonMostly West: Franz West and Artist Collaborations, Inverleith House, Royal Botanic Garden, Edinburgh, UKSNAP: Art at the Aldeburgh Festival, Snape Maltings, Snape, UKIl Palazzo Enciclopedico (The Encyclopedic Palace), 55th International Art Exhibition, Venice Biennale, Venice, Italy (cat.)FLESH REALITY, Point Zero, LondonDreams of Reason: Highlights of the Sandretto Re Rebaudengo Collection, Centre of Contemporary Art, Torun, Poland (cat.)Manchester International Festival, Manchester, UKIn the Heart of the Country, Museum of Modern Art, Warsaw (cat.)2013 Carnegie International, Carnegie Museum of Art, Pittsburgh (PA), USA (cat.)The Weak Sex—How Art Pictures the New Male, Kunstmuseum Bern, Germany (cat.)Looking at the View/em>, Tate Britain, LondonGroup Exhibition Curated By Clarissa Dalrymple, Xavier Hufkens, Brussels (cat.)NYC 1993: Experimental, Jet, Set Trash and No Star, New Museum, New York (NY) (cat.) 2012Gnadenlos: Künstlerinnen und das Komische, Kunsthalle Vogelman, Heilbronn, Germany (cat.)Death to Death and other Small Tales: Masterpieces from the Scottish National Gallery of Modern Art and the D. Daskalopoulos Collection, Scottish National Gallery of Modern Art, Edinburgh, UK (cat.)Sex and Design, Triennale di Milano, Design Museum, Milan, Italy (cat.)Freedom Not Genius, Works from Damien Hirst’s collection, Pinacoteca Giovanni e Marella Agnelli, Turin, Italy (cat.)The Far and The Near, Tate St Ives, UKSculptural Matter, Australian Centre for Contemporary Art (ACCA), Melbourne, Australia (cat.)Free: Art by offenders, secure patients and detainees, curated by Sarah Lucas, Royal Festival Hall, Southbank Centre, LondonPothole, Salon 94, New York (NY)Disagreeable Object, SculptureCenter, Long Island City (NY), USA (cat.)Self-Portrait, Louisiana Museum of Modern Art, Denmark (cat.)Buy My Bananas, Kate Werble Gallery, New York (NY)Portrait of the Artist As..., Courtauld Gallery, LondonINPUT #4: Second Skin, VPL / Vara Art, New York (NY)Print/Out, Museum of Modern Art, New York (NY)Beautiful Penis, Palais de Tokyo, ParisThe Spirit Level (curated by Ugo Rondinone), Gladstone Gallery, New York (NY)Art Exchange, Museum of Modern Art, Baku, AzerbaijanSelling Sex, SHOWstudio, LondonMade In Britain, Benaki Museum, AthensSimon Fujiwara: Since 1982, Tate St Ives, UK (cat.) 2011Diferencia y Acuerdo, ESPACIO MÍNIMO, MadridHome Alone, curated by Sarah Aibel, Sender Collection, Miami (FL), USANeon + Vinyl, Plus Art Projects, Londonewcastle Project Space, LondonNothing in the World but Youth, Turner Contemporary, Margate, UK (cat.)Mindful, Imperial War Museum & Old Vic Tunnels, LondonCamulodunum, Firstsite, Colchester, UK (cat.)Snap: Art at the Aldeburgh Festival, Snape Maltings, Snape, UKForcemeat, Wallspace Gallery, New York (NY)Women Make Sculpture, Pangolin London, London (cat.)The Luminous Interval D.Daskalopoulos Collection, Museo Guggenheim Bilbao, Spain (cat.)Destello, Foundacion/Coleccion Jumex, Mexico City (cat.)THE LAST FIRST DECADE, Ellipse Foundation, Alcoitão, PortugalX, Gio Marconi, Milan, ItalyL’art de Menjar / Eating Art, La Pedrera, Caixa Catalunya, Barcelona, Spain (cat.)Dwelling, Marianne Boesky Gallery, New York (NY) (cat.)The Luxury of Dirt, Galerie Bob van Orsouw, Zürich, SwitzerlandModern British Sculpture, Royal Academy of Arts, London (cat.)The Life of the Mind, The New Art Gallery, Walsall, UKLe Paris Bar à Paris, Suzanne Tarasiève Galerie, Paris 2010How Soon Now, Rubell Family Collection, Miami (FL), USAPlus Ultra: Works from the Sandretto Re Rebaudengo Collection, Museo D’Arte Contemporanea, Rome (cat.)Cosa fa la mia anima mentre sto lavorando?, Civica Galleria d’Arte Moderna, Gallarate, Italy (cat.)Face Au Mur. Papiers Peints Contemporains / Covering the wall. Contemporary wallpapers, Musée de design es d`arts appliques contemporains (MUDAC), Lausanne, Switzerland (cat.)Highlights from the Collection, Goss Michael Foundation, Dallas (TX), USACREAM – Damien Hirst & Contemporaries, Kiasma, HelsinkiThe Last Newspaper, New Museum, New York (NY) (cat.)Happy End, Kunsthalle Göppingen, Göppingen, GermanyYoung British Art, Johyun GalleryBritish Art Show 7: In the Days of the Comet, Nottingham Contemporary, Nottingham Castle and New Art Exchange, Nottingham, UKFRESH HELL: Carte Blanche à Adam McEwen, Palais de Tokyo, ParisCrucible, Gloucester Cathedral, Gloucester, UK (cat.)The Concrete Show, Galleria Franco Noero, Turin, ItalyThe New Décor, Hayward Gallery, London, touring to Garage: Center for Contemporary Culture, Moscow (cat.)Super Farmers’ Market, Handel Street Projects, LondonSummer Exhibition, Royal Academy of Arts, London (cat.)The Surreal House, Barbican Art Gallery, London (cat.)Rude Britannia: British Comic Art, Tate Britain, London (cat.)D. Daskalopoulos Collection, Whitechapel Gallery, London (cat.)Sexuality and Transcendence, Pinchuck Art Foundation, Kiev, Ukraine (cat.)Art, curated by Michael Craig-Martin, Galerie Haas & Fuchs, Berlin (cat.)KNOCK KNOCK: Who's There? That Joke Isn’t Funny Anymore, Armand Bartos Fine Art, New York (NY)Pop Life, Hamburger Kunsthalle, Hamburg, Germany; Pop Life, National Gallery of Canada, Ontario (cat.)Walls are Talking, Whitworth Art Gallery, Manchester (cat.) 2009Pop Life: Art in a Material World, Tate Modern, London (cat.)Past Present: Where the modern and the historic meet, Nunnington Hall, York, UKBritish Subjects: Identity and Self-Fashioning 1967-2009, Neuberger Museum of Art, Purchase College, Purchase (NY), USA (cat.)Precarious Form, Galerie Meyer Kainer, ViennaBoule to Braid, Lisson Gallery, LondonAndrea Rosen Gallery Summer Show, Andrea Rosen Gallery, New York (NY)Passports. In Viaggio Con l'Arte, Padiglione D'Arte Contemporanea, Milan, ItalyThe Female Gaze: Women Look At Women, Cheim & Read, New York (NY)Gone to Earth, Isis Gallery, LondonV22 PRESENTS: The Sculpture Show, Oysters Ain’t, The Almond Building, The Biscuit Factory, Bermondsey, LondonContemporary Eye: Material Matters, Pallant House Gallery, Chichester, UKYes or No and/or Yes and No, Western Bridge, Seattle (CA), USAThe Kaleidoscopic Eye: Thyssen-Bornemisza Art Contemporary, Mori Art Museum, Japan (cat.)Subversive Spaces: Surrealism and Contemporary Art, The Whitworth Art Gallery, The University of Manchester; Compton Verney, Warwickshire; The Sainsbury Centre for the Visual Arts, University of East Anglia, Norwich, UK (cat.) 2008listen darling… the world is yours, Ellipse Foundation Contemporary Art Collection, Art Centre, Cascais, PortugalExcerpt, Selections from the Jeanne Greenberg Rohatyn Collection, The Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie (NY), USA (cat.)On Shifting Ground In New York (Lecture), Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie (NY), USACult of the Artist: “I can’t just slice off an ear every day”, Hamburger Bahnhof Museum für Gegenwart, Berlin (cat.)Held Together with Water, Istanbul Museum of Modern Art, Turkey (cat.)DARKSIDE, Photographic Desire and Sexuality Photographed, Fotomuseum Winterthur, Zürich, Switzerland (cat.)Female Trouble, Die Kamera als Spiegel und Bühne weiblicher Inszenierungen, Pinakothek der Moderne, Munich, Germany (cat.)The Hamsterwheel, Malmö Konsthall, Malmö, SwedenDevastation and Depreciation, Gavin Brown Enterprise, New York (NY)Thyssen-Bornemisza Art Contemporary. Collection as Aleph, Kunsthaus, Graz, AustriaFemale Trouble, Pinakothek der Moderne, Munich, Germany (cat.)Films, Sadie Coles HQ, LondonGOD & GOODS: Spirituality and Mass Confusion, Villa Manin Centre for Contemporary Art, Codroipo, Friuli-Venezia Giulia, Italy (cat.)(Auction) RED, Gagosian Gallery, New York (NY)Blasted Allegories, Works from the Ringier Collection, Kunstmuseum Luzern, Lucerne, Switzerland (cat.)Soufflé, eine Massenausstellungi, Kunstraum, Inssbruck, Germany (cat.) 2007Unmonumental: The Object in the 21st Century, New Museum, New York (NY) (cat.)Soufflé, eine Massenausstellung, Kunstraum Innsbruck, Innsbruck, AustriaThe Third Mind : Carte Blanche to Ugo Rondinone, Palais de Tokyo, Paris (cat.)The Naked Portrait, 1900-2007, Scottish National Portrait Gallery, Edinburgh, Scotland (cat.)Hamster Wheel, Venice Biennale, Venice (cat.), Traveling to Printemps de Septembre, Toulouse, France and Centre d’Art Santa Monica, Barcelona, SpainHeld Together With Water : Art from the Sammlung Verbund, MAK, AustriaAftershock: Contemporary British Art 1990-2006, Guangdong Museum of Art, Beijing, China (cat.)Back to Hackney, Hackney Arts Club, LondonGlobal Feminisms, Brooklyn Museum, New York NY, Traveling to Davis Museum and Cultural Center, Wellesley (MA), USA (cat.)FRANZ WEST Soufflé, eine Massenausstellung Kunstraum Innsbruck, Innsbruck, Austria (cat.) 2006In the Darkest Hour there May be Light: Works from Damien Hirst’s Murderme Collection, Serpentine Gallery, London (cat.)This is Not For You : Sculptural Discourses, Thyssen-Bornemisza Art Contemporary, ViennaAll Hawaii Entrées/Lunar Reggae, Irish Museum of Modern Art, Dublin (cat.)The Wonderful Fund: Art for the New Millenium 2000 – 2005, Pallant House Gallery, Chichester, UKHow to Improve the World, Hayward Gallery, London (cat.)Printemps de Septembre à Toulouse, Toulouse, FrancePrints, Sadie Coles HQ, LondonBody Soul Face: The Position of Women from the 16th-21st Century, Leopold Museum, Vienna (cat.)Art Car Boot Fair, The Old Truman Brewery, LondonIl diavolo del focolare: The Devil of Hearth and Home, La Triennale di Milano, Milan, Italy (cat.)Dada’s Boys, The Fruitmarket Gallery, Edinburgh, ScotlandContemporary British Art for China, China Art Gallery, Beijing, China; Guangdong Museum of Art, Guangzhou, China; Shanghai Art Musuem, Shanghai; The Three Gorges Museum, Chongqing, China 2005Empreinte Moi, Galerie Emmanuel Perrotin, ParisBritPrint, National Gallery of Victoria, Melbourne, Australia (cat.)The Prop makers, MOT, LondonThe Wonderful Fund Collection, Arts in Marrakech Festival, Marrakech, MoroccoGOD IS BORED OF US II, FMCG, LondonRundlederwelten, Martin Gropius-Bau, BerlinLight Art from Artificial Light, ZKM Museum, Karlsruhe, Germany (cat.)Drunk vs. Stoned 2, Gavin Brown’s Enterprise, New York (NY)Y[oung] B[ritish] A[rtists] Criss-Crossed, Galleri Kaare Bernsten, Oslo (cat.)Julia Bornefeld Jimmie Durham Michael Kienzer Martin Kippenberger Sarah LucasFranz West Erwin Wurm Sculpture, Galerie Elisabeth & Klaus Thoman, Innsbruck, Austria (cat.)Body: New Art from the UK, Vancouver Art Gallery, Canada; Ottawa Art Gallery, Ottawa, Canada; Oakville Art Galleries, Oakville, Canada; Edmonton Art Gallery, Edmonton, Canada; Art Gallery of Nova Scotia, Nova Scotia, Canada (cat.)Critics Choice, FACT, Liverpool, UK 2004Works from the Boros collection (Werke aus der Sammlung Boros), Museum für Neue Kunst, Karlsruhe, Germany; ZKM, Karlsruhe, Germany (cat.)Central Station: La collection Harald Falckenberg, la maison rouge, Paris (cat.)Part I – LAT – Living: De Leegte (the Emptiness), Odapark, Venray, Netherlands(cat.)Gifted, The Arts Gallery, University of the Arts London, LondonDrunk vs. Stoned, General Store in association with Gavin Brown’s enterprise, New York (NY)Esprit/Spirit, Galerie Nathalie Obadia, ParisAtomkrieg, Kunsthaus Dresden, Germany (cat.)Man, Rubble, London57th Aldeburgh Festival, Contemporary British Sculpture at Snape (Angus Fairhurst, Damien Hirst, Sarah Lucas), Snape, UKSkulptur: Prekärer Realismus zwischen Melancholie und Komik / SculpturePrecarious Realism between the Melancholy and the Comical, Kunsthalle Wien, Vienna (cat.)Central Station, collection Harald Falckenberg, La Maison Rouge – Foundation Antoine de Galbert, Paris (cat.)From Above, Georg Kargl, Vienna 2003Love Me. Post-Feminist Art of the 1990's from the Goetz Collection, Bergen ArtMuseum, Bergen, Norway; Fries Museum, Leeuwarden, Netherlands (cat.)Narcissus: New Visions of Self Representation, Crac Alsace, Altkirch, FranceViereeuwen roken in de kunst: Tabak en taboe – van Jan Steen tot Pablo Picasso, Kunsthal Rotterdam, Rotterdam, Netherlands (cat.)Fourth Plinth Project, (Trafalgar Square), National Gallery, LondonCruel Fat, MOT, LondonThe Dead Bird Show, Whitechapel Project Space, LondonFranz West and Friends, Austrian Cultural Institute, LondonPlunder, Dundee Contemporary Art, Dundee, Scotland (cat.)Breathing the Water, Galerie Hauser & Wirth & Presenhuber, Zurich, SwitzerlandSogni e Conflitti: La dittatura dello spettatore, 50. Esposizione Internazionale d'Arte della Biennale di Venezia, Venice, Italy (cat.)Outlook: International Art Exhibition, Athens (cat.)Bad Behaviour from the Arts Council Collection, Longside Gallery, Yorkshire, UK; Sculpture Park, Wakefield, UK; Aberystwyth Arts Centre, Aberrystwyth, Wales; Glynn Vivian Art Gallery, Swansea, Wales; The Hatton Gallery, University of Newcastle, Newcastle, UK; Tullie House, Carlisle, UK (cat.)Flesh for Fantasy, Officina Giovani/Palazzo delle Papesse, Siena, ItalyA Bigger Splash: Uma Seleção de Arte Britânica da Coleção da Tate 1960-2003 / A Bigger Splash: A Selection of British Art from Tate Collection 1960-2003, Pavilhão Lucas Nogueria Garcez – Oca Parque Ibirapuera, São Paulo and Instituto Tomie Ohtake, São Paulo, Brazil (cat.)_BIDA 2003 – Bienal Internacional del Deporte en el Arte, Salamanca, SpainContemporary British Art Exhibition, Mucsarnok Kunsthalle, Budapest, (Curated by the British Council) 2002Face Off: A Portrait of the Artist, Kettle’s Yard, Cambridge, England, Touring toTowner Art Gallery, Eastbourne, UK (cat.)Location: UK, Gimpel Fils, LondonCOPY, Roth Horowitz, New York (NY)Art Crazy Nation Show (Curated by Matthew Collings), Milton Keynes Gallery, Milton Keynes, UK (cat.)Comer o no Comer/To Eat or Not to Eat, Centro De Arte Salamanca, Salamanca, Spain (cat.)Campy Vampy Tacky, La Criée Centre d’Art Contemporain, Rennes, France (cat.)Second Skin, Henry Moore Institute, Leeds, UK (cat.)Common Days: Contemporary British Photography, American Federation Of Arts, New York (NY)The Rowan Collection – Contemporary British and Irish Art, Irish Museum of Modern Art, Dublin (cat.)New – Recent Acquisitions of Contemporary British Art, Scottish National Gallery of Modern Art, Edinburgh, Scotland (cat.)PoT: The Liverpool Biennial of Contemporary Art – The Independent, Liverpool, England (cat.), Travelling to Galeria Fortes Vilaca, Sao Paulo, BrazilArchivio Pons Artxiboa, Koldo Mitxelena Kulturunea, Donostia – San Sebastían, SpainRapture: Art’s Seduction by Fashion since 1970, Barbican Centre Art Galleries, London (cat.) 2001Neon, Inaugural Exhibition, Neon Gallery, LondonThe Colony Room Club – 2001 A Space Oddity, A22 Projects, London (cat.)Close Encounters of the Art Kind, Victoria and Albert Museum, LondonThe Surreal Woman: Femaleness and the Uncanny in Surrealism, KunsthalleBielefeld, Germany (cat.)No World Without You – Reflections of Identity in New British Art, Herzliya Museum of Art, Israel (cat.)Summer Exhibition, Royal Academy of Arts, London (cat.)Field Day – Sculpture from Britain, Taipei Fine Arts Museum, Taiwan, China (cat.)Ohne Zögern – Without Hesitation: Views of the Olbricht Collection, Neues Museum Weserburg, Bremen, Germany (cat.)Freestyle: Werke aus der Sammlung Boros, Museum Morsbroich, Leverkusen, Germany (cat.)Breaking the Mould: 20th Century British Sculpture from Tate, Norwich CastleMuseum and Art Gallery, Norwich, UK (cat.)Public Offerings, Museum of Contemporary Art, Los Angeles (CA), USA (cat.)Century City: Art and Culture in the Modern Metropolis, Tate Modern, London (cat.)City Racing 1988-1998: a Partial Account, I.C.A., London (cat.)Uniform: Order and Disorder, Stazione Leopolda, Florence, Italy (cat.)Chairs, Castello di Udine, Udine, ItalyDie unheimliche Frau, Weiblichkeit im Surrealismus, Kunsthalle Bielefeld, Germany (cat.) 2000Quotidiana: the Continuity of the Everyday, Castello di Rivoli, Turin, Italy (cat.)Zona F, Espai d'Art Contemporain de Castello, Valencia, Spain (cat.)DRIVE power, progress, desire, Govett-Brewster Art Gallery, New Plymouth, New Zealand (cat.)Psycho (Curated by Danny Moynihan), Anne Faggianato Fine Art, London (cat.)Human Being and Gender: 2000 Kwangju Biennale, Kwangju, Korea (cat.)Sex and the British, Galerie Thaddeus Ropac, Salzburg and Galerie Thaddeus Ropac, Paris (cat.)The British Art Show 5, Hayward Touring Exhibitions, Scottish National Gallery of Modern Art, Royal Botanic Gardens et al, Edinburgh; Southampton Art Gallery, John Hansard Gallery and Millais Gallery, Southampton, UK; National Museum of Wales, Cardiff, Wales, Centre for Visual Arts and Chapter Arts, Cardiff, Wales; Birmingham Museum and Art Gallery and Ikon Gallery, Birmingham, UK (cat.)About Collage (Curated by Peter Blake), Tate Liverpool, Liverpool, UK (cat.)The Anagrammatical Body, ZKM Centre for Media Art and Technology, Karlsruhe, GermanyPuerile 69: Angus Fairhurst, Michael Landy, Sarah Lucas, Gillian Wearing, The Living Art Museum, Reykjavik (cat.)Hoxton HQ, Sadie Coles HQ at Hoxton House, LondonIntelligence: New British Art 2000, Tate Britain, London (cat.)Body Beautiful, Galerie Jennifer Flay, ParisDeath Race 2000, Thread Waxing Space, New York (NY), UKHypermental, Kunsthaus, Zurich, Switzerland (cat.)The Oldest Possible Memory, Sammlung Hauser und Wirth, St Gallen, Switzerland (cat.) 1999Gallery Swap, Sadie Coles HQ at Contemporary Fine Arts, BerlinThis is Modern Art, Three billboards by Sarah Lucas, Gavin Turk and Martin Creed, commissioned by Channel 4 for the television series at sites across London in June, LondonArt Lovers, Liverpool Biennial, Liverpool, UKMe Myself I, Contemporary Self Images, Haags Historisch Museum, The Hague, Netherlands (cat.)The Anagrammatical Body, Neu Galerie am Landesmuseum Joanneum, Graz, Austria (cat.) and touring to ZKM Centre for Media Art and Technology, Karlsruhe, Germany (cat.)Sensation: Young British Artists in the Saatchi Collection, Brooklyn Museum, New York (NY) 1998Artists from the UK II, Sammlung Goetz, Munich, Germany (cat.)Die Rache der Veronika: Fotosammlung Lambert, Deichtorhallen, Hamburg,Germany (cat.)Real Life: New British Art, Tochigi Prefectural Museum of Fine Arts, Tochigi, Japan; Fukuoka City Art Museum, Fukuoka, Japan; Hiroshima City Museum ofContemporary Art, Hiroshima, Japan; Tokyo Museum of Contemporary Art, Tokyo;Ashiya City Museum of Art and History, Ashiya, Japan (cat.)Photography As Concept - 4 Internationale Foto-Triennale Esslingen, Galerien derStadt Esslingen Villa Merkel, Esslingen, Germany (cat.)Hungry Ghosts, Douglas Hyde Gallery, Dublin, Ireland (cat.)New Art From Britain, Innsbruck Kunstraum, Innsbruck, Austria (cat.)Maximum Diversity, Galerie Krinzinger in den Benger Fabrik, Bregenz and Academy of Arts, ViennaContemporary British Art, National Museum of Contemporary Art, Korea (cat.)Sensation: Young British Artists in the Saatchi Collection, Hamburgerbahnhof, BerlinEmotion: Young British and American Art from the Goetz Collection, Deichtorhallen, Hamburg, Germany (cat.)Maximum Diversity, Atelierhaus der Akademie der Bildenden Kunste, Vienna (cat.)No Sex Please We're British, Curated by Dazed and Confused, Shisedo Gallery, Tokyo 1997Material Culture, Hayward Gallery, London (cat.)Assuming Positions, ICA, London (cat.)Peripheral Visionary, De Fabrik, Eindhoven, NetherlandsTreasure Island, Fundação Calouste Gulbenkian - Centro de Arte Moderna, Lisbon, PortugalPackage Holiday - Works from the Ophiuchus Collection, Hydra Workshop, Hydra, Greece (cat.)Strange Days, Claudia Gian Ferrari Arte Contemporanea, Milan, Italy (cat.)Sensation: Young British Artists in the Saatchi Collection, Royal Academy of Art, London (cat.)Work in progress and or finished, Ubermain, Los Angeles (CA), USA 1996Co-operators, Southampton City Art Gallery and Huddersfield Art Gallery, UK (cat.)From Figure to Object: a Century of Sculptors' Drawings, Frith Street Gallery and Karsten Schubert Gallery, London (cat.)Live/Life, ARC Musée d'Art Moderne de la Ville de Paris, Paris; Belem Museum, Lisbon, Portugal (cat.)Full House, Wolfsburg Kunstmuseum, Germany (CD-rom cat.)Masculin/Feminine, Musée National d'Art Moderne, Centre Pompidou, Paris (cat.) 1995Minky Manky, South London Gallery, London (cat.)Corpus Delicti: London in the 1990s, Kunstforeningen, Copenhagen, Denmark (cat.)ARS 95, Museum of Contemporary Art, Helsinki (cat.)Brilliant! New Art From London, Walker Art Center, Minneapolis MI and Museum of Fine Arts, Houston (TX), USA (cat.) 1994Watt, Witte de With and Kunsthal, Rotterdam, Netherlands (cat.)Football Karaoke, Portikus, Frankfurt-am-Main, Germany (cat.)Not Self Portrait, Karsten Schubert Gallery, London 1993Sarah Lucas and Steven Pippin, Project Room, Museum of Modern Art, New York (NY) (cat.)Young British Artists II, Saatchi Collection, London (cat.)Monika Spruth, Cologne, Germany 1992Karsten Schubert Gallery, LondonLea Andrews, Keith Coventry, Anya Gallaccio, Damien Hirst, Gary Hume, Abigail Lane, Sarah Lucas, Steven Pippin, Marc Quinn, Marcus Taylor, Rachel Whiteread, Stein Gladstone and Barbara Gladstone Gallery, New York (NY) 1990East Country Yard Show, Surrey Docks, London (cat.) 1988Freeze, PLA Building, London 1986Showroom, London Public CollectionsArts Council Collection, LondonBritish Council, LondonMuseum Boymans-van Beuningen Museum, Rotterdam, The NetherlandsEllipse Foundation, PortugalMuseum of Contemporary Art, Chicago (IL), USAMuseum of Contemporary Art, Los Angeles (CA), USAMuseum of Contemporary Art (MOCAK), Kraków, PolandFrans Hals Museum, Haarlem, The NetherlandsFukuoka Art Museum, JapanLACMA, Los Angeles (CA), USALa Colección Jumex, Mexico CityMuseum of Modern Art, New YorkCentre Georges Pompidou, ParisNational Portrait Gallery, LondonFondazione Sandretto Re Rebaudengo, Turin, ItalyPortikus, Frankfurt, GermanySan Francisco Museum of Modern Art, San Francisco, CAScottish National Gallery of Modern Art, EdinburghMuzeum Sztuki Nowoczesnej, WarsawStatens Museum for Kunst, CopenhagenTate, LondonThyssen-Bornemisza Art Contemporary, ViennaMuseeum Van Loon, Amsterdam, The NetherlandsSammlung Verbund, ViennaWhitworth Art Gallery, Manchester, UK

作品 | About Artworks

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「

自画像 

Self-Portraits 

」

The Fag Show, 2000, c-print, 49.5 x 49.5 cm

《自画像 | Self-Portrait》是卢卡斯1990年至1998年之间拍摄的12张系列照片。在这组作品中，卢卡斯的形象仿佛是雌雄同体的，模糊了男女性别的边界，挑战社会教条、刻板印象，用强硬和男性化的姿态直面镜头。照片是随着时间推移拍摄的，观者可以感受不同时期和状态下的卢卡斯，这都是艺术的一部分。

卢卡斯创作的第一幅自画像是1990年的《吃香蕉 | Eating an Banana》。当她还是金史密斯学院的学生时，就一直将肖像作为自我表达的重要元素。通过香蕉来隐喻男性，而吃香蕉的女性被赋予主动权和力量。在1996年的《煎鸡蛋自画像 | Self Portrait with Fried Eggs》中，卢卡斯坐在一张简单的椅子上，两臂放在椅子的扶手上，双腿肆意叉开，穿着明显的旧牛仔裤和一双笨重的鞋子；但在她乳房的位置，又诡异地摊着两个煎鸡蛋，又一次质疑了男女有别的社会定义。

Self Portraits, 1990-1998: (1) Eating a Banana, 1990 (2) Divine, 1991 (3) Self Portrait with Mug of Tea, 1993 (4) Self Portrait with Knickers, 1994 (5) Self Portrait with Fried Eggs, 1996 (6) Human Toilet II, 1996 (7) Fighting Fire with Fire, 1996 (8) Self Portrait with Skull, 1997 (9) Got a Salmon On #3, 1997 (10) Summer, 1998 (11) Smoking, 1998 (12) Human Toilet Revisited, 1998

「

家具联想 

Furniture 

」

拥有一双能够发现平凡中的不平凡的眼睛，卢卡斯可以将日常平庸的事物转变为引起共鸣和象征性的作品。香烟、混凝土马桶、椅子、买菜车...结合人体部位，甚至暴露私处的雕塑令人惊叹于模特和艺术家之间的信任，而卢卡斯的模特都是她本人非常亲密的朋友，她也毫不掩饰自己对这种人际关系的骄傲。这些雕塑往往从屁股或腰间伸出香烟，像是朝观众的方向放屁，对观众来说是直接的挑战。

Margot , 2015, plaster, cigarette, freezer, 116.0 x 202.0 x 87.0 cm

Bike, 2011, tights, fluff, wire, ceramic toilet, merino sheep jaw, stone, concrete blocks, 64.0 x 69.0 x 208.0 cm

卢卡斯曾表示，“我只是选择对我有吸引力的椅子，这确实是一个随机的事情，因为无法预测会发生什么。” 现成家具的粗线条被缠绕着柔婉的女性符号，刚强与脆弱，碰撞出矛盾又精彩的火花。身体柔软的可塑性使人感到舒适，家具也呼应了艺术家长期以来将家具拟人化的创作思路：夹在椅子腿上的毛绒紧身裤暗示了双腿张开，绑在椅背上的胸罩暗示了生育哺乳，这些都表达出性欲或脆弱性的模棱两可。

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Cigarette Tits I [-> Idealized Smokers Chest I], 1999, bra, footballs, cigarettes, chair, 78.5 x 50.0 x 54.0 cm

Is Suicide Genetic?, 1996, Ceramic toilet, plastic toilet seat, acrylic paint, 43.2 x 38.1 x 53.3 cm

Tit-Cat Eames Chair, 2015, bronze, concrete, 103.0 x 81.0 x 78.0 cm

Moon, 2011, Tights, fluff, concrete blocks, wooden chair, 82.6 x 50.2 x 45.7 cm

Lounger 1, 2011, Tights, fluff, plastic bucket (orange), plastic lounger, 186 x 62.5 x 55.5 cm

Papa's got a Brand New Bag (Spike), 1999, Royal Mail trolley, bottled water, bag of plaster, Vaseline, mail bag, cucumber and two oranges, 98 x 94 x 57 cm. 

「

人型雕塑 

Biomorphic Sculptures 

」

NUD CYCLADIC 6, NUD CYCLADIC 3, and NUD CYCLADIC 10, 2010, Nylon tights, synthetic fibre, breeze blocks and steel wire, 130 × 44 × 43 cm

色情，幽默，大胆，戏剧性的拟人意象是卢卡斯 “人形雕塑”（biomorphic sculpture）的关键词。他们反思了女性身体部位在社会规范和性观念中作为客体存在的普遍问题。

萨拉·卢卡斯2010年创作的《裸体 | NUDS》雕塑系列以肉色的绒毛填充褐色尼龙丝袜制作而成的雕塑作品，扭曲成一种模糊而拟人的形状，摆放在一个由轻质砖和木头堆砌的底座上。虽然这些根茎状缠绕的柱状体极似人的四肢和器官，但它们完全不能被理解为一个具象的个体。这些人形作品懒散地瘫在柱台上，肆意地展示着自己各种形态的任性和扭曲，在一个个环结中无止境地穿梭，探索着关于性别、性向及身份等迫切的社会问题。

⬅️ 向左滑动查看更多 ⬅️Polaroid Bunny #1, 1997Polaroid Bunny #2, 1997Polaroid Bunny #3, 1997Pauline Bunny, 1997Bunny Gets Snookered #3, 1997Bunny Gets Snookered #8, 1997Wooden chair, vinyl seat, tights, kapok, metal wire, stockings and metal clamp

《兔女郎 | Bunnies》和 它的延续系列《蜜糖派 | Honey Pie》更丰富了这些“人”的穿着、态度和角色。肉色的丝袜换成了鲜艳的长筒袜、筒靴或高跟鞋，彩色的媒介更加凸显女性器官，但仿佛诉说着女性该有权利活出属于自己的人生。回忆怀孕时期的自己，卢卡斯说她就是被禁锢在家具和家庭的人体雕塑，扭曲变形，处在尴尬、荒谬、脆弱的处境。

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COOL CHICK BABY, 2020, 

ALICE COOPER, 2020, 

HONEY PIE, 2020O YOKO O, 2019WHY SHOULD I?, 2019CROSS DORIS, 2019Tights, wool, wire, bulldog clip, chair, acrylic paint, and shoes with MDF plinth

展览 | Exhibitions Review

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莎拉·卢卡斯 | Sarah Lucas

北京红砖美术馆

2019. 11. 02 - 2020. 07. 19

Vox Pop Doris, 2018, cast concrete, steel, 359 x 250 x 250 cm, courtesy to Red Brick Art Museum, Beijing

作为卢卡斯迄今为止在亚洲地区最大规模的个展，红砖美术馆的此次展览受疫情影响延长展期至今年七月，呈现了艺术家30多年来创作生涯的100余件重要作品，以及特别为本次展览创作的十余件新作，涵盖雕塑、摄影和装置。相比于在西方国家的呈现，北京红砖的这次个展是卢卡斯第一次面对中国观众，她尝试去直面东西方文化差异，并期待在不同场域和文化背景下作品所激发的跨文化对话（cultural dialogue）。延续善用拾得物（found object）和日常物件构建充满挑衅意味的视觉语言作品的风格，卢卡斯用在北京“拾得”的浴缸和汽车进行现场创作，结合本土物件探讨性别、权利和阶级等社会问题。

The dramatic results of One Thousand Eggs: For Women, 2019, courtesy to Red Brick Art Museum, Beijing

展览开幕当天，艺术家邀请了现场的女性及着女装的男性向一面空白高墙上扔鸡蛋，共同创作行为及装置作品《致女人的一千个鸡蛋 | One Thousand Eggs For Women》。蛋经常和生育的概念联系在一起，在卢卡斯的作品中，不同形态的蛋时常成为她的表现对象。“布满蛋黄、蛋清和蛋壳流泻痕迹的墙壁成为女性解放身体、意志和宣泄的见证，但我认为通常女性不会把它们释放出来。” 卢卡斯说。

同样，在展览文献区也特别呈现卢卡斯的挚友——摄影师约翰尼·山德·基德（Johnnie Shand Kydd）跨度25年的35件摄影作品。除摄影作品之外，艺术家本身的大量手稿，画册，和个人物品也进一步让中国观众近距离走进这位激进的先锋艺术家。

Installation View: 莎拉·卢卡斯, 北京红砖美术馆, 2019, courtesy to Red Brick Art Museum, Beijing

莎拉·卢卡斯：蜜糖派 | Sarah Lucas: HONEY PIE

Sadie Coles HQ Gallery, UK 

2020. 03. 16- 2020. 08. 08

英国Sadie Coles HQ Gallery于2020年3月16日推出Sarah Lucas的全新个展“蜜糖派” (Honey Pie) （这也是她在赛迪HQ画廊举办的第九次展览）。此次展出的十件雕塑中，五件由柔软的填充丝袜和拾得物制成，另外5件由青铜和水泥刚硬的材质。不同于艺术家长期创作的“兔子”（bunny）女性形象，卢卡斯为这些女性加穿上了华丽的高跟鞋，颇有十个自由女人一场盛宴的戏剧性。这些作品放置在由混凝土和金属制成的椅子基座上，形成相同的“身型-椅子”布局。“他们有着一种幽灵般的特质，就像另一个时代遗留下来的东西一样。”卢卡斯说，“这是硬与软、多彩与朴素的混合体。” 每一个作品的肉感与大胆的色彩形成了鲜明的对比，在超现实主义的外观中更具有个性化色彩，变得奇异和挑衅，也更大程度上重置了雕塑与观众之间权力关系的平衡。

⬅️ 向左滑动查看更多 ⬅️Installation View: Sarah Lucas: HONEY PIE, Sadie Coles HQ Gallery, 2020

莎拉·卢卡斯：赤裸 | Sarah Lucas: Au Naturel

The New Museum, NYC, USA  

2018. 09. 26 - 2019. 01. 20

作为艺术家在美国的首次全面回顾个展，纽约The New Museum举行的展览 “Au Naturel” （纯赤）涵盖了卢卡斯创作生涯不同时期的艺术作品。由博物馆收藏艺术总监艾德利斯·尼森（Edlis Neeson）、马西米利亚诺·吉奥尼（Massimiliano Gioni）和策展人玛格特·诺顿（Margot Norton）共同策划，此次展览着重强调了艺术家作品本身和性与权利的重要关系。作为观众你会看到艺术家将香烟、蔬菜、全鸡、 和长袜等稀疏平常的物品融入作品，成为象征男女不同性别和阶级地位的象征。“Au Naturel” 在法语中意为全裸着的女性画，承载了父权社会中男性的观看价值（Male Gaze），女性仅仅成为了被动的性幻想对象和物化的肉体。

⬅️ 向左滑动查看更多 ⬅️Installation View: Sarah Lucas: Au Naturel, The New Museum, 2019

频道 | Virtual Channel

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致女人的一千个鸡蛋 | One Thousand Eggs for Women

莎拉·卢卡斯访谈 | Interview with Sarah Lucas

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图文 / Jessica、Zoey、Jone

统筹 / Roxy

特别鸣谢

Gladstone Gallery (纽约)

Sadie Coles HQ Gallery (伦敦)

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