国际艺术家电影(AFI)系列放映2 | 金杜艺术中心 x 伦敦白教堂美术馆
国际艺术家电影(AFI)系列放映2 预告片
金杜艺术中心十分荣幸地宣布将于2019年4月18日至6月11日呈现与伦敦白教堂美术馆第二次合作的国际电影项目。2019年，金杜艺术中心将作为“国际艺术家电影”(AFI)项目的参与机构之一，放映一系列以“性别”为主题的影像作品。“国际艺术家电影”关注国际重要影像作品，作品由包括金杜艺术中心在内的19家艺术机构作为全球合作伙伴共同推荐选择。每一个机构提名推荐所在地区优秀作品，在这一年中这些作品将会在全球所有合作艺术机构展映。
第二期系列放映的三部影片分别是由玛法现代艺术交流中心选送的哥伦比亚英裔艺术家卡罗莱娜·凯塞多的作品《显灵》(2018)、由意大利贝加莫现当代美术馆选送的意大利艺术家雅各布·米利亚尼的作品《沙漠》(2017)、以及土耳其伊斯坦布尔现代美术馆选送的土耳其艺术家塞内姆·格克切·奥乌尔泰金的《故乡》(2018)。
卡罗莱娜·凯塞多 Carolina Caycedo
显灵 Apariciones / Apparitions(2018)
9′11″
©️图片由艺术家、汉庭顿图书馆及玛法现代艺术交流中心提供
Courtesy the artist, the Huntington and Ballroom Marfa
由玛法现代艺术交流中心选送
Selected by the Ballroom Marfa, US
《显灵》(2018)描绘了幽灵般的舞者存在于洛杉矶的历史性地标“亨廷顿图书馆、艺术收藏和植物园”中。棕色，黑色和酷儿的身体出没于亨廷顿的标志性传统空间，例如遍布雕塑的北景草坪，阿曼森稀有书籍和手稿阅览室，或放置托马斯·庚斯博罗《蓝色男孩》的肖像画廊。这些舞者感性的动作灵感来源于祭奠奥克苏姆的仪式(来自非洲和巴西传统的神祗):一位代表着水、性快感、生育和爱情的奥瑞莎(女神)。舞者的身体，或魅影成为知识的来源，他们的目光让观者觉得与之戚戚相关，一种在历史和艺术中常常缺失的东西；以一种从未有过的姿态占据着这些白色的历史性空间。
《沙漠》(2017)通过发明一种新语言反映谈论多重和酷儿身份的可能性。通过只有两只手的动作和一个声音，沙漠在其中成为沙子从不定型存在之处。沙漠也是两部特定电影的象征性参考:皮埃尔·保罗·帕索里尼的《定理》(1968)和斯蒂芬·埃利奥特的《沙漠妖姬》(1994)。这两部电影的主角分别是“访客”(一位不确定性取向的神秘外来者)和伯纳黛特(一位异装癖表演者)，并且都由同一位演员特伦斯·斯坦普饰演。这些电影是艺术家创作的文本起点，通过配音叙述，真实和 虚构的身份消失，固定角色的存在消融。
《故乡》(2018)摄于亚美尼亚边界旁的10世纪阿尼古城废墟中。边界两边的土地通过两位舞者的身体互动相互对话，两位舞者分别来自土耳其和亚美尼亚。这是一个关于互相滋养和共建未来的故事，源于两个苍老灵魂的舞蹈和对空间的感性聆听。这部电影的出发点是，当我们为感性的身体存在提供空间时，我们能够超越文化边界，避免分裂的和微观的世界观;进而，性别、国籍、风格和意识形态等抽象身份消失，揭示出具体的活生生的存在:一个出汗、颤抖、呼吸的身体配着一颗在爱着、痛着和希望着的心灵。
特别鸣谢：KEF提供独家音响设备赞助
雅各布·米利亚尼 Jacopo Miliani
沙漠 Deserto(2017)
6′09″
©️图片由艺术家、意大利贝加莫现当代美术馆提供
Courtesy the artist,GAMeC
由意大利贝加莫现当代美术馆选送
Selected by GAMeC in Bergamo, Italy
KWM artcenter is pleased to present its second collaboration with the Whitechapel Gallery, London from 18 April to 11 June 2019. Throughout 2019, KWM artcenter will be screening a series of moving image works as part of the Artists’ Film International (AFI) project based on the theme of gender. AFl celebrates moving image work and is selected by a global partnership of arts organisations including KWM artcenter. Each nominates an outstanding work from their region which is screened across each venue during the year.
The second 3 selected films are Colombian/British artist Carolina Caycedo’s Apariciones / Apparitions (2018) selected by the Ballroom in Marfa, US; Italian artist Jacopo Miliani ’s Deserto (2017) selected by GAMeC in Bergamo, Italy; and Turkish artist Senem Gokce Ogultekin’s Dun (EV) (2018) selected by Istanbul Modern in Turkey.
Apariciones / Apparitions (2018) depicts ghost-like dancers inhabiting the historic Los Angeles landmark, The Huntington Library and its Art Collections and Botanical Gardens. The brown, black, and queer bodies haunt The Huntington’s iconic and traditional spaces – such as the sweeping sculpture-lined North Vista lawn, the Ahmanson rare-book and manuscripts reading room, or the Portrait Gallery that houses Thomas Gainsborough's The Blue Boy – in sensuous movements informed by the rituals of Afro-Brazilian deity, Oxum, an Orisha (or goddess) representing water, sexual pleasure, fertility, and love. The bodies of the dancers, or phantoms, become sources of knowledge, and their gaze holds the viewer accountable, something that is too often missing from history and art; inhabiting historically white spaces in ways that they have never been inhabited before.
Deserto (2017) reflects on the possibility of speaking about multiple identities through the invention of a new language. Through only the movement of two hands and a voice over, the desert is evoked as the place where the sand never takes a precise shape. The desert is also a symbolic reference to two specific films: Teorema (1968) by Pier Paolo Pasolini and The Adventures of Priscilla, Queen of the Desert (1994) by Stephan Elliot. The protagonists of these movies are ‘the Guest’ (a mysterious stranger with a fluid sexuality) and Bernadette (a transgender character), respectively, and both played by the same British actor Terence Stamp. These films are the starting point for the text created by the artist and narrated by a voiceover, where real and fictional identities disappear, dismantling the existence of any fixed role.
塞内姆·格克切·奥乌尔泰金 Senem GökçeOğultekin
故乡 Dun (Ev) 2018
13′13″
©️图片由艺术家、土耳其伊斯坦布尔现代美术馆提供
Courtesy the artist,Istanbul Modern
由土耳其伊斯坦布尔现代美术馆选送
Dun (EV) (2018) was shot among the ruins of the 10th AD historical town of Ani next to the closed border between Armenia and Turkey. The land on the two sides of the border meet and are in dialogue with each other through the bodily interaction of the two dancers, one from Turkey and the other from Armenia. It is a story of mutual nourishment and possible future building based on dance and sensuous listening of the space by two old souls. The film takes its starting point from the idea that when we give space to our sensuous bodily existence we are able to transcend cultural borders and refrain ourselves from dissecting and calculating world views. Then abstract identities such as gender, nationality, style, and ideology disappear revealing concrete living beings in bodies that sweat, shiver and breathe, adorned with a heart that loves, mourns, and hopes.
Special Thanks: Exclusive audio equipment sponsor KEF.
关于艺术家
About the Artists
卡罗莱娜·凯塞多 Carolina Caycedo
1978年生于伦敦，现生活工作于洛杉矶。艺术硕士毕业于洛杉矶南加州大学罗斯基美术学院洛杉矶安第斯大学。美术学士毕业于哥伦比亚波哥大洛杉矶安第斯大学。她近期个展及艺术项目包括：“水域会议”第八届缔约方水公约，联合国欧洲经济委员会，哈萨克斯坦阿斯塔纳（2018）；“疯狂的法术”，洛丝拉图斯新美术馆，危地马拉（2017）；“水一体”，领结项目，时钟商店，洛杉矶（2015）；“朋友之地”，Gayle and Ed Roski画廊，洛杉矶（2014）；“湍流被定义为暴力，但被河床包围的急流才是无人的暴力”，德国学术交流中心，柏林（2013）；“女刑事犯”，弗里兹伦敦艺博会“Frame”版块，伦敦（2012）等。她近期群展及艺术项目包括：“洛杉矶制造”，汉默尔博物馆，洛杉矶（2018）；“众水之间”，惠特尼博物馆，纽约（2018）；“南巡的宝藏“，首尔9艺术博物馆，韩国（2017）；“远程规划：气候与基础设施”，人力资源洛杉矶画廊，洛杉矶（2016）；“带入现实，不再为空”，内森卡明斯基金会，纽约（2015）等。
Born in 1978, London and lives and works in Los Angeles. She graduated from Roski School of Fine Arts and University of Southern California. Los Angeles. Solo Exhibitions and Projects (selection) includes: Meeting of the Waters. 8th Session MOP Water Convention. UNECE. Astana, Kazakhstan (2018); Conjuro de la Locura / Spell of Madness. NUMU. Guatemala (2017); One Body of Water. The Bowtie Project, Clockshop. Los Angeles (2015); Land of Friends. Gayle and Ed Roski Gallery. Los Angeles (2014): The Headlong Stream is Termed Violent, but the Riverbed Hemming it in is Termed Violent by No One. DAAD, Berlin(2013); Criminal Women. Frieze Frame. London (2012). Group Exhibitons and Projects (selection) includes:Made in L.A. Hammer Museum, Los Angeles (2018); Between the Waters. Whitney Museum. New York (2018); Treasure of the Southern Sojourn. Seoul Museum of Art. Korea (2017); The Distance Plan: Climate and Infrastructure.
雅各布·米利亚尼 Jacopo Miliani
出生于佛罗伦萨，现工作生活于米兰。雅各布•米利亚尼的作品基于跨学科研究，涉及视频、装置、表演、拼贴、摄影等不同实践。个展包括在：罗莎·桑托斯画廊，西班牙巴伦西亚（2018），Marselleria，米兰（2017），Matadero，马德里（2017），Kunsthalle Lissabon，里斯本（2016），Nogueras Blanchard，巴塞罗那（2016），ICA studio，伦敦（2015） ，Biblioteca Nacional，布宜诺斯艾利斯（2014年），GAM，都灵（2013），EX3，佛罗伦萨（2012）以及卢加诺工作室Dabbeni（2015）和罗马FRUTTA画廊（2012）的展览。他的演出项目，包括：东京宫，巴黎（2017），大卫罗伯茨艺术基金会，伦敦（2016-2012），朱利安尼基金会，罗马（2015），舞蹈博物馆，斯德哥尔摩（2014），CCSP，圣保罗（2014），ViaFarini / DOCVA，米兰（2014），MADRE，那不勒斯（2011）
Born in Florence, now he lives and works in Milan. The work of Jacopo Miliani is based on an interdisciplinary research involving different practices such as video, installation, performance, collage, photography. Solo exhibitions include: Galeria Rosa Santos, Valencia (2018), Marselleria, Milano (2017), Matadero, Madrid (2017), Kunsthalle Lissabon, Lisbon (2016), Nogueras Blanchard, Barcelona (2016), ICA studio, London (2015), Biblioteca Nacional, Buenos Aires (2014), GAM, Turin (2013), EX3, Florence (2012) and the exhibitions at Studio Dabbeni in Lugano (2015 e 2010) and FRUTTA gallery in Rome (2012 e 2014). He realized several performances including: Palais de Tokyo, Paris (2017), David Roberts Art Foundation, London (2016-2012), Fondazione Giuliani, Rome (2015), Museum of Dance, Stockholm (2014), CCSP, Sao Paulo (2014), ViaFarini/DOCVA, Milan (2014), MADRE, Naples (2011).
塞内姆·格克切·奥乌尔泰金 Senem Gökçe Oğultekin
艺术家是工作于土耳其和德国的表演家、编舞和电影制作人。她在埃森富克旺根音乐学院学习舞蹈。她过去曾在多个剧场表演，像巴黎城市剧院、布鲁塞尔Kaai剧院、德国PACTZollverein当代艺术中心以及蹭参加威尼斯双年展、德国Tanzplattform艺术节、布鲁塞尔的Kunstenfestivaldesarts艺术节和法国圣丹尼舞蹈艺术节。通过运用多媒体、舞蹈、身体研究、即兴创作和声乐作品，塞内姆·格克切·奥乌尔泰金创作了具有艺术类别界限的混合作品。
She is performer, choreographerand moviemaker based in Turkey and Germany. She studied dancing at the Folkwang University of Arts in Essen. She has been performing at theaters such as Theatre de la Ville, Kaaitheater, Pact Zollverein and has participated festivals like Biennale di Venezia, Tanzplattform, Kunstenfestivaldesarts and Rencontres Choreographique de Saint Denis. By using multimedia, dance, body research, improvisation and vocal work, Senem Gökçe Oğultekin createshybrid workswhich play with the boundaries of art categories.
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