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[重庆]何军林 走进青神(组诗)【英汉对照,张智中 译】

野鬼DIABLO 国际诗歌翻译研究中心 2022-08-14


[重庆]何军林

走进青神(组诗)


非遗竹编


从出发那一刻起

反复念叨此行的目的

到青神找一片茂密的竹林


傍晚如约而至

终于靠近那片竹林

父亲的叮嘱从风中飘来

你得挥舞一把篾刀

你得砍倒一根竹子

你得学会当一个优秀的篾匠


坐在夜色中间

我把篾刀虚构成一道闪电

把一根竹子剖开

从竹条到竹片

从竹片到竹丝

已经薄如蝉翼、细如发丝


现在开始回想

前辈留下的手艺和荣耀

如何编一盏竹灯笼

如何编出更多的竹灯笼

还有那些熬夜劳作的亲戚

细心打磨一批竹子

编出世界上最长的竹龙

从龙头到龙尾

从龙身到鳞片

每个细节足以流传四方


谁能告诉我

如何用上百万根竹丝

编出清明上河图

还有簪花仕女图呢

还有八骏图呢

还有巧夺天工的富春山居图


当我收好篾刀

当我在深夜入睡

再次梦见竹楼、竹亭和竹舫



千古中岩


陆游说

这里是川南第一山

范成大说

这里是西川林泉最佳处

关于青神中岩

我又能说些什么


在青神城东南不远处

靠近岷江东岸

看青峰冥壑

听流泉响石

我说这里风光绚丽

我说这里景色怡人


我还想说北宋的某个清晨

在中岩书院

透过一扇木窗

看到求学的苏轼

我想喊一声苏东坡

老师的呵斥却破窗而出


再严厉的老师

也挡不住一场爱情

就在书院下方的唤鱼池

看鱼群戏水

等老师的女儿款款而来

苏东坡说出了初恋的秘密


这就是中岩

传说唤鱼联姻的地方

其实李白早就从这里路过

黄庭坚也曾慕名而来

于是有了千古中岩

有了钟灵毓秀、人文荟萃



汉阳湖


紧靠岷山水系

和紧靠一棵大树没有区别

在青神县西南方向

把湖水捧在手心

猜想它的源头

再眺望一次它的归宿


以岷江为主脉

以古镇为风情

以田园为本色

汉阳湖一直在重新构想

某种风景

构想你心中期盼的风景


那是另外一条回乡之路

这条路上

周公会沿着他熟悉的步道而来

神农和蚕丛会在路上高谈阔论

杜康,对,就是杜康

会边看风景边饮橘橙果酒

湖光美,山色靓

酒不醉人,风景已让人陶醉


你已经走过汉阳古镇

已经穿过广阔田野

正渴望面朝大海

等着春暖花开

不如直面汉阳湖水

看龙舟从端午划到天边


当夜幕降临

投靠依水而生

顺水而造的汉阳湖忆村

在临水的院子找一顶帐篷

就这样卸下烦恼

在梦中回到灵魂的家园



江湾神木园


东临岷江

看脚下长满玻璃

想象阳光下动人的风景

一定是波光粼粼

一定是水光潋滟

当我远眺千古中岩

当我远眺龙泉山的峰峦叠嶂

那时山色空濛

那时我想起了什么


总喜欢模仿明清风格

从青砖

到白墙和灰瓦

从飞檐翘角

到雕梁画栋和曲径通幽

你们布置了多少山水花鸟

又有多少诗词歌赋,

看古木参天

还有神木林立

奇石点缀其间又想证明什么


我看见一棵大树倒下

看见它被河水淹没

又被沙石覆盖

于是我开始漫长的等待

也许是三千年

也许是一万年

当河水退去

当他们把沙石掀开

我看见一棵树变成石头

他们说那是阴沉木

他们说那是东方神木



[Chongqing]He Junlin

Walking into Qingshen (group poems)


Bamboo Plaiting Articles of Non-Material Cultural Heritage


From the moment of starting

The purpose of the trip is uttered time and again

Go to Qingshen to find a dense bamboo grove


The evening comes as expected

Eventually to approach the bamboo grove

Father’s solicitous words for me are carried here in the wind

You have to wield a knife which is used to cut bamboo strips

And you have to fell a bamboo

You have to learn to be an excellent handicraftsman of bamboo strips


Sitting in the night

I fabricate the bamboo strips knife into a lightning

To split a bamboo

From thick bamboo strips to thin ones

From thin ones to bamboo filaments

They are thin like cicada’s wings and thin like hair


Now I begin to recall

The handicraft and glory left behind by predecessors

How to weave a bamboo lantern

How to weave more bamboo lanterns

And those relatives who labor through the night

To carefully work a batch of bamboos

To weave the longest bamboo dragon in the world

From the dragon head to dragon tail

From the body to scales

Each detail is adequate to spread far and near


Who can tell me

How to use millions of bamboo filaments

To weave Riverside Scene at the Pure Moon Festival

What about the Painting of Ladies with Head-pinned Flowers

And the Painting of Eight Steeds

As well as the Painting of Rich Spring Mountain of superb craftsmanship


When I store up the bamboo strips knife

When I sleep in the depth of night

To dream again the building, pavilion and boat of bamboos



Zhongyan Through the Years


Great Chinese poet Lu You says

This is the first mountain in the south of Sichuan Province

Another great Chinese poet Fan Chengda says

This is the best scenic spot in the west of Sichuan Province for its forests and springs

About Zhongyan of Qingshen

What more can I say


Not far from the southeast of Qingshen

By the east shore of Minjiang River

To see green peaks interlaced with profound ravines

To listen to clear water babbling over stones

I say the scenery here is beautiful

I say the scenery here is delightful


I also want to say on a morning of the Northern Song Dynasty

In the academy of Zhongyan

Through a wooden window

To see famous poet Su Shi engaged in study

I want to call him

When my teacher’s scold wafts without the window


A rigorous teacher fails

To resist the temptation of love

By the fishing pool below the academy

To see fishes swimming and frolicking

Waiting for my teacher’s daughter to sail here

Su Shi has disclosed the secret of the first love


This is Zhongyan

A legendary place for the alliance of fishes

Actually great Chinese poet Li Bai has passed by here

And famous Chinese poet Huang Tingjian has come out of adoration for its fame

Hence Zhongyan Through the Years

And it is pregnant with beauty and productive of talents



Hanyang Lake


Close by the water system of Mount Min

No difference between a huge tree

To the southwest of Qingshen County

To scoop lake water in palms

To guess its headstream

To again look afar at its destination


Min River as its primary vein

The ancient town as a place of various attractions

Pastoral scene is its natural charm

Hanyang Lake is always engaged in a new conception

Some scenery

To conceive the landscape yearned in your heart


That is another road back to hometown

On the way

Great dream interpreter Zhougong comes along his familiar path

The Patron of Agriculture and silkworm master Can Cong talk bombastically along the way

Du Kang, yes, wine mater Du Kang

Will drink wine concocted with orange juice

Beautiful lake scenery, fair mountain-scape

Drinkers are drunk, if not with wine, with the scenery


You have passed through the ancient town of Hanyang

Have walked through the vast field

Expectant of a great sea

Waiting for a spring warm with flowers

No better than to face the water of Hanyang Lake

To see the dragon boat rowing from the Dragon Boat Festival to the horizon


When the night curtain falls

By the water there is to be a retainer of any side

The memory village of Hanyang Lake, made along the water

To find a tent in the riverside yard

Thus to unburden my worries

In my dream to retrace the home of my soul



Riverside Divine Wood Garden


By the east of Min River

Beneath my feet the ground is with a growth of glass

To imagine the touching landscape in the sunshine

Glittering waves are a sure thing

Rippling waters are a sure thing

When I look afar at the Zhongyan through thousands of years

When I look afar at the peaks upon peaks of Longquan Mountain

The color of the mountain is misty and empty

When I think of something


A constant imitating of Ming- and Qing-dynasty style

From blue bricks

To white walls and grey tiles

From flying eaves and protruding angles

To carved beams and painted rafter, as well as winding paths lead to quiet seclusion

How many hills & rills and flowers & birds you have arranged

And how many poems and songs,

To see ancient trees towering to the skies

And divine trees after trees

Interspersed with wondrous stones to prove what


I see a tree a huge tree falling down

See it drowned in the river water

And covered up by sands and rocks

And I begin my long waiting

Perhaps three thousand years

Perhaps millions of years

When river water recedes

When they lift sands and rocks

I see a tree turning into a rock

They say it is the ebony wood

They say it is the Oriental divine wood

                  (Tr. Zhang Zhizhong;张智中 译)



作者简介:

何军林,中国当代诗人、作家、新闻工作者。现任《重庆科技报》编委,《巴渝文学》《文学中国》主编,获国家新闻出版总署行业报社长总编辑岗位合格证书,重庆市作家协会、中国散文学会、中国大众文学学会、中国自然资源作家协会会员,重庆市新闻媒体作家协会理事,四川省文艺传播促进会会员。论文《严肃党内政治生活  持续改善政治生态》入选中国延安干部学院第五届党性教育“延安论坛”。



About the author:

He Junlin is a poet, writer and journalist in contemporary China, now an editor of Chongqing Newspaper of Science & Technology, editor-in-chief of Bayu Literature and Literary China. He has obtained the certificate for qualification of editor-in-chief from the National Press and Publications Administration, and is a member of Chongqing Writers’ Association, China Association of Prose, China Association of Popular Culture, China Association of Natural Resources, as well as director of Chongqing Association of Journalists & Writers and member of Sichuan Provincial Association of Literature Dissemination & Promotion, etc. To Rectify the Party Political Life and to Improve the Political Ecology, an academic article by him, has been included into the 5th Party Education “Yan’an Forum” of Yan’an Carders College of China.



译者简介:

张智中,南开大学外国语学院翻译系教授、博士研究生导师、翻译系主任。兼任《国际诗歌翻译》季刊客座总编,出版编、译、著100余部,在外语类核心和其它重要刊物上发表学术论文100余篇,另有诗歌创作发表,曾获多种奖项。主持国家社科基金项目2项,天津市哲社重点项目1项。汉诗英译多走向国外,获国际著名诗人和翻译家的广泛好评。译诗观:但为传神,不拘其形,散文笔法,诗意内容;将汉诗英译提高到英诗的高度。



About the translator:

Zhang Zhizhong is professor, doctoral supervisor, and dean of the Translation Department of Foreign Languages College, Nankai University. Meanwhile, he is guest editor of Rendition of International Poetry Quarterly. Up to now, he has published over 100 books and 100 academic papers; besides, he has published his own poems, and he has won various prizes. He has undertaken 2 projects funded by the National Social Science Foundation of China and 1 key project funded by Tianjin Social Science Foundation. His English translation of Chinese poetry is widely acclaimed throughout the world, and is favorably reviewed by international poets and translators. His view on poetry translation: spirit over form, prose enjambment to rewrite Chinese poetry into sterling English poetry.




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