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影响古尔德巴赫诠释的重要人物丨图雷克《哥德堡变奏曲》视频

2017-01-06 感受演奏家如何 生活在古典音乐中

https://v.qq.com/txp/iframe/player.html?vid=m0144qx6m2b&width=500&height=375&auto=0图雷克《哥德堡变奏曲》Aria 


五个小时能练什么:有一天,图蕾克大师在我老师的早期钢琴学院开独奏会——哥德堡变奏曲。图蕾克提出,要练习五小时才可以上台,于是老师就把图蕾克带到自己的早期钢琴学院练琴——老师在楼上办公,图蕾克在下面练琴。只听图蕾克练了五个小时Aria——也就是开头的咏叹调,先生心里琢磨,这个节奏下去,能开上音乐会要下个月这会儿了……不料图蕾克突然向楼上大喊:咱们可以走了我练好了。老师不解:您只练了Aria啊。图蕾克说:这就够了。当晚,图蕾克近乎完美的演奏了全本哥德堡变奏曲,赢得了满堂彩。(转自为艺志:“巴赫女祭司”图雷克二三事)



巴赫:平均律、哥德堡变奏曲

罗莎琳·图雷克 (钢琴,6CD)

Deutsche Grammophon 4794177


美国键盘名家萝莎琳·图雷克(Rosalyn Tureck,December 14, 1914 – July 17, 2003)是二十世纪公认的巴赫权威,被人称作“巴赫最高女祭司”。有次图雷克接受加拿大广播公司访问时,主持人提及,当代另一位巴赫专家加拿大钢琴家古尔德曾经告诉他,图雷克是影响古尔德在巴赫诠释上的惟一人物。或许我们听闻两者的诠释南辕北辙,但是巨匠古尔德所言的影响绝不是模仿,他势必衷心钦慕图雷克在巴赫键盘音乐上的独到诠释。

这套图雷克演奏的6张套装,共收录她两份巴赫录音,CD1~CD4是1952-53年在纽约为美国DECCA所录下的平均律全辑,虽然时间距今超过60年,但是声音效果丝毫不显陈旧,音乐中洋溢丰富情感,是极具个人魅力的演奏。CD5-6是她最受各界推崇的曲目哥德堡变奏曲,图雷克毕生共留有六次之多的哥德堡录音,这份83岁时的录音,是她生涯最晚年的一次,打从一开始的主题出现后,图雷克便以令人惊叹的深刻情感紧紧揪住听者的心,速度极缓慢地将作品的细节如解剖刀般清楚呈现却又如此美丽,不疾不徐地带我们走入巴赫所精心佈置的音乐建筑当中。

https://v.qq.com/txp/iframe/player.html?vid=p0149jscnv7&width=500&height=375&auto=0杜巴尔采访钢琴家图雷克


THE Bach Clavier Interpreter

At the age of 15 Tureck was already performing all-Bach recitals, by the age of 16 she was a well-studied Bach performer with knowledge and experience of the harpsichord, clavichord and organ, as well as the piano. 

She herself wrote: “Just before my 17th birthday I had an experience which changed my whole life.” While studying again Bach’s material, she lost consciousness and later reports: “I don’t know, how long it was, but when I came to, I had a whole new insight into Bach’s music. I suddenly understood … that a totally new performance technique had to be created to fit this concept of form and its detailed structures…..”

In the year following this revelation, she learned and relearned all of the “Well-Tempered Clavier”. “And the year after, I studied the Goldberg Variations for the first time… and they became central to my life ever since.”

The Well-Tempered Clavier (1952 – 53; 4 CDs) – “Tureck shapes Bach’s lines with architectural specificity ... like the aural equivalent of three-dimensional chess ... Anyone who cares about Bach’s keyboard music should hear these landmark recordings” (International Record Review) 

The 1998 Goldberg Variations(1998; 2 CDs) – "a valedictory performance, her final recording before her death in 2003. “Every note is played as if the culmination of a lifetime’s consideration.” (BBC Music Magazine).


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