≡ 2019巴塞尔艺术展香港展会 | 艺廊荟萃: 展位3C07
≡ 王卫 Wang Wei
正方形的自然史 4 (No.4) Squared Natural History 4 (No.4)
2018
马赛克瓷砖、铝板
Mosaic tiles on aluminum board
148 x 148 x 2.5 cm
© 图像由马凌画廊和艺术家提供
Image courtesy of Edouard Malingue Gallery and the artist
2019巴塞尔艺术展香港展会
Art Basel Hong Kong 2019
艺廊荟萃 Galleries: 展位 Booth 3C07
预览 Private View: 19.03.27 - 03.28
公众日 Public Days: 19.03.29 - 03.31
(Scroll down for English version)
马凌画廊很荣幸参与巴塞尔艺术展香港展会，在“艺廊荟萃”带来艾域克·柏达（生于1972, 法国）、周育正（生于1976, 台湾）、何意达（生于1980, 中国）、关尚智（生于1980, 香港）、菲利普·赖（生于1969, 马来西亚）、谢素梅（生于1973, 卢森堡）、王卫（生于1972, 中国）、黄炳（生于1984, 香港）、杨嘉辉（生于1979, 香港）、袁远（生于1973, 中国）和郑洲（生于1969, 中国）的作品，呈现画廊致力推广美学与概念并重的艺术家的创办理念。
艾域克‧柏达选用并抽离寻常事物，重构其形状、色彩和形式，编织一个个灵动的作品。此次展出的作品《毫米绘算纸（大白金）》（2018）是精确到毫米在建筑纸上进行的精准擦画。另一件作品《工具箱》是多个单一物件的集合，通过静态的陈列摆设，类似一种跨越人类活动和美学可能之中的实用性静物的形式。柏达的展览包括：巴黎小皇宫和迈阿密巴斯美术馆等。其作品也被多个著名博物馆收藏，包括波士顿MFA和日内瓦MAMCO。在2011年，其荣获默里斯当代艺术奖。
≡ 艾域克·柏达 Eric Baudart
工具箱 Tool Box
2017
塑胶、钢、其他工具
Plastic, steel and others
50 x 45 x 20 cm (open 开放式)
© 图像由马凌画廊和艺术家提供
Image courtesy of Edouard Malingue Gallery and the artist
周育正透过重塑、转移或转化创作元素刷新身份和物件之间的关系，贯穿其多媒介艺术创作的脉络是他对大众媒体、体制和生产系统的批判。周育正毕业于法国国立巴黎高等艺术学院与塞纳河研究计划，在国际艺术界以其创作策源和成果之间的相互辩证作用见称。展位将展示两组渐层画，分别受其对“日光”的悬念和马尼拉的绚丽多彩启发。与之相对的新作探索卫生和现代性的相互关系。周育正的近期个展包括台北市立美术馆和高雄市立美术馆，群展包括利物浦双年展、巴塞尔艺术展香港展会“艺聚空间”和纽约新美术馆等。
何意达的艺术实践以充满雕塑语言的装置为主，以试图挑战常规美学及物品和其所处环境之间的关系，或是更广泛来说是在试图探索艺术的根源。何意达现生活在上海，其获得现成物的方式是一种基于物质材料中的集成。她鉴别物质的曲率、质地、重量，由此创造出自己的雕塑语言，即对原始物品的实际用途的认知再以此为出发点来构建一个显而易见的灵动物品剧院。此次展示的作品是一个结合木材、泡沫塑料和陶瓷的新雕塑作品《无题》（2018）。何的个展包括上海A + Contemporary和北京C-Space。其群展包括香港马凌画廊、武汉剩余空间、上海当代艺术馆等。何于2018年在曼彻斯特中国当代艺术中心完成了利物浦双年展驻留项目。
≡ 何意达 He Yida
无题 Untitled
2016
木、泡沫胶、陶瓷
Wood, styrofoam, ceramic
181.5 x 103 x 70 cm
© 图像由马凌画廊和艺术家提供
Image courtesy of Edouard Malingue Gallery and the artist
关尚智执著从多种创作媒介中追求探索一种深植于对政治状态的批判、价值分配和存在形式的概念实践。运用简单的创作道具来表达其尖锐鲜明的思索，关试图揭秘香港与金钱的关系、它的政治形态以及香港居民的生计。此次展出的作品《跟阿智一起做⋯⋯制作往生袋》（2009）透着黑色幽默，试图让我们意识到我们忙于世俗生活却忽略了处理威胁我们自身存在的、更为重要的事情，比如接踵的社会问题和民主的瓦解崩裂。关曾在多地举办展览，包括纽约古根海姆博物馆和上海外滩美术馆等。在2013年，其获得首届“HUGO BOSS亚洲艺术大奖”。
菲利普·赖的创作从媒材自身的属性入手，思索物质如何在时间和空间中建立关联。 通过细致精巧的构思，赖将物品置于显眼的地方以制造出一种氛围来引导观众思考物质的本质。雕塑装置《无题》（2019）由一只碗构成，其是以一只在街角发现的碗为模型而制成的塑料变型体，被楔进一似黑色泡沫的波浪结构中。通过对物件独特的安排和放置，赖将看似笃定的事物向功能性、平衡和建筑美学敞开。赖于2018年获提名赫普沃斯雕塑奖，其国际展览包括伦敦卡姆登艺术中心、伦敦泰特现代美术馆、格拉斯哥传播画廊、伦敦绘画室艺术空间、伦敦海沃德美术馆、纽约现代艺术博物馆和伦敦当代艺术中心。赖的作品获多个永久收藏，包括伦敦泰特现代美术馆、英国艺术委员会、伦敦卡姆登艺术中心、美国高斯-迈克尔基金会、意大利诺马斯基金会和墨西哥Jumex艺术博物馆。
≡ 菲利普·赖 Philip Lai
无题 Untitled
2019
浇注型聚氨酯树脂、浇注型聚氨酯橡胶、混凝土
Cast polyurethane resin, cast polyurethane rubber, concrete
© 图像由马凌画廊、伦敦现代美术馆和艺术家提供
Image courtesy of Edouard Malingue Gallery,
Modern Art (London) and the artist
作为一个中英混血的专业古典大提琴演奏家，谢素梅将音乐语言用作主要元素来编织另人沉思又栩栩如生的视听故事。通过勘察地域、文化和传统的连结，谢的作品引发感官的交叉刺激作用，使时间的流动凝结于平缓的沉思状态，例如此次将被展出的作品《黄金树（回忆）》（2018）中所描绘的暮景桑榆。谢素梅于2003年代表卢森堡参加威尼斯双年展、获颁金狮奖后开始崭露头角。其个展包括上海余德耀美术馆、瑞士阿尔高尔美术馆、卢森堡现代艺术博物馆和波士顿伊莎贝拉嘉纳艺术博物馆等。
王卫的作品不像艺术作品，反而更像是一种承载生活语境下的巧计的容器。其选用现存的空间和视觉元素，再根据展出空间的实际情况因地制宜。此次展出的两件作品分别是《正方形的自然史4（No. 4）》（2018）和《正方形的自然史4（No. 5）》（2018）。这是两组马赛克瓷砖作品，其表面的图案均来自广东东莞地区的马赛克外墙。通过这些特有的图案，王旨在基于其对更迭的不断思索，将这些可得的材料从日常语境中抽离至一种孤立存疑的状态。王的展览包括利物浦泰特美术馆和卡斯雕塑基金会。在2017年，其作品《树影》被选为在上海西岸艺术与设计举办的特殊项目“ArtReview Asia Xian Chang”中最佳作品。
≡ 王卫 Wang Wei
正方形的自然史 4 (No.5) Squared Natural History 4 (No.5)
2018
马赛克瓷砖、铝板
Mosaic tiles on aluminum board
148 x 148 x 2.5 cm
© 图像由马凌画廊和艺术家提供
Image courtesy of Edouard Malingue Gallery and the artist
闪烁的波普画面、视听双重感官的叙事、延伸至艺术家奇幻动画世界的三维装置，这些都是黄炳的创作元素。利用诙谐又震撼的视觉语言，黄表达了其从童年到成年的社会观察。将展出的作品《白化症曱甴成为健美史上肤色最浅的健美锦标赛总冠军》（2018）是一个延续其备受推崇的动画系列《黄炳寓言》（2018）而创的三维雕塑，该动画系列呈现出一系列发生在引起不适的遭遇中有关外表、爱、数码互动、自恋和恐惧的种种问题。黄炳的近期展览包括巴塞尔美术馆、杜塞尔多夫CAPRI、纽约古根海姆博物馆和新当代艺术博物馆。2018年，其获得了首届卡姆丹艺术中心新兴艺术家奖。次年，其动画作品《黄炳寓言（一）》（2018）在第48届鹿特丹国际电影节短片竞赛中获得金虎奖。
香港艺术家、作曲家杨嘉辉擅长谱奏融合图像和声音的多文化交响乐。持普林斯顿大学音乐博士（作曲）学位（2013）的杨受过专业的跨文化作曲训练，通过将形式主义的界限推向创意跨媒体，用旋律触动关于身份、战争和文学的话题。展位中央将展示其动力雕塑装置《工作时的音乐》（2018）。杨于2017年代表香港参加第57届威尼斯双年展。其在世界各地多次举办展览，其群展包括悉尼4A亚洲当代艺术中心、西雅图当代艺术中心、曼彻斯特亚洲三年展等。杨的创作囊括多个奖项，包括2015年宝马艺术之旅大奖。
≡ 杨嘉辉 Samson Young
工作时的音乐 Music while you work
2018
可驾控碰碰车配备艺术家设计车外壳及声轨
底座: 电子及定制声轨
外壳: 3D尼龙打印、软粉彩
Drivable bumper car with custom-designed shell and audio
Base: electronics and custom-designed audio tracks
Shell: 3D printed nylon, soft pastel
200 x 120 x 140 cm (tall 高)
© 图像由马凌画廊和艺术家提供
Image courtesy of Edouard Malingue Gallery and the artist
袁远擅于透过在画布上描绘室内和室外空间，探讨建筑上人性的痕迹和时间的流逝 。袁远作品有高度严谨、系统的构图，其对建筑的几何细节的描绘使作品充满神秘色彩。这一创作特点在将被展出的两件作品《布纹练习》（2018）和《你过去的生活》（2016-18）中得到充分体现，袁远对每一处建筑细节，从细小的砖瓦到平滑的片材都给予了极为精细的描绘。袁远的作品在世界各地均获好评，曾于贝尔加莫、巴黎、香港、新加坡、上海、横滨和台湾等地展出， 也获多个私人收藏，包括悉尼白兔画廊和维也纳Pomeranz Collection。
郑洲是一位凭借直觉创作的画家，擅长于画布之上描绘其所见所闻，并以一种变形的方式呈现。参考《易经》，郑洲转向对天文进行探讨，观察构成宇宙的万物，其中的两面性被其广泛运用于创作主题、色调和手法上。此次将展出的作品《白素贞与小⻘系列: 姑苏城外》（2018）是描绘来自神话小说《白娘子传奇》（《白蛇传》）中的一个片段，贯以郑随性洒脱的绘画技巧，唤起人们细微深处的记忆。拥有丰富的创作，郑洲最初就读于浙江美术学院（即今天的中国美术学院）的版画系，毕业后专注绘画和教学。其最近曾于马凌画廊上海和香港空间举办个展。
≡ 郑洲 Zheng Zhou
白素贞与小青系列: 姑苏城外
Bai Suzhen and Xiaoqing: Poetry of Suzhou
2018
布面丙烯与油彩 Acrylic and oil on canvas
210 x 154 cm
©图片由马凌画廊和艺术家提供
Image courtesy of Edouard Malingue Gallery and the artist
Edouard Malingue Gallery is pleased to present at Art Basel Hong Kong a booth featuring Eric Baudart (b. 1972, France), Chou Yu-Cheng (b. 1976, Taiwan),He Yida (b. 1980, China), Kwan Sheung Chi (b, 1980, Hong Kong), Phillip Lai (b. 1969, Malaysia), Su-Mei Tse (b. 1973, Luxembourg), Wang Wei (b. 1972, China), Wong Ping (b. 1984, Hong Kong), Samson Young (b. 1979, Hong Kong), Yuan Yuan (b. 1973, China)and Zheng Zhou (b. 1969, China). The works reflect the gallery's programme that focuses on artists who combine aesthetic appeal with conceptual enquiry.
Eric Baudartappropriates and decontextualises quotidian objects to mount a ballet of shape, colour and form. On display are Papier Millimetre (Big Platinum) (2018), the product of the disciplined act of scratching architectural paper millimetre by millimetre, and Tool Box, an assemblage of individual objects which, in their static arrangement, resemble a form of utilitarian still life or nature morte straddling human involvement and aesthetic possibilities. Baudart’s exhibitions include Le Petite Palais, Paris andBass Museum of Art, Miami. His work is held in various notable museum collections, including the MFA, Boston and the MAMCO, Geneva. In 2011, he was awarded the Meurice Prize for Contemporary Art.
≡ 周育正 Chou Yu-Cheng
电镀金，保持冷静，镀铝锌版，祈祷，渐层，灰烬，抗议，不均，
不满，资本，香炉，佼存，激动,击，日光，五 （渐层绘画：马尼拉橙红和绿)
Chemical Gilding, Keep Calm, Galvanise, Pray, Gradient, Ashes,
Manifestation, Unequal, Dissatisfaction, Capitalise, Incense Burner, Survival, Agitation,
Hit, Day Light. V (Gradient Painting: Manila Orange & Green)
2019
布面丙烯 Acrylic on canvas
216 x 180 x 5 cm
©图片由马凌画廊和艺术家提供
Image courtesy of Edouard Malingue Gallery and the artist
Modified, shifted or transferred elements amounting to new relationships between status and object: herein lies the pulse of Chou Yu-Cheng’s practice that builds, across multiple mediums, a subtle critique of mass media, institutions and the mechanisms that produce them. A graduate from l’Ecole Nationale Supérieure des Beaux-Arts de Paris, and the research programme La Seine, Chou has gained international recognition for his dialectical interplay between the source and results of his creations. Presented are two sets of gradient paintingsvariously inspired by Chou’s notion of daylight and his observation of Manila’s vibrant street colours, juxtaposed with works that relate tothe relationship between hygiene and modernity. Recent solo shows include Taipei Fine Art Museum, Taipei; Kaohsiung Fine Art Museum, Kaohsiung, amongst others. Group exhibitions include Liverpool Biennial; Art Basel Hong Kong Encounters; New Museum, New York and others.
He Yida mounts delicate sculptural compositions that challenge theaesthetics of the quotidian, the relationships between objects, their surroundings, and more broadly probe at the origins of art. Living in Shanghai, He’s approach to the readymade is one of integration rooted in material. She identifies curvatures, textures, weights, and thereby creates her own language of sculpture: one that acknowledges the utilitarian purpose of the original but uses it as a springboard to build a palpable yet ambitious multi-dexterous theatre of objects. On display is Untitled (2018), a new sculptural work that combines wood, styrofoam and ceramic. He’s solo exhibitions include A+ Contemporary, Shanghai; C-Space, Beijing. Her selected group exhibitions include Edouard Malingue Gallery, Hong Kong; Surplus Space, Wuhan; MOCA Shanghai, Shanghai. In 2018 she completed a residency at CFCCA, Manchester in conjunction with the Liverpool Biennial.
≡ 艾域克·柏达 Eric Baudart
毫米绘算纸(大白金) Papier Millimetre (Big Platinum)
2018
毫米绘算纸 Millimetre paper
200 x 146 x 3 cm
© 图像由马凌画廊和艺术家提供
Image courtesy of Edouard Malingue Gallery and the artist
Kwan Sheung Chitenaciously pursues across multiple mediums a conceptual practice rooted in criticism and political statusquo, assignations of value and modes of existence. Employing simple props to articulate his reflections with pointed focus, Kwan unravels Hong Kong’s relationship with money, its political framework and the livelihood of those who inhabit it. Presented is Doing It with Chi – Making an Exit Bag (2009). Lacing a deadpan sense of humour with a slightly anarchic disposition, its advice on assisted suicide prompts us to realise how we can focus on the mundane whilst not tackling the major threats to our existence, such as mounting social issues and the dissolutionof democracy.Kwan has held exhibitions at Solomon R. Guggenheim Museum, New York and Rockbund Art Museum, Shanghai, amongst others. In 2013,he was the winner of the inaugural HUGO BOSS Art Prize.
Phillip Lai approaches objects in a manner that appeals to, and reflects on, their intrinsic existence and properties. Through careful, delicate compositions that place the object in plain sight, Lai creates moments that lull you into considering the heart of the object. Untitled (2019) is a sculptural installation composed of a bowl, that is perfectly moulded on the plastic variations one finds on street corners, wedged into undulating structure resembling black foam. Through their placement and arrangement, Lai plays with utility, balance and architecture. Phillip Lai was nominated for the 2018 Wakefield Sculpture Prize and has exhibited internationally at Camden Arts Centre, London; Tate Modern, London; Transmission, Glasgow; Drawing Room, London; Hayward Gallery, London; MOMA, New York; ICA, London. Phillip Lai’s work is held in the permanent collection of the Tate (UK), Arts Council (UK), Camden Arts Centre (UK), Goss-Michael Foundation (USA), Nomas Foundation (Italy), La Colección Jumex (Mexico).
≡ 关尚智 Kwan Sheung Chi
跟阿智一起做... 制作往生袋 Doing it with Chi... making an Exit Bag
录像截图 Video stills
2009
单频道录像 Single channel video
3 min 44 sec
© 图像由马凌画廊和艺术家提供
Image courtesy of Edouard Malingue Gallery and the artist
A trained classical cellist of Chinese and British descent, Su-Mei Tse weaves a meditative, visaural tale empowering the language of music as a primary voice. Investigating associations between places, geographies, cultures, traditions, Tse’s work elicits a cross-stimulation of the senses, where time and its flow are suspended in a gentle state of contemplation. Presented is the photographic work Golden Trees (Reminiscences) (2018) that captures a panorama of systematically dispersed narrow trees, reaching for the sky. Tse rose to prominence when representing Luxembourg at the Venice Biennial and being awarded the Lion D’Or award. She has equally held solo shows at Yuz Museum, Shanghai; Aargauer Kunsthaus, Aarau; Mudam Luxembourg, Luxembourg; Isabella Stewart Gardner Museum, Boston, amongst others.
Conceived not so much as artworks but rather vehicles for situating artifice in the context of life, Wang Weiappropriates existing spaces and visual elements which he then adapts to a gallery setting. On display are Squared Natural History 4 (No. 4) (2018) and Squared Natural History 4 (No. 5) (2018), two mosaic tile surfaces illustrating a pattern intrinsic to those found in Dongguan, Guangdong. Viewed and interacted with, Wang aims to build on his running consideration of displacement, transposing the affordable material from its everyday context to a state of isolation and potential suspicion. Wang has held multiple exhibitions including Tate Liverpool, Liverpool and CASS Sculpture Foundation, Chichester. In 2017, his work Shadow was selected as the best artwork standing as part of the special programme ‘ArtReview Asia Xian Chang’ at West Bund Art & Design.
≡ 艾域克·柏达 Wong Ping
白化症曱甴成为健美史上肤色最浅的健美锦标赛总冠军
Albino Cockroach becomes the lightest colour bodybuilding championship winner in history
2018
3D打印、ABS、铝金项链、蕾丝带
3D printing, ABS, aluminum gold necklace,lace belt
40 x 66 x 17.5 cm
© 图像由马凌画廊和艺术家提供
Image courtesy of Edouard Malingue Gallery and the artist
Flashing, pop-like imagery; visual and auditory narrations, installations that extend into three dimensions the artist’s fantastical animation world – these are elements of Wong Ping’spractice whichexpresseshis observations of society, from childhood to adulthood, using a visual language that sits on the border of shocking and amusing. Presented is Albino Cockroach becomes the lightest colour bodybuilding championship winner in history (2018), a three-dimensional vignette from his acclaimed animation series Wong Ping’s Fables (2018) which addresses issues of appearance, love, digital interaction, narcissismand fear in an encounter that at once arouses intrigue and discomfort. Wong’s recent exhibitions include Kunsthalle Basel, Basel, CAPRI, Düsseldorf, Solomon R. Guggenheim Museum and New Museum, New York. In 2018, he was the recipient of the inaugural Camden Arts Emerging Arts Prize.The following year, his animation ‘Wong Ping’s Fables 1’ (2018)was one of the winners of The Ammodo Tiger Short Competition at the 48th International Film Festival Rotterdam.
Samson Young is a Hong Kong-based artist and composer. Multicultural paradigms, weaved into a symphony of image and sound, are at the heart of Samson Young’s (b.1979) practice. With formal cross-cultural training in music composition and holding a PhD in Music Composition from Princeton University (2013), Young channels his attunement to melody by pushing its formalist boundaries to create innovative cross-media experiences that touch upon recurring topics of identity, war and literature. In the centre of the booth is Young’s sculptural kinetic installation Music while you work (2018). In 2017, Young represented Hong Kong at the 57th Venice Biennale. Moreover, he has held multiple exhibitions worldwide, including group exhibitions at 4A Centre for Contemporary Asian Art, Sydney; Center on Contemporary Art, Seattle; and the Asia Triennial, Manchester among others. Furthermore, he has been awarded several prizes, most recently including the BMWArt Journey Award in 2015.
≡ 袁远 Yuan Yuan
布纹练习
Practising in fabric patterns
2018
亚麻布面油画 Oil on linen
200 x 160 cm
©图片由马凌画廊和艺术家提供
Image courtesy of Edouard Malingue Gallery and the artist
Yuan Yuan is an established Chinese painter who approaches the canvas as an exploration of humanity and the passing of time focusing mainly on interiors. Yuan Yuan’s compositions are highly structured and orderly, yet with an element of mystique managed by the geometric details of the architecture depicted. As exemplified by the two paintings on display, Practising in fabric patterns (2018) and Your past life (2016-18), Yuan describes with incredible painterly detail every individual surface, from minute tiles to the flowing sheets. Yuan’s work has been exhibited in Bergamo, Paris, Hong Kong, Singapore, Shanghai, Yokohama, Taiwan and is held in numerous private collections, including the White Rabbit Collection, Sydney and Pomeranz Collection, Vienna.
Zheng Zhouis a painter of instinct, conveying onto canvas observations from the world, as ad hoc as they may be. Referencing‘I Ching’ (“The Book of Changes”), Zheng channels the astronomical, remarking the myriad of components that make up our universe, mimicking its duplicity through his subject range, hues and techniques. On display is Bai Suzhen and Xiaoqing: Poetry of Suzhou (2018), a fragment from The Legend of the White Snake, here loosely traced by Zheng’s freeform painterly trickles, superimposed to create a delicate mnemonic quality. A prolific painter, Zheng debuted bystudying Printmaking at the Zhejiang Academy of Fine Arts, subsequently shifting his practice to painting and lecturing. He recently exhibited at Edouard Malingue Gallery, Shanghai and Hong Kong.
即将开幕 UPCOMING EXHIBITIONS:
香港 Hong Kong 东南亚批判性辞典之八: 小斜方截半立方体 "CDOSEA: R for Rhombicuboctahedron" 何子彦 Ho Tzu Nyen 19.03.27 - 05.17 |
上海 Shanghai 没有太阳 “Sans Soleil” 崔新明 Cui Xinming 孙逊 Sun Xun 王之博 Wang Zhibo 袁远 Yuan Yuan 郑州 Zheng Zhou 19.03.23 - 05.05 |