运用广泛的材料和形式探索雕塑 | Giuseppe Penone
Giuseppe Penone, Progretto per il giardino di pietra (Project for the Stone Garden), 1968 China ink on paper, 11 7/8 × 15 3/4 inches (30 × 40 cm)© 2019 Artists Rights Society (ARS), New York/ADAGP, Paris. Photo © Archivio Penone, Courtesy Gagosian.
Giuseppe Penone, Rovesciare i propri occhi (Reversing One’s Eyes), 1970 Mirroring contact lenses, sequence of 6 slides© 2019 Artists Rights Society (ARS), New York/ADAGP, Paris. Photo © Archivio Penone, Courtesy Gagosian.
Giuseppe Penone, Ombra di terra (Earth Shadow), 2000 Bronze and terra-cotta, 111 1/2 × 63 3/4 × 33 7/8 inches (283 × 162 × 86 cm)© 2019 Artists Rights Society (ARS), New York/ADAGP, Paris. Photo © Archivio Penone, Courtesy Gagosian.
Giuseppe Penone, Alpi Marittime – Continuerà a crescere tranne che in quel punto (Maritime Alps – It Will Continue to Grow except at That Point), 1968–2003 Tree (Ailanthus altissima) and bronze, hand: 15 3/4 × 4 × 5 1/8 inches (40 × 10 × 13 cm), tree: 275 5/8 × 11 7/8 × 11 7/8 inches (700 × 30 × 30 cm) approx., San Raffaele Cimena, Italy, 2008© 2019 Artists Rights Society (ARS), New York/ADAGP, Paris. Photo © Archivio Penone, Courtesy Gagosian.
Giuseppe Penone, Pelle di marmo e spine d’acacia – Livia (Skin of Marble and Acacia Thorns – Livia), 2006 Pink marble, canvas, silk, and acacia thorns, 39 3/8 × 139 3/4 × 2 3/8 inches (100 × 355 × 6 cm)© 2019 Artists Rights Society (ARS), New York/ADAGP, Paris. Photo © Archivio Penone. Photo: Mike Bruce, Courtesy Gagosian.
Giuseppe Penone, Idee di pietra (Ideas of Stone), 2004, installation view, Fort Mason, San Francisco, 2019 © 2019 Artists Rights Society (ARS), New York/ADAGP, Paris. Photo: Matthew Millman, Courtesy Gagosian.
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