新书：《中国近代戏曲社会与政治》
编者按：本文为本平台粗略翻译，与出版社及作者无关，文责自负，仅供学术研究。
Product Details
HARDCOVER
$49.95 • £35.95 • €45.00
ISBN 9780674987166
Publication: February 2019
Available 01/14/2019
380 pages
6 x 9 inches
21 line illustrations, 6 maps, 1 table
About the Authors
Hsiao-t’i Li is Professor in the Department of Chinese and History at the City University of Hong Kong.
（李孝悌教授是香港城市大学中文系和历史系教授。）
Institute of Modern History, Academia Sinica (1982-1997)
Research Fellow, Institute of History & Philology (1997-2013.6)
Adjunct Professor, History Department, National Taiwan University (2008 - date)
Professor, Chinese Civilisation Centre, City University of Hong Kong (July, 2013 - date)
Director and Professor, Chinese Civilisation Centre, City University of Hong Kong (September, 2013 - date)
Head, Department of Chinese and History (wef 2014.7)
Books
《昨日到城市：近世中國的逸樂與宗教》（台北：聯經出版事業股份有限公司，2008）（本書為《戀戀紅塵：中國的城市、欲望與生活》的繁體字版）
《戀戀紅塵：中國的城市、欲望與生活》（簡體中文版）（上海：上海人民出版社，2007）（本書為2002台北一方版的增訂版，原書共收錄三篇文章，本書則收錄九篇文章）
《中國的城市生活》（主編）（台北：聯經出版事業股份有限公司，2005）
《戀戀紅塵：中國的城市、欲望與生活》（台北：一方出版有限公司，2002）
《清末的下層社會啟蒙運動 1901-1911》（台北：中央研究院近代史研究所，1992初版，1998修訂再版；簡體中文版，石家莊：河北教育出版社，2001）
《中國文化史》（第四篇）（杜正勝主編）（台北：三民書局股份有限公司，2003，修訂二版）
《簡明高中歷史》（與張元合著）（台北：龍騰文化公司，2002）
《高中歷史》（下冊）（台北：龍騰文化公司，2002）
About This Book
Popular operas in late imperial China were a major part of daily entertainment, and were also important for transmitting knowledge of Chinese culture and values. In the twentieth century, however, Chinese operas went through significant changes. During the first four decades of the 1900s, led by Xin Wutai (New Stage) of Shanghai and Yisushe of Xi’an, theaters all over China experimented with both stage and scripts to present bold new plays centering on social reform. Operas became closely intertwined with social and political issues. This trend toward “politicization” was to become the most dominant theme of Chinese opera from the 1930s to the 1970s, when ideology-laden political plays reflected a radical revolutionary agenda.
Drawing upon a rich array of primary sources, this book focuses on the reformed operas staged in Shanghai and Xi’an. By presenting extensive information on both traditional/imperial China and revolutionary/Communist China, it reveals the implications of these “modern” operatic experiences and the changing features of Chinese operas throughout the past five centuries. Although the different genres of opera were watched by audiences from all walks of life, the foundations for opera’s omnipresence completely changed over time.
（中国帝国晚期的流行歌剧是日常娱乐的重要组成部分，也是传播中国文化和价值观知识的重要部分。但在二十世纪，中国歌剧经历了重大变化。在20世纪的前40年，由上海新五台（新时代）和西安的Yisushe为首的全国各地剧院尝试了舞台剧和剧本，以社会改革为中心展示大胆的新戏。戏剧与社会和政治问题密切交织在一起。这种“政治化”的趋势是成为20世纪30年代至70年代中国歌剧最具统治性的主题，那时意识形态极为丰富的政治戏剧反映了激进的革命议程。
本书借鉴了丰富的主要资料，重点介绍了上海和西安上演的改革歌剧。通过提供有关传统/帝制中国和革命/共产中国的大量信息，它揭示了这些“现代”歌剧经历的影响以及过去五个世纪中国戏曲的变化特征。虽然不同类型的歌剧受到各界观众的关注，但歌剧无所不在的基础却随着时间的推移而彻底改变。）