【征文】第一届荆山论坛 · 佛教图像文化学研讨会

第一届荆山论坛 · 佛教图像文化学研讨会

推送日期：2018年11月14日

回执时间：2019年3月1日

截稿时间：2019年3月15日

会议时间：2019年6月

会议地点：南京大学艺术学院

会务邮箱：[e-mail]

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第一届荆山论坛 · 佛教图像文化学研讨会

征稿通知

会议主题

南京大学艺术学院与台湾夏荆山文化艺术基金会近日合作成立“夏荆山研究中心”。研究中心拟于2019年6月举办第一届荆山论坛·佛教图像文化学研讨会。

佛教在历史上的发展，始终保持着自身的文化维度。作为文化的佛教，为人类提供精神文化并留下了宝贵的历史资料。随着近几十年来考古学、文物学、图像学的发展，历史中的图像逐步作为重要的资料进行相关研究活动的开展，得到了极大的关注。

“图像文化学”将从文化学的角度解读各种图像，特别是图像的文化意蕴，以及文化的发展对于图像的影响等重要问题。通过图像来探讨宗教文化、佛教文化的演变、传播、结构、功能、本质，文化的共性与个性、不同文化之间彼此融合发展等问题。

主旨及目的

台湾著名艺术家夏荆山毕生致力于中国传统书画、佛画艺术创作，堪称近百年来中国佛画领域最具代表性的国宝级大师。他于1970 年代末，自费修缮山西、山东、河北等地诸多古寺之文物，于1994 年创办“荆山画院”，无偿办学，亲授书画达二十年。其画作承先启后，行谊足称典范。

夏荆山研究中心将长期举办“荆山论坛”，旨在弘扬中国传统文化和宗教艺术，推动两岸学界对中国传统艺术、佛教艺术，特别是对夏荆山艺术作品和创作理念的系统性研究，丰富中国传统艺术及中华文化的内涵，加强两岸以及海外学术文化的交流。

主要议题

（1） 图像的文化阐释与文化的图像学

（2） 宗教艺术的文化视域

（3） 中国传统美术与佛教文化关系研究

（4）艺术家夏荆山生平行谊及其书画作品为主题之定位、分析、论述、哲理探讨

研究资助

会议投稿，以“艺术家夏荆山生平行谊及其书画作品为主题之定位、分析、论述、哲理探讨”为专题、且正式入选本次研讨会的论文，主办方将提供论文作者3000元人民币研究资助。

关于夏荆山艺术作品及简介

详见网站「夏荆山书画艺术典藏网」：

http://xjsarts.com/cn/%E9%A6%96%E9%A0%81/

会议信息

举办时间

2019年6月（周六、周日）

JUNE, 2019 (TBC)

举办地点

南京大学艺术学院

参会人员

全国各高等院校、科研院所学者、青年教师及硕博研究生、博士后人员

参会形式 

（1）遵循“以文参会”的原则，参会者需提交一篇围绕研讨会主题，且未公开发表的学术论文。

（2）有意参会者请填写《参会回执信息表》（附件1），提交参会论文题目、摘要（300字左右）、关键词等信息，并于2019年3月01日之前将《参会回执信息表》发至会议指定邮箱,会务组将根据回执予以回复确认。

（3）投稿论文全文提交截止日期：2019年03月15日（逾期不再收稿，请发至会议指定邮箱），所提交论文将由承办单位组织专家评审，论文审核通过者，组委会将在2018年4月上旬以电邮方式统一寄发正式邀请函。

（4）会前将编印论文集，论文撰写规范要求：请以论文题目（中英文）、作者（单位、省市、邮编）、摘要、关键词、正文、参考文献或注释（一律采用页下脚注）等顺序排版，个人简介及照片（300字左右）附于文后。

投稿指定邮箱

[e-mail] 

会议费用

本次研讨会不收取会务费

本次研讨会给予正式代表会议期间交通、住宿以及餐费补贴。

本次会议秘书处设在南京大学艺术学院

地址：江苏省南京市鼓楼区汉口路22号南京大学逸夫楼

邮政编码：210093

联系人：汪珂欣，电话：[phone]；

邮箱：[e-mail]

第一届荆山论坛组委会

The First Jing Shan

Cultural Studies on Buddist Iconography

Call For Paper

THEME

At the end of 2018, Xia Jing Shan Arts & Culture Foundation launchs the Xia Jing Shan Academy in collaboration with School of Fine Arts, Nanjing University. Xia Jing Shan Academy will hold the 1ST JING SHAN FORUM Cultural Studies on Buddhist Iconography Conference in Nanjing, China in June, 2019.

Buddhism has deeply shaped Chinese culture in various ways including art, literature, philosophy, politics and material culture. With the development of Archaeology, study of Cultural Relics and Iconography, not only the recognition and function of  Buddhism images but also the decorative contexts varied over history, has been considerable scholarly aware recently.

“Cultural Iconography ” is the identification, description, and the interpretation of the content of images and icons from cultural perspectives especially cultural development impact on the images and icons and the meaning behind them. This forum seeks to discuss not only the evolution, transmission, construction, function and essence of religious culture and Buddhism culture through studies on images and icons, but also cultural commonality and culture fusion through interaction with different cultures.

Subject and Purpose

Xia Jing Shan is a Chinese Buddhist art virtuoso that spans across centuries. Xia devotes himself to Chinese painting, calligraphy and Buddhist art in his whole life. He moved to the United States in 1970, where he actively promotes Chinese culture. As he continued to acquire extensive knowledge on Buddhism, Xia then made the decision to work with Buddhist stories as the central theme of his art. He also assisted with the restoration work at many distinguished Buddhist temples in China.

To gain the understanding and an awareness of Buddhist Art and Philosophy behind Chinese paintings and Calligraphy and promote cross strait cultural and academic exchange, Xia Jing Shan Academy will hold Jing Shan Forum once annually.

Maestro Xia Jing Shan’s calligraphy and painting style inherits from iconic classics, but is also innovated with his own extensive studies and experiences. Therefore, Xia Jing Shan Academy will aim to contextualize Xia’s theories by analyzing and organizing the style and contents of Xia Jing Shan’s art to provide insights on the epochal significance embodied in his calligraphy and paintings.

TOPIC Area Includes

(1) Cultural Interpretations of icons and images drawn from Buddhist Art and Cultural Iconography

(2) Cultural Perspectives on Religious Art

(3) Relationship between Traditional Chinese Art and Buddhism

(4) Study on Maestro Xia Jing Shan and his paintings and Calligraphy arts: art historical status analysis and discussion.

Research Subsidy Fund

If the submitter’s paper related to the topic of Study on Maestro Xia Jing Shan and his paintings and Calligraphy arts: art historical status analysis and discussion, and paper has passed the selection process and selected in conference, Committee will give the author RMB 3,000 as subsidy for research outputs of authors. 

Introduction of Xia Jing Shan and his Painting and Calligraphy Arts

Please visit the website“Xia Jing Shan Digital Archive”

http://xjsarts.com/cn/%E9%A6%96%E9%A0%81/

Conference Information

TIME

Weekend of JUNE, 2019 (TBC)

LOCATION

School of Arts, Nanjing University

Application are includes but not limit to

We invite scholars, particularly from social sciences and humanities,Post-doctorate researchers doctoral and postgraduate students to present papers on the topic areas of the conference

 Submission Requirements

（1） Applicants must present empirical or theoretical papers on the topic of the conference by focusing on the following sub-themes, issues and/or phenomena or other topics relevant to the theme of the conference. A published paper is not acceptable.

（2） Please submit your Registration form (appendix 1) with Abstracts and Keywords of approximately 300 words to [e-mail] before 1st March 2019 (GMT+8). Committee will send an application response letter to applicant to confirm your registration.

（3） The Deadlines for Submitting is midnight 15th March 2019(GMT+8). Please submit your paper to [e-mail]. Submissions must be prepared for

anonymous refereeing and further reviewed by the Editor. Accepted papers will be informed by an official confirmation letter by Email.

（4） Submitted papers must include a topic (submitted in Chinese and English), text, author (job title, city, province), abstract, keywords, references or footnotes, the bibliography of approximately 300 words with photo attached.

Paper Submission 

[e-mail]

Conference Fee

There is no charge for this conference.

Conference subsidies will be provided to pay a proportion of travel, accommodation at the discretion of the applicants.

Address: Yifu Building, Nanjing University, No.22,Hankou Road, Gulou District,Nanjing City,Jiangsu Province

Postal Code:210093

If you have any queries or problems about submission or conference,please contact Ms. Wang, Ke-Xin by phone [phone] or email [e-mail].

1STJING SHAN FORUM Committee 

※    请于2019年03月01日之前将《参会回执信息表》发至会议指定邮箱：[e-mail] 。

※Please submit your Registration form to [e-mail] before 1st March, 2019 (GMT+8).

1STJING SHAN FORUM Cultural Studies on Buddhist Iconography Conference

第一届荆山论坛·佛教图像文化学研讨会

Registration form

参会回执

中文姓名 Print Name		性别 Sex	□男male □女female
英文姓名 Passport Name		国籍 Nationality
通讯地址 Address
电邮 Email		电话 Contact
任职单位与现在职称 Position and Current Title
论文题目 Topic of paper
论文提要（Abstract):
申请人学术简介（请简要说明学术经历、具体研究方向、相关科研成果等） ApplicantBio（Please outline theobjective of your research proposal and its potential impacts on society,economy, and academic development.)

下载参会回执download registration form：

1）Please visit the website下载网址

https://pan.baidu.com/s/1oVjAyJUtO0KSVvJnRIN72A

2）复制表格或点击阅读原文下载参会回执

Copy or Click Read More to download Registration form

转载声明：本文转载自「南京大学艺术学院」，搜索「njuartint」即可关注。

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