画廊周北京2018参展机构——现代汽车文化中心 Hyundai Motorstudio Beijing
今年，现代汽车文化中心将首次加入画廊周北京的参展阵容，带来艺术家李佳个展“漂流”。
In 2018, Hyundai Motorstudio Beijing will participate the Gallery Weekend Beijing for the first time, bringing the solo exhibition " The Precariousness " of the artist Li Jia.
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现代汽车文化中心
现代汽车文化中心坐落于中国当代艺术聚集地798艺术区的中心，致力于对多领域艺术融合的探索。以助力社会的可持续性发展为使命，我们秉承 “Creative Energy” 理念，关注于推动中国文化艺术的开拓性发展，用创意激发艺术灵感，用艺术提高生活品质。通过在艺术、设计、科技等交叉领域的大胆尝试与创新，现代汽车文化中心持续用优秀的艺术展览和丰富的文化教育项目，以及中国策展人大奖Hyundai Blue Prize，邀请观众一起思考并挑战当代中国的社会现状，助力开启全新优享生活方式。
现代汽车文化中心外景
Hyundai Motorstudio Beijing
Hyundai Motorstudio Beijing is located in the center of Beijing's 798 Art Zone. We are dedicated to explore and present interdisciplinary art, and facilitate the sustainable development of society. With the concept of “Creative Energy”, we take the pioneering development of Chinese culture and art as one of our mission to stimulate artistic inspiration and upgrade the life quality with art. Through continual innovation in art, design, technology, and other fields, Hyundai Motorstudio Beijing is devoted to continually promote excellent interdisciplinary exhibitions, rich cultural and educational programs, as well as the curatorial award “Hyundai Blue Prize”. We are inviting audiences to deliberately challenge social issues, and working on presenting a brand-new lifestyle together.
Hyundai Blue Prize
作为现代汽车文化中心的重点项目之一，Hyundai Blue Prize中国青年策展人大奖承载全民创新，乐享生活的梦想，是一个专为中国设立的完全开放的多领域艺术实验平台。本奖项分为创意能量（Creativity）和创新未来（Sustainability）两大奖项，专门授予那些具备多元化思维，能对中国当代社会现象和问题提出独到见解的创新型策展人才。不同于其他中国本土艺术类奖项，Hyundai Blue Prize从评审机制到研究领域均打破常规，除了邀请国内外艺术、设计等多领域的资深专家评委，还将观众与传媒行业代表融入评审环节，开启全民讨论艺术、创新与科技的新模式。除此之外，Hyundai Blue Prize更是一股持续关注中国青年策展人发展的先锋力量，除了为获奖者举办获奖方案展览，本奖项还设制了一系列的国际性交流机会，以及提供在世界一流艺术机构的深造机会。
获得者李杰
Hyundai Blue Prize
As one of Hyundai Motor Company’s key art projects, Hyundai Blue Prize is aiming to explore and share brand-new thoughts and concepts with the society. It is a fully open experimental art platform exclusively designed for China. Divided into "Creativity" Award and "Sustainability" Award, the prize is specially awarded to creative talents who have diversified thinking and can offer unique insights on the phenomenon and social issues of Chinese contemporary society. In contrast with other Chinese art awards, Hyundai Blue Prize break with precedents. It not only invites senior expert judges from art, design, and many other fields from within and outside China, but also integrates audiences and media industry representatives into the selection process. It initiates a new pattern of national discussion around art, innovation, and science and technology, while enabling for the first time intimate contact between emerging art and the wider social sphere.
画廊周北京展览项目
Hyundai Blue Prize 2017创意能量奖获奖展：“漂流”海报
2018年3月23日至5月20日，第一届Hyundai Blue Prize获奖展之一“漂流”将在位于北京798艺术区的现代汽车文化中心（Hyundai Motorstudio Beijing）举办。2017年，中国优秀青年策展人李佳凭借该展，获得首届Hyundai Blue Prize创意能量（Creativity）大奖。
展览以“社会流动”为主题，关注此刻最具体的政治现实和身边最贴近的日常，从不同层面探测及讨论在当下环境中塑造着我们生活的种种张力；不仅呈现出中国当代艺术从业者面对所处时代的高度敏感性，同时也与现代汽车（Hyundai Motor Company）对今日社会及未来发展的深度思考不谋而合。
本次展览中，策展人选择了具有代表性的九组作品和社会性项目，意在向观众展示，在我们所处的不断前行的时代中，这些怀抱希望的人们如何通过建立与这片土地的关联，来瞻望和实践一种共同而丰富的生活。虽然，变易和流动已成为现代人的普遍经验，甚至是唯一选择。全球化与新自由主义的资本逻辑在过去的半个世纪中，成功地将整个世界压缩成一幅不断折叠与加速变形的版图。这个前所未有的历史时刻引发了前所未有的冲突、危机和问题，而资本的同质化和抽象力量似乎正在将我们的未来允诺给一个单一的风景，和穷尽选择的幻象。
鉴于此，“漂流”从多元而具体的生命经验与境遇出发，试图通过点滴故事，创造性地表述我们的生活，理解我们的当下，并为一个共同的未来开发另类的想象和选择。这一论点与现代汽车文化中心（Hyundai Motorstudio）“与大众共创更美好生活”的使命是一致的。展览“漂流”将以此为出发点，为观众带来不一样的社会视角。
Hyundai Blue Prize award-winning exhibition The Precariousness will be presented in Beijing’s 798 Art District Hyundai Motorstudio Beijing from March 23 to May 20, 2018. With this exhibition, Li Jia, an excellent Chinese curator has won the “Creativity” Award of the first Hyundai Blue Prize in 2017.
With “Social Mobility” as its theme, the exhibition focuses on the most specific political reality at the moment and people’s daily life. It examines and discusses all sorts of forces that shaped our life in current environment. It not only suggests Chinese contemporary art practitioners are highly sensitive to their times, but also coincides with Hyundai Motor Company’s deep thinking of society today and future developments as well.
In this exhibition, nine sets of works and social programs with fairly representative characteristics are chosen by the curator, which aims to show to the audience how the people with hope establish their connection with this land, look into the future and put into practice a common but fruitful life in this ever advancing era. Although changing and mobility are universal experience even the only choice for a modern human being. Over the past half century, capital logic of globalization and neo-liberalism has successfully condensed the entire world into a continuously folding and distorting domain. This unprecedented historical moment entails unprecedented conflicts, crises and difficulties; it seems that homogenization of capital and abstract forces are bringing our future to a single landscape and illusions exhausted all options.
With this regard, based on plural but concrete experience of life and circumstances, The Precariousness tries to show and understand our life with creation through these little stories and develop an alternative imagination and option for our common future. This argument echoes the mission of Hyundai Motorstudio’s “Together for a better life”. Based on this, The Precariousness will present a different social perspective to the audience.
关于策展人
Hyundai Blue Prize 2017创意能量(Creativity)大奖获得者李佳
李佳，泰康空间高级策展人。Hyundai Blue Prize 2017创意能量（Creativity）大奖获得者。Artforum，《艺术界》，燃点等杂志长期撰稿人。策划有展览“制性造别”（泰康空间，北京，2018）、“漂流”（现代汽车文化中心，北京，2018）及日光亭系列项目（2016.3-2018.1）。
Li Jia, senior curator of TAIKANG SPACE, the winner of "Creativity" Award of 2017 Hyundai Blue Prize, and long-term writer for magazines including Artforum, LEAP and Randian. The exhibitions and projects that she curated include Genders Engender (TAIKANG SPACE, Beijing, 2018), The Precariousness (Hyundai Motorstudio, Beijing, 2018), and Light Pavilion Project (2016.3-2018.1).
关于艺术家
崔大察 | CHOI Dachal
来自韩国首尔，现常驻纽约的视觉艺术家。崔大察的作品曾在纽约三角艺术协会、苏格拉底雕塑公园、Postcrypt画廊、斯坦福Franklin Street Works、首尔艺术空间Seogyo等地展出。
CHOI Dachal is a visual artist. She comes from Seoul, Korea and now resides in New York. Her works was exhibited in New York Triangle Art Association, Socrates Sculpture Park, Postcrypt Gallery, Stanford Franklin Street Works, Seoul Art Space Seogyo, etc.
方迪 | Fang Di
方迪工作于中国深圳和巴布亚新几内亚首都莫尔兹比港。他对社会实践感兴趣 , 常重新寻找自己的身份而介入到实际创作当中。作品常用多种艺术语言去探索城市生活的纠结与意义 , 同时反映我们快速而混乱的社会变化。
Fang Di, a Chinese artist, works in Shenzhen, China and Port Moresby, capital of Papua New Guinea. He is interested in social practice, and often re-finds his identity and involves personal identity into the actual creation. His works often uses a variety of artistic languages to explore the entanglement and significance of urban life, and reflects the rapid and chaotic social changes.
韩馨逸 | Han Xinyi
艺术写作者、策展人。2015年毕业于中国美术学院当代艺术与社会思想研究所，获硕士学位。2016年联合创立研究性空间Salt Projects。
Han Xinyi, art writer, curator, received her master’s degree from Institute of Contemporary Art and Social Thoughts of China Academy of Art in 2015. She cofounded Salt Projects, a research space, in 2016.
刘辛夷 | Liu Xinyi
1982年出生于中国杭州，2007年毕业于中国美术学院雕塑系，2010 毕业于伦敦大学Goldsmiths学院，获MFA学位，现工作生活于中国北京。
Liu Xinyi, born in 1982 in Hangzhou, graduated from Department of Sculpture of China Academy of Art in 2007, and received MFA from Goldsmiths, University of London in 2010. Currently works and lives in Beijing, China.
王子耕 | Wang Zigeng
中央美术学院建筑学院讲师，斯顿大学建筑学硕士，ILLS主编。曾任北京电影学院讲师，清华大学建筑学院开放式课程导师。
Wang Zigeng, lecturer of the school of architecture, China Central Academy of Fine Arts. Master of Architecture in Princeton University. Chief editor of PILLS. He was a lecturer in Beijing Film Academy and an open course tutor of the school of architecture, Tsinghua University.
杨紫 | Yang Zi
艺术写作者、策展人。2008年毕业于南京大学哲学系宗教学系，现任职北京尤伦斯当代艺术中心展览部。曾任《艺术界》编辑。
Yang Zi, art writer, curator, graduated from religious major of Department of Philosophy of Nanjing University. He was an editor of LEAP Magazine and currently works at Exhibition Department of Ullens Center for Contemporary Art (UCCA).
余果 | Yu Guo
1983年出生于四川通江，2006年毕业于四川美术学院第一工作室，获学士学位，现工作生活于四川重庆。他将影像作为行动的方式，关注艺术与社会的连结。
Yu Guo, born in 1983 in Tongjiang, Sichuan Province, received his bachelor’s degree from the First Studio of Sichuan Fine Arts Institute. Currently works and lives in Chongqing. He focuses on connection of art and the society by using image as way of action.
郑源 | Zheng Yuan
1988年出生，2015年毕业于芝加哥艺术学院，获电影，录像及新媒体艺术硕士。作品关注图像及其再现并嵌入其中的政治，历史与技术。
Zheng Yuan, born in 1988, was graduated from Art Institute of Chicago in 2015 with an art master’s degree of film, video and new media. His work focuses on the image and its reproduction and the embed politics, history and technology.
艺术项目
六环比五环多一环
The sixth ring is one ring more than the fifth ring
二楼出版机构(葛非、葛磊、满宇)与艺术家李一凡的合作项目，于 2014 年 10 月 1 日发起的一个针对北京五环、六环之间的行政村进行的艺术家调查项目。
The sixth ring is one ring more than the fifth ring is a cooperative project between the publishing agency on the second floor (Ge Fei, Ge Lei, Man Yu) and Li Yifan. It is a project initiated on October 1, 2014 on the investigation of artists in the administrative village between the fifth and sixth ring of Beijing.
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居民
Residents
“居民”项目由满宇、郑宏斌、刘伟伟发起，是一个针对珠三角地区的社会性实践项目。它是关于居民权益与居民生存空间的微观政治考察，以及相关的自组织活动。项目试图建立“第一现场”，邀请实践者在社会空间中展开自己的工作。
Residents is a social practical project on the Pearl River Delta region initiated by Man Yu, Zheng Hongbin and Liu Weiwei. It is a micro political inspection on the residents’ rights and living space, and involves relevant self-organized activities. The project tries to establish "the first scene" and invites practitioners to carry out their work in the social space.
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新工人影像小组：天罡地煞
Migrant Workers Video Collective: The Mass
新工人影像小组成立于2016年，由宋轶、王德志、邵仁杰发起。它是一个共同创作纪录片、剧情片等视频作品的集体，已完成剧情长片《移民二代》和纪录片《野草集》。新工人影像小组希望通过影像的手段，展现新工人在走向自我认知和建立主体性的过程中，其内部的主观动力和所处的外部环境。
Migrant Workers Video Collective is initiated by So Yi, Wang Dezhi and Shao Renjie in 2016. The Group co-creates video works such as documentaries and plots, etc and has completed the plot The Second Generation of Immigrants and the documentary The Weeds. Through the means of image, the Group is trying to show the new workers' internal subjective motivation in the motivated environment in the process of the self-cognition and individual subjectivity formation.
从广东与北京出发：艺术的在地性
Departed from Guangzhou & Beijing:
The Locality of Art
本次讲座邀请策展人侯瀚如与崔灿灿围绕各自的策展实践及其在地性进行对谈。侯瀚如策划了“移动中的城市”巡回展览、“广东快车”项目、“自治区” 、“深港城市、建筑双城双年展”等一系列展览，其中包含了他对珠三角地区艺术的研究。崔灿灿基于北京的社会政治现实策划了 “六环比五环多一环”、“夜走黑桥”、 “乡村洗剪吹”、 “十夜”等项目。“在地性”在当代艺术中可以被看作是一个具有争议性和复杂性的话题。讨论“在地性”的紧迫性与可能性是什么？“在地性”的概念应当如何被定义？定义本身是否会延展或限制我们探讨问题的可能性？“在地性”作为一个看上去与“全球化”相互对立的概念如何在动态中塑造彼此的关系？“在地性”的未来是什么？两位策展人从自己熟悉的疆域出发，在推进思考与实践的过程中，如何延续或绕过最初对“在地性”的想象。
The conversation between curators Hou Haru and Cui Cancan attempts to discuss the locality of their curatorial practice. Hou Hanru curated a series of exhibitions such as the touring exhibitions “Cities on the Move”，“Canton Express” project，“Zizhiqu - Autonomous Regions”，“Bi-City Biennale of Urbanism \ Architecture”, which included his research on the art of Pearl River Delta. Cui Cancan curated “Between the 5th and 6th ring road in Beijing”, “Heiqiao Night Away”, “Hair Cut in the Middle of Nowhere”, “The Decameron” which were based on the social-political realities of Beijing.The idea of locality could be regarded as a controversial and complex issue in contemporary art. What’s the urgency and possibility of talking about this issue? How could the concept of locality be defined? Whether the definition itself function as a possibility to open up the discussion or a limitation. How could the global and the local constantly shape each other? What might be the future of the locality? These two curators departed from the territories they are familiar with, while the question might be, how would they extend or bypass their original imagination about the locality of art throughout their careers?
流程安排
3月24日
10：00 am开始，从广东与北京出发：艺术的在地性
主持人：缪子衿
嘉宾：侯瀚如、崔灿灿
嘉宾介绍
侯瀚如是一位策展人和艺术批评家。1963年生在广州，1981年考入中央美术学院，1988年硕士毕业。1990年后移居巴黎。目前生活在巴黎，旧金山和罗马。现任意大利国立二十一世纪当代艺术博物馆（MAXXI）艺术总监。他同时也是欧洲、亚洲以及美国很多艺术基金会的委员和评委。全球独立策展人也只有一二十个人，而侯瀚如，是那里面的顶尖人物。在威尼斯双年展这个世界最大的艺术舞台上，侯瀚如曾有过三次引人注目的表现：1999年，他策划了威尼斯双年展的法国馆；2003年，又作为威尼斯双年展主题展的策展人之一，策划了《紧急地带》单元，2007年中国馆策展人。三次皆是在国际艺术界口碑极佳的大手笔。在2000年的上海双年展，他也是策展人之一。从1997年到2000年，由他联合策划的《运动中的城市》，调动了全球140多位艺术家，建筑师和其他创作者，先后巡回到世界7个城市，引起国际艺术和建筑界的高度重视。
Hou Hanru is a curator and critic. Born in 1963 in Guangzhou, China, he received both his undergraduate and graduate degrees from the Central Academy of Fine Arts in Beijing and moved to Paris in 1990. He lived 16 years in France before moving to America in 2006. Based in Paris, San Francisco and Rome, he currently works as Artistic Director of MAXXI, National Museum of 21st Century Arts, Rome, Italy. He has been consultant to many international institutions. Among about twenty independent curators in the world, Hou is one of the top curators and thinkers.For the Venice Biennale, the largest art platform in the world, Hou Hanru curated the French Pavilion in 1999, the “Zone Of Urgency” in 2003 and the Chinese Pavilion in 2007. These exhibitions brought him international recognition in the art world. He also worked as a curator at the Shanghai Biennale in 2000.Hou Hanru co-curated "Cities on the Move" from 1997 to 2000, which involved more than 140 artists, architects and other creators, and toured seven cities around the world, receiving great global attention in the fields of art and architecture.
崔灿灿，是一名活跃在中国的独立策划人，曾获CCAA中国当代艺术评论青年荣誉奖，《YISHU》中国当代艺术批评奖等；策划的主要展览包括：夜走黑桥（2013)、乡村洗剪吹（2013)、FUCKOFF II（2013)、不在图像中行动（2014)、六环比五环多一环（2015)、十夜（2016)等；曾策划的艺术家个展包括艾未未、夏小万、沈少民、王庆松、何云昌、萧昱、琴嘎、谢南星、史金淞、李占洋、许仲敏、马轲、夏星、赵赵、秦琦、李青、陈彧凡、陈彧君、厉槟源、冯琳、张玥、宗宁、姜波、牧儿等。
Cui Cancan is an active independent curator in China. He was awarded the CCAA China contemporary art review youth award, “YISHU” contemporary art review award. Curated theme exhibitions including HEIQIAO Night Away (2013), Countryside Fashion (2013), FUCKOFF II (2013), Unlived By What Is Seen (2014), Between the 5th and the 6th Ring Road in Beijing (2015), Ten Night (2016), etc. Curated solo exhibitions for many artists including Ai Weiwei, Xia Xiaowan, Shen Shaomin, Wang Qingsong, He Yunchang, Ma Ke, Xia Xing, Zhao Zhao, Qin Qi, Li Qing, Chen Yufan, Chen Yujun, Li Binyuan, Feng Lin, Zhang Yue, Song Ning, Jiang Bo, MUer, etc.
缪子衿，独立策展人、写作者。1990年出生于江苏无锡。2013年毕业于英国伦敦艺术大学伦敦传媒学院，创意广告战略本科；2015年毕业于英国伦敦大学金史密斯学院，策展研究生；现生活、工作于北京。
2017年曾任《艺术界》编辑，供稿于《艺术论坛》中英文网、《艺术界》、《艺术新闻（中文版）》、《燃点》等。近期策划的项目有： “共享叙事”，香格纳S空间，北京（2018）；“全球定位”，乔空间&油罐艺术中心项目空间，上海 （2017）；“抵抗的涌现：误入”，泰康空间，北京 （2016）；“欢迎光临”，空白空间，北京（2016）等。
MIAO Zijin，independent curator and writer. She was born in 1990 in the province of Jiangsu in China. In 2013, she graduated from BA Creative Advertising Strategy (First Class Honours), London College of Communication, University of the Arts London, London, UK. In 2015, she graduated from MFA Curating (Merit), Goldsmiths, University of London, UK. MIAO Zijin currently lives and works in Beijing.
MIAO Zijin worked at LEAP magazine as an editor in 2017. Her articles could be found in Artforum.com, Artforum.com.cn, LEAP, The Art Newspaper China (TANC), Ran Dian, etc. She has curated several projects, including: “Shared Narrative(s)”, ShanghART S Space, Beijing (2018); “I Do (Not) Want To Be Part Of Your Celebration”, QIAO Space & TANK Shanghai Project Space, Shanghai (2017); “Toward The Emergence Of Resistance: Make It Wrong, Till It’s Right”, Taikang Space, Beijing (2016) and “Welcome”, White Space, Beijing (2016).
主办方：画廊周北京、现代汽车文化中心
关于画廊周北京
画廊周北京通过联结北京地区的顶尖国内外当代艺术机构，致力于为全球收藏家、美术馆、艺术爱好者提供一个集中了解和分享前沿当代艺术的推广平台。在画廊周北京期间，画廊、非盈利机构与艺术家将合力呈现一年中最精彩的展览，着重将艺术作品直接呈现于画廊的完整空间，有助于参观者深入理解艺术家创作的系统思想，能够直观领略每个机构不同的鲜明气质。画廊周旨在建立推动艺术生态良性健康发展的公共平台，同时致力于建立艺术与公众、社会、传媒的多元跨界交流和对话。
A hub connecting top Beijing contemporary art institutes of domestic or overseas backgrounds, GWBJ is committed to building up a platform for collectors, museums, and art lovers to gain acquaintance with and share the newest achievements of the contemporary art in a single event. In that week the most splendid exhibitions of the year are due to be presented by all participating parties, invites audience back to artworks' original, meticulously curated exhibition sites, so that they can gain a deeper understanding of artist's ideas, and appreciate various characters and stands of art institutes. GWBJ aims to promote the healthy development of the Beijing artistic ecology, and boost the exchanges and dialogues between art and other fields such as the public, the society, and the media.
（本文文字及图片资料来源于现代汽车文化中心 | Image and Text courtesy Hyundai Motor studio Beijing；视频版权归属于画廊周北京 | video courtesy Gallery Weekend Beijing）
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