百科诗派“国际日”暨“2018年度百科之友”颁奖典礼在京圆满召开！

2019年5月27日下午，百科诗派首个“国际日”暨“2018年度百科之友”颁奖典礼在京举行。此次活动地点为后海“知间Coffee”，百科诗派创始人殷晓媛全程中英文主持。2018-2019上半年前后参加过七次百科诗派组织的“主题跨界创作”的福建湄洲岛诗人潘黎明，赴京出席了本次颁奖，领取了奖杯和百科诗派12周年限量版文创纪念品。特邀颁奖嘉宾为：比尔·沃拉克及此前参加百科诗派“国际日”工作会议的约翰·迪戈比和琼·迪戈比夫妇。参会的中方人员还包括：影视剧演员、话剧工作室创始人、诗人阿桐；诗人、画家玙姬；诗人往都；诗人、出版人子寒及海淀作协童锡来等。典礼结束后，中美诗人分别以双语朗诵原创诗歌作品，大家共同见证了诗歌的荣耀与当下诗歌先锋跨界创作的国际视野与愿景。

殷晓媛表示，今年是百科诗派首次评选“百科之友”，今后会设立相应国际奖项，以奖掖长期参与并支持百科诗派“智库型、泛性别主义创作”的国际友人。而“国际日”的活动形式更将持续进行下去，从美国、英国、意大利、西班牙、阿根廷等已有百科诗派合作方的诗歌阵地向世界其它国家迅速拓展。

知间Caffee位于京城后海景区最核心黄金地段：银锭桥畔

百科诗派诗集及文创展示（迷你展台）

知间Coffee内装潢（LED投屏画框）

会场布置

尊敬的各位国际友人，远道而来的各位嘉宾，女士们，先生们：

Ladies and Gentlemen. Dear friends from US,

下午好！

Good afternoon!

我是百科诗派创始人殷晓媛。今天由我主持百科诗派“国际日”暨“2018年度百科之友”颁奖典礼。

I’m founder of Encyclopedic Poetry School, Yin Xiaoyuan. 

首先请允许我向大家介绍从纽约远道而来的颁奖嘉宾——

First of all, please allow me to introduce our honorable guest from New York: 

诗人、艺术家，长居新泽西，威廉帕特森大学创意写作教授。近期由Ekstasis Editions（出版社）出版第十五部诗集《赤裸的辩护》。诗歌在百余种刊物上发表。最近一部译著是与Mahmood Karimi-Hakak合译的《爱我甚于他者：Iraj Mirza诗选》（2014年、Cross-Cultural Communications出版）。译作散见《The Su Journal》《Basalt》 、《国际视界》、《世界诗刊》、《亚特兰大评论》等。评论及访谈见《巴黎圣母院评论》、《波斯文化遗产》、《Gargoyle》、《南方人文评论》及《质数》杂志等。曾因在印度访学及旅行获得“国家基金”人文学科津贴及两次富布赖特海斯奖金。2007年，当选唯爱社（美国规模最大、历史最悠久的跨宗教和平正义组织）赞助的驻伊朗友好代表团成员。2010年夏，获得国家亚洲教学财团主办的中国及日本的实地调研名额。五次荣获印度诗歌节代表诗人。2016年荣获罗马尼亚及意大利举办的米哈伊·爱明内斯库国际诗歌节代表诗人。曾参加在意大利佩扎罗举办的佩扎罗国际诗歌节，西昌邛海·“丝绸之路”国际诗歌周，科索沃Ethnofest诗歌节、中国成都国际诗歌节等。

Bill Wolak is a poet who lives in New Jersey and teaches Creative Writing at William Paterson University. He has just published his fifteenth book of poetry entitled The Nakedness Defense with Ekstasis Editions. His poetry has appeared in over a hundred magazines. His most recent translation with Mahmood Karimi-Hakak, Love Me More Than the Others: Selected Poetry of Iraj Mirza, was published by Cross-Cultural Communications in 2014. His translations have appeared in such magazines as The Sufi Journal, Basalt, Visions International, World Poetry Journal, and Atlanta Review. His critical work and interviews have appeared in Notre Dame Review, Persian Heritage Magazine, Gargoyle, Southern Humanities Review, and Prime Numbers Magazine.

Mr. Wolak has been awarded several National Endowment for the Humanities scholarships and two Fulbright-Hays scholarships to study and travel in India. In 2007, he was selected to participate in a Friendship Delegation to Iran sponsored by the Fellowship of Reconciliation, America’s largest and oldest interfaith peace and justice organization. During the Summer of 2010, Mr. Wolak was awarded a Field Study Opportunity in China and Japan by the National Consortium for Teaching about Asia. He was selected to be a featured poet at festivals in India five times: at the 2011 Kritya International Poetry Festival in Nagpur, at the 2013 Hyderabad Literary Festival, at the Tarjuma 2013: Festival of Translators in Ahmedabad, at the 2014 Hyderabad Literary Festival, and at the 2017 Goa Arts and Literary Festival. Recently, he was a featured poet at The Mihai Eminescu International Poetry Festival in Craiova, Romania; Europa in versi, Lake Como, Italy; The Pesaro International Poetry Festival, Pesaro, Italy, The Xichang-Qionghai Silk Road International Poetry Week, Xichang, China, The Ethnofest, Pristina, Kosovo, and the Chengdu International Poetry Week, Chengdu, China.

以下二位嘉宾积极参与了百科诗派“国际日”系列活动，包括前期工作会议，但今日因故未能到场，相关环节由比尔·沃拉克先生代为进行。

生于伦敦，70年代前期开始致力于超现实主义诗歌创作。其风格深受Breton, Eluard, Arp及Desnos等影响。虽长居英国，但其早年超现实主义风格诗集均系在美国出版。曾与乔治·希区柯克（George Hitchcock）在加州《Kayak》杂志共事。其后在威尔士、法国、比利时、德国和哥伦比亚出版过各类著作。在伦敦Anvil Press Poetry出版社出版三部诗集：《双焦镜片距离之构造》(1974)、《夜间启航》 (1978)、《取悦瑟缩的太阳》(1985)。三部书均系精美黑白插画绘本，在过去几十年间，他的画风经历了横跨象征主义及抽象主义的蜕变。其诗歌入选企鹅出版集团《英国超现实主义诗选》。英国Caligula Books出版社联合创始人。过去38年居住在纽约长岛奥伊斯特贝，并与妻子共同创立The Feral Press，出版珍藏限量版精装插画诗集及小说。2017年，更名为New Feral Press：网址www.newferalpress.com。曾与Hong Ai Bai、Rukui Chen等就多个项目进行合作， 对中国古典诗歌进行跨语种演绎。

John Digby was born in London. He began writing surrealist poetry from the early 1970s. He was influenced by Breton, Eluard, Arp, and Desnos. Although he was living in England, the first publications of his surrealist poetry was in America. He worked for a time with George Hitchcock on Kayak Magazine in California. Later, he was published in Wales, France, Belgium, Germany, and Colombia. Three book of his poetry were published by Anvil Press Poetry in London: The Structure of Bifocal Distance (1974), Sailing Away from Night (1978), and To Amuse a Shrinking Sun (1985). These were illustrated with his black and white collages, a medium he has continued to expand from figurative to abstract over the past several decades. His poetry is included in the Penguin Book of English Surrealism. In England he was the co-founder of Caligula Books. For the last 38 years, he has lived in Oyster Bay, New York, where he cofounded (with his wife) The Feral Press, which publishes digitally produced limited editions of illustrated booklets of poetry and short fiction. As of 2017, the press has migrated to New Feral Press at www.newferalpress.com For the past few years he has been collaborating with Hong Ai Bai and Rukui Chen on an extensive project devoted to English improvisations of classical Chinese poetry.

长岛大学英语教授、荣誉学院院长。与其夫约翰·迪戈比共同主编多部诗选，并著有多部关于拼贴艺术、美学和科技的学术专注。两人共同创建The Feral Press，即现在的New Feral Press，一家出版珍藏限量版图书（尤以诗集为主）的出版社，迄今共出版300余种图书，被多家名校出版社收藏。曾出版多种高等教育类学术著作及诗集。 最近一部诗集是由周思汉译的《医学界女性》。其诗作被译为多种语言，散见各大期刊杂志。大部分诗歌内容是关于其日常照料的猫咪、马匹和骆驼。

Joan Digby is Professor of English and Director of the Honors College at Long Island University. With her husband, John Digby, she has edited several anthologies of poetry and written a classic work on collage materials, aesthetics, and techniques. Together, they co-founded The Feral Press, now New Feral Press, a small press publishing limited editions primarily of poetry. Their more than 300 publications are collected by many university libraries. Joan has published both academic work on higher education and several books of poetry. Her last collection, Medicine Women, was translated into Chinese by Zhou Si. Her poems have also appeared in magazines in various languages. Most of her poems are about the animals she cares for daily—cats and horses, as well as camels.

比尔·沃拉克（左）、殷晓媛与约翰·迪戈比（右）

百科诗派殷晓媛、海上、迪戈比夫妇及比尔·沃拉克

以下是2018年参加过百科诗派三期“主题创作”的中国诗人——

潘黎明

诗人、福建湄洲岛“我的艺术馆”馆主、民刊《湍流》编委。

Pan Liming:

Poet, founder of "MyArt Restaurant&Hotel" in Meizhou Island, editor of "Turbulence" magazine.

热烈欢迎你们！

It's my pleasant duty to bid you all a warm welcome! 

百科诗派正式成立于2007年。今年是百科诗派创派12周年。今年在我平台刊登出本人1998年创作发表的散文诗《黑洞》资料与相关访谈，也有众多读者认为，该文章在当时的科技文化背景下，难能可贵地集科普性与前瞻性于一身，即应当视作百科诗派实际缘起的时间，这也是一种可参考的观点。

Founded in 2007, Encyclopedic Poetry School , is celebrating her 12th anniversary this year.  It is also suggested by readers that the year of initiation was actually 1998 because my first encyclopedic work “Me, the Black Hole” was published that year. It is regarded as a mature prose poetry which combined science with prescience, in spite of limitations in that underdeveloped age. That sounds reasonable.

在这12年中，百科诗派发展态势蓬勃，在国内外都取得了丰硕的成果。在“智库型写作”宗旨下，百科诗派一直秉承着在主题上“深挖掘+广涉猎”，素材上“古典瑰宝+前沿数据”，在形式上“语义学传承+视觉与算法先锋实验”的创作拓进，以汉语、英语、法语、德语、西班牙语为创作源语言，创作的高效性、丰富性、高技术含量和可识别性有目共睹。

During the 12 years, Encyclopedic Poetry School has been expanding, thriving and prospering, gaining remarkable achievements home and abroad. “exhaustive reading + in-depth writing”, “classical volumes + digital data”, “linguistics+algorithms”... the all-embracing while selectively-exploiting posture has enabled us to think panoramically and create prolifically, in Chinese, English, French, German and Spanish. The efficiency, erudition, purity and identifiability in the works of our members and project members are all proven qualities.

我们的作品除在国内刊物广泛发表之外，还被翻译为包括英语、德语、日语、西班牙语、意大利语和希腊语在内的多国语言，在海外出版和发表，仅2018-2019年，就在美国《Mad Swirl》《Pinyon Review》、意大利《La Macchina Sognante》、阿根廷《Revista Excéntrica》和《BUENOS AIRES POETRY》刊发作品，其中多个刊物还是以“百科诗派特辑”的形式集体登场，其中我在《Mad Swirl》发表的作品作为唯一一位中国诗人入选《MAD SWIRL》“2018年度最佳”年鉴。我本人这两年内，一是与Bill Wolak先生在纽约出版了一部译著《成为一条河流》以及在哈瓦那出版一部合译诗集《纬经与背面——中古诗人诗选》。

Our works have been translated into English, German, Japanese, Spanish, Italian and Greek, etc., and published widely at the international level. In the most recent 2 years,our works have appeared in "Mad Swirl""Pinyon Review"(US), "La Macchina Sognante"(Italy), "Revista Excéntrica" and "Buenos Aires Poetry"(Argentina), the majority of which in the form of "E.P.S. Special Column". I was the only Chinese poet collected in the anthology "The Best of Mad Swirl : v2018", and last year my Chinese translation of Mr. Bill Wolak's bilingual poetry anthology "Become a River" was published in New York alongside the original English, and the poetry collection "Trama y Enves" (Colección Sur Editores) by Chinese&Cuban poets I co-translated was published in Havana.

2016年我们完成了百科诗派全套VI系统最新版的升级，发行了百科诗派博物历、十周年纪念款明信片套装、文化衫、书签及高端商务文创（豪华保温杯、U盘）套系，2017年出版了“百科诗派创派十周年年鉴”系列图书，2018年设计了“人工智能纸魔方”（六国语版）视觉+行为艺术项目，2019年“创派12周年铂金VIP茗茶套系”，包括众位名家加盟赋诗的书法高定雕版款“斗士红”、慧苑坑水仙精华版“智者黑”，以及纪念人类历史上首张黑洞照片问世的宇宙诗篇系列“黑洞纪念版”。

In the year 2016 we upgraded our VI design to  the current version, released "Natural History Series" calendar , commemorative postcards,  T-shirts and business gifts (premium thermos, USBs）, in 2017 we published "10th Anniversary Series" anthologies, in 2018 "A.I. Papercube"(multilingual version) and in 2019 "12th Anniversary Deluxe Tea Set for Platinum VIPs, including "Ruby Warrior"(custom: calligraphy wood-carving box) and "Obsidian Sage"(first-class Shui Hsien tea), and "Black Hole Special Series".

我们的著作被包括美国国会图书馆、大英图书馆、俄罗斯国家图书馆、捷克国家图书馆、挪威国家图书馆、法国国家图书馆、耶鲁大学图书馆、牛津大学图书馆、斯坦福大学图书馆、意大利驻华大使馆、奥地利驻华大使馆在内的一百余家国家图书馆、世界顶级名校图书馆和大使馆收藏。俄罗斯国家图书馆采编部部长T.V.彼得鲁先科将百科诗派著作誉为“横贯当代中国诗坛的百科诗学主义之强流”，多米尼加国家图书馆馆藏发展部部长Glennys Reyes Tapia则称之为“博大文化代表、书志编纂研究瑰宝”。

Our books have been included in 100+ national libraries and university libraries including Library of Congress(US), British Library, Russian State Library, National Library of the Czech Republic, National Library of Norway, La bibliothèque nationale de France, Yale University Library, Bodleian libraries of Oxford University, Stanford Library, Italian Embassy in China, Austrian Embassy in China. T. V. Petrusenko, Head of Acquisition Department, National Library of Russia, referred to the works by Encyclopedic Poetry School as “a new trend of contemporary Chinese poetry”, and Glennys Reyes Tapia, Head of Collection Department, BNPHU, described them as “bibliographical treasure of their (Chinese) culture”.

在国际译介方面，我们与来自美国、瑞典、爱尔兰、英国、澳大利亚、西班牙、阿根廷、印度、日本、古巴、洪都拉斯、哥伦比亚、玻利维亚、厄瓜多尔等的八十余位国际诗人建立了翻译合作关系，这些译文相继并将继续在《诗林》、《诗江南》等刊物上发表。

We have established cooperation with 100+ contemporary poets in U.S., Sweden, Ireland, U.K., Australia, Spain, Argentina, India, Japan, Cuba, Honduras, Columbia, Bolivia and Ecuador with their exclusive authorization, and have helped to publish their works in leading literary magazines in China including “Shilin”, “Poetry Jiangnan”, etc. 

“百科之友主题跨界创作工坊”是我们的重要项目，参与创作者有2015年度艾略特诗歌奖评委会主席，2018年荣获皇家文学协会出版物奖的国际著名诗人帕斯卡尔•葩蒂，有现任洪都拉斯民事登记部部长罗兰多•卡檀等，还包括各大世界名校教授及文学研究机构专家、植物学家、认知神经专家、文化人类学家、插画师、装置艺术家、法官、企业高管、影视制作人、新闻工作者......目前创作出各类综合文本、摄影、绘画、装置、音乐、对联、朗诵、书法作品一百七十余件。

“Creative Writing & Integrated Art Workshop” is one of our most important long-term project, members of which include international poets like Pascale Petit, the RSL Ondaatje Prize winner 2018, and The representative of the intervention board of the National Registry of Persons (RNP) of Honduras, Rolando Kattan,  professors in top universities, academic scholars, botanist, neurocognition expert, judge, company executives, filmmakers, journalists as well as writers, dramatists, musicians and visual/installation/photography/calligraphy artists.

为奖掖在百科诗派“主题创作”中做出重大成绩的诗人、艺术家和学者，我们设立了“年度百科之友”奖项，自2018年开始以年度为单位进行公开评选。

To reward those who have scored impressive achievements, and to encourage further creativity and Innovation, we  have established this award, and 2018 was the first year.

在本次线上+线下评选中，我们共收到有效网络投票3565票，网络100字以上留言84条，“百科之友”初评评委投票15票，百科诗派核心成员终评投票18票，潘黎明以1164票总票数的绝对优势胜出。

During the online+offline voting which lasted two months, there were 3565 valid votes in total, and 85 comments(more than 100 words), 15 votes from long-list judges and 18 votes from short-list judges. Pan Liming won with 1164 votes.

潘黎明在2018年作为“百科之友”参与了三次创作，作品分别是：

"So Sat Schopenhauer on the Fence" (5th Issue: The History of Eastern & Western Philosophy)

"Supermoon" (6th Issue: Astronomy and Space Science)

"Veiled Christ" (9th Issue: Sculptures)

2019上半年又相继创作了四次集体创作：

"Mazu Belief and Customs"(10th Issue: UNESCO Intangible Cultural Heritage)

"Notre Dame, My Grief Enveloped Me with Numbness" (Special Issue: Pray For Notre Dame de Paris”)

"Opening Ceremony of 2008 Beijing Olympics"(11th Issue: Olympics)

"Back to Heavy Metal: An Ocean of Hard Rock " ("Classic+Jazz VS Rock+Metal" Poetic Debate)

我们颁发给“2018年度百科之友”的奖品包括：

Prizes:

1. A 10,000 CNY prize

奖金10000元人民币

2. A 33cm-tall Trophy

33cm豪华奖杯一尊

3. Encyclopedic Poetry School: 12th Anniversary Deluxe Tea Set for Platinum VIPs (A+B)

百科诗派创派12周年VIP茗茶套系(A+B)

4. A collection of Artware Wood-carvings

工艺品一套

5. An Engraving: “Platonic love”

精美装框版画《柏拉图的爱》

6. Silver Coin of Western Turkic Khaganate + Song Dynasty JiangLe Kyln Porcelain Bowl

西突厥汗国银币一枚+将乐窑酱釉盏

7.  Gongbi Painting on Gold-fleck Xuan Paper: An Orchid

洒金宣扇面《春兰图》

8. Encyclopedic Poetry School’ 10th Anniversary Series Books

百科诗派创派10周年年鉴系列著作

下面有请Bill Wolak先生宣读授奖辞并向诗人潘黎明颁发奖杯。

【Bill Wolak宣读英文版】

Pan Liming, who was born in a national tourist resort - Meizhou Island,  birthplace of the sea goddess Mazu and the cradle of Mazu culture.  All the vicissitudes in his life has polished his talent, bestowing him with astounding perceptiveness, tenacity and profundity, with which he became a towering figure among the mediocrities. "To comprehend the essence out of representation, and to dive deep beneath distraction". From his novel angle, he has been extracting, deconstructing and exalting each frame of scene in this kaleidoscopic world, writing in an untrammelled way as if in his element with various themes: philosophy, astronomy, sports, music and sculpture art… His works have exploited undiscovered possibilities of transmissions between different domains and full-bodied flavor of “will to power” unwrapped from the cocoon of mundane life.  His poetry, is an exemplar of syndicated-data writing, which Encyclopedic Poetry School has been advocating.  The agony of war and fragments of dim memory, ineffable secrets of the wise, noise in historical scenes, feast of music and montage of athletics.  He has acquired mastery of balancing emotion and reason, the realistic and the virtual,  the wild and the solemn, the tough and the tender, the macroscopic  and the microscopic, the capricious and the eternal... With the event-triggering variables, he created works with fabulous rhythms and striking picturesqueness. The diversification and experimentation in his works are noteworthy embodiment of "hermaphroditist writing" advocated by Encyclopedic Poetry School.

And at this moment, please allow me to give Pan Liming the trophy as the special presenter of Encyclopedic Poetry School.

【殷晓媛宣读中文版】

出生于“妈祖之乡”湄洲岛的潘黎明，以经波谲云诡人生阅历雕琢的慧心与触类旁通的惊人禀赋，于同侪中佼然拔萃，怀“得其精而忘其粗，在其内而忘其外”的思辨之心，通过极具匠心的切入角度，抽离、解构与演绎隐伏与大千世界的众般物象，游刃和腾挪于哲学、天文学、非遗、体育、音乐和雕塑艺术之间，其作品于心骛八极的时空传送间抽丝剥茧出纯粹而生命力充盈的意志本体，是经百科诗派智库型写作精神完美赋能的典范。战争背景下混杂破碎光芒的刺痛力、信仰氛围中弥漫阴柔幻影的画面感、先贤的隐衷、历史的噪音、音乐的嘉年华、盛典的蒙太奇……在实体与虚妄、情欲与智性中，他与文本合一的狂野与静谧、遒劲与绵软、磅礴与精微、善变与定着，被精细变量驾驭和掌控着，营构出或安如山岳、或剑走偏锋的奇文卓作，为百科诗派主张的“泛性别主义”做出了令人惊艳的诠释。

在此，我代表百科诗派，将“2018年度百科之友”颁给潘黎明。

殷晓媛向潘黎明颁奖

附：孙谦简评

Years of focused self-development has led Pan Liming to recognizable personal style and high-performence zone. His works are have veins of humanity that stretch from the turmoil of reality to the realm of idealism. He strategically finds footholds along flows of continuous, intermittent and transitional narrations, and formed his own rhythm and flow.  His structural evolvement was like spirals of energy, climbing with momentum of inspirations. all the interrelated things co-existing in his poems- knowledge and imagination- are both powerful and semiotic, which have enabled him, a Mazu believer, to find more profound meaning in Chinese language, and faith in poetics itself, and in his unyielding acquisition of knowledge and encyclopedic writing  in “Creative Writing & Integrated Art Workshop”. He is a pilgrim seeking truth, wisdom and poetics. Congratulations to him!

潘黎明的诗歌写作通过多年修炼，已找到他自己所属的范畴，它便是从混乱的现实世界，向理想境界的意识拓殖。他的诗歌语言时常在直线的，间断的，跨越的节奏中，将一个主题从散碎片断中形成一种节律结构，一种形变结构的回旋，并同时导入灵思的飞跃。一首诗中往往充满着紧密联系的各种事物，知识和意象，具有相当的深度和象征的力量。潘黎明是一位妈祖的信仰者，这种信仰被他延伸到对汉语言的信赖，延伸到对诗艺的信念，延伸到对百科知识与诗歌精神不懈探求的信心。他是一位求道者，求知者和博雅者，三位一体的诗人。祝贺他获得百科诗派“2018年度百科之友”奖项！

潘黎明答谢辞、殷晓媛英文翻译（节选）

尊敬的美国贵宾，尊敬的殷晓媛女士，各位在座的来宾们，朋友们：

Distinguished guests from New York, honorable host, friends from home and abroad:  

你们好！感谢你们的光临。

I am so happy to see you here!

这是我第二次来北京。也是第二次见到百科诗派创始人殷兄，真开心。这次，能获得百科诗派创立的“2018年度百科之友”，我颇感意外，如今，看到那金灿灿的发着光芒的奖杯，我感到非常荣幸。

This is the second time in my life that I have been in Beijing, and the second time to meet Ms. Yin the founder of Encyclopedic Poetry School.  I feel so flattered and honored to receive such a prestigious award from Encyclopedic Poetry School, and I am also dazzled by this glittering Chinese-dragon-shaped trophy and it aroused in me a sense of pride. 

首先，我要祝贺这次活动获得圆满成功。在这里，我要特别感谢远道而来的美国客人，我要把来自妈祖故乡的祝福送给你们！还有，我要向殷晓媛这位百科诗派的创始人持续而不凡的创新精神致以深深的敬意！感谢生命中有您，把这个充满咖啡芬香味道的地方也变成我的舞台。作为诗人，今天，我是更新的——我手里的奖杯将带我超越语言，掎越技巧，在百科诗派智库型写作精神的赋能下，追求更美好的诗学品格，焕发更惊艳的百科之光。

I would like to wish the series of 12th anniversary events of E.P.S. a great success, and I would like to give blessings from Mazu to friends from New York.  A salute to Ms. Yin Xiaoyuan, I heartily admire her indomitable pioneering spirit and the platform for innovative thinking and encyclopedic writing she has created for poets, artists and experts in all academic fields.  I also feel as new as The Ship of Theseus- this trophy is a symbol of original drive for poetry beyond skills or any linguistic strategies. Under the guidance of encyclopedism,  I will strive for noblest poetic personality and best-informed quality that stand the test of time.

精微、奥妙无穷而博大精深的百科精神是值得赞美的，它给我带来了思考的快乐，思想的激励和精神的慰藉。对我来说它就是一片崭新的天地，特别是智库型创作，它让我感受到——智慧向来就存在，思想也无所不在，百科诗派的诗人们转识成智，贯通东西，以超然的姿态承载着大使命的召唤。而百科诗派倡导的泛性别主义更是打破了身份的定位，让我们的写作——这持久的意志愈显纯清。2018年，是我的诗歌创作进入转折的一年。这一年，我的艺术馆正式开业了。我的艺术馆文化发展有限公司也正式成立了。而我的写作，也在这样的一个背景下进入了一种飞升的阶段，特别是在百科诗派这个平台上，我以一种前卫的创作尝试，在百科诗派创始人殷兄的鞭策与鼓动下，接二连三地创作了出了一批新作。这是我自以为最重要的一组作品，是里程碑式的作品——每一次创作我都全力以赴，以至于我觉得我得到了神助般的膂力。特别是【戴面纱的基督】，最具挑战，但我照样能找准切入点，很好地把两位雕塑大师对基督的理解在诗里做了无缝衔接，深入浅出地抒发了宗教信仰与艺术精神的深厚内涵与两者交互的情感世界。我觉得，我的写作是能让人一再回味的：我的诗歌语言总能在文字中呈现为一种健康的，具体的而又充满活力的流荡，总能在词与物之间探究出那些隐微的差别与联系，看似率性，随意，但却是如此清新，自然，充满了对智力的挑战，仿佛一粒粒清冽的水珠，是对百科精神最好的礼赞。

The redoubtable encyclopedists who write with such enigmatic subtlety and  immense erudition, they have brought me into excitement and joy of meditating, cogitating and ruminating. One door after another was opened before me,  and a brand-new world was there outside when I broke through the bottleneck. “to think panoramically and create prolifically”- omnipresent and everlasting awareness is always around us, while the members of E.P.S. turned the amorphous awareness into universal wisdom an enormous sense of mission. And “Hermaphroditism”  they advocate shattered gender barriers, and enabled the act of writing focus more on free will. In the year 2018, my poetry writing has made milestone improvement. And in the same year, "MyArt Restaurant&Hotel" was open and MyArt Cultural Development Corporation was founded.  Under these circumstances,  I took a major leap forward, and started experiments in avant-garde writing. With Ms. Yin as my mentor, I finished a series of encyclopedic works, works of most importance in my life- they were monumental in my writing career.  I wrote these poems with all my brain cells activated, every muscle in my fingers tensed up, I almost heard heavenly music that flowed through the lines. Especially Veiled Christ, the most challenging topic, which involved two masters in the history of sculpture. Antonio Corradini  and Giuseppe-Sanmartino. However, I managed to combine their ideas about Christ into a harmonious composition, I found the invisible but sublime cord between faith and art. I have the confidence that my works stand up to careful reading, with their vitality and lyricism, I take these poems as my personal tribute to E.P.S., for inspiring me and encouraging me with unparalleled charisma.

"一切未被理解的，正以爱与被爱塑造自己。”“此前的雕刻也不能象征，此前的工具也不能抄录，但这薄薄的蝉翼。但海洋。但此前的海洋，让我们望到了彼岸。”好了，最后，我要以我的诗句作结，再次感谢百科诗派的师友们对我的支持，感谢百科诗派的读者朋友，感谢诗与遇见——感谢大家能光临此地与我一起见证诗歌的荣耀。这将是我一生最美好的记忆。谢谢你们！

“Everything that transcend human knowledge today, will be incubated with love and affection.” “How diaphanous is the veil! Neither its exquisite craftiness nor the tools that ever touched it could tell its story perfectly.  Only the sea that had been existing before everything, gives us a prospect of the other shore.” Here my hearty thanks again to E.P.S., to the founder and the judges, and thanks to readers- we are all witnesses to the glory of poetry itself. This day, standing here with this trophy, will be the most cherished memory of my life. Thank you so much! 

（潘黎明）

殷晓媛、比尔·沃拉克共同演讲《遇见超现实》

第一个将超现实带入我生命中的人无疑是萨尔瓦多·达利 [1]，他的画作异彩纷呈、令人惊艳。 我仍记得当年美国书店里所能买到的他的第一本绘画集：金色珠光封面上，烫印着他的一张画作。那本书我一直珍藏至今。他的绘画奇妙得摄人心魄：一条简洁的地平线将画布均分为二，前景中是骇人到极致的图像的并置与转换，以一种超越现实本身的方式呈现出来——简洁、明亮、充斥着欲望的搏动。

It must have been Salvador Dalí who first brought the word surrealism into my life with his astonishing paintings and drawings. I remember clearly the first book of his paintings available in the US. It had a gold, glossy cover on which one of his paintings was depicted. I still own a copy of it today. His paintings were breathtaking: a simple horizon line bisected the canvas and in the foreground appeared the most astonishing juxtapositions and transformations, all presented in a hyperrealistic style—clear, full of light, and pulsating with desire.

对我有重要影响的超现实艺术家主要包括：马克斯·恩斯特[2]、曼·雷[3]——他就生活在我出生的地方，新泽西的里奇菲尔德,——以及勒内·马格里特[4] 、汉斯·贝尔默[5]、伊夫·唐吉[6]、利奥诺拉·卡林顿[7]、马塞尔·杜尚[8]、多萝西娅·坦宁[9]等，这些艺术家吸引着我对超现实主义进行深入研究。我孜孜不倦在各大书店寻找他们的作品，后来更是前往纽约现代艺术博物馆去一饱眼福。

Other Surrealist artists followed who had a great influence on me: Max Ernst, Man Ray—who had lived in the town where I grew up, Ridgefield, New Jersey—René Magritte, Hans Bellmer,Yves Tanguy, Leonora Carrington, Marcel Duchamp, and Dorothea Tanning. It was these artists that first drew me to investigate Surrealism, and it was these artists that I went in search of initially in bookstores, then later in New York’s Museum of Modern Art.

继超现实艺术之后不久接触到了超现实诗歌。首先自然是安德烈·布勒东[10]，我几乎先后读了当时能买到的他诗歌的所有译本，包括最著名的《超现实主义宣言》和小说《娜嘉》[11]它们对我产生了深刻的影响。仿佛邂逅一场写作的狂欢，我迷醉于那些充斥着惊人并置意象的想象与繁复梦境的营构。保尔·艾吕雅[12]和罗伯特·德斯诺斯[13]等超现实诗人对我也产生了深刻影响。

It was not too much later that I encountered Surrealist poetry. André Breton came first, of course. I read whatever translations I could find of his poetry, then his manifestos and his novel, Nadja. All of these had a profound effect on me. I had encountered a form of writing celebrating the imagination with the most startling juxtaposition of images and the invention of such elaborate dreamscapes. Other Surrealist poets also became important to me such as Paul Éluard and Robert Desnos.

1975年，我在罗格斯大学学习比较文学时，非常幸运地遇见我的恩师纳撒尼尔·塔恩（Nathanel Tarn），选了他的课。他曾在巴黎度过了充满超现实色彩的若干年，并与那里主要的艺术家和诗人相识交好，其中就包括安德烈·布勒东。塔恩提议我写信给他的英国朋友约翰·迪戈比——一位超现实主义诗人和拼贴画艺术家，此后我和约翰通讯往来多年，彼此发现有诸多共同之处。他邀请我去英国做客。1977年夏天，我飞往伦敦，与约翰共度了几周珍贵时光。期间，我们在巴黎呆了一周，见到了特德·琼斯（Ted Joans）、乔伊斯·曼苏尔（Joyce Manour）（也成为了后来我将他们的法语诗歌翻译成英文的契机），及阿布杜尔·卡迪尔·埃尔·贾纳比（Abdul Kader El Janaby）等诗人。

While studying Comparative literature at Rutgers University in 1975, I was fortunate enough to meet and take classes with Nathanel Tarn, who had spent a few surrealist years in Paris and who knew the major artists and poets, including André Breton. Tarn encouraged me to write to his English friend John Digby, who was a Surrealist poet and a collage artist. I corresponded with Digby for several years, and at some point, he invited me to visit with him in England. In the summer of 1977, I flew to London to spend a few weeks with John. During that visit, John and I spent a week in Paris meeting such poets as Ted Joans, Joyce Manour, who I later translated from French into English, and Abdul Kader El Janaby.

从巴黎回来后，我便埋头专注于文学刊物《Dream Helmet》的编纂。在卷帙浩繁的编辑工作中，美国的超现实主义向我敞开了通往崭新世界的大门。一开始是与诗人保罗·格里罗（Paul Grillo）建立了通信，而后通过保罗认识了伊拉·科恩（Ira Cohen）[14]， 他那时住在尼泊尔加德满都。而伊拉又将我介绍给了查尔斯·亨利·福特（CharlesHenri Ford）[15]。以这样的方式，我聚集了《DreamHelmet.》第一期也是唯一一期的得力作者人脉资源。

When I returned from Paris, I concentrated on publishing Dream Helmet, a literary magazine that I edited. In the process of publishing that magazine, the world of American Surrealism opened before me. First, I began to correspond with the poet Paul Grillo. Through Paul, I was introduced to Ira Cohen, who was then living in Kathmandu, Nepal. Ira, in turn, introduced me to Charles Henri Ford. In this manner, I gathered the major contributors to the first and only issue of Dream Helmet.

然后，如果说有谁在我一生中一直充当着超现实导师的角色，那就是约翰·迪戈比，我们四十年来一直是最亲密无间的朋友。他是为我第一部诗集《炸裂般苍白》（1977）绘制插图的艺术家。如今他和他的爱妻琼在纽约的蚝湾共同运营着这家叫做 NewFeral Press的出版社。约翰和琼是我生命中最大的快乐，我们一直以来相处十分融洽，他们先后出版了我的12部著作。所有插图都是由约翰绘制，而设计则是琼亲自操刀。实际上，正是因为有了这两位至交好友，今天我才得以幸运地来到北京，站在你们面前。在这个意义上可以说，我与超现实的相遇以一种奇妙的方式将我引领到了这里。今天能在这里向大家介绍我的艺术生涯与际遇，我感到非常开心。谢谢大家。

Nevertheless, it is John Digby who has continued to be my mentor in all things surreal, and we have remained close friends for over forty years. John did the collages for my first book of poetry, Pale As an Explosion in 1977. Now he runs his own press with his wife Joan called The New Feral Press out of Oyster Bay, New York. The Digbys remain two of the great joys in my life; we get together frequently, and they have been kind enough to publish twelve of my books over the years, all collaged by John and designed by Joan. As a matter of fact, it is entirely because of John and Joan Digby that I am lucky enough to be with you today here in Beijing. So, in a mysterious way, my encounter with Surrealism has led me here, where it has been my pleasure to explain to you a little bit about my artistic background.

译者注：

[1]萨尔瓦多·多明哥·菲利普·哈辛托·达利-多梅内克，普波尔侯爵（西班牙语：Salvador Domingo Felipe Jacinto Dali i Domenech, Marqués de Púbol，1904年5月11日－1989年1月23日），一般简称萨尔瓦多·达利（SalvadorDalí），是著名的西班牙加泰罗尼亚画家，因为其超现实主义作品而闻名。达利是一位具有非凡才能和想象力的艺术家，他的作品把怪异梦境般的形象与卓越的绘图技术和受文艺复兴大师影响的绘画技巧令人惊奇地混合在一起。在1982年西班牙国王胡安·卡洛斯一世封他为普波尔侯爵，与毕加索、马蒂斯一起被认为是二十世纪最有代表性的三位画家。

[2]马克斯·恩斯特（MaxErnst）（1891—1976），恩斯特，德裔法国画家，雕塑家。恩斯特被誉为“超现实主义的达·芬奇”，他在达达运动和超现实主义艺术中，均居于主导地位。他的作品所展现的丰富而漫无边际的想象力，对世界的荒诞之感，汲取自日耳曼浪漫主义和虚幻艺术的梦幻般的诗情画意氛围，令全世界惊异不已。这位不知疲倦的发明家不断地更新着自己的表现手法：他运用拼贴画、摩擦法、拓印法和刮擦法，致力于创造一个多变、彩色的虚幻世界。被誉为具有颠覆性的创新艺术家。马克斯·恩斯特是德国著名画家和雕刻家，是20世纪跨越达达主义和超现实主义两种艺术运动的传承者，是超现实主义的创始人之一。他与阿尔普创建科隆达达派,是重要的达达派画家。1924年，达达主义基本上被新生的超现实主义所吞并，他在巴黎与其他人合作创建了超现实主义画派。

[3] 曼·雷（Man Ray），达达主义的奠基人，先锋摄影大师，诗人，雕塑家，超现实主义电影的开创者。他还是有史以来第一个摄影作品价值远远超越其它艺术形式的艺术家。曼·雷（Man Ray, 1890-1976），二十世纪最具影响力，且最全方位的艺术家之一。画家、摄影家、雕刻家、编辑人、导演、诗人、作家，都是他的身分。其创作涵盖摄影、绘画、文学、电影、多媒材等领领域，其中又以摄影作品最为人称道，他挑战并扩张摄影的本质，使用中途曝光（Solarization）、实物投影法（Rayograph）等暗房技巧与实验手法，让摄影成为一种艺术表达形式，广泛地影响了二十世纪后的艺术创作。1911年起从事绘画和雕刻创作，作为美国第一批抽象画家之一，曾和当时欧洲的前卫艺术家频繁接触。1915年开始摄影艺术。他主张对艺术形式进行探索和创新，反对对旧有形式和主题的模仿与重复。曾以一种轻松的游戏心态来进行摄影实验，发明了中途曝光、物影照片等技法，被后人称为“雷照片”。这些探索除了在语言技法上别开生面以外，在观念上也非常切合达达主义与超现实主义的反艺术精神。曼·雷是超现实主义摄影的代表人物之一，美国唯一的达达主义奠基人，实验派摄影师，他总在不断地革新摄影技术和观念。曼•雷早期的作品以绘画及拼贴为主，不过他在帮其他艺术家拍摄作品的过程中，发展出用摄影来进行创作的倾向。1921年曼•雷来到巴黎，正式以摄影为谋生工具，同时也开始他最重要的人像作品系列。这改变了曼•雷生活和艺术道路，同时也对摄影艺术的发展历程产生了巨大影响。曼·雷还是“物影摄影”或称“光束图像”的发明人之一。也是由于暗房的失误，当灯光打开时的，没有被收好的感光纸在灯光下开始改变颜色，而压在感光纸上面物体的形状开始在感光纸上显露出来。曼•雷利用这一发现，使用平面或立体的物体进行不同的组合，把虚幻的和真实的，偶然的和必然的拼凑在一起，创作出了一批极具鼓动性的、与众不同的作品。

[4]勒内·弗朗索瓦·吉兰·马格里特（René François Ghislain Magritte，1898年11月21日－1967年8月15日）是比利时的超现实主义画家，画风带有明显的符号语言。早期从事墙纸设计和商业艺术。20世纪20年代与巴黎的超现实主义者交往甚密，并开始潜心作画，宗法超现实主义画风。早期作品包括《会飞的塑像》（1927）和《漂亮的俘虏》（1931）。成熟期的作品色彩更为鲜明，物体位置并列，常以海和天空为题材。代表作有《风云将变》（1928）、《比利牛斯山上城堡》（1959）。

[5] 汉斯·贝尔默（Hans Bellmer）1902年生于德国，画家、雕塑家、摄影家。令他一举成名的并不是他的绘画作品或雕塑作品，而是他的玩偶摄影作品。他在1934年制作了一具真人比例的木制人偶，以球体装置为关节，用纸和塑料为肌体，内部装配机械装置，娃娃的身体可以随意拆卸和组装，这些玩偶在他手中呈现出一种虚无颓废的生活情调。因其人偶创作被纳粹分子指责为“堕落”的象征，他在纳粹迫害下逃亡。

[6] 伊夫·唐吉（Yves Tanguy）（1900-1955），法国超现实主义画家。作为一个超现实主义者，他确实也有怪异的一面，包括吃袜子，还有喜欢在派对上压轴表演吃活蜘蛛。Yves Tanguy作品中经常盘踞着钟乳石般的物体与畸形的岩层，它们或以一种奇特的秩序摆放着，或向天空漂移。看他的画总会想到达利，事实上他的确和达利有相互影响。罗斯科坦言受到过他的影响，甚至荣格也用他的画来阐释自己的理论。

[7]利奥诺拉·卡林顿（Leonora Carrington）：出生在英国的艺术家，有着长达七十年的创作生涯，创作领域极广。她的作品有对于神秘的物体的展现和思考。结识马克思·恩斯特使卡林顿的才华得以在1938年的国际超现实主义展上初露头角。之后的四年中，卡林顿经历了精神崩溃，随后在杜尚的帮助下有所好转，在1942年移民墨西哥。卡林顿在墨西哥与Varo成为好朋友，并潜心创作出充满神奇色彩的现实主义作品。

[8]马塞尔·杜尚（法语：Marcel Duchamp，中国大陆翻译为马塞尔·杜尚 [1] 、台译杜象，全名亨利·罗贝尔·马塞尔·迪尚（Henri-Robert-Marcel Duchamp）（1887年7月28日－1968年10月2日）。他是一位法国艺术家，二十世纪实验艺术的先锋，对于第二次世界大战前的西方艺术有着重要的影响，是达达主义及超现实主义的代表人物和创始人之一。马塞尔·杜尚 (Marcel Duchamp,1887-1968)，纽约达达主义的团体的核心人物。出生于法国，1954年入美国籍。 他的出现改变了西方现代艺术的进程。可以说，西方现代艺术，尤其是第二次世界大战之后的西方艺术，主要是沿着杜尚的思想轨迹行进的。因此，了解杜尚是了解西方现代艺术的关键。

[9]多萝西娅·坦宁（DorotheaTanning）（1910—2012）美国超现实主义画家、雕塑家、作家和诗人。超现实主义运动和达达派的重要参与者与见证人。她与20世纪艺术大师级人物如：马塞尔·杜尚、萨尔瓦多·达利、帕布罗·毕加索等都是好友，成为艺术精英圈的女主人。坦宁是一名女性主义者，从不让丈夫恩斯特称她为“妻子”，且终身未育。

[10]安德烈·布勒东（André Breton，1896–1966年），法国诗人和评论家，超现实主义创始人之一。他和其他超现实主义者追求自由想象，摆脱传统美学的束缚，将梦幻和冲动引入日常生活，以创造一种新的现实。安德烈·布勒东出生在法国的丹什布雷市（Tinchebray）。就读于巴黎大学医学院，其间接触到弗洛伊德的著作。弗洛伊德关于潜意识的概念对布勒东的作品有重要的影响。1919年同苏波、阿拉贡一起创办《文学》杂志。参加达达主义创始人查拉组织的达达主义团体，《文学》杂志也成了达达主义团体的机关刊物。又于1921年与苏波、合作写出了超现实主义的第一部著作《磁场》，体现了“无意识的书写”。1922年同查拉的达达主义产生分歧，开始提出自己的超现实主义理论。《文学》杂志在布勒东的主持下载文对达达主义发起攻击、他提议召开“明确方针和保卫现代精神的国际会议”以便把超现实主义国际化。 1923年其发表诗集《大地之光》。1924年与阿拉贡、艾吕雅、苏波的超现实主义者一起同达达主义决裂。他参与成立了“超现实主义研究室”，起草了《超现实主义宣言》，正式宣告超现实主义的诞生。发表小说《可溶解的鱼》。1924年他发表第一篇《超现实主义宣言》，同年成立“超现实主义研究会”，主持出版《超现实主义革命》杂志。布勒东团结了当时一大批著名的诗人和画家，积极实践，使超现实主义运动风靡欧洲。

[11]《娜嘉》完成于1928年，安德烈·布勒东从与一位名叫娜嘉的女子在巴黎相遇、相爱到分手的经历中，提取大量事件，对现实、真实、美、疯狂等概念进行探索，彻底颠覆了19世纪传统的文学观念。该书一般被视为小说。然而，许多证据都证明，书中的大部分事件均非虚构，而且有大量的图片展示事件发生时的场景。同时，作品又体现出一种明显的自传倾向。全书扑朔迷离，充满偶然、随机、巧合和梦境，作者的主观思想交叉出现在事件的客观叙述过程中，图像与文字交相辉映，成为超现实主义的名篇，极大影响了西方20世纪的文学与艺术流程。

[12]保罗·艾吕雅（PaulÉluard）：法国著名超现实主义诗人（poète surréaliste）（1895-1952），他对两次大战之间的那几代诗人产生过最深刻、最大影响的诗人之一。二战期间他站在抵抗运动的作家一边，加入了反法西斯和纳粹的斗争。他的一首题为Liberté《自由》的诗是法国最著名的诗歌之一。出版诗集数十种，主要有《痛苦的都城》、《不死之死》、《公共的玫瑰》、《丰采的眼睛》、《诗与真》、《凤凰》、《为了在这里生活》、《兽与人，人与兽》、《当前的生活》、《天然的流水》、《和平咏》等。

[13] 罗伯特·德斯诺斯（Robert Pierre Desnos）（1900-1945）是法国超现实派中一位有才气的诗人，早期在超现实派中很有威望，诗歌创作接近风趣和幽默，在抵抗运动中因主办地下报纸被德国占领军逮捕，并死于集中营。

[14]伊拉·科恩（IraCohen）：美国诗人、出版人、摄影师以及电影制作人。Cohen在20世纪60年代居住于摩洛哥和纽约，70年代居住于加德满都，并在80年代环游世界，然后回到纽约度过余生。Cohen2011年8月25日死于肾衰竭。其文学档案现藏于耶鲁大学Beinecke珍贵手稿图书馆。

[15]查尔斯·亨利·福特（1913 -2002）是美国小说家、诗人、电影制片人、摄影师。

Bill Wolak演讲《遇见超现实》（录制版）：

http://mpvideo.qpic.cn/tjg_3231179411_50000_527614ff671746adae1477f7a27d2c09.f10002.mp4?dis_k=76781cc78b31f7e5eda4c79e8bfe1580&dis_t=1678063025&play_scene=10400

比尔·沃拉克代为致辞、殷晓媛翻译

When I was a young man in London, I bought a Penguin book of Chinese Poetry and it changed my life. The book opened me to a culture I had never known before, and the poets drew me into their world of observation. Their condensed reflections on nature: mountains, village life, the seasons, flowers, every detail of their surroundings fascinated me. Fifty years later I am still in love with Chinese poets and their poetry. I am most enamored of the Tang poets, and my wife who loves camels, is most enamored of Tang san cai figurines of camels.  In fact, my wife’s interest in China is focused entirely on camels. One year when we went to Dunhuang, she went on a camel trek into the desert for a few days to sleep in the dunes by the side of her camel. She is also a member of the Wild Camel Protection Foundation with a breeding center for this rare species.

当我还是一个伦敦青年，偶然间我买下了一本由企鹅出版集团出版、关于中国诗歌的书，从此改变了我的人生轨迹——它在我面前打开了一扇通往未知异域文化的大门，而这些诗人将我引入他们的视角之中。他们密集的意象所呈现出的自然风物：山岳、村庄、四季、草木，周遭世界的每个细节都令人入迷。一转眼五十年过去，我仍然深爱着中国诗人和诗歌。最让我醉心的是唐诗，而我对骆驼入迷的妻子则酷爱唐三彩双峰骆驼俑。实际上，我妻子对于中国文化的热爱几乎都聚焦在了骆驼上。有一年我们去到敦煌，她展开了一场历时若干天的深入沙漠驼队之旅，晚上就和骆驼一起睡在沙丘里。此外，她还是“保护野生骆驼基金会”成员，支持稀有骆驼品种的繁育。

In my home I have an entire room devoted to books about Chinese poetry, art, history, architecture and culture. That I why I have come to China four times and am visiting with you today. I am honored to be here among poets and artists. I treasure your work and hope to contribute to the interest in Chinese poetry and art among English speaking people.

在我家，有一整个房间是专门用于珍存中国诗歌、艺术、历史、建筑和文化相关书籍的。所以我来过中国四次，如果算上今天和你们在一起，是第五次。我非常荣幸与大家这样的诗人和艺术家在一起。我非常看重你们的作品，希望能将我对于中国诗歌与艺术的兴趣在英语世界发扬光大。

I only wish I were a younger man and could start my studies all over again and learn to speak to you in Chinese. You see my white hair. Sadly, this will not happen, though I love and respect all aspects of Chinese culture and am thrilled to be here today.

我只希望自己现在再年轻一些，可以重新开始学习，学会像你们一样说中文。但你们也看到我已满头白发。令人遗憾的是，这样的奇迹不会发生了，虽然我如此钟爱和敬畏中国文化的各个领域，并且直到今天还为它们惊艳不已。

谢谢大家。

朗诵家、影视演员、诗人阿桐朗诵意大利诗人雅各布·布莱克斯利诗歌《广义相对论》

诗人往都朗诵原创诗歌

潘黎明朗诵获奖诗歌《戴面纱的基督》

比尔·沃拉克朗诵约翰·迪戈比作品《杜甫草堂》

一排：童锡来、阿桐、殷晓媛、比尔·沃拉克、子寒

二排：诗友、潘黎明、往都、玙姬

（详细影像及音频资料请关注后续报道）

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