百科诗派“茶文化群像诗展”在意大利杂志《The Dreaming Machine》刊发

2020年12月，百科诗派核心成员与来自中国及阿根廷的“百科之友”共十二位诗人创作的茶文化系列主题诗歌在意大利《The Dreaming Machine》（英语版）大版面重点刊发。该杂志与《La Macchina Sognante》（意大利语版）为姊妹刊。该刊物曾于2019年4月和7月两次集中刊发百科诗派特辑，均由皮娜·匹科洛（Pina Piccolo）博士翻译。

《The Dreaming Machine/La Macchina Sognante》（名字灵感来源于作家、意大利比萨大学教授、律师Julio Monteiro Martins同名小说）2015年10月1日创立于意大利，先锋文学/艺术跨界杂志，着眼于文学、艺术、生态环境、社会议题，创始人及联合创始人包括：Bartolomeo Bellanova（作家、诗人、人类学者及社会活动家）, Reginaldo Cerolini（纽约电影学院毕业，艺术片导演、译者、喜剧读本作者、演说家、环球旅行者）、Elena Cesari/Lucia Cupertino、Sana Darghmouni（博洛尼亚大学毕业，阿拉伯语译者，现于博洛尼亚大学教授翻译理论）、Benedetta Davalli、Loretta Emiri、Marina Mazzolani、Gassid Mohammed、Daniele Natali、Pina Piccolo（加州大学伯克利分校获得博士、诗人、翻译家、视觉艺术家）、Maria Rossi（那不勒斯东方大学毕业、伊比利亚文化学者）、 Walter Valeri（哈佛大学戏剧理论MFA、现任教于麻省理工）。Micaela Contoli及Davide Sani，及特约摄影师Melina Piccolo。运营管理团队包括 Bartolomeo Bellanova, Sana Darghmouni, Pina Piccolo (外联专员) 、Walter Valeri等，包括诗人、小说家、艺术家、教授、英/阿/西/葡多语种翻译家、社会活动家、国际关系及移民问题、拉美文学及文化学者，西班牙语及葡萄牙语系特约编辑团队包括Lucia Cupertino与Maria Rossi。从第10期开始Reginaldo Cerolini加入了管理团队。

管理团队简介（意大利语）：

http://www.lamacchinasognante.com/imacchinisti/

百科诗派简介（意大利语）：

BREVE INTRODUZIONE ALLA SCUOLA ENCICLOPEDICA (Cina)

La Scuola di poesia enciclopedica è composta da un gruppo letterario d’avanguardia, sperimentale, basato sulle tecnologie, attivo in Cina e in Francia, fondata nel 2007 dalla poeta Yin Xiaoyuan. Il nucleo creativo della Scuola consiste di 11 poeti, autori teatrali e scrittori innovativi e iconoclastici, tra i 30 e i 60 anni di età, che pur variando nelle proprie identità sociali (esperti di Intelligenza Artificiale, amministratori nel settore automobilistico, manager di Risorse Umane, giornalisti, professori di archeologia, cineasti) sono tutti impegnati a mettere in campo una scrittura trans-genre, cioè ‘tra-generi’ sperimentale ed enciclopedica.

Il nucleo di consulenti accademici si compone di oltre trenta docenti universitari e studiosi che si specializzano nelle scienze e nelle arti come pure nella ricerca interdisciplinare. La scrittura associata alla poesia enciclopedica mette l’accento su elitismo, intellettualismo, intertestualità, e multiculturalismo, concetti approfonditi dalla fondatrice Yin Xiaoyuan nel suo saggio Hermaphroditic Writing. Le parole chiave della Scuola di poesia enciclopedica sono Decrittazionismo (dal concetto di “crossover” fino a “jointover”), Intertestualismo (da ‘communication” a ‘countermunication”) e Lungimiranza (da ‘introduction” a “forthduction”). Oltre alla fondatrice, tra gli esponenti più importanti del nucleo creativo si annoverano Sun Qian, Hai Shang, Xiang Yixian, Wang Ziliang, Shan Shui and Langji Tianya, Yang Zheng, Pan Yu, Lu Kang, etc. L’Ermafroditismo è estratto come ideologia guida nel posizionamento sessuologico di scrittura creativa del gruppo, specialmente nella disposizione dei caratteri: Universi macroscopicamente paralleli, generi microscopicamente paralleli. L’Ermafroditismo dà grande risalto all’auto-esplorazione dell’anima e dell’animus ignoti.

La scuola di poesia enciclopedica ha sperimentato in maniera pionieristica gli abbinamenti tra fisica, astronomia, geografia, meteorologia, geometria, biologia, medicina, chimica, storia, archeologia, matematica, psicologia, estetica, linguistica, mitologia, musicologia, cinematica, semiotica, architettura, sociologia, filosofia, scienze informatiche, Intelligenza artificiale e la sistematica integrazione di Classicismo, Romanticismo, Simbolismo, Impressionismo, Surrealismo, Assurdismo, Espressionismo, Costruttivismo, Post-modernismo nella poesia, particolarmente nella poesia epica. Nei generi letterari tradizionali la Scuola ha integrato esercizi di stile, codici, scrittura Braill, formule dei fogli Excel, tavole, installation art, indovinelli, trame interattive con finali multipli.

A differenza di gruppi come OULIPO ed altri, la Scuola di poesia enciclopedica mette maggiormente in risalto elaborazioni dei vari argomenti utilizzando stili presi in prestito da manuali, guide ed enciclopedie, di carattere assimilativo, costruttivo come pure strutture, tecniche e modelli innovativi. Finora sono stati pubblicati oltre venti libri a cura dei componenti della Scuola, comprese opere trans-genre, epiche e antologie poetiche.

PART I

Fixation / “Killing the Green” by YIN Xiaoyuan [China] [E.P.S. Founder]

Shui Xian Oolong Tea/ “Water Sprite” by HAI Shang [China] [E.P.S. key member]

Jin Mu Dan / “Golden Peony” by SUN Qian [China] [E.P.S. key member]

Bu Zhi Chun Oolong Tea/ “Unaware of the Spring” by JIANG Libo [China] [E.P.S. fellow poet]

Que She Oolong Tea/ “Linnet Tongue” by GAO Han [China] [E.P.S. fellow poet]

Ban Tian Yao Oolong Tea/“Female Spirit in Mid-air” by Ölmalerico [China] [E.P.S. fellow poet]

PART II

Zhui Gui Fei/ “The Drunken Concubine” by Liu Yage [China] [E.P.S. fellow poet]

Legend of Chinese Tea by XU Duoyu

Shui Jin Gui/“Golden Turtle” by Rugang Ye [USA] [E.P.S. fellow poet]

Huangjin Gui/Huang Dan by Fabiola Rinaudo [Argentina] [E.P.S. fellow poet]

Chun Lan Wu Yi Oolong by Eduardo Robino [Argentina] [E.P.S. fellow poet]

JianOu AiJiao Oolong – Classic by Geraldine Palavecino [Argentina] [E.P.S. fellow poet]

Ceremonias del té (Xiao Hong Pao/ Mao Xie) by Carlos J. Aldazábal [Argentina] [E.P.S. fellow poet]

Part I

http://www.thedreamingmachine.com/featured-project-from-a-menu-of-distinctively-flavored-tea-poems-part-i-by-encyclopedic-poetry-school/

Part II

http://www.thedreamingmachine.com/featured-project-from-a-menu-of-distinctively-flavored-tea-poems-part-ii-by-encyclopedic-poetry-school/

伊利安否定了凤凰纪年的算法说。他晾晒过的羊皮卷板书，与大英博物馆德摩斯梯尼的Manuscript 34一道，轮替为后世Fall Out Boy的战漆烟圈

谁有权采摘人类门纲目科属种错综难辨的经验？花体首字母毒藤暗影中萌动凤凰的初羽：

“又东五百里，曰丹穴之山，其上多金玉。丹水出焉，而南流注于渤海。有鸟焉。其状如鸡，五采而文。”

“凤凰一名鸑鷟，非梧桐不栖，非竹实不食。”

故有雄关名曰“桐木”，故有“青楼”竹席相缀，焚松木，熏茶坯，袅袅一时烟起。雾气时透日光，火焰不着尘迹

无须怀忧：绵软叶片自有水晶掌纹开示走向，正如都柏林的Cheiro预言：翁贝托将殒命于猩红匕首。此翁贝托非彼翁贝托，玫瑰的名字以讹传讹又作西西里香豌豆

榆叶梅先花后叶，菠萝蜜先果后花，菟丝子无根无叶，因果形成酷似磁力线的涡旋时，便须揉捻以敦促事件诞生：热学与力学斡旋并互为杠杆，茶条抟挪间莱洛三角搬运死而不僵的酵类酶

艾米·斯图尔特在《植物也邪恶》中描摹颠茄、依波加木、水毒芹、合欢荆棘树、以及易混淆的致幻植物Khat——“阿拉伯茶”

草木的本质多么类似显影液：镜像从椭圆色粒矩阵中析出，光合作用从未像擦身而过的雨露浮于表面……有多真切，就有多蚀骨

蛇影是水媒的纸鸢在端起茶盏时鼓翼生风。唇舌间暗香皆为暗器：我干了，你随意

他提到发酵篮，她写下橡木桶：路数不合的上瘾物有各自的成因机理

神农的百草之毒与Ptah-Hotep墓的古旧之酿仿佛硫酸纸的透印，竹叶青佛头青鹁鸽青临安青青山无知青娥已老

偏倒古铜色得来不易——除非得助于信天翁、纯白蕾丝与麂皮色超现实沙滩

此时明度、弧线与光泽面临过渡，Steven Strogatz谈到“以数学之眼看世界所萌生的喜悦在于发现它隐秘的纹理”

烟火气、蜜糖香，因缘情执难分伯仲，如何落笔？“看杀卫玠”的“杀”，“青毡故物”的“青”。

色彩作为被压缩的栅格，因此披上功能主义面向

在宝相花与蝙蝠纹干戈化玉帛的间隙，骤然蟒鳞惊起

Fixation/ Killing the Green[1]

by YIN Xiaoyuan

Aelian[2] denied the possibility that Phoenix knew the arithmetic of chronology. (“De Natura Animalium”) He laid out his Constantinople parchment in the breezes, alongside Manuscript 34 by Demosthenes from the British Museum–they formed an Ouroboros: a smoke ring for Fall Out Boy and for posterity

Has there ever been a omniscient person to name everything by the taxonomic rank of kingdom, phylum, class, order, family, genus, and species?

Phoenix was born, and the “Diminuendo” of the Romanesque initials was cradles for its first plumage

“Another 5 hundred li Eastwords is Danxue Mountain, which is rich in gold and jade. The River Dan stems from here, and runs southwards into Sea Bo. Here lives this divine bird(phoenix), whose semblance is similar to that of a pheasant, with plumes of five colors.”(“The Classic of Mountains and Seas”)

“Phoenix is also named ‘Yuè Zhuó’, which rests on nothing but noblest Chinese parasols, eat nothing but the freshest bamboo rice.”(“Taiping Yulan”, also as “Imperial Reader or Readings of the Taiping Era”)

In Tongmu Village [3], where one of the Eight Ancient Passes of Wuyi Mountain was once located, “Pine Aroma Cottages”[4] are seething with heat. Tea leaves on the second floor are being dried over burning wood below. Smoke can been seen rising from the bottom of bamboo sieve holders. There is fog outside, always lingering around, enveloping the little cottage like cream currents. echoing with the smoke sealed inside, while the fire also formed a reflection of the sun outside

No need to be fretful: crystal veins in the soft leaves will reveal secrets with Palmistry, just like Cheiro[5] did: Umberto should die with splash of red. That Umberto[6] was not his “double”, nor Umberto Eco, because “Il nome della rosa” might get misspoken as “Lathyrus odoratus” as gossips went awry.

Flowering plum trees have flowers before leaves, and jackfruit– fruit before flowers, dodder– neither leaves nor roots attached to soil. The causal relationship between things are in the shape of magnetic field lines, incident occurs when leaves get “shaped”, rolled into curved strips by rough but dexterous hands: thermology and mechanics become leverage of each other, now they have the inactivated enzymes carried behind the curtain on the Reuleaux Triangle

In “Wicked Plants” Amy Stewart described deadly nightshade, iboga, water hemlock, whistling thorn acacia, and the hallucinatory Khat——also called “Arabian tea”

Plants are like film developers: shadows are extracted from oval matrix of pixels. In a picture you noticed dewdrops produced by photosynthesis surfacing like vapor…it just etches away everything

The snake in the cup[7] becomes a soaring kite when tea leaves billow and release winds: “Bottoms up!” people shouted, like proposing a toast

He talked about wicker fermenting baskets while she was thinking about oak barrels: addictive behaviors have their specific reasons

Shennong[8] met his “heartbreak grass” eventually; depiction of winemaking appeared in the tomb of Ptah-hotep—like patterns coinciding with each other on two sides of a piece of butter paper…stories go on: green remains in bamboo Noren tapestries, rolling hills and pigeon eyes, in the elapsed currents of time

On the contrary, the tannin color is not so easy to achieve—unless you set up a permanent studio with albatrosses, lace curtains and a surreal suede beach

At this moment, brightness and color purity are both on an ascending curve, just as Steven Strogatz said, “”One of the pleasures of looking at the world through mathematical eyes is that you can see certain patterns that would otherwise be hidden.”

A smoky honey-like aroma, smells like a nameless infatuation, how could I explain this word “Killing the Green”? “Kill” is like in “Wei Jie’s being killed by amorous glances” [9] and “green” like in “ancestral green blanket”[10].

In this way the color chart took on a functionalist appearance

Between the old lotus flower and bat patterns, a cobra is rising

[Tr. YIN Xiaoyuan]

[1]Fixation / kill-green: Kill-green or shāqīng (杀青) is done to stop the tea leaf oxidation at a desired level. This process is accomplished by moderately heating tea leaves, thus deactivating their oxidative enzymes and removing unwanted scents in the leaves, without damaging the flavour of the tea. Traditionally, the tea leaves are panned in a wok or steamed, but with advancements in technology, kill-green is sometimes done by baking or panning in a rolling drum. In some white teas and some black teas such as CTC blacks, kill-green is done simultaneously with drying.

[2]Aelian, On Animals 6. 58 (trans. Scholfield) (Greek natural history C2nd A.D.) :

“The Phoinix (Phoenix) knows how to reckon five hundred years without the aid of arithmetic, for it is a pupil of all-wise nature, so that it has no need of fingers or anything else to aid it in the understanding of numbers.

[3]Located in the natural reserve of the Wuyi Mountain, Tongmu is a remote village with an elevation of nearly a thousand meters. Thanks to the abundant vegetation resources, local villagers began to produce black tea in recent years. .It is Lapsang Souchong that made this area famous.

[4]Smoke Baking: Scatter tea leaves on bamboo sieves placed in the baking room and dry them with pine fire and bake them with pine smoke from the bottom of bamboo sieve holders. During the whole process, tea leaves continue to absorb pine aroma and ends with distinctive pine flavor.

[5]Cheiro was the most famous practitioner of palmistry in modern times. He was born in Ireland and had predicted many incidents of his time. For example, he correctly foretold the Boer War, death of Queen Victoria, assassination of King Umberto of Italy, a year or so before each of these incidents occurred.

[6]On July 28, 1900, King Umberto I was enjoying a meal in a Monza restaurant, accompanied by a trusted aide. Nothing appeared to be out of the ordinary until the owner of the establishment approached to greet his prestigious guest. The restaurant’s proprietor and the king looked exactly alike! And, as if this physical similarity wasn’t surprising enough, the proprietor was also named Umberto and had also been born in Turin on the very same day. As they spoke, the eerie coincidences continued: both Umbertos had married on the same day, both to women named Margherita. Even more astonishingly, Umberto, the restauranteur, had opened his establishment on the exact day of King Umberto’s coronation! If the connections between their lives seem uncanny, they’re nothing compared to the strange and tragic circumstances that surrounded their deaths. The King had been profoundly affected by his meeting with his ‘twin,’ and asked him to attend an athletics show he had been scheduled to appear at with him the next day. Sadly, the restaurant owner had been killed the morning after he met the king, shot in unexplained circumstances. No sooner had King Umberto heard this sad news that he too fell victim to a shooting; this time a well-documented one. He was shot and killed by Gaetano Bresci, an Italian-American anarchist who had been outraged—along with many other Italians—by General Fiorenzo Bava Beccaris’ brutal massacre of protestors in Milan in May 1898. Beccaris authorized his troops to fire their rifles into those who had been demonstrating against the rising price of bread; Umberto praised his general and awarded him with the Great Official of Savoy Military Order medal for restoring calm to Milan.

[7]Mistaking the Reflection of a Bow in the Cup for a Snake “杯弓蛇影”: Yue Guang was very hospitable. One day he invited a friend to have a drink in his hall. While drinking, his friend thought he caught a glimpse of a small snake swimming around in his cup. Though disgusted, he swallowed the wine down, but the thought of the snake nauseated him. As soon as he got home, he fell ill. After a few days, Yue Guang heard about his friend’s illness and its cause. He thought that there couldn’t be a snake in the wine cup. So he went to inspect the place where they had the drink and eventually found the cause: on the wall of the hall hung a colourful bow, the shadow of which happened to throw exactly at the place where his friend had put his wine cup. Yue Guang hurried to his friend’s home and told him about this. As soon as his friend came to understand that it was not a snake but the reflection of a bow in his cup, he got over his illness at once.

[8]Shennong (the Divine Farmer) is the legendary originator of Chinese herbal medicine. In Chinese mythology, Shennong is credited with the invention of the hoe, plow, axe, dug wells, irrigation, preserving stored seeds (specifically in boiled horse urine), the farmers’ market, and the Chinese calendar. He is also believed to have refined the therapeutic understanding of pulse measurements, the practice of moxibustion (the medicinal practice of burning mugwort on particular parts of the body), and to have instituted the harvest thanksgiving ceremony ( Zhaji Sacrificial Rite or Laji Rite ). According to Chinese myth, Shennong’s death is said to have come at the hands of his research in medicinal herbs. Supposedly he ate a yellow flower of a weed that caused his intestines to rupture before he had time to take the antidotal tea.

[9]Wei Jie, who died at age 27, also very famous in Chinese history for his appearance. He was described as pretty, soft, and frail.  He died young, and was recorded in Jin Shu (《晋书》) as dying from “being looked at too much”. Jin Shu noted that large crowds of people expected to take a look at Wei Jie’s beautiful face. Jin Shu noted that large crowds of people expected to take a look at Wei Jie’s beautifulface. Dying from “being looked at too much” might sound ridiculous. Yet his beauty was even mentionedin a famous chronological history book Zi Zhi Tong Jian (《资治通鉴》),  complied by Sima Guang in theSong Dynasty (420-479).

[10]It is recorded that a man names Wang Zijing was sleeping when thieves broke in his house. He did not move until they stole nearly everything. Then one of them approached and want to search the ceiling over his bed, so he said “The ancestral green blanket is probably worth nothing for you, but very precious for me, please do not take that.”

殷晓媛

“百科诗派”创始人、智库型长诗/小说/诗剧/实验文本作者、“泛性别主义”写作首倡者、从事中、日、英、法、德多语言写作。中国作家协会、中国诗歌学会、中国翻译协会会员。著有长诗11000行长诗“前沿三部曲”、六万行结构主义长诗“风能玫瑰”等，小说四十万字，诗剧及实验文本若干卷。出版四部中文诗集：《印象之内，物象之外》、《它们曾从卓尔金历中掠过》、《前沿三部曲》、《播云剂》（百科诗派创派10周年年鉴系列）、一部英文诗集《Cloud Seeding Agent》（美国Pinyon Publishing出版社，2020）及多部译著，最近一部为2018年8月纽约New Feral出版社出版的《成为一条河流》（Bill Wolak著）。作品被译为法语、德语、西班牙语、意大利语、瑞典语、葡萄牙语、阿拉伯语、爱尔兰语、加利西亚语、芬兰语、罗马尼亚语、希腊语、爱沙尼亚语、俄语、孟加拉语、希伯来语、马其顿语、土耳其语、保加利亚语、日语、匈牙利语、阿尔巴尼亚语等，发表包括美国《Madswirl》《Pinyon Review》《Contrapuntos》、意大利《La Macchina Sognante》、英国《新阿拉伯人报》、阿根廷《Buenos Aires Poetry》《Revista Excéntrica》等杂志，收录入《Caminos sin fronteras》等选本，著作被美国、英国、德国、法国、俄罗斯、爱尔兰、新西兰等国一百余家国家图书馆、世界顶级名校图书馆和大使馆大规模收藏。百科诗派“2018人工智能纸魔方”（六国语版）”、“2019：创派12周年纪念徽章”、“百科诗派12周年“诗 ╳ 影 ╳ 艺”跨界艺术联展册”、“2020年豪华精装版“天·地·人”摄影画册诗历”文创项目总策划及总设计师，所发起“百科之友主题跨界创作工坊”创作出各类综合文本、摄影、绘画、装置、音乐、对联、朗诵、书法作品二百余件。曾授权其独家翻译诗歌的包括美国、瑞典、爱尔兰、英国、澳大利亚、西班牙、阿根廷、印度、日本、古巴、洪都拉斯、哥伦比亚、玻利维亚、厄瓜多尔等的120余位国际诗人。2018年独自游历全国名山大川，包括全程徒步登顶泰山。2020年策划“100位国际一线诗人精品诗歌云诵读&表演国际诗歌节”——“誓[诗]大会”。俄罗斯国家图书馆采编部部长T.V.彼得鲁先科将百科诗派著作誉为“横贯当代中国诗坛的百科诗学主义之强流”，多米尼加国家图书馆馆藏发展部部长Glennys Reyes Tapia则称之为“博大文化代表、书志编纂研究瑰宝”。

Yin Xiaoyuan(Yīn Xiǎoyuán, “殷晓媛” in Chinese) is an avant-garde, crossover epic poet as well as a cross-genre & multilingual writer, founder of Encyclopedic Poetry School (est. 2007), initiator of Hermaphroditic Writing Movement and chief drafter of Declaration of Hermaphroditic Writing, Editor and visual designer of “Encyclopedic Poetry School A.I. Papercube” (10th Anniversary Special Edition) , “12th Anniversary Poetry╳ Photography╳Manuscripts Album” and “2020 Yearbook: Poetry╳ Photography”, “2020 Deluxe Version: Poetry╳Photography╳ Manuscripts Album”, and “2020 ‘Hymn to Poetry’: Online International Poetry Festival CD Album”; director and visual designer of “12th Anniversary Poetry ╳Tea Deluxe Gift Set” and “12th Anniversary Commemorative Medallions”. She also directs “Encyclopedic Poetry School Creative Writing & Integrated Art Workshop”, members of which include poets, writers, dramatists, musicians and visual/installation/photography/calligraphy artists.

Yin Xiaoyuan graduated from Beijing International Studies University. She is a member of Writers’ Association of China, Translators’ Association of China and Poetry Institute of China. She has published 11 books including 5 poetry anthologies: Ephemeral Memories(Dazhong literature & art publishing, 2010), Beyond the Tzolk’in (China Federation of Literary and Art Publishing House, 2013), Avant-garde Trilogy(Tuanjie Publishing House, 2015) , Agent d’ensemencement des nuages (Encyclopedic Poetry School’ 10th Anniversary Series)(Beiyue Literature & Art Publishing House, 2017), and Cloud Seeding Agent (Pinyon Publishing, USA; nominated for “National Translation Award” of American Literary Translator’s Association and “Four Quartets Award” of Poetry Society Of America); and 6 translations, including The Ruby in Her Navel (Tsinghua University Press, 2014) by Booker Prize winner Barry Unsworth, a translation of contemporary New York poet/artist Bill Wolak’s poetry anthology Become a River(New Feral, 2018), two novels from Japanese and a haiku anthology. T.V.Petrusenko, Head of Acquisition Department, National Library of Russian, referred to the works by Encyclopedic Poetry School as “a new trend of contemporary Chinese poetry”, and Glennys Reyes Tapia, Head of Collection Department, BNPHU, described them as “bibliographical treasure of their (Chinese) culture”.She wrote 18 epics (which add up to a total of 70 thousand lines) and 24 volumes of encyclopedic poems.

居住的地方植被丰厚

山洞里崖刻嘤嘤低语

在历史的遗骸间

天地寿运渗透根萦

烘培它的叶芽

祀奉于祢祠

也证明此物位列仙班

或许唯有水   它才释放

经过温度置换的仙气

进入人的肠胃开始分解

一部分隐沁脑垂体

匍匐在毛细血管边缘

等待语词合上想像的齿轮

这正是此物的临床表现

2018年12月12日于广州

Shui Xian Oolong Tea/ “Water Sprite”

by HAI Shang

She lives in the deep profusion of flora

whispering in the shadows of lithoglyphs

over the ruins of civilizations

She has been, for long, rooted in the aerodynamic emanation of heaven and earth

So people baked her tender shoots

as an offering before the enshrined tablets in ancestral halls

Which is a proof that she is ranked among the deities

Water is the only catalyst for her aroma

in which divinity replaces heat stealthily in substitutional reaction

Usually it gets dissolved in the human stomach

one part siphoned upwards to the pituitary gland

and the other parts to the edges of their capillaries

waiting for cogwheels of imaginations to run

That is the clinical manifestation of this rare species

Dec 12, 2018

(Tr. YIN Xiaoyuan) 

海上

1952年11月生于上海市，先锋诗人、诗评家、自由作家。诗歌意象前卫，诗作苍茫大气，出神灵性；多年来，一直致力于梳理、思考中国史前文化，被誉为“民间思想家”。上世纪80年代，组诗《岛，东方人的命运》在《世界日报》发表后引起关注，在海内外发表诗作及文稿500余行（组）。已出版诗集、随笔、文论包括：《还魂鸟》、《死，遗弃以及空舟》、《人海》（短、长诗版）、《海上短诗选》、《影子奔向四面八方》、《自由手稿》（第一部）、《中国人的岁时文化》、《走过两界河》、《旷。草木原形》、《侘寂的魂影》、《隐秘图腾：琥珀星》……2011年完成五千行长诗《时间形而上》，表现出诗人愈加成熟的哲思与语言艺术水乳交融达到的新境界。诗歌被译为英语、西班牙语、意大利语、葡萄牙语、阿拉伯语等。

HAI Shang

Born in November 1952 in Shanghai, Hai Shang is an avant-garde poet, a critic as well as a freelance. He is an expert in rock paintings, and enjoys widespread reputation as “the Folk Thinker”.

Published books include: The Revived Bird, Death, Desertion and an Empty Boat, Scattered Shadows, Manuscripts of Random Thoughts,  Origins of Flora of the Mortal World, A Soul Brimming with Solitude, Mistletoe, Embryonic, and his most famous full-length poem Time, in Its Metaphysical Sense. His most recent encyclopedic anthology Star of Amber (Encyclopedic Poetry School’10th Anniversary Celebration Series) was published in 2017. His works has been translated into English, Italian, Spanish, Arabian and Portuguese.

穿过这色彩所带来的幻觉

且因这，阳光下暮春的雍容

在一种妙曼的香气中，悄然升腾

慢慢进入味觉所唤醒的意识

惊心，不仅仅是相遇的缠绵

整个午后，她都回甘的馀韵里讲述

那个令人惊艳的传说

违抗圣旨和贬谪，所带来的盛名

接受天意吧，这是一场爱

所有霜寒和季风都把韵味，抵押给你

就像抵押在了这个名字上

真的，这是一场终结之爱

她会拯救你的挂念，以及游离之思

抢在失落之前，抢在虚无之前

Golden Peony Oolong Tea

by SUN Qian

In the hazy hallucinations brought by a vivid green

I saw lavish sunshine cast upon the late-spring world

What fragrance could it be, that steams up everything in this atmosphere of serenity

And seeps into consciousness aroused by sense of taste 

It is astounding, not only for the encountering moment when it is entwined with our spirit

Its flavor lasts the whole afternoon, a sweet long finish

Its name reminds me of the imperial legend of peony demoted to Luoyang by Emperor Wu Zetian

who stood unyielding against feudal authority,  she knew nothing and never cared about her posthumous fame

Accept your destiny with grace, and you will see, this is all about selfless love

as if the frost wind and nature elements have invested their charm in you

in your blessed name

This is about fated and fatal love

which will redeem you for all your longings and meandering thoughts

before the final evanescence, the eternal desolation

孙谦

穆斯林诗人，自由撰稿人。五十年代生于陕西省宝鸡市。八十年代初开始诗歌写作，致力于在经验感知中探索人性与存在的多重主题：如文化历史的再发现，土地伦理，孤独与乡愁，生死与时间，宗教感知与心理分析等等。出版诗集《风骨之书》、《新月和它的反光》、诗画合集《人马座升空》（与人合著）《苏菲绝唱——穆斯林三部曲》等多部。曾有作品译介为日语、英语、西班牙语、葡萄牙语、罗马尼亚语、意大利语和阿拉伯语等。

Sun Qian is a Hui Islamic poet and freelance writer, born in the 50’s in Bao Ji ("Cradle of bronzeware”), Shaanxi  Province, while having roots in old imperial capital Luo Yang, who has been engaged in poetry writing for 30+ years, in a trident form of writing: a combination of neoclassic poetry, Islamic poetry and artistic poetry, whose poetry anthologies include Book of Spiritual Strength, The New Rubáiyát, The Muslim Poems, The Book of Realms, a collection of his poems and essays Sagittarius Rising and many other literary works. During late years, he has been devoted to Islamic poetry writing, by which to create an Islamic atmosphere in Chinese poetry and to advocate religious divinism in poetry. His works have appeared in Poetry, the Stars, Writers, Ethnic minorities’ Literature, Oriental and Occidental Poetry, One Line (America), The Blue Star(Taiwan), Epoch Poetry(Taiwan), International Chinese literary(Australia), and several other magazines abroad. His works were translated into English, Japanese, Italian, Spanish, Portuguese. and Arabian , and included in a variety of poetry selections home and abroad.

从来都是这样，不知道春天早已到来

不知道相对于早春的料峭

幼芽的哆嗦仅仅是一次迟到的测温

雀舌卷起一个清澈辅音，它等待着被读出

等待我用味觉里的电流去接通

钨丝上的霜，“那被语法和冰渣管辖的舌尖”

不是谁都能得到这样一份炙热的馈赠

也不是谁都拥有这样一份滚烫的履历

冰与火的变形记，同样需要在足够的沸点上还魂

茶壶里有风暴，正如沉默的壶嘴有话要说

经受过火刑的叶片懂得被爱烧焦的嘴唇

一种共同的干渴让它们在嗅辨中相认

从来都是这样，不知道春天已经来过

苦涩的经验需要通过迟到的觉悟转化为惊艳

那赴汤蹈火里的袅娜，为乡愁的一百种口感认证

Bu Zhi Chun Oolong Tea/ “Unaware of the Spring”

by JIANG Libo

Everything takes place in its own way. It happened that she never witnessed the descent of spring

or felt its icy touch on her skin

when her sprouts would tremble like tiny thermometers kissed by the cold

Her linnet tongue rolls up and pronounces a voiceless consonant, which waits to be caught

by the electric currents running in my taste buds

like Tungsten filament covered by frost,  or “lips underneath grammar and thawing snow”

Not everyone deserves this gift of ardent affections 

Nor does everyone have such a rich history to be proud of 

It is endless transmutations between ice and fire, and she would be resurrected only at the boiling point

A storm rose from the bottom of the tea pot, as if the silent spout had something to confess

Leaves burned at the stake for sins understand what the thirst for love felt like 

By a nameless longing shared between them, they recognized each other in the crowd

Everything takes place in its own way. It happened that she never witnessed the descent of spring

Now her bittersweet memory started to bloom into wonders

The gracefulness in her dancing, was a testimony of her hidden reminiscence

August 24th, 2020

(Tr. YIN Xiaoyuan)

蒋立波

中国当代诗人，出生于浙江绍兴嵊州。曾获《人民文学》首届青春中国诗歌奖和第十八届黎巴嫩国际文学奖。著有诗集《折叠的月亮》（1992）、《辅音钥匙》（2015）、《帝国茶楼》（2017）、《迷雾与索引》（2020）。现居杭州远郊。

Jiang Libo

Chinese poet, born in Shengzhou, Shaoxing, Zhejiang Province. He won the first “Youthful China” Poetry Award organized by "People's Literature" magazine, and the 18th Lebanese International Literature Award. He is author of "The Folded Moon" (1992), " Key to Consonants " (2015), " Tea House of the Empire " (2017) and "Mist and Index" (2020). He lives in the outer suburbs of Hangzhou.

总有些植物，

模仿鸟类清晨的柔语。

露珠藏起脚尖，

在绿叶的锯齿上跳舞。

耶稣光倾现，

慵懒的迷雾，

掀开了山坳的蒸锅，

沿着茶头的长睫毛升腾。

一本茶农的风水录，

翻阅大山龙脉的走向和乳房。

贫道与怪僧，闲敲昏沉的棋子。

泉水的抒情让琴弦绝响，

浮沉的枪旗，是鲸群沉睡的模样。

秋菊堪餐，春兰可佩，

人在草木中延年益寿，

草木有本心，

清风鸟语中的饮者，

在绿水青山中驻唱。

（2020.08.21）

Que She Oolong Tea/ “Linnet Tongue”

by GAO Han

There are always plants

capable of imitating whispers of birds in the morning glow 

when dews tiptoed

on the serrated edges of leaves 

It is the aureole of Jesus Christ 

The mist hovering over the valley 

raised the lid of the deep forests 

Look at the milky fog, they are flowing along the eyelashes of the tea leaves 

The landscape is a Feng Shui book for the peasants

Guiding through multiple breasts of the mountains led by the dragon vein

A Taoist and a Buddhist monk are playing chess 

Recitative of the brooks echo on the strings of a Guqin

The tender shoots sink or swim just like peacefully sleeping whales

The beauty of autumn chrysanthemum and spring orchid

Is the balm for human joviality

The heart of grass and trees

Accompanies the tea drinker in the breezes and the twittering of birds

The eternal flowing of green

（August 21, 2020）

(Tr. YIN Xiaoyuan)

草率高菡

作家诗人、摄影师，曾由北京燕山出版社出版个人诗集《来自花朵的心跳》，北京生态摄影协会创会秘书长、中关村海归文学社负责人

Gao Han is a Chinese writer/poet/photographer. His most recent poetry anthology "Heartbeats of Flowers" was published by Beijing Yanshan Publishing House. He is the Secretary General of Beijing Ecological Photography Association and director of Zhongguancun Oversea Returnees’ Literature Club.

是在一幅绢本的古画里，书生伏案而哭。

凉亭苍石，暮雪皑皑。

木板桥嘎吱吱地响，谁能了悟寂静？

“你于人间生情。”

许是那昨夜的女子入骨即化。

许是寺前阶下僧言忏悔，许是这茶有妖。

断了这岩崖上的相欢。

是悲，是所托，是不老，是澄空。

也是红泥小炉，雪里芭蕉。

你呀你呀鬓白好戏。

自以是功名皆身外，还不是落了俗套。

这风月的舌，缠着清夜的香。

愈发乎远愈记汤色如秋。

似是旧时可见。

提笔且歌“笑尽一杯茶，相思是谁家？”

Ban Tian Yao Oolong Tea/“Female Spirit in Mid-air” 

by Ölmalerico 

In a silk scroll painting, the frail figure of the young scholar was shaking slightly in tears, lying on the table 

It was a night when snow covered the pavilion and rockery in the twilight

When the wooden bridge creaked under the feet of travelers, in the recondite silence. 

“You eventually fell in love within the realm of the mortal…”

The maiden last night was such a delicate silhouette, like these swirling tea leaves

Maybe the penitence of a monk for a wisp of sensual thought, maybe a spirit in the storm within the tea cup 

How the lush joy over the rocks got gathered by the tea picker

There was sorrow, infatuation, immortality or beneficence 

Red-clay stove was burning, and there were plantain trees standing in the snow

Look at yourself—what a classic scene of conjugal bliss!

You regard yourself as a far beyond mundane desires, but your love story just turned out to be full of platitudes.

On the little flames of vicissitudes lingers the fragrance of a moonlit night

The surface of the tea water looks like an autumn lake

Which once I had stared at

How about sing and write down this story? “I took a sip of tea, and wondered where my beloved one could be.”

(Tr. YIN Xiaoyuan) 

油画男子

青年诗人，代表作《上示》，组诗《烟梦往事必然楚楚》，长诗《天鹅之书》等，曾任图书主编，入围第一和第二届北京文艺网国际诗歌奖诗集奖（2013～2014），中国•日照（太阳城）诗歌节优秀奖（2018），作品见于《山东文学》、《狂想》等。

Ölmalerico

Contemporary poet, author of long poem “The Oracle”,“Elegy of Swans”, poem series “Beyond Misty Memories”. Former editor of books,short-listed twice in “Artsbj” International Poetry Prize (2013&2014）, China—Rizhao (“The City of the Sun”)PoetryFestival (2018). His works were published in “Shandong Literature” and othermagazines.

清泉在壶中沸腾

唐韵汉风氤氲上升

蓝天白云红牡丹翠芍药纷纷摇落

我的杯中，一把金扇

徐徐展开，羽衣霓裳，倾国倾城

一笑，芳香四溢扇底风

琥珀玉液，把盏对饮

饮罢江中红日瑟瑟，再饮山间皓月清风

不慕富贵，但觅知音

岩间一杯凝香露，了却心头无限恨

执手佳人，可遇不可求

越千年，醉贵妃

与尔共醉

2020.8.22

注：醉贵妃为武夷岩茶

Zhui Gui Fei/ “The Drunken Concubine”

by Liu Yage 

How limpid the spring water looks, seething in the tea kettle! 

aromatic with subtle hints of Tang and Han

Under the azure sky blossoming with clouds, red and emerald peony flowers are radiating their incandescence right now

In my cup the leaves open themselves slowly 

like small golden fans, swirling with their rainbow-color plumes and skirts

She smiles and wisps of fragrance rises from beneath the fans 

The tea water takes on an amber hue. In their clinking cups

It feels like sipping the setting sun cast over the river, or moon shadows in the mountains

With no ambition for fame or fortune, bosom friends will be enough for life

Drops of this nectar is wiping away all melancholy on your mind

A beauty would show herself only when you are not searching for her desperately

Over thousands of years, the drunken concubine

Remained enchantingly stoned, with you and all

August 22, 2020 

(Tr. YIN Xiaoyuan) 

刘雅阁

诗人，中国及华语诗歌春晚形象大使; 曾自驾北极腹地探险;曾获中国青年诗人奖，世界华语童谣童诗大赛二等奖等。

LIU Yage

Poet, brand ambassador for Poetry Spring Festival Gala of China and Chinese-language Poetry Spring Festival Gala; she has once driven to the Arctic hinterland; winner of Outstanding Chinese Young Poets Prize, and second prize in Global Chinese-language Children's poetry Competition.

古代文人雅集

总少不了好茶

诗人隐者 高僧 ......

常于深山清溪边筑亭

闲饮茶忘忧愁

妙手著文章

信口开河

论天下事

一江春水向东流

一壶香茗品毕

被禁锢的头脑

溪水般清澈明亮

崇高的思想如铁锅里的茶叶

翻滚着散发出清香

可世人只能尝到它们的苦

喜欢喝茶的人

都是些吃得了苦的人

要不就是一些以苦为乐之人

生活五味杂陈

苦辣酸甜

苦为上乘

我很小的时候就开始喝茶

在我们茶叶之乡茶算不上什么

贵重之物

不管什么人来家

我们都会敬上

一杯茶

以表达作为同类

普通的善意

我的家乡是六安瓜片原产地

但我更偏爱森林里的野生毛峰

六安瓜片虽名贵但太过讲究

规则茶性也太顺从

我更喜欢野生毛峰的那种

野性源于悬崖之上

自然的坚韧与恩典

其香也更持久更动人

2020年8月25日

Legend of Chinese Tea 

by XU Duoyu

For ancient gatherings of literati or scholars

Tea was absolutely one of the indispensable elements

Unworldly hermits, eminent monks…

They built a pavilion by the creek in the mountains

Took a sip of tea, talked on and on 

They used to draw inspiration from nature

Sometimes suddenly starting to write

or pour out sighs of admiration

The world is like a thawing river

running eastwards in their passionate discourse

A teapot on the table is a totem

To wake up brains in shackles

and to make minds as limpid as spring water

Noble thoughts whirled and eddied like leaves in the iron cauldron

their aroma floated in the air

but the mundane only insist on its bitterness

Tea drinkers know bitterness

better than anyone else

It may have accompanied them for all their lives

in their struggling bittersweet history

Only the tasteful knows 

bitterness is the essence of all

I have been drinking tea at a very young age

which is not strange for a boy born on this “Land of Tea”

As the most precious gift

A cup of tea

is the first thing we offer 

when a honored guest visits

to show hospitality

and brotherhood of man 

My hometown is the cradle of Lu’an Guapian tea

But personally I like wild Maofeng in the deep forest of Mount Huang

Lu’an Guapian is too blue-blooded and too exquisite

Kind of tamed by civilization

I prefer Maofeng

That grow on the cliffs

receiving blessings of nature

which give it a stronger fragrance

August 25, 2020

[Tr. YIN Xiaoyuan]

诵读视频：

https://www.ximalaya.com/youshengshu/38472485/331307831 

许多余

1983年生于安徽。诗人、小说家、策展人。著有小说、随笔、诗歌、戏剧等作品20余部。有著作登上中国好书榜、汉语言文学研究生考试必备教材，及各大畅销书榜。卡夫卡独立书店、兔子共和国等独立品牌创始人。

XU Duoyu (Anhui, 1983): poet, novelist, curator. Author of more than 20 volumes including novels, essays, poems, and plays, some of which were listed in the list of “Best books of China”,  “Textbooks for Postgraduate Exams on Chinese Language and Literature”, and various kind of bestseller lists. Founder of independent brands including Kafka Bookstore and Rabbits’ Republic.

初始云雾的武夷山

神龟点金的水色灵魂

腊梅香的清茗心经

有一颗一颗含香词语被光照亮

山崖的滴水，时间的沐浴

神的手指播种种籽

少女手指采摘一枚青色月芽、二片青梅星斗的菲薄切片

有敲击海底冰川发出宋朝青瓷声音

日光给予温柔的、相对的萎凋

就像把蝴蝶的彩色生命置放海深的珊瑚里

焙的哲理火焰，与绿生命的初雨记忆

过滤掉日久的盐

清水一瞬间溢满

试探着答案，心灵的蓝鸟凝视

色泽橙黄、金黄，明亮

醇厚甘爽，如果是诗，如果不是诗，皆在南国

若能吻，若不能吻

清香与幽香的无形、浓郁，皆是销魂的最后一杯

Shui Jin Gui / “Golden Turtle” Oolong Tea

by Rugang Ye

Mount Wuyi of primeval fog and clouds 

A soul colored by water and bestowed with golden sparkles by the divine turtle

Pristine tea exuding wintersweet aroma, like from Scripture of Heart

Fragrant words, one after another, are lightened up 

Water dripping from cliffs.   Bathing in time

The divine fingers sow seeds 

The girls’ delicate fingers pick a verdant crescent and two

 thin slices of green-plum-like stars

Sunshine provides tender and relative withering

Like placing the colorful lives of butterflies into deep sea corals

Philosophical fire of baking and early rain’s memory of green lives   

Filter out long time salts

Chrystal Clear water rises to brim instantly

Exploring the answers, the blue bird of our hearts gazes

The colors are orange and golden; they are bright

Mellow, rich, sweet, and crisp

It’s poetry, or it’s not poetry; it’s always in the southern land

One can kiss, or one can’t kiss

The rich formlessness of refreshing scent and enchanting scent 

Always fills the last cup of soul melting tea

[Tr. Rugang Ye]

叶如钢

诗人、数学家、翻译家。加州大学圣巴巴拉分校教授，中国科学技术大学长江讲座教授，曾任德国波鸿大学教授。

Rugang Ye, poet, mathematician, and translator. Professor at University of California, Santa Barbara, Changjiang Lectureship Professor at University of Science and Technology of China, and previously Professor at Bochum University, Germany.

日光在游鱼般的纤叶上

留下纹印

是浮漾的翡翠灯笼吗

或匿身岩腔的火焰

古老而静美

仿佛某个爱情故事的余烬

注定永恒留存

不再有

伤痛与失去

没有怨苦与颠沛……

只有蜜桃珍异的芳馨

水流紧致的肌理

朱砂红的嘴唇在其间

仓促流转于澄澈之吻

环形时空中，一条幽径

极简而谨秘

向记忆延伸

Huangjin Gui/Huang Dan

by Fabiola Rinaudo

Sol impreso

en hojas menudas como peces.

Linternas flotantes esmeralda.

O es el fuego de la roca,

antiguo, sosegado.

Fragmentos de una historia de amor

destinada a durar para siempre.

Como si no fuera posible

la agonía y la pérdida.

No hay amargura, asperezas…

Sólo la escrupulosa escencia del durazno,

la venturosa densidad del agua

en la que bocas vermellón se precipitan

intuyendo besos diáfanos

y un camino que el circulo del tiempo,

si breve y minucioso,

prolonga en la memoria

法比欧拉·里瑙多（Fabiola Rinaudo）

阿根廷诗人、作家、律师、记者及影评人。

诗歌及短篇小说散见各类报刊杂志及选集。曾撰写“探戈”文化研究学术论文“País tango”，及长篇小说《鞋语》。出版诗集《绿色广场》。

 《拉美共同体》（位于美国康涅狄格州的西班牙语报刊）专栏作家、在各类媒体上发表编年体大事记及影评文章。(La funámbula. Cine y crónicas demundo. 网站：Fabiolarinaudo.blogspot.com). 评论散见传统媒体及新媒体。

“电影文学” 工坊发起人，多种电影节评委。最近受邀担任LIFFY （耶鲁大学拉美及伊比利亚电影节，由耶鲁大学在纽黑文举办）及纽约EFNY（厄瓜多尔电影节）评审团成员。

在法律领域具有资深经验，在阿根廷国家机关担任高级职务（曾担任萨尔塔众议院共同立法委员会秘书、萨尔塔省高级法院秘书、国民议会参议员首席顾问）。曾在法律专业杂志上发表多篇论文，包括《道德：失乐园》（1987）、《女性权利：一切为哪般》（1997）、《个人权利：人类学反思》（1990）、《多伦多：编年史》（2010）等。被巴黎高等商学院及布鲁塞尔自由大学联合授予“阿根廷青年领袖”奖。

现居加拿大多伦多，并往返于多伦多与美国康涅狄格州纽黑文、阿根廷布宜诺斯艾利斯和萨尔塔之间。

Fabiola Rinaudo is an Argentinean poet, writer, lawyer, journalist and film critic.

Fabiola has poems and short stories published in magazines, newspapers and anthologies. She is also the author of an essay about “tango”, “País tango” and a novel “Lo que dicen los zapatos” (=What the shoes have to say). “Green Square” (Bs.As. El suri porfiado Ed.) is her first book of poems.

She is a regular columnist for “Identidad Latina”, a Hispanic Newspaper based on Connecticut, USA and she writes and blogs chronicles and movie critics in social media (La funámbula. Cine y crónicas de mundo. Fabiolarinaudo.blogspot.com). Her reviews are published in newspapers and other social media.

Fabiola has organized workshops on ‘films & Literature’ and evaluated films submitted to various film festivals. Recently she was selected as a juror for the LIFFY (Latino and Iberian Film Festival at Yale), hosted by Yale University in New Haven, CT and the EFNY (Ecuadorian Film Festival) in New York City.

Fabiola has a vast experience in the field of Law (she held senior positions in several important offices in her country both at the federal and provincial level and has written articles related to law published in specialized magazines).

Fabiola currently lives in Toronto, Canada, and splits her time between Toronto (Canada), New Haven (CT, USA), Buenos Aires and Salta (Argentina).

窗外

灯火仍悬布于鳞次栉比的高楼

晨光巡行其间，薰衣草调

街道间流溢的迷雾亮起来

但便笺板上的光并不足以

点燃你手掌间的茶杯

同样的纱雾隐退于

崚嶒的群山之间

三十年过去：他的手还记得

琳纤手一握的触感

恰到好处的温度

黝黑、宛如雀鸟的眼眸

默然，啜饮一口茶……

她的青丝

正是雪的反义词

Chun Lan Wu Yi Oolong

By Eduardo Robino

Desde el ventanal

 los edificios aún conservan las luces

 y el amanecer ilumina, lavanda,

la neblina en las calles

la luz de la tablet apenas ilumina

 la taza entre sus manos,

esa misma neblina descendía

por los desiguales montes

ya hace treinta años: su mano recuerda

el tacto de la mano de Lin

 su tibieza perfecta

 sus ojos negros, sus ojos de gorrión.

Bebe, silencioso un sorbo de té ...

y su pelo negro

era el exacto reverso de la nieve.

埃杜瓦多•罗比诺（Eduardo Robino）

诗人。1974年出生于阿根廷毗邻安第斯山区和阿塔卡玛沙漠的萨尔塔省。出版诗集：《日常的精确》（1998）、《普埃布拉》（2004）、《忘义之珍》（2006）、《直到那一天不可避免地到来》（2008）、《塔塔加尔》（1940 – 2015诗选）等。曾获多个国家及省级奖项。

Eduardo Robino nació en Argentina, en la provincia de Salta, en 1974. Escribió los siguientes libros de poesía: Certezas Cotidianas - 1998; Puebla - 2004; Los tesoros ingratos, 2006; Hasta que irremediablemente llegue el día- 2008; Tartagal 1940 - 2015. Ha obtenido premios provinciales y nacionales.

I

当茶的潮汐爬上唇间

便开启与永恒之物的极微妙接触

几乎难以觉察，它涤尽这一天的热切

直到你仿佛登临一切的峰顶

它那细小植株的慈悲低语着：不绝如缕

II

它带来雨的能量

封印于每一枚叶片之中

在葳蕤的叶簇中，各自长出独特形状

当宁静的大海归寂于水平线

它向你的内心低语：让那些渴望止息

当一泓清流触及你的嘴唇，你变得广袤无界

它令你苦苦寻觅的词汇幻生其中

III

你的身体浸没于庄穆的时刻间

万物长成被爱的模样

茶水暖沃它们

仿佛毯子或一双温情的手 

将那双小脚搂在怀中

虽然它已决意踏上恒星般的旅途

IV

请畅饮，我为你蕴蓄着那些恬然的时光

我向深绿学会涵纳

我炉火纯青驾驭雨水的绵韧

以及万物之粹那不拘于物的豪迈

从天而降，填满每一颗意欲体察之心

倾听它的秘而不宣：

最壮阔的生命隐于细小的颗粒

JianOu AiJiao Oolong - Classic

I

Apenas el té alcanza a rozar tus labios

inicia un mínimo contacto con lo perdurable.

Imperceptible, limpiará el vigor del día

hasta que sientas llegar desde las cumbres más altas

la caridad en sus pequeños pies susurrando: prosigue.

II

Te concederá tantear el poder de la lluvia

que se encierra en cada hoja de la hierba

que crece única en la mata verde.

Y así como un mar pacífico vuelve siempre al horizonte,

el té le dirá a tu corazón: silencia el ansia,

eres inmenso cuando el vapor llega a tu boca

y engendra las nuevas palabras que buscabas.

III

Tu cuerpo es sumergido en las horas serenas

De todo lo que crece para ser amado.

El té que bebes lo calienta todo,

como una manta o las tibias manos 

que encierran a un diminuto pie

dispuesto a los viajes siderales.

IV

Bébeme, yo tengo tus horas sosegadas

He aprendido la paciencia de lo verde.

Gobierno la tenacidad de la lluvia

Y la despreocupación generosa de la esencia

que se desprende y colma a quien quiera percibirla

y escuchar su misterio:

la vida más robusta está contenida en lo minúsculo.

杰拉尔丁•帕拉韦西诺（Geraldine Palavecino）

1973年生于阿根廷北部萨尔塔省。幼年即开始写作，至今不辍。写作对于她犹如呼吸不可或缺，又如心脏舒张自然而然。她是一位研究认知神经科学的教育心理学家，也为人类语言的信息传输机制着迷。担任文字编辑及省政府官方出版物编辑。出版诗集《谢尔佩斯仪典》、《在你的重力与土星护身符之下》等。被收录入各种选集，曾获多个职业奖项及官方津贴。现致力于小说创作。

Geraldine Palavecino

Nació en la provincia de Salta, al norte de Argentina, en el año 1973. Comenzó a escribir desde muy chica y continúa hasta el presente. Escribir para ella es tan necesario como respirar y tan natural como una diástole. Es psicopedagoga, se especializó en neurocognición, siempre se interesó cómo nos vinculamos con el lenguaje. Es correctora de textos y editora en publicaciones oficiales para el Estado provincial. Tiene tres libros publicados de poesía: Ritual de las sierpes, Bajo tu peso y Talismán de Saturno. Fue incluida en antologías diversas, tuvo el honor de recibir premios a su obra y obtuvo becas a través de ellas. Actualmente, escribe una novela y sostiene blog de poesía Espejo de Shalott (https://espejodeshalott.blogspot.com/ ).

1

武夷岩茶莅临我的橱间

无须斟酌它的色泽，去应和远山之谣

无须急于令它的香叶沸腾，熏亮我窗间一帘天幕

知晓有那样一座山，托盛它的芳馥，便已足够

它们在赐福中到来，如一群野鸭：

赐福这位于布宜诺斯艾利斯的房间

                                                    它被缔造

                                                                  以安慰皮亚佐拉的冬日

2

蟹若以繁花为食

便分泌出这令人久思沉吟的殊胜之味

大师煮茶一杯，以聚引诗意

一座茶园蔓生于我的记忆：它仪态别异、色彩绚雅，犹如诗歌本身

落花化作沃土，因这璀璨之死

便诞生了牵引记忆之蟹

这一刻，当大师的教诲再次回响此间

我一手执杯，一手掩口，那寄居茶中的记忆之蟹

便无处可逃，落作一朵物哀之花

2018年12月30日

Ceremonias del té (Xiao Hong Pao/ Mao Xie)

1

El té de la montaña Wuyi ha llegado a mi alacena. 

No preciso descubrir su color para que la montaña cante.

No preciso hervir sus hojas para que el cielo se transparente en mi ventana.

Basta con saber que hay una montaña sosteniendo su aroma,

y en esa bendición que llega, una bandada de patos:

bendición de primavera en una habitación porteña 

                                                        acunada 

                                                                 por el invierno de Piazzolla.

2

Las flores alimentan al cangrejo.

Así nace el sabor inconfundible de la nostalgia:

el maestro preparando una taza de té para invocar la poesía.

Los jardines del té,  diversos y hermosos como la poesía, han crecido en mi memoria. 

Muchas flores abonaron el suelo, y de esa glamorosa muerte

nació el cangrejo que ha guiado mi nostalgia.

Ahora, en esta tarde en que el maestro vuelve a decir su palabra,

con una mano sostengo la taza y con la otra tapo su boca, para que el cangrejo de la nostalgia 

que habita en el té, no escape y se convierta en una flor de luto.

Carlos J. Aldazábal

30/12/2018

卡洛斯·J·阿尔达萨瓦（Carlos J. Aldazábal）：

1974年生于阿根廷萨尔塔。美洲诗歌阿尔罕布拉宫奖（西班牙格拉纳达主办）等多个诗歌奖项得主。曾获第二届“ID——文本轨迹”大赛一等奖（Abuelas de Plaza de Mayo主办）。出版诗集《僧侣的尊严》（1996）、《我们为什么想成为克韦多》（1999）、《没人将他的话音铸成祷词》（2003）、《小村》（2007）、《银行已关门》（2010）、《胸口的石头》 （2013）、《日常访问》（2014）及《Camerata carioca》（2017）。诗歌被译为英语、葡萄牙语、阿拉伯语及意大利语，并被收入多种选集，包括《开放精品集》，及西班牙Visor主编的《西班牙精品诗歌》（2015）等。

Carlos J. Aldazábal (Salta, Argentina, 1974). Publicó los poemarios La soberbia del monje (1996), Por qué queremos ser Quevedo (1999), Nadie enduela su voz como plegaria (2003), El caserío (2007), El banco está cerrado (2010), Piedra al pecho (2013), Las visitas de siempre (2014) y Camerata carioca (2017). Obtuvo, entre otros, el Premio Alhambra de Poesía Americana (Granada, España) y el Primer Premio del II Concurso "Identidad, de las huellas a la palabra", organizado por Abuelas de Plaza de Mayo. Su poesía ha sido traducida al inglés, al portugués, al árabe y al italiano, e incluida en numerosas antologías, entre otras El canon abierto. Última poesía en español (2015), editada en España por Visor.

百科诗派作品外译、出版及发表一览：