孟加拉语跨界艺术杂志刊发殷晓媛《双生火焰》精选

Original 百科诗派百科诗派

2021年7月11日，总部位于印度加尔各答的孟加拉语文学&电影艺术跨界杂志《Hello Testing Bangla Kobita》（“hello testing”是拍摄电影试麦的标准用语）的"Kobita Bhabona"栏目刊登中国诗人、百科诗派创始人殷晓媛跨文体长篇作品《双生火焰》节选。译者为孟加拉语诗人、学者、国家级媒体前体育记者阿里特拉•桑尼亚。

该节选由中国诗人油画男子在评论《头号玩家：殷晓媛的多重宇宙》（《Yin Xiaoyuan Parallel universes of Player One》）一文中进行过赏析，孟加拉语由该文英文版节选翻译。油画男子该篇评论全文近期将于另一杂志以多语种形式完整刊登。

官网链接：

https://hellotestingbanglakobita.com/2021-july-yinxiaoyuan/

延伸阅读：

油画男子 □ 沙画里的“殷墟”：头号玩家的多重宇宙——读《双生火焰》

杂志7月刊宣传海报：

过刊展示：

发表页面：

选段一：

然而她不知道，我一直在被他们跟踪。我已经发现一段时间了。那些从与涂鸦并无区别的抒情小品里出来的角色，能量都是薄弱的，他们顶多兀然出现在飞驰而过的地铁隧道广告屏上，或手机的弹窗广告中，令我一惊，转瞬又化作了陌生的面孔。但那些从叙事长诗里逃出的家伙则并非善类，我记得有一次在斑马线上和一个男人擦肩而过，他攥紧拳头，额角青筋暴起，仿佛连行走都带着某种诅咒。我稍后想起此人正是贡特拉姆•施托兹纳，正穿过我当时寄居的里昂市区，去堵截从医院下班的玛丽琳。马可•奥斯本博士是连接这伞房花序般盛开的纷繁万象的花轴部分，他们的肇始，我的悬而未发。（殷晓媛《双生火焰》）

She did not know that I had been stalked by them for a long time, which I had noticed- the characters from crisp prose were pale and feeble, who flashed across my eyes swiftly from advertising light boxes in the subway, or pop-up windows in my mobile, whichcaught me by surprise, but dissolved back into unrecognizable faces in the wink of an eye. But the ones escaping from long poems were never easy to deal with: I still have a sharp recollection of that day when I brushed against a man while crossing the street, and was taken aback by his expression: a belligerent frowning, with veins on his forehead bulging, as if he was a carrier of some fatal curse. I remembered later that he was no other than Guntram Stötzner, striding across town to L’hôpital de Lyon in pursuit of Marilène Beaufort.

Dr. Marco Osborne, the rachis that connects everything blooming in an umbellar order. He functions as their archetype and my primary container of energy.

选段二：

在马可•奥斯本看来，德奥达·殷这个俨然遗老的家伙突然将权柄交接给这个长相酷似女版让•谷克多的Déodat Yin II，是“不耐烦地从时局肋骨间抽身而出，将那双鹰眼置于某座更为峻峭的肉躯高台之上。”

“我生平第一次感到恐慌，我不知道他究竟是一个人，还是某种以肉体凡躯为遮蔽、不断进化跃迁、已远远超越图灵测试的人工智能。如果是后者，作为一个AI创造的产物而非创造者，我感到锥心的失败与耻辱。”（殷晓媛《双生火焰》）

In Dr. Marco Osborne's view, the abdication of Déodat Yin and the sudden transfer of sovereignty to "the female version of Jean Cocteau" Déodat Yin II, was sheer elusive behavior, an act of reclusion from rib cage of 'ethics and morals'. He places his eyes of an eagle on the top of the excellent version of flesh and blood at its biological pinnacle, which was equipped with constant vigilance and keen perception.

For the first time in my life I feel scared...I wonder whether he is an entity, or an A.I. in disguise, who has been evolving at lightning speed and successfully manipulated ideal outcome of the Turing test by indistinguishable imitation. If that is the fact, all I can feel now is ultimate humiliation, as I have never been a initiator as I thought I was, but a product of an A.I..

译者简介：