慕理谈崇拜时为何唱诗篇（英文）二

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There are some remarks, however, that may be made.

1. Chapter II, Section 1, quoted above, says, "the principles of public worship must be derived from the Bible, and from no other source." Since the principle regulative of worship applies to public worship and since such a principle is enunciated in the Confession and Catechisms, this must be one of the principles the "Directory" says must be derived from the Bible, and from no other source. This means that, according to the "Directory," the regulative principle must be that taught in the Word of God. What this teaching is the "Directory" itself does not say.

2. In Chapter II, Section 7, the "Directory" says, "The Lord Jesus Christ has prescribed no fixed forms for public worship but, in the interest of life and power in worship, has given his church a large measure of liberty in his matter. It may not be forgotten, however, that there is true liberty only where the rules of God's Word are observed and the Spirit of the Lord is, that all things must be done decently and in order, and that God's people should serve him with reverence and in the beauty of holiness." It is possible that the phrase, "a large measure of liberty" might be appealed to as expressing a different principle from that already dealt with as taught in the Confession and Catechisms. Furthermore, it is possible that it may have been intended in this way by the framers of the "Directory." With respect to any such contention or intention two things must be said.

(a) The phrase "a large measure of liberty" refers to "forms for public worship." It is entirely reasonable to assume that "forms" refer to something different from that which comes within the scope of the regulative principle enunciated in the Confession and Catechisms. Surely this section should be interpreted as referring to the kind of fixed liturgical forms to which the framers of the Westminster Standards were consistently opposed. It can at least be said that the regulative principle of the Confession and Catechisms is not in the least inconsistent with such denial of fixed forms as is expressed in this section.

(b) The large measure of liberty must be exercised, according to this section, within "the rules of God's Word." It is not, therefore, unrestricted liberty, and so, if the regulative principle be a principle of God's Word, the liberty must be exercised within, and compatibly with, that principle or rule.

(c) Even supposing that the phrase, "a large measure of liberty" was intended to express a different principle from that enunciated in the Confession and Catechisms, the occurrence of this phrase could not have the effect of abrogating the plain and unequivocal statements of the other Standards.

"Minority Report of the Committee on Song in the Public Worship of God submitted to the Fourteenth General Assembly of the Orthodox Presbyterian Church" (1947)

The above-mentioned committee presented to the Thirteenth General Assembly a report bearing upon the question of the regulative principle of worship. This principle is to the effect that divine warrant or authorization is required for every element entering into the worship of God. In the words of the Confession of Faith of this Church, "The acceptable way of worshipping the true God is instituted by Himself, and so limited by His own revealed will, that He may not be worshipped according to the imaginations and devices of men, or the suggestions of Satan, under any visible representation, or any other way not prescribed in the holy Scripture" (Chapter XXI, Section i).

In terms of the commission given by the Eleventh General Assembly and in accordance with the regulative principle set forth in the report of the committee, presented to the Thirteenth General Assembly, the question with-which this report is concerned is: What does the Scripture warrant or prescribe respecting the songs that may be sung in the public worship of God?

In dealing with this question it should be appreciated that the singing of God's praise is a distinct act of worship. It is to be distinguished, for example, from the reading of the Scripture and from the offering of prayer to God. It is, of course, true that songs of praise often include what is of the nature of prayer to God, as it is also true that in the offering of prayer to God there is much that is of the nature of praise and thanksgiving. But it is not proper to appeal to the divine authorization or warrant we possess as to the content of prayer in order to determine the question as to the content of song. Prayer is one element of worship, singing is another. Similarity or even identity of content does not in the least obliterate the distinction between these two specific kinds of exercise in the worship of God. Because of this distinction we may not say that the offering of prayer and the singing of praise to God are the same thing and argue from the divine authorization we possess respecting the one to the authorization respecting the other. One or two examples may be given of the necessity and importance of guarding the distinctiveness of the several parts of worship and of determining from the Scripture what its prescriptions are respecting each element.

Both reports submitted by this committee are agreed that some Scripture songs may be sung in the public worship of God. But these Scripture songs may also be read as Scripture and they may be used in preaching. In such cases the actual materials are the same. But reading the Scripture is not the same exercise of worship as singing, and neither is preaching the same as singing, or reading the Scripture. The same kind of distinction applies to the exercises of praying and singing even when the content is identical.

The Lord's Supper is an act of thanksgiving as well as one of commemoration and communion. But though the partaking of the bread and the wine includes thanksgiving, just as prayer and singing do, yet the celebration of the Lord's Supper is an act of worship distinct from both prayer and singing, and the divine prescriptions respecting the celebration of the Lord's Supper cannot be determined by the divine prescriptions regarding prayer or singing but must rather be derived from the revelation God has given respecting the observance of that distinct element of the worship of God.

Consequently the minority contends that the argument used in the report of the committee, to wit, that, since we are not limited in our prayers to the words of Scripture or to the "prayers" given us in Scripture, therefore the same freedom is granted in song, is invalid. We may not argue thus from the divine warrant respecting one element to the divine warrant respecting another. The question of the divine prescription regarding the songs that may be sung in the public worship of God must be answered, therefore, on the basis of the teaching of Scripture with respect to that specific element of worship.

When we address ourselves to the question of the teaching of Scripture we find that the New Testament does not provide us with copious instruction on this matter. It is for that reason that we are placed under the necessity of exercising great care lest we overstep the limits of divine authorization and warrant. This report will deal with the evidence that is directly germane to the question.

The Scripture Evidence

I. Matthew 26:30, Mark 14:26. Here we are told that, on the occasion of the passover, Jesus and His disciples sang a hymn before going out to the Mount of Olives. The Greek ishumnesantes, which literally means "having hymned." The evidence available to us from other sources is to the effect of indicating that the hymn sung on this occasion was what is known as the Hallel, consisting of Psalms 113-118. This instance evinces the following facts.

(1) No warrant whatsoever can be adduced for the singing of uninspired hymns. There is no evidence that an uninspired hymn was sung on this occasion.

(2) The evidence we do possess evinces that Jesus and His disciples sang a portion of the psalter.

(3) The singing took place in connection with the celebration of the Old Testament sacrament of the Passover and the New Testament sacrament of the Lord's Supper.

II. I Corinthians 14:15, 26. Paul is here dealing with the assembly of the saints for worship. He says, "I will sing with the spirit and I will sing with the understanding also" (vs. 15), "Each one hath a psalm" (vs. 26). From the verb that Paul uses in verse 15 we might quite properly translate as follows: "I will sing a psalm with the spirit and I will sing a psalm with the understanding also," just as in verse 26 he says, "Each one hath a psalm." We must conclude, therefore, that psalms were sung in the church at Corinth and such singing has, by obvious implication, the apostle's sanction and is confirmed by his example.

The question does arise: What were these psalms? It is possible that they were charismatic psalms. If so, one thing is certain -- they were not uninspired compositions. If charismatic they were inspired or given by the Holy Spirit. If we today possessed such charismatic psalms, sung by the apostle himself in the assemblies of worship or sanctioned by him in the worship of the church, then we should have the proper authority for the use of them in the songs of the sanctuary. It so happens, however, that we do not have conclusive evidence to show that we have any of such alleged charismatic psalms. But even on the hypothesis that they were charismatic psalms and even on the hypothesis that we have examples of such in Acts 4:23-30, I Timothy 3:16, we are not thereby furnished with any authorization for the use of uninspired songs in the worship of God.

On the hypothesis that they were not charismatic psalms we have to ask, what were they? To answer this question we have simply to ask another: what songs in the usage of Scripture, fall into the category of psalms? There is one answer. The Book of Psalms is composed of psalms and, therefore, by the simplest principle of hermeneutics we can say that, in terms of Scripture language, the songs that are repeatedly called psalms perfectly satisfy the denotation and connotation of the word "psalm" as it is used here. If inspired Scripture says, "Each one hath a psalm," and Scripture also calls the "Psalms" psalms, then surely we may also sing a Psalm to the praise of God in His worship.

So far as these two texts are concerned we can say that they provide us with no warrant whatsoever for the use of uninspired hymns. We can also say that, since the psalms we possess in the psalter are certainly psalms in the terminology of Scripture itself, we are hereby provided with divine warrant for the singing of such in the worship of God.

III. Ephesians 5:19, Colossians 3:16. With respect to these two texts it should be noted, first of all, that Paul is not necessarily referring to the public worship of God. The context does not make clear that Paul is confining himself here to exhortation that concerns the behaviour of believers in relation to one another in the assemblies of worship. Paul may very well be giving general exhortation. Indeed, the context in both passages would appear to show that he is exhorting to a certain kind of exercise in which believers should engage in reference to one another in the discharge of that mutual instruction and edification requisite to concerted advancement of one another's highest interests and of the glory of God.

This consideration does not, however remove these texts from relevancy to the question of the public worship of God. For, if Paul specifies psalms, hymns and Spiritual songs as the media through which believers may mutually promote the glory of God and one another's edification in those more generic Christian exercises, this fact has very close bearing upon the question of the apostolically sanctioned and authorized media of praise to God in the more specific worship of the sanctuary. In other words, if the apostolically enjoined media or materials of song in the more generic exercises of worship are psalms, hymns and Spiritual songs, then surely nothing inferior to psalms, hymns and Spiritual songs would be enjoined for use in the more specific exercises of worship in the assemblies of the church. If psalms, hymns and Spiritual songs are the limits of the materials of song in praise of God in less formal acts of worship, how much more are they the limits in more formal acts of worship. With respect to these two texts the following considerations are to be borne in mind.

(1) We cannot determine the denotation or connotation of psalms, hymns and Spiritual songs by any modern usage of these same words. The meaning and reference must be determined by the usage of Scripture.

(2) Some of the facts with reference to the usage of Scripture are very significant.

The word psalmos (psalm) occurs some 94 times in the Greek Scriptures, that is to say, some 87 times in the Septuagint version of the Old Testament and 7 times in the New Testament. In the Septuagint some 78 of these instances are in the Book of Psalms. In the great majority of instances in the Book of Psalms, some 67 in all, it occurs in the titles of the Psalms. In three of the seven instances in the New Testament the word is unmistakably used with reference to the Psalms, in two instances in the phrase the "Book of Psalms" (biblos psalmon) and in the other instance with reference to the second Psalm. It is surely significant, therefore, that in some 70 of the 94 instances the reference is clearly to the Book of Psalms or to Psalms in the Book of Psalms.

The word humnos (hymn) occurs some 19 times in the Greek Bible, 17 (?) times in the Old Testament and 2 times in the New (in the passages under consideration). Of the 17 Old Testament instances 13 occur in the Book of Psalms and 6 of these are in the titles. In the seven instances not occurring in the titles the reference is in each case to the praise of God, or to the songs of Sion. The other four instances in the other books of the Old Testament have likewise reference to the songs of praise to God.

The word, odee (song) occurs some 86 times in the Greek Bible, some 80 times in the Old Testament and 6 times in the New. Apart from these two passages (Eph. 5:19, Col. 3:16), it occurs in the New Testament only in the Book of Revelation. Of the 80 occurrences in the Old Testament some 45 are in the Book of Psalms and 36 of these are in the titles of the Psalms.

It is surely apparent, therefore, how large a proportion of the occurrences of these words is in the Book of Psalms. These facts of themselves do not prove that the reference here in Eph. 5:19, Col. 3:16 is to the Book of Psalms exclusively. But these facts must not be forgotten as we proceed to determine the character of the lyrical compositions mentioned in these two texts.

(3) In the New Testament the word psalmos occurs seven times, as was just stated. Two of these instances are in the texts we are considering. One of these instances is I Cor. 14:26, a text dealt with already. Two instances (Luke 20:42, Acts 1:20) refer to the Book of Psalms (biblos psalmon). Luke 24:44 clearly refers to Old Testament inspired Scripture and probably to the Book of Psalms. Acts 13:33 refers to the second Psalm. In none of these instances is there any warrant for supposing that "psalms" refer to uninspired human compositions. In the majority, without the least shadow of doubt, the reference is to inspired Scripture.

In the New Testament the word humnos occurs only in these two passages. The verb humneo(to hymn) occurs four times (Matt. 26:30, Mark 14:26, Acts 16:25, Heb. 2:12). As we found already, the synoptic passages most probably refer to the singing of the Hallel by our Lord and His disciples. Acts 16:25 refers to the singing of Paul and Silas in prison. Hebrews 2:12 is a quotation from the Old Testament (Ps. 22:23) -- en meso ekklesias humneso se.

No evidence whatsoever can be adduced from the usage in support of the use of uninspired hymns.

Apart from these two instances the word odee occurs in the New Testament only in Rev. 5:9, 14:3(2), 15:3.

From the New Testament, then, no evidence can be derived to show that these words may be used here (Eph. 5:19, Col. 3:16) with reference to uninspired songs. Even though odee is used in the Book of Revelation with reference to songs other than those in the Book of Psalms it is not used there with reference to uninspired human compositions but with reference to inspired songs.