马哈茂德·达维什（Mahmoud Darwish，1941-2008），被称作当代阿拉伯世界两三位最受景仰的诗人之一。巴勒斯坦在他笔下成为失落的的伊甸园、诞生与复活的隐喻，他继承了伊斯兰诗歌的政治传统，作品中充满了流亡与被剥夺的痛苦。 燃读 没啥让我高兴 没啥让我高兴公交车上的旅客说——无论是广播还是晨报，还是山丘上的城堡。我想哭司机说：等你到了站再一个人想怎么哭就怎么哭一个女人说：我也是，没啥让我高兴。我把我儿子带到我的墓地，他喜欢那儿，就睡了进去，连声再见也没有一个大学生说：也没啥让我高兴的。我学考古但在石头上我找不到身份，我是否真是我自己？然后一个士兵说：我也一样，没啥让我高兴。纠缠我的鬼魂我总是与他纠缠不清紧张的司机说：现在终点站就要到了，准备下车……但旅客们大嚷：我们要比终点站走得更远，继续开！而我自己则说：让我在这儿下。像他们一样，也没啥让我高兴，但我累了不想再旅行。 （西川 译） ———————— 附原作英译一种： Nothing Pleases Me (Translation by Fadi Joudah) Nothing pleases methe traveler on the bus says-Not the radio or the morning newspaper, nor the citadels on the hills. I want to cryThe driver says: Wait until you get to the station, then cry alone all you want A woman says: Me too. Nothingpleases me. I guided my son to my grave, he liked it and slept there, without saying goodbye A college student says: Nor does anythingpleases me. I studied archeology but didn’t find identity in stone. Am I really me? And a soldier says: Me too. Nothingpleases me. I always besiege a ghost besieging me The edgy driver says: Here we arealmost near our last stop, get ready to get off… Then they scream: We want what’s beyond the station, keep going!As for myself I say: Let me off here. I am like them, nothing pleases me, but I’m worn outFrom travel. 往期回顾 马哈茂德·达维什诗选读：当你用隐喻表达自己，想想那些失去说话权利的人 阿米亥：你来自人，也将回到人 相关书籍