6.《无题》

唐纳德·贾德

《无题》

1989年

耐候钢和紫色亚克力板

每块25 × 50 × 25 厘米，共六块

Donald Judd

Untitled

1989

Corten steel and purple acrylic sheets

Six units, each 25 × 50 × 25 cm

唐纳德·贾德，1928年生于美国密苏里州，1994年逝世

Donald Judd, born in Missouri, United States, 1928, passed away in 1994

《无题》由六个矩形空心金属盒组成，每个盒子都被艺术家从正中分为两个方形，并在其中一边置入紫色亚克力背板。盒子以均匀间隔悬挂于垂直墙面上，这一形式被称为“堆叠”，是唐纳德·贾德的标志性创作语言之一。通过将作品直接安装在墙面或地面上，雕塑与观众所在的空间融为一体，而嵌入雕塑的紫色也为空间增添了明快的氛围。紫色作为介于蓝色与红色两种原色之间的色彩，可以说是唐纳德在作品中常用的颜色。唐纳德·贾德是西方战后艺术史的代表人物之一，主张将艺术作为独立于现实层面的存在。他曾写道：“几何形状的主要优点是它们不是有机的，就如艺术本身。”而这种简单的几何形式也使作品脱离了可能的象征含义，成为了一件纯粹作为观看对象的艺术品。

Untitled consists of rectangular hollow metal boxes, each divided into two squares in the middle by the artist, with a purple acrylic plate placed on one side. The boxes are suspended at even intervals from the vertical walls, in a form known as the “stack”: one of Judd's signature artistic languages. Mounted directly on the wall or ground, the sculpture is integrated into the space, distorting the boundary between object and viewer. Coloured acrylic panels embedded in the sculpture contrast with the texture of the metal, reflecting the spectral beauty and visually activating the space around the stack. Maintaining that art is independent of reality, Donald Judd stands as one emissary of Western post-war art history. Judd once wrote, "The chief advantage of geometric shapes is that they are not organic, like art itself. This simple geometric form takes the work away from symbolism and thus becomes an object for viewing and engaging.

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