白灼有展 | 01/17 「释山」——林銮崇个展
早在北宋的文学家、画家苏轼就提出了一套影响至深的美学概念：常形与常理。云与水的流动，山石竹木的野蛮生长，这些皆无常形。在这无常形的景象中却有着内在的精神生气和定律，称之常理。
本次展览艺术家林銮崇的作品中，也透露着这般线索。如果将林銮崇的创作归入到某一个风格里面，我觉得他是一个探索中国绘画语言的创作者，是在“常形与常理“间的实践者。 銮崇早期的作品，更多是以油画与丙烯等传统西方的材料媒介进行创作。近两年来，他逐渐地回归到了宣纸笔墨、朽木、大漆等中国传统材料上。 遵从着某种定律的山水系拼贴重构，是他自己的绘画语言。作品中流露着一种安静、神秘与深沉的力量。似山非山的图形里有着固执、顽强与斑驳，也有平衡。也许这是他面对创作与生活的态度，也可能是颇为真实的人生感悟，是一种自然与人和谐共处的感性描述。 古人留下的一些东西，林銮崇用着自己的方式唤起在远处且古老的记忆。这些在现实与景象写意描述之上的东西，他称之为“轮廓”。 有别于过去只专注于当代影像的定位，重新启动后的白灼B-joy将迎来更多元性的当代艺术展览。作为重启后的第一个展览，本月17日在白灼空间展出的「释山——林銮崇个人作品展」中，銮崇将带来近两年创作的综合材料架上作品与大漆“拓片”装置，之于「山」，之于「中国绘画语言」，在「似山非山」中为观者打开一个新的观看与接触视角。
Since the beginning of time, Chinese ancients looked to nature and its elements for truth and meaning. Through the ages, many attempted to derive philosophical insight from life and all beings. Today we are still on this road of fulfilment, piecing together the clues and threads along the way.
Su Shi of the Northern Song dynasty (1037 - 1101) offered profoundly influential theories of calligraphy aesthetics, exploring the law and principles behind non-fixed forms such as flowing clouds and water, and philosophical constitution of rocks, bamboos and trees.
If we were to place LuanChong’s work into a specific style or school, I would say he is an artist striving to extend the scope of the Chinese Painting Language.
His earlier works focused on artistic expression through traditionally western mediums such as oil paint and acrylic. In the past two years, he gradually moved to traditionally Chinese mediums such as calligraphy ink, rice paper, decayed wood and lacquer.
Following a self-enforced disciplined approach, LuanChong reconstructs the genre of Chinese landscape painting through collage, rubbing and brush techniques. An emotional description of the harmonious relationship between nature and man, his works are mysterious, deepening and quiet. There is a sense of balance amongst the stubborn and unyielding mottled mountain-like shapes.
Showing subtle hints of his creative attitude and embedded understanding of life, LuanChong finds a way to awaken ancient and far away memories. In this display of a truth beyond the physical reality and emotional impression, he gives it a specific term “contour”.
The《Mountain Watching》Lin LuanChong Solo Exhibition curated by B-joy, will bring together a series of his canvas works and lacquer sculpture installation. This will also be our first official B-joy art exhibition since our recent brand revamp and opening of the B-joy Art Shop. We will be continuing our past commitment and focus on contemporary photography, while furthering the scope and diversity of our curation interests. Thus, this also marks a new beginning for B-joy.
—— 策展人：Peter C.
ABOUT B-joy Art Shop：
「白灼」创立于2018年，位于厦门思明区大学路沙坡尾的路口处，围绕影像展览与沙龙，一直以来致力于推广具有独立影像思考的艺术创作者。2020年下半年，「白灼」团队和空间进行了重新调整，在原有空间基础上重新规划商铺与展厅，即：一个位于巷子口的「B-joy」艺术商铺和一个在巷子内的艺术展厅，期待在继续原有影像展览的同时，将更多艺术形式和周边带入空间。
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白灼B-joy 艺术商店
地址：厦门市思明区大学路107号
No.107 Daxue Road,SiMing District,XiaMen
邮箱：bjoyimage@163.com
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